Unable to open [object Object]: HTTP 0 attempting to load TileSource

Human Generated Data

Title

Art Theory Text with Diagrams

Date

1951

People

Artist: Stuart Davis, American 1892 - 1964

Classification

Archival Material

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Mrs. Stuart Davis, 1967.79.791

Copyright

© President and Fellows of Harvard College

Human Generated Data

Title

Art Theory Text with Diagrams

People

Artist: Stuart Davis, American 1892 - 1964

Date

1951

Classification

Archival Material

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Mrs. Stuart Davis, 1967.79.791

Copyright

© President and Fellows of Harvard College

Machine Generated Data

Tags

Amazon
created on 2022-01-21

Text 99.9
Handwriting 95.5
Calligraphy 81.8
Letter 80.9

Clarifai
created on 2023-10-26

retro 99.6
vintage 98.5
old 98.3
text 97.1
antique 96.9
paper 96.8
book 95.4
page 94.8
handwriting 94.6
art 94.2
no person 94.1
school 93.3
language 92.8
calligraphy 92.6
texture 91.5
poetry 91.5
ancient 91.1
design 90.9
document 90.5
writing 90.1

Imagga
created on 2022-01-21

menu 100
fare 100
food 63.1
paper 36.9
book 34.3
old 33.5
text 31.5
page 29.8
antique 28.6
journal 22.3
vintage 21.6
word 20.8
print 18
close 16.6
read 15.4
religion 15.3
bible 14.7
sepia 14.6
grunge 14.5
religious 14.1
study 14
document 14
ancient 13.9
map 13.5
business 13.4
letter 12.9
words 12.8
pages 12.7
holy 12.6
pen 12.4
detail 12.1
design 11.8
open 11.7
prayer 11.6
faith 11.5
god 11.5
retro 11.5
sheet 11.3
spiritual 10.6
education 10.4
history 9.9
world 9.8
texture 9.7
geography 9.6
parchment 9.6
capital 9.5
plan 9.5
writing 9.4
globe 9.3
church 9.3
wallpaper 9.2
art 9.1
new 8.9
testament 8.9
gospel 8.9
information 8.9
written 8.9
manuscript 8.8
discovery 8.8
planet 8.5
tourism 8.3
backdrop 8.3
gold 8.2
pattern 8.2
aged 8.2
chapter 7.9
scripture 7.9
expedition 7.9
dictionary 7.9
passage 7.9
language 7.9
definition 7.9
guide 7.8
position 7.8
atlas 7.8
belief 7.8
continent 7.8
king 7.8
navigation 7.7
saint 7.7
money 7.7
card 7.7
direction 7.6
communication 7.6
journey 7.6
learning 7.5
closeup 7.4
symbol 7.4
dirty 7.2
school 7.2

Google
created on 2022-01-21

Handwriting 93
Font 85.6
Rectangle 82.7
Writing 74.6
Poster 70.7
Art 70.3
Paper 68.7
Paper product 66.8
Document 65.3
Calligraphy 52.5
Letter 51.6
Illustration 50.3

Microsoft
created on 2022-01-21

text 100
handwriting 99.8
letter 96.3
document 26.9

Color Analysis

Feature analysis

Amazon

Menu

Clarifai

No features identified

AWS Rekognition

Menu 64.2%

Categories

Imagga
created on 2022-01-21

text visuals 77.7%
streetview architecture 20.9%
paintings art 1.2%

Captions

Microsoft
created by unknown on 2022-01-21

text, letter 100%

Salesforce

Created by general-english-image-caption-blip on 2025-05-05

a photograph of a letter from a man who is writing a letter to his wife

OpenAI GPT

Created by gpt-4 on 2024-02-06

The image shows a handwritten note on a yellowish piece of paper, written in black ink. At the top of the paper, the reference "92057" and a symbol resembling the female gender symbol is written. The main text reads as follows:

"Directional Color Shade

The Division of any given area in a number of smaller areas & a color in the A-Dimension.

The Pigment Color used to define these areas is the B-Dimension which is a direction at Right Angle to the A-Dimension.

[There are three sets of lines demonstrating different shading or textural directions]

These are all A-Dimension Bars & they are made with Red, Yellow, Blue and K also lines their A-Dimension remain the same but their B. Dim changes."

Below the text, there are three different sets of lines drawn to apparently illustrate the A-Dimension concepts mentioned in the text. The first set is a series of vertical lines, the second set has diagonal hatching, and the third set features wavy horizontal lines. The handwriting is cursive and somewhat rushed with some letters joined together, making the text somewhat challenging to read. It appears to be a note related to color theory or artistic technique, possibly explaining how color dimensions work with shading and texture.

