Created on 2024-02-07

The image appears to be a handwritten note, mostly in blue ink on a lined note paper. At the top left corner, the word "Comparison" is underlined. The note discusses how, in Cubist Art (abbreviated as "C. Art" in the note), traditional composition has no place because there is no set subject in the art—it is different from traditional art. The text argues that composition in Cubist Art has no center in the traditional sense, but rather has multiple centers. Optical perspective is not a factor in Cubist Art, which makes size differentials nonsensical—what is large remains large, and what is small remains small. Positioning of subjects, such as up, down, right, and left, is interchangeable. A statement on color reversibility is mentioned—black can become white, etc. Below the text, there are two small, rough sketches demonstrating the differences in subject placement between traditional art (labeled "SUBJECT") and Cubist Art (labeled "C-ART"), with numbers inside indicating placement positions. On the top right, there is a number encircled "1" and what appears to be an inventory or reference number "10678". The handwriting style is cursive and informal.

Created on 2024-03-30

The image appears to be a handwritten note discussing the concept of "C-Art", which is described as having no place because the concept of the role of subject in art is different. The note explains that C-Art has no center in the traditional sense, and is a culmination of multiple centers. It suggests that in C-Art, the visual perspective is not a factor, and therefore the phenomenon of size differentials is reversible. The note also discusses how in C-Art, the relative position in subject is reversible, and how colors can become interchangeable, as, black, white, etc. The image also contains two diagrams related to the concepts discussed in the note.

Created on 2024-12-02

The image presents a handwritten note on composition in C-Art, featuring a mix of cursive and printed text. The note is written in blue ink on a yellowed piece of paper with a rough texture. **Note Content** The note begins with the title "Composition" and a number "10678" in the top-left corner. Below this, the text reads: "Old Art, traditional composition has no place because the concept of the role of subject in Art is different. Composition in C-Art has no center in the traditional sense. It is a composition of multiple centers. On that way optical perspective is not a factor, and therefore the phenomenon of size differentials is reversible. What is large in subject can be small or remain large in C-Art. Also its relative position in subject is reversible. Up, down, right, left position, are interchangeable in C-Art. Similarly, subject color is reversible, as black can become white, etc." **Illustrations** Below the text, two small diagrams are drawn in blue ink. The left diagram features a square with a smaller square inside, labeled "SUBJECT." The right diagram shows a square with a smaller square inside, labeled "C-Art." Both diagrams have arrows pointing to different parts of the squares, indicating the interchangeable nature of the subject's position and color. **Background** The background of the image is a plain beige color, providing a neutral backdrop for the handwritten note and diagrams. **Overall** The image appears to be a study note or lecture material for a course on composition in C-Art, highlighting the unique aspects of this art form and its departure from traditional composition techniques.