Created on 2024-02-06

The image shows a piece of paper with both sketch and handwritten text. At the top of the paper, there is a rough black and white pencil sketch of an abstract composition with geometric forms. It includes rectangles, lines, and a shape that resembles a curvy letter 'S'. There is a wobbly grid-like structure to the left, a sun-like circle above, and what could be architectural elements or sculptures. Some parts of the sketch are lightly shaded, while others have firm lines. Below the sketch, there's a handwritten note in cursive script. The note reads: "The Painting must never be regarded as arriving at a Completion when is called Good. That presumes a meaning ulterior to the exclusive C. [Scale?] Size Meaning of the work. The artist never knows whether is Good or Not He knows only his Objective Method" The handwriting is neat but with a personal flair, and there are a couple of words that are crossed out and corrected. At the end of the text, "Charles" is partially written out and then scratched through, next to it "Sluta" is written which also seems to be crossed out. On the bottom right of the page, there is a signature that reads "Charles" but the last name is not fully legible. The overall sense is that of a working document of an artist, combining visual ideas with reflective notes on the artistic process.

Created on 2024-03-30

The image appears to be a sketch or drawing of an abstract, geometric composition. The piece features various angular and curved shapes, lines, and forms arranged in a seemingly intentional manner. The artist has written a reflective note at the bottom of the image, expressing their view that a painting should never be regarded as merely aiming at a completion, but rather as conveying a deeper, more meaningful interpretation that goes beyond the exclusive, traditional understanding of the work. The artist suggests that the true value of the artwork lies in the artist's own understanding and execution, rather than any external judgment of its quality.

Created on 2024-12-02

The image presents a sketch of an abstract painting, accompanied by a handwritten note that provides insight into the artist's intentions and creative process. **Sketch:** * The sketch is rendered in pencil on a beige background. * It features a complex composition with multiple geometric shapes, including rectangles, triangles, and circles. * The shapes are arranged in a seemingly random pattern, with some overlapping or intersecting each other. * The overall effect is one of dynamic tension and visual interest. **Handwritten Note:** * The note is written in black ink and appears to be a personal reflection or commentary on the painting. * The text reads: "The Painting must never be regarded as arriving at a Completion when it is called Good. That presumes a meaning alterior to the exclusive & Scale Size Meaning of the work. The Artist never knows whether it is Good or Not. He knows only his Objective Method." * The note suggests that the artist views the painting as a process rather than a finished product, and that the meaning of the work is inherent in its creation rather than its completion. **Overall Impression:** * The image conveys a sense of creativity and experimentation, as the artist pushes the boundaries of traditional representation and explores new ways of expressing themselves. * The handwritten note adds a layer of depth and introspection to the image, highlighting the artist's thoughtful and deliberate approach to their craft.