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Human Generated Data

Title

Godai Myōō with Nyōirin Kannon and Aizen Myōō

Date

Kamakura or Nambokuchō period, early 14th century

People

-

Classification

Paintings

Credit Line

Harvard Art Museums/Arthur M. Sackler Museum, Gift of Sylvan Barnet and William Burto, 2014.145

Human Generated Data

Title

Godai Myōō with Nyōirin Kannon and Aizen Myōō

Date

Kamakura or Nambokuchō period, early 14th century

Classification

Paintings

Credit Line

Harvard Art Museums/Arthur M. Sackler Museum, Gift of Sylvan Barnet and William Burto, 2014.145

Machine Generated Data

Tags

Amazon
created on 2019-04-10

Rug 73.3
Painting 71.4
Art 71.4

Clarifai
created on 2018-06-29

art 99.3
painting 99.1
religion 97.6
old 96.9
illustration 96.7
people 96.6
ancient 96.4
saint 94.3
antique 94.2
symbol 93.6
god 92.5
Picture frame 91.1
man 88.8
decoration 88.8
retro 88.5
image 88.3
vintage 87.3
paper 87
picture frame 86.6
print 85.7
Renaissance 85.3
Person 45.1
Human face 44.2
Person 43.9
Person 40.7
Human face 38.9

Imagga
created on 2018-06-29

prayer rug 52.1
texture 44.5
rug 44.5
old 43.2
antique 40.8
vintage 39.7
pattern 38.3
art 37.9
damask 33.9
floor cover 31.6
furnishing 31.3
design 30.1
ancient 29.4
retro 27.9
decoration 27.1
covering 26.2
wallpaper 26.1
grunge 24.7
tile 24.1
binding 24
decorative 23.4
aged 22.6
floral 22.1
brown 20.6
paper 20.4
ornament 19.8
wall 19.7
mosaic 19.6
ornamental 19
surface 17.7
arabesque 17.6
artistic 17.4
dirty 17.2
decor 16.8
frame 16.7
fabric 16.5
color 16.1
detail 16.1
textured 15.8
parchment 15.4
history 15.2
textile 15.2
material 14.4
weathered 14.3
traditional 14.2
blank 13.7
religion 13.5
backdrop 13.2
gold 13.2
flower 13.1
historic 12.8
symbol 12.8
style 12.6
obsolete 12.5
worn 12.4
seamless 12.4
grungy 12.3
canvas 12.3
book 12
culture 12
letter 11.9
ornate 11.9
rough 11.9
rustic 11.5
close 11.4
east 11.2
empty 11.2
oriental 10.4
graphic 10.2
architecture 10.2
silk 10.1
border 10
text 9.6
craft 9.6
document 9.3
foliage 9.2
travel 9.2
postmark 8.9
postage 8.9
creative 8.8
stamp 8.7
stain 8.7
mail 8.6
colorful 8.6
golden 8.6
post 8.6
door 8.6
wood 8.4
cover 8.3
transducer 8.2
painting 8.1
collection 8.1
backgrounds 8.1
interior 8
tiled 7.8
spotted 7.7
stained 7.7
used 7.7
set 7.6
age 7.6
temple 7.6
sheet 7.5
element 7.4

Google
created on 2018-06-29

Microsoft
created on 2018-06-29

text 99.9
book 99.3
indoor 88.2
old 76.9
painting 47.5

Color Analysis

Feature analysis

Amazon

Rug
Painting
Rug 73.3%

Categories

Captions

Microsoft
created by unknown on 2018-06-29

a painting of a book 80.2%
a painting of a person 80.1%
a painting on the wall 80%

Clarifai
created by general-english-image-caption-blip-2 on 2025-06-27

a painting of four buddhas on a black background -100%
a photograph of a painting of a painting of a man with a dog -100%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2024-12-31

The image illustrates an ancient, detailed Tibetan Thangka painting. This type of painting is traditionally used in Buddhism and serves as a visual aid for spiritual practice and meditation. The artwork is characterized by intricate designs and vibrant colors, predominantly featuring various deities and symbolic figures.

At the top center of the painting, there is a seated deity adorned in gold, set against a background of reddish and dark hues. Each of the figures below is meticulously positioned within mandorlas or halos, signifying their divine or enlightened status. These figures appear in different postures, indicating their unique qualities and roles within Buddhist cosmology.

The painting exhibits signs of age, with visible wear and pigment loss, particularly in the central and lower sections. The deities are surrounded by abstract, flame-like shapes, emphasizing their spiritual nature. The overall canvas sits within an elaborate, ornamental border that frames the sacred scene.

The presence of smaller human forms at the bottom of the painting suggests devotees or practitioners, reinforcing the painting's function as a meditative focal point in the path towards enlightenment. The richness of detail and the traditional style of the Thangka point towards its significance within the religious and cultural contexts of Tibetan Buddhism.

Created by gpt-4 on 2024-11-17

This is a digital image of a traditional Asian scroll painting or a printed representation of such a painting. The painting appears to be quite old, as suggested by the visible cracking and fading of the image.

The painting features several figures, likely deities or mythological beings, positioned in a sequential arrangement. The figures seem to be sitting or standing on lotus flowers, which is a common symbolic element in Asiatic art, often representing purity and spiritual enlightenment.

Starting from the top, there is a figure inside a circular aura or halo—perhaps signifying divinity or spiritual radiance—seated in a meditative pose. