Human Generated Data

Title

Art Theory Text with Color-Solid Diagram

Date

1941

People

Artist: Stuart Davis, American 1892 - 1964

Classification

Archival Material

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Mrs. Stuart Davis, 1967.79.187

Copyright

© President and Fellows of Harvard College

Human Generated Data

Title

Art Theory Text with Color-Solid Diagram

People

Artist: Stuart Davis, American 1892 - 1964

Date

1941

Classification

Archival Material

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Mrs. Stuart Davis, 1967.79.187

Copyright

© President and Fellows of Harvard College

Machine Generated Data

Tags

Amazon
created on 2022-01-15

Text 99.3
Advertisement 96.2
Poster 95.4
Page 94.7
Flyer 92.4
Brochure 92.4
Paper 92.4
Letter 74.5

Clarifai
created on 2023-10-25

page 99.4
text 98.9
print 98.6
no person 98.2
paper 98.1
document 96.8
form 92.7
vintage 89.8
abstract 89.4
one 89
art 88.2
book 87.7
administration 85.5
illustration 84.4
fashionable 82.2
poetry 81.8
education 78.5
card 78.4
desktop 78
retro 77.7

Imagga
created on 2022-01-15

reflection 32.3
creation 32.2
book 31.9
picture 31.5
representation 27.1
paper 25.1
decorative 24.2
creative 23.9
design 23.7
journal 23.7
old 23
association 22.7
definition 22.6
business 22.5
artwork 22
art 21.9
menu 21.8
cloud 21.5
text 21
newspaper 21
graphic 19.7
page 18.6
product 17.9
idea 17.8
document 17.7
vintage 17.4
antique 17
information 16.9
cover 16.7
advertising 16.3
fare 15.8
decoration 15.6
bookmark 15
bible 14.7
letter 14.7
advertisement 14.5
religion 14.4
composition 14.1
conceptual 14.1
religious 14.1
element 14.1
backdrop 14
brochure 13.7
collection 13.5
ink 13.5
education 13
detail 12.9
associated 12.8
data 12.8
carpet 12.7
advertise 12.7
read 12.5
god 12.5
drawing 12.5
decor 12.4
prayer 11.6
financial 11.6
writing 11.3
ancient 11.3
word 10.4
daily 10.4
emphasize 9.9
felt 9.9
fluorescent 9.9
dye 9.8
pen 9.8
holy 9.7
draw 9.5
print 9.4
retro 9
open 9
history 9
continuity 8.9
highlight 8.9
drapery 8.9
important 8.9
analysis 8.8
faith 8.6
map 8.6
fabric 8.6
sheet 8.5
finance 8.5
communication 8.4
food 8.4
fountain 8.4
texture 8.4
form 8.3
new 8.1
symbol 8.1
office 8
close 8
copy 8
highlighter 7.9
bright 7.9
pray 7.8
spiritual 7.7
money 7.7
church 7.4
gold 7.4
global 7.3
world 7.1

Google
created on 2022-01-15

Triangle 87.2
Font 82.2
Parallel 75.4
Book 73.8
Symmetry 72.6
Creative arts 70.7
Paper product 66.8
Paper 66.8
Document 64.6
Diagram 63.5
Drawing 63.1
Art 58.5
Pattern 56.2
Event 54.3
Letter 52.4
Circle 51.9

Microsoft
created on 2022-01-15

text 100
letter 98.5
handwriting 63.9
paper 61.2
document 42.9
screenshot 42.3

Color Analysis

Categories

Imagga

text visuals 100%

Captions

Microsoft
created on 2022-01-15

diagram, text, letter 85.7%

Azure OpenAI

Created on 2024-02-06

The image displays a page with typewritten text and two hand-drawn geometric diagrams. The page is numbered at the top right corner with the number 9. The typewritten text discusses aspects of color theory, specifically mentioning the juxtaposition of two colors and how changing one color would alter the visual and objective perception of the areas in a diagram. The passage also references the psychological and emotional aspects of color, suggesting that to consider color objectively, one should think in terms of a dimensional system. The lower part of the page references a "Color-Solid of Ostwald," which has been simplified for practical application to pigment mixing. The text explains that this model illustrates the dimensional system of color and that any color tone can be positioned within its limits. It indicates that the positional relationship between colors (white to black versus red to black) demonstrates a difference in real dimensional position. The text concludes by stating that the difference in color is best described as a difference in the third dimension, which is why space within color structures can be considered to have dimension. The two diagrams depict geometric shapes, one of which is a three-dimensional structure resembling a cross between a pyramid and a diamond shape. The structure's vertices and edges are marked to suggest connections to the dimensional system of color mentioned in the text. The second, smaller diagram appears to be an outlined section of the larger geometric structure.

