Created on 2024-02-06

The image is of a handwritten note with the title "C- Art Composition 10678" at the top in blue ink. Below the title, there are two sketched squares side by side, each containing a central square and other markings. On the left, labeled "TRADITIONAL," the center square is labeled "5," with the numbers "1" to "4" marked at the corners of the larger square. There is an "X" through the center square. On the right, labeled "C- ART," the design is similar, but the positions of the "1" to "4" are changed with "1" and "3" on the top of the larger square and "2" and "4" below it. Below the sketches is a written explanation in blue ink: "Traditional Composition is based on formal reality. C- Art Composition is based on non-rational reality. T-C has a single center. C-A has multiple centers. In T-C, size, color, and position are subject remain as they are. In C-A, they are interchangeable. Meaning in T-A includes subject. In C-A, Drawing is the exclusive meaning. In C-A, The drawing retains its meaning when reviewed from any of its four sides." The handwriting is quite legible and encompasses two-thirds of the length of the page. The paper is off-white and shows some signs of age at the edges.

Created on 2024-03-30

The image appears to be a handwritten note that discusses the concept of "Traditional Composition" and "C-Art Composition" in art. It provides a visual representation of the two compositional approaches and explains the differences between them. The note also discusses the characteristics and properties of the T-C (Traditional Composition) and C-A (C-Art Composition) methods, including the number of centers, the inclusion of subject matter, and the meaning of the drawing. The image does not contain any human faces or identifiable individuals, and the discussion is focused on the artistic concepts and techniques rather than any specific persons.