Anthropic Claude

Created by claude-3-haiku-48k-20240307 on 2024-03-30

The image appears to be a handwritten document or note. It discusses a "Di-Rectional Csta-share" and mentions the "Division of any Pure Area in a number of smaller Areas in a Color in the A-Dimension". The document seems to be describing some kind of zoning or spatial division, possibly related to a military or government context, but does not contain any human faces or identify any individuals.

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-26

This appears to be a handwritten note or document with text discussing "Bi-Directional Color Space." The text is written on what looks like aged or yellowed paper. At the top, there appears to be a number "92062" followed by some text explaining concepts about dimensions and color.

The note discusses how the division of areas relates to different dimensions, specifically mentioning A-Dimension and B-Dimension. At the bottom of the note, there are several sets of vertical lines or marks arranged in groups.

The text mentions that these marks are "A-Dimension rows" made using different colors (red, yellow, blue, and K&W lines), and notes that while the A-Dimension remains constant, the B-dimension changes.

The handwriting appears to be in cursive style and the document seems to be some kind of artistic or technical notation, possibly related to color theory or artistic composition.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-26

The image depicts a handwritten note on a yellowed piece of paper, featuring black ink and cursive script. The text is divided into three sections, each addressing different aspects of color theory.

Section 1: Color Division
The first section discusses the division of colors in a given area, with the goal of creating smaller areas that are a color in the A-dimension. This section sets the stage for exploring the relationship between color and dimensionality.

Section 2: Pigment Color
The second section focuses on pigment color, which is used to define these areas as the B-dimension. This section highlights the importance of pigment color in creating distinct areas within a larger space.

Section 3: A-Dimension Colors
The third section lists various A-dimension colors, including red, yellow, blue, and K&W lines. These colors are made with red, yellow, blue, and K&W lines, and their A-dimension remains the same but their B-dimension changes. This section provides a practical application of the concepts discussed earlier.

Overall, the image presents a thoughtful exploration of color theory, highlighting the relationships between color, dimensionality, and pigment. The handwritten note format adds a personal touch, suggesting that the author is engaged in a process of discovery and experimentation.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-02

The image presents a handwritten note on a yellowed piece of paper, featuring a mix of cursive and printed text. The note is divided into two main sections: the top section contains a series of handwritten notes, while the bottom section features a series of printed numbers and symbols.

Top Section:

  • The top section begins with the number "92.061" followed by a star symbol.
  • Below this, there are several lines of handwritten text that appear to be notes or instructions related to color theory.
  • The text mentions "Di-Rectronal Color-Share," "the Division of any One Area in a number of smaller Areas of a Color in the A-Dimension," and "the Pigment Color used to define these areas as the B-Dimensions which are a Direction at Right Angle to the A-Dimension."
  • The text also includes a reference to "A-Dimension Stars" and mentions that they are made up of red, yellow, blue, and black lines.

Bottom Section:

  • The bottom section of the note features a series of printed numbers and symbols, including:
    • A series of vertical lines (//) followed by a series of horizontal lines (||||)
    • A series of diagonal lines (///)
    • A series of small squares (///)
    • A series of small circles (o)
  • The printed numbers and symbols appear to be related to the A-Dimension Stars mentioned in the top section of the note.

Overall:

  • The note appears to be a rough draft or sketch of a concept related to color theory and geometry.
  • The use of handwritten and printed text suggests that the note may have been created at different times or by different individuals.
  • The yellowed paper and the overall appearance of the note suggest that it may be an old document or a piece of historical significance.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-06-08

The image appears to be a handwritten note or document on a piece of paper. The text is written in a cursive style and is somewhat difficult to read due to the handwriting and the angle of the image. The note seems to be discussing the concept of "Di-Rectional Color-Share" and how it relates to the division of a given area into smaller areas with different colors. The note also mentions the use of pigments to define these areas and how the direction of the B-Dimension is at a right angle to the A-Dimension. Overall, the note appears to be a technical or scientific explanation of some sort, possibly related to color theory or graphic design.

Created by amazon.nova-pro-v1:0 on 2025-06-08

The image is a photograph of a piece of paper with handwritten text on it. The paper appears to be a light beige color, and the handwriting is done in black ink. The text is written in a cursive style and appears to be a technical description or explanation of a concept related to color theory or visual perception. The text is divided into several paragraphs, with each paragraph discussing a different aspect of the concept. The first paragraph begins with the words "Di-Rectional Color-Shape" and goes on to describe the relationship between color and shape in visual perception. The second paragraph discusses the concept of "A-Dimension" and how it relates to color perception. The third paragraph describes the use of "Pigment Color" to define areas in visual perception. The fourth paragraph discusses the concept of "B-Dimension" and how it relates to color perception. The final paragraph describes the use of different colors, such as red, yellow, blue, and black, to create different visual effects. Overall, the image appears to be a technical document or note related to color theory or visual perception.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-05-05

The image is a handwritten note on a piece of aged, yellowed paper. The handwriting is in cursive and appears to be an explanation or diagram related to art or color theory.

