Created on 2024-02-06

The image is of a handwritten note with the title "C- Art Composition 10678" at the top in blue ink. Below the title, there are two sketched squares side by side, each containing a central square and other markings. On the left, labeled "TRADITIONAL," the center square is labeled "5," with the numbers "1" to "4" marked at the corners of the larger square. There is an "X" through the center square. On the right, labeled "C- ART," the design is similar, but the positions of the "1" to "4" are changed with "1" and "3" on the top of the larger square and "2" and "4" below it. Below the sketches is a written explanation in blue ink: "Traditional Composition is based on formal reality. C- Art Composition is based on non-rational reality. T-C has a single center. C-A has multiple centers. In T-C, size, color, and position are subject remain as they are. In C-A, they are interchangeable. Meaning in T-A includes subject. In C-A, Drawing is the exclusive meaning. In C-A, The drawing retains its meaning when reviewed from any of its four sides." The handwriting is quite legible and encompasses two-thirds of the length of the page. The paper is off-white and shows some signs of age at the edges.

Created on 2024-03-30

The image appears to be a handwritten note that discusses the concept of "Traditional Composition" and "C-Art Composition" in art. It provides a visual representation of the two compositional approaches and explains the differences between them. The note also discusses the characteristics and properties of the T-C (Traditional Composition) and C-A (C-Art Composition) methods, including the number of centers, the inclusion of subject matter, and the meaning of the drawing. The image does not contain any human faces or identifiable individuals, and the discussion is focused on the artistic concepts and techniques rather than any specific persons.

Created on 2024-12-02

The image presents a handwritten note on a piece of aged paper, detailing the differences between traditional and C-Art composition. The note is written in blue ink and features two diagrams, one for each type of composition. * **Title** * The title "C-Art Composition 10 6 78" is written at the top of the page in blue ink. * **Traditional Composition Diagram** * A diagram illustrating a traditional composition is located on the left side of the page. * The diagram consists of a square with a smaller square inside it, surrounded by four triangles. * The numbers 1, 2, 3, 4, 5, and 6 are written within the diagram, with lines connecting them to specific points. * **C-Art Composition Diagram** * A diagram illustrating a C-Art composition is located on the right side of the page. * The diagram consists of a square with a smaller square inside it, surrounded by four rectangles. * The numbers 1, 2, 3, 4, 5, and 6 are written within the diagram, with lines connecting them to specific points. * **Text** * Below the diagrams, a paragraph of text explains the differences between traditional and C-Art composition. * The text states that traditional composition is based on optical reality, while C-Art composition is based on non-natural reality. * It also explains that T-C has a single center, while C-A has multiple centers. * Additionally, it notes that in T-C, size, color, and position are subject to remain as they are, whereas in C-A, they are interchangeable. * The text also mentions that meaning in T-A includes subject, while in C-A, drawing is the exclusive meaning. * Finally, it states that in C-A, the drawing returns its meaning when viewed from any of its four sides. * **Background** * The background of the image is a piece of aged paper with a light yellowish-brown color. In summary, the image provides a clear and concise explanation of the differences between traditional and C-Art composition, highlighting the unique characteristics of each style.