Anthropic Claude

Created on 2024-03-30

The image appears to be a diagram or illustration that demonstrates the dimensional system of color, based on the Color-Solid of Ostwald. The diagram shows a geometric shape, consisting of several intersecting lines and shaded areas, which is used to illustrate the relationships between different colors and their positioning within a dimensional color system. The text explains that the diagram is simplified and adapted for practical application to pigment mixing, and it discusses how the positioning of white, black, and red lines in the diagram represents dimensional differences in color perception. The overall focus of the image and accompanying text is on the objective, dimensional qualities of color relationships, rather than any subjective or emotional associations.

Text analysis

Amazon

the
The
for
about
noted
must
been
black
and
white
be
have
two
had
of
to
think
it
a
red
only
that
three
another
color,
but
Now it must be noted that the three areas of the diagram only
same
The psychological
mean
Now
would
There would be the same two black areas in relation to a red
in
red for example, had been used to draw the white line-area, the diagram
There
is
diagram
This
example,
relation
because
have existence because two colors have been juxtaposed. If another color,
it is the visual appearance of a dimensional relation.
area,
If
psychologically
colors
area, instead of a white area.
visual
dimensional
I
color
areas
emotional
would be different. I don't mean psychologically different, but objectively
used
psychological
area.
9.
This is a dimensional difference, because
existence
instead
appearance
and emotional associations of color are subjective, but to think about
subjective,
are
draw
relation.
objectively
line-area,
difference,
different,
associations
different.
don't
juxtaposed.
necessary
it is necessary to

Google

Now it must be noted that the three areas of the diagram only have existence because two colors have been juxtaposed. If another color, red for example, had been used to draw the white line-area, the diagram would be different. I don't mean psychologically different, but objectively different. There would be the same two black areas in relation to a red area, instead of a white area. This is a dimensional difference, because it is the visual appearance of a dimensional relation. The psychological and emotional associations of color are subjective, at to think about at as necessary to do so it objectively/in terms of a dimensional system. This diagram, based on the Color-Solid of Ostwald, (simplified and chang ed for practical application to pigment mixing), illustrates the dimensional system of color This Color-Solid includes the complete scope of perceptible color, and any possible color-tone can be given its correct relative position within its limits. It shows that the positional relationship of white to black is a different one than red to black, and this proves that the color difference between the red and white lines in our first diagram is a difference in real dimensional position. Since the red and white lines are identical in their first and second dimensions, horizontal and vertical, their difference in color can be described as another dimension, a third dimension. That is why I believe it is correct to refer to the space
Now
it
must
be
noted
that
the
three
areas
of
diagram
only
have
existence
because
two
colors
been
juxtaposed.
If
another
color,
red
for
example,
had
used
to
draw
white
line-area,
would
different.
I
don't
mean
psychologically
different,
but
objectively
There
same
black
in
relation
a
area,
instead
area.
This
is
dimensional
difference,
visual
appearance
relation.
The
psychological
and
emotional
associations
color
are
subjective,
at
think
about
as
necessary
do
so
objectively/in
terms
system.
diagram,
based
on
Color-Solid
Ostwald,
(simplified
chang
ed
practical
application
pigment
mixing),
illustrates
system
includes
complete
scope
perceptible
any
possible
color-tone
can
given
its
correct
relative
position
within
limits.
It
shows
positional
relationship
different
one
than
black,
this
proves
difference
between
lines
our
first
real
position.
Since
identical
their
second
dimensions,
horizontal
vertical,
described
dimension,
third
dimension.
That
why
believe
refer
space