Created on 2024-02-07

The image displays a piece of paper with handwritten notes and a small abstract sketch. At the top of the paper, there's a reference number "E3019" followed by a penned star symbol. The note appears to discuss an opinion or perspective on the concept of a "finished" painting. It suggests that this concept is merely a function of the broader concept of the subject form, and talks about these being determinative factors in the formulation of art ideas. The note goes on to propose that as such concepts are now anachronistic, the notions of completeness in art are no longer useful. The handwriting suggests a change in thinking, emphasizing the distinction between the creator and the creation, pointing out that the observer's image is now a significant factor in art expression. Below the text is a rough, abstract sketch, possibly depicting the subject under discussion. The sketch is geometric and appears to be an early conceptualization of a piece of artwork in which various shapes overlap or interlock within a square boundary. At the bottom left corner of the paper, there seems to be a small area where the paper is worn or stained, with a faint, blue-colored mark below the text, suggesting the paper might be old or handled frequently.

Created on 2024-03-30

The image appears to contain a hand-written description and a sketch. The description discusses a "concept of me minished" painting, describing it as simply a function or determination of the art idea. It mentions the concept being now "uncharacteristic" and that there are no longer any complexities in the art work. The sketch itself appears to be an abstract, geometric composition with various shapes and lines.

Created on 2024-12-02

The image presents a handwritten note and a sketch on aged paper, likely from an art class or lecture. The note is written in cursive and appears to be discussing the concept of "finished" haunting as a function of the basic concept of subject-object being a determinant factor in the formulation of an art idea. It also mentions that since that concept is now anachronistic, the notion about completeness in art is no longer useful. The sketch, located below the note, features a collection of abstract shapes and lines in black ink. The shapes are irregular and do not form a cohesive image, with some appearing to be overlapping or intersecting with others. The background of the sketch is a light beige color, which contrasts with the darker tone of the handwritten note. Overall, the image suggests that the artist is exploring new ways of creating art that move away from traditional notions of completion and perfection. The use of abstract shapes and lines creates a sense of tension and uncertainty, which may be intentional in order to challenge the viewer's expectations and encourage them to think critically about the nature of art.