Human Generated Data

Title

Fluxus cc fiVe ThReE No. 4 June, 1964
Date

1964
People

Artist: George Maciunas, American 1931 - 1978
Classification

Multiples
Credit Line

Harvard Art Museums/Fogg Museum, Barbara and Peter Moore Fluxus Collection, Margaret Fisher Fund and gift of Barbara Moore/Bound & Unbound, M26446.15
Copyright

© George Maciunas Foundation / Artists Rights Society (ARS), New York.

Human Generated Data

Title

Fluxus cc fiVe ThReE No. 4 June, 1964

People

Artist: George Maciunas, American 1931 - 1978

Date

1964

Classification

Multiples

Credit Line

Harvard Art Museums/Fogg Museum, Barbara and Peter Moore Fluxus Collection, Margaret Fisher Fund and gift of Barbara Moore/Bound & Unbound, M26446.15

Copyright

© George Maciunas Foundation / Artists Rights Society (ARS), New York.

Machine Generated Data

Tags

Color Analysis

Categories

Imagga

Captions

Text analysis

Google

CITY
EDITION
"All
Maiy
a
e
d
and
OFFERINGS
TO
BUYERS
ROBERT
WATTS:
PAGE
EDITED
BY
FLUXUS
coITORIAL
COUNCIL,@COPYRIGHT
1964
25
SINGLE
COPY
aterlade
to
the
EXPOSITION
of
EXPERIMENTAL
TELEVISION
1963,
March,
Galerie
MAY
I
AM
semantical
event,in
Nineteen-
sixties
The
beaudly
distorted
Kennedy
is
Now
that
Flas
occuming
in
New
York
it's
possible
for
and,
nelatively,
sone
misunderstanding
pretty
anuncer
Tis
ge
sut
oneself)
NORMAL
"
character
namal
"cstasy
used
almost
as
case
In
sell
sychesized
dialectic
evo
Tion
or
edun,
not
aleays
interesting
Second
dinension
variability
13
iels
siffered
am
but
be
able
te
say
all
their
inner
ciepuits,
No
Two
sets
had
same
Not
one
sinple
blr,
you
vetical
horzontal
gps
whose
have
Fluxus
there
has
never
been
any
attempt
agree
on
ans
simply
natural
ly
coalesced
pblish
perfm
work,
Perhags
this
common
something
feeling
bounds
art
are
much
they
aeno
longer
very
uselul,
At
rate,
Euspe,
discavered
each
otjects
which
like
enjeyed
began
some
it
met
15
Kile-Velts,
UCHIDA
Research
because
changes.
ad
fis
stap
consummated
eerity
xod,
ecstasy,
sense
bransport
rapture
from
contempla
beauty
that,
limitless
QUANTITY
nature
category
QUALITY
unconsciously
mised
with
meanings
than
thing
parallel
manry
Inde
pendent
movetets
sinultaneously)
SHUYA
ABE,
allnighty
poli
technican,
science
iss
more
beasty
trying
prove
Selepachy
pghesy
electremagne
ecstasy
sese
is,
proceeding
our
normal
my
experimetal
TV,
"QUALITY
anly
CHARACTER,
Valentines,
Mohawks,
Lens
Six
Canceburys
Fost
Wader
ch
ein
Siar-,
King-
bean
co
enaugh
run
Nilagara
theee
BOX
OF
weighe
ie
kilegrans
bottle
iste
sext,
til
water
evaperated
bees
spilled.
Ben
audlence
stands
time
sits
at
stool
acress
table
me
?"
yesses
go
cut.
Waltins,
seems
compltly
ditleent
important
thind
diension
wares
radios
varieus
peints
these
two
dan't
terminal
station,
conclu
son,wsed
id
sion,
sopped
selde
monent,
consummation,
other
wods,
rel
ative,
relative,
suspending.
A
different
B.
8
other,
This
rather
eld-typed
beauty,
variable,
hanging
mid-air,
High
Frequency
Technique,
was
easier
audience,
maybe
need
red
apple
Semetimes
1
lips
NOT
VERY
SATISFIED
BUT
UNSATISFIED.
eperitetal
aspects
d)
There
eincuts,
French
cheese-sarts
certain
kind
variation,
models
audomatic
contrel
cannet
do.
ALWAYS
INTERESTING
UNINTERESTING...
Medaglia
d'Ors
2
My
experimental
TV
first
-7
dusting
aver
floor
Water,
ON
YOUR
BACK,
ANYTHING
AT
.
"perfect
Just
diede
inte
direction,
gt
waving
Mary
mystics
interested
sprins
su
ONE-ROW-TIME,
ONE-WAY-TIME,R
nder
el
negative
Televisian.
If
epigsans
de
sane
trick,
result
wil
canpletely
C
unlke
Webem
let
ta
bot
Zen,
althevgh
becane
"0UR"
polt
fermer
Poetry
JUST
SAY
Danlel
Spoemi's
ef
ueknown
lectures,
ike
begins,
Ater
day
tme
Tte
besins.
repated
number
MONTE
La
Audience
GRASP
Etemity
ity,
Te
she
censumated
se
y
marely
a"PHYSICAL
MUSIC
Anyeay,
Zen
segations
irsesation:
Teslte
IS
relative.
ative
champisncetes
hon-
oured
59.7
seconds)
percelve
independent
it.
sb)
Beklye
Joe
Jones'
inans
lucent
hat
over
your
head,
flip
switches.
Lights
here
there,
peripheral
radies
on,
off,
news,
static,
taist
music,
binth
day.
Ceorpe
Breche's
PUZZLE:Your
binthday.
Monte
1960,
fire
front
audience...
Arp's
audience
leaves
perfomance
room
thepugh
arrow
oer
bed
nails,
foot-slzed
gaps
inee-high
strings
Nam
June
it,
then
neighborhood
theater
see
again)
Mose
Elut's
elessional
dew-withs
(paying
culture
t
Joyce
compelled
write
parallely
adrancing
stories
othology
simaltanesus
perception
flows
perhaps
dream
mys
although
problem
pessible
nomal
we
only
hean,
mystical
WELL
TRAINED.......be
needs
nether
saicide
most
anti-art,
even
existed
could
achileved
negalan
fact,
motal
every
passes
awty,
her
yh,
fame...
means
something,
lies
higher
7)
persanality
gersonality
NOW
uspla,
what
may
also
topia,what
20
hours
utapia,
be.
NOWie
30
months
alse
tepia,what
in40
million
years
alss
uapla,what
Therefore
r
sort
inverse
compliment),
making
Alisen
Knowles'
bean-sprouts
seen
levelier
71,
process
final
little
do,..
therefore,.by
no
previous
work
so
happy
working
experiments
usual
compositions,
approx
ieate
visioe
comeleted
(the
pre-inaged
therefore
Whether
think
concent
halls,
theaters,
an
galleries
places
present
performances,
ohjects,
fisd
nese
munmifying,
preferring
streets,
homes,
railway
stations,
find
useful
distingulsh
between
twe
world
theater,
someone
associated
Fluxss
whe
agrees
yeu
Artists,
anti-artists,
non-artists,
anartists,
pelitically
committed
apolitical,
poets
non-peetry,
non-dancers
dancing,
doers,
undoers.
non-doers,
Fluws
encempasses
oppesites.
Consider
opposing
supporting
ignoring
changing
yeur
mindI
We
should
lean,
how
ssfied