Created on 2024-02-07

The image shows a simple line drawing in black ink on a brownish paper. The drawing consists of abstract shapes and lines that may suggest a fragmented figure or forms. The shapes do not represent anything recognizable but seem to be arbitrary or conceptual. Below the drawing, there is a handwritten note that reads: "The discovery in 1932 in regard to the irrelevance of vertical and horizontal ratios in the meaning of a composition is basic to e Art." The handwriting appears to be in cursive, with some words harder to make out than others due to the style of writing or ink smudging. The note suggests some sort of theoretical or philosophical statement about art composition made in 1932, which the artist seems to consider foundational to a certain type of art, referred to here as "e Art."

Created on 2024-03-30

The image appears to be a hand-drawn sketch or diagram. It contains abstract, irregularly shaped forms and lines, creating an abstract, stylized composition. The text below the image indicates that this was a discovery made in 1932 regarding the irrelevance of vertical and horizontal ratios in the meaning of a composition as it relates to art.

Created on 2024-12-02

The image presents a sketch of a face, accompanied by handwritten text. The sketch is rendered in black ink on a tan background, featuring a minimalist style with bold lines and minimal shading. The face is depicted in profile, with the subject's nose and mouth visible. The handwritten text, also in black ink, is positioned below the sketch and reads: "The discovery in 1932 of the irrelevance of vertical and horizontal ratios in the meaning of a composition is basic to art." The text is written in cursive script, with the words "irrelevance" and "basic" underlined. Overall, the image appears to be a study or concept piece, possibly related to art theory or criticism. The use of simple yet expressive lines and the emphasis on the discovery of a new concept suggest a focus on the fundamental principles of art.