Here's a breakdown of the image's content:

  • Title/Header: "92001" is written at the top, possibly a file or identification number. The title "Di-Rectional Color-Share" is also present.
  • Main Text: The main body of the text explains the concept of "Di-Rectional Color" and its relationship to dimensions and color theory. The text discusses dividing an area into smaller areas with different colors in the A-dimension. It then explains that the "B-Dimension" involves the pigment colors used to define those areas.
  • Visual Elements/Diagram: Beneath the text, there are a series of vertical lines and cross-hatched patterns, representing visual examples of the concept.
  • Color and Explanation: The writing mentions the use of "Red, Yellow, Blue and K&W lines" and how the A-dimension remains constant while the B-dimension changes.

Created by gemini-2.0-flash on 2025-05-05

Here is a description of the image:

The image shows a handwritten page, presumably a note or excerpt from a document. The handwriting is in a cursive style, with dark ink on a tan or beige-colored paper. The text seems to be exploring a concept involving dimensions, color, and area.

The text includes:

  • "92001" at the top, possibly a date or code.
  • "Di-Rectional Color-Share" as a title or header.
  • Descriptions about the division of areas, A-Dimension, B-Dimension, pigment color.
  • A statement that the B-Dimension is at a right angle to the A-Dimension.
  • Simple line illustrations representing different patterns, followed by the text "These are all A-Dimension colors. If they are made with Red, Yellow, Blue and K&W lines This A. Dimension remains me same but then B. dim changes."

The writing is dense and fills the page, giving the impression of brainstorming or personal notes.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-03

The image is a handwritten note on a yellowed piece of paper, which appears to be an explanation of a concept related to color and dimensions. The text is written in black ink and is as follows:

"92061
Di-Rectrional Color Shade
The Division of any
Given Area in a number
of smaller Areas in
a Color in the A-Dimension
The Pigment Color used
to define these areas
is the B-Dimension
which is a Direction
at Right Angle to the A-Dimension

|||| |||||||||| ||||||||||||||

These are all A-Dimension Colors
of they are made with Red,
Yellow, Blue and K&W lines
their A-Dimension remains
the Same but their B-dim changes"

The note seems to discuss a concept where a given area is divided into smaller areas using a color in what is referred to as the "A-Dimension." The color used to define these smaller areas is termed the "B-Dimension," which is described as being at a right angle to the A-Dimension. The note includes a series of vertical lines, likely representing these color divisions. It further explains that these colors (red, yellow, blue, and black and white lines) maintain their A-Dimension but their B-Dimension changes. The note is dated "92061" at the top.

Qwen

Text analysis

Amazon

of
Right
to
Angle
all
a
they
and
are
changes
with
but
made
Blue
A.
number
is
me
Red,
any
at
which
their
the
in
define
Gue
at Right Angle to the A. Demension
areas
Pigment
remains
Yellow, their of they are Blue made and with Kaw Red, lines
smaller
92021
Gue Area in number
7
Areas
which is a Director
of a smaller Color in Areas the a A- Sumenston is
men
to define heese areas
me Durson of any
me same but men B.dum changes
Color
IIIIIIII
These are all A-Dimension Creas
same
Kaw
A.Demenston remains
Area
These
the Pigment commused
is the B-Dumenson
A-Dimension
DI-Rectional
Yellow,
Durson
lines
DI-Rectional Coln-Shace
Demension
Director
heese
A.Demenston
Coln-Shace
commused
/ 1 1 1
B-Dumenson
Creas
B.dum
A- Sumenston
mannway

Google

920Ğ1 Di-Reetronal Cotn-Shace me Awr non ay Gwe Area ma number d7 Smaleer Areas s Color mhe A-Amen8ron a The Pgment Cotaused to defme is he 3-0) umen r haese areas which Dueeton a at Right Angleto MeAPmeniron hese are all A-Dmension Glors z hey aru made uit, Red Yellow, Blue and KyW hmes mein A.Drmen Sron emams me Same but he B. chanjes
920Ğ1
Di-Reetronal
Cotn-Shace
me
Awr
non
ay
Gwe
Area
ma
number
d7
Smaleer
Areas
s
Color
mhe
A-Amen8ron
a
The
Pgment
Cotaused
to
defme
is
he
3-0)
umen
r
haese
areas
which
Dueeton
at
Right
Angleto
MeAPmeniron
hese
are
all
A-Dmension
Glors
z
hey
aru
made
uit,
Red
Yellow,
Blue
and
KyW
hmes
mein
A.Drmen
Sron
emams
Same
but
B.
chanjes