Human Generated Data

Title

Art Theory Text with Diagram

Date

1941

People

Artist: Stuart Davis, American 1892 - 1964

Classification

Archival Material

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Mrs. Stuart Davis, 1967.79.186

Copyright

© President and Fellows of Harvard College

Human Generated Data

Title

Art Theory Text with Diagram

People

Artist: Stuart Davis, American 1892 - 1964

Date

1941

Classification

Archival Material

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Mrs. Stuart Davis, 1967.79.186

Copyright

© President and Fellows of Harvard College

Machine Generated Data

Tags

Amazon
created on 2022-01-15

Text 99.7
Page 99.2
Book 98.8
Letter 86.1
Paper 71.1
Document 57.8
Flyer 57.4
Poster 57.4
Brochure 57.4
Advertisement 57.4

Clarifai
created on 2023-10-25

page 99.5
text 99.2
no person 97.2
document 97.1
paper 96.9
print 93.6
form 91.5
book 91.3
poetry 90.9
abstract 90.1
writing 89.5
scripture 88.4
administration 86.5
vintage 84.9
number 83.8
signature 81.7
wear 81.7
one 81.1
people 80.9
business 80.8

Imagga
created on 2022-01-15

menu 100
fare 87.6
food 41.3
reflection 33.5
picture 32.7
paper 25.9
book 25.1
business 25
definition 24.6
text 24.5
representation 24.4
design 23.7
association 23.7
artwork 22.9
decorative 22.6
creative 22.1
information 21.3
letter 21.1
data 21
idea 20.5
graphic 20.5
page 20.5
art 19.7
document 19.5
creation 19.3
cloud 18.1
old 17.5
cover 16.7
education 16.5
antique 15.7
backdrop 15.7
detail 15.3
decoration 14.5
advertisement 14.5
collage 14.5
advertising 14.4
religion 14.4
copy 14.2
drawing 13.8
brochure 13.7
prayer 13.5
collection 13.5
print 13.2
word 13.2
composition 13.2
religious 13.1
associated 12.8
keywords 12.8
bible 12.8
carpet 12.7
advertise 12.7
god 12.5
vintage 12.4
element 12.4
decor 12.4
conceptual 12.4
financial 11.6
ink 11.6
holy 11.6
read 11.6
emphasize 10.9
felt 10.9
fluorescent 10.9
dye 10.8
open 10.8
draw 10.5
highlight 9.9
new 9.7
spiritual 9.6
faith 9.6
ancient 9.5
journal 9.5
pen 9.5
money 9.4
finance 9.3
form 9.3
highlighter 9.1
black 9
human 9
market 8.9
office 8.9
more 8.8
mosaic 8.8
numbers 8.7
mix 8.7
bright 8.6
map 8.5
writing 8.5
stock 8.4
modern 8.4
communication 8.4
study 8.4
church 8.3
pattern 8.2
retro 8.2
close 8
bank 8
testament 7.9
important 7.9
words 7.8
pages 7.8
ornament 7.8
news 7.8
sheet 7.5
company 7.5
template 7.4
world 7.1
day 7.1

Google
created on 2022-01-15

Font 80.4
Parallel 71.9
Paper 71.6
Paper product 70.1
Letter 64.5
Document 64.2

Microsoft
created on 2022-01-15

text 100
letter 96.3
screenshot 83.2
handwriting 52.2
document 23.7

Color Analysis

Feature analysis

Amazon

Book 98.8%
Document 57.8%

Categories

Imagga

text visuals 100%

Captions

Microsoft
created on 2022-01-15

text, letter 99.7%

Azure OpenAI

Created on 2024-02-06

This image shows a typed document with text discussing the nature of painting. It includes headers and some handwritten corrections. The text addresses the integration of WHAT, WHY, and HOW in painting, discussing Subject-Matter, Content, Form, and unforeseen Content. Two main considerations are outlined: the actual materials involved in painting and the mechanical skills required to assemble them, and the awareness of the objective dimensionality of the canvas, with the need for certain formulations about its character. The document suggests that the mechanical aspect of construction using materials like oil paint, gouache, canvas or paper is the least important part, and anyone who can lift a brush could be shown how to do it in 10 minutes. The selection of colors, medium, canvas, and brushes poses no problem except economically, so no further comment is made on that. The second part requires an explanation about the laws of dimensionality of the canvas, which the author intends to explain with a few simple diagrams. The image also shows a diagram labeled "A," which consists of a simple rectangle representing the basic elements found in any complex picture. The text above the document section numbered "7." suggests the continuation from a previous part of the text. An implicit connection is made between the simplicity of this diagram and the complexities involved in a complete painting.

