Created on 2024-02-06

The image shows a handwritten note on a yellow piece of paper with the date "9/1/42" at the top. The handwriting, in black ink, is mostly legible and appears to contain instructions or explanations regarding the focus on specific configurations and their regularity. The note discusses how each configuration is related to a scale and is referable to basic types of positional relationships within a square. There are small illustrations of squares with varying numbers of internal divisions (one, four, and many smaller squares within the larger square) and one empty square, possibly representing different configurations or types discussed in the text. The note emphasizes that these types have a defined regularity and equilibrium which contributes to their coherence and dimensionality of color. The overall content seems to be related to design principles or artistic composition.

Created on 2024-03-30

The image is a handwritten note dated 9/9/42. The text appears to discuss a "motion" to focus attention on the "spectre regularly or configuration, and to exclude all others." The note then goes on to explain that each "configuration" has a "scale" dependent on the "number of elements that make its field." It also discusses how each configuration scale is "referable to one of x basic types of rational relationship within a square" and provides examples of these types using simple geometric shapes. The note seems to be explaining some kind of numerical or conceptual framework related to visual configurations, without identifying any specific individuals.

Created on 2024-12-02

The image is a handwritten note on aged paper, dated 9/9/42, discussing the importance of focus on specific regularity or configuration to exclude all others. The note emphasizes that each configuration has a scale, dependent on the number of elements that make its field. It also mentions that each configuration scale is referable to one of X basic types of positional relationships within a square relationship within a square. The note includes a diagram with four squares, each with a different pattern of lines inside them. The patterns are: * A solid square * A square with a grid pattern * A square with a grid pattern and a smaller square inside it * A square with a grid pattern and a smaller square inside it, but with the lines of the grid pattern not aligned with the edges of the smaller square The note concludes by stating that all of these types have a well-defined regularity and equilibrium, which makes them coherent in the language of color. It also notes that there is a trace dimensionality. Overall, the note appears to be discussing the concept of configuration and its relationship to scale and regularity, and how these concepts can be applied to the study of color and visual perception.