Created on 2024-02-06

The image displays a sketch with handwritten notes on a brownish paper. At the top right corner, it is dated "2/8/82". The sketch appears to be a conceptual diagram, containing several labeled elements such as "White", "Red / Blue", and "Brown". It features abstract shapes and lines which might indicate a layout or composition plan. The main features include a large rectangle divided into four segments, each with a different pattern or label. On the right side, there's a tall rectangle with a squiggly line followed by another rectangle with grid lines below it. Below the sketch, there's a handwritten note which reads: "Security is Control of obscurement, not its Erasure. To define the Shape of Purpose-Content-Meaning as the Shape of specific subject complexes & material frustrates the Art Purpose (as in Commercial Art) Because it rules out by necessity the obtrusions unresurrected impurity, variable. Dimensions Directly on emotions Framework (tech) of structure of mistakes oft which in that way, which as Part of Percent ft. portion N." The handwriting is somewhat cursive and slants to the right, and the pen appears to be a black or dark ink. The message seems to be discussing concepts related to art, purpose, and the representation of ideas, with an emphasis on security in terms of controlling, but not erasing, elements that are obscure or not fully understood.

Created on 2024-03-30

The image appears to be a handwritten note or diagram containing various shapes, labels, and text. The main text at the bottom discusses the concept of "Security as Content = Insecurity, not as Erasure". It goes on to discuss the purpose of the art, which is described as "to define the shape of purpose-content-meaning as the shape of specific subject-complex material." The note also mentions that this art purpose is "because it rules out my prescription the obvious variance dimension - direction": it seems to be exploring concepts related to security, insecurity, and the purpose or meaning of certain artistic or conceptual materials.