Anthropic Claude

Created on 2024-03-30

The image appears to be a page of text discussing the art of painting. It discusses the integrated unity of the subject-matter, the color, and the process of constructing the form in painting. The text mentions two main considerations in the abstract isolation of the "how" of painting - the materials involved and the mechanical skill required, as well as the awareness of the objective dimensionality of the canvas and the need for certain formulations about its character. The author then goes on to say that the mechanics of construction, the physical practice with the materials, is the least important part of the art process, and that lack of mechanical skill does not prevent someone from being an artist. The author explains their own approach of directly applying oil paint or gouache to canvas or paper without any under-painting or glazing. The text then discusses the second consideration, which is the laws of the dimensionality of the canvas, and the author states they will attempt to explain this with the aid of a simple diagram provided on the page.

Text analysis

Amazon

the
The
of
skill
for
in
is
integrated
an
often
and
HOW
physical
Content.
actual
abstract
about
them
matter
matter of physical
painting
need
its
desired
But
three
first
mechanical skill required in putting them together in the desired way
the three dimensional Color-Space of the canvas, and the need for certain
Form
are,
required
HOW,
in thinking of the HOW in abstract isolation, two main considerations
putting
certain
main
The first consideration, the Mechanics of construction, is a
These are,
two
Form,
process of constructing the Form often creates an unforseen Content.
together
These
WHY,
a
process
objective
isolation,
creates
determine
appear.
Color-Space
dimensional
involved,
Materials
dimensionality
thinking
Mechanics
WHAT,
formulations about its character.
2 - Awareness of the objective dimensionality of
constructing
construction,
formulations
canvas,
mechanical
1 - The actual Materials involved, and the
considerations
unforseen
7.
consideration,
Actually, the WHAT, WHY, and HOW, of painting are an integrated
way
Actually,
unity.
character.
The Subject-Matter and Content determine the Form, and the actual
2 - Awareness
1 - The
Subject-Matter
are
Content
CARD

Google

7. Actually, the WHAT, WHY, and HOW, of painting are, an integrated unity. The Subject-Matter and Conent determine the Form, and the actual process of constructing the Form often creates an unforseen Content. But in thinking of the HOW in abstract isolation, two main considerations аppear. These are, 1 - The actual Materials involved, and the mechanical skill required in putting them together in the desired way. 2 - Awareness of the objective dimensionality of the three dimensional Color-Space of the canvas, and the need for certain formulations about its character. The first consideration, the Mechanics of construction, is a matter of phy sical practice with the materials themselves, and is the least important part of the art process. Lack of mechanical skill never kept anyone from being an artist. In my own case I use chiefly oil paint, or gouache, on canvas or paper. I apply them directly, without under- painting or glazing, and the whole process is entirely free from the complications involved in some other indirect techniques. Anybody who can lift a brush could be shown how to do it in 10 minutes. I am afraid, therefore, that there is nothing more to say about it. The selection of permanent colors, suitable medium, canvas, and brushes, offers no problem except an economic one, so I will say no more about that. But the second consideration, about the laws of the dimensional- ity of the canvas does require explanation, and I will attempt to do this with the aid of a few very simple diagrams. This diagram A - A contains in principle all of the essential elements that appear in the most complex picture. Although it is an extremely simple case, analysis of it
7.
WHAT,
WHY,
and
are,
The
Subject-Matter
the
Form,
Form
often
unforseen
Content.
HOW
two
considerations
in
putting
desired
way.
Awareness
objective
dimensionality
Color-Space
of
canvas,
need
for
formulations
about
Mechanics
construction,
is
phy
sical
with
themselves,
least
important
art
process.
mechanical
skill
anyone
an
In
own
I
use
chiefly
oil
paint,
or
gouache,
on
canvas
paper.
apply
them
directly,
without
under-
painting
glazing,
whole
entirely
free
from
involved
some
indirect
Anybody
who
can
lift
brush
could
be
shown
how
to
10
that
suitable
medium,
except
one,
more
that.
But
laws
ity
does
require
explanation,
attempt
do
aid
a
very
This
diagram
-
A
contains
all
essential
it
simple
case,
Actually,
HOW,
integrated
unity.
Conent
determine
actual
process
constructing
creates
thinking
abstract
isolation,
main
аppear.
These
1
Materials
involved,
required
together
2
three
dimensional
certain
its
character.
first
consideration,
matter
practice
materials
part
Lack
never
kept
being
artist.
my
case
complications
other
techniques.
minutes.
am
afraid,
therefore,
there
nothing
say
it.
selection
permanent
colors,
brushes,
offers
no
problem
economic
so
will
second
dimensional-
this
few
diagrams.
principle
elements
appear
most
complex
picture.
Although
extremely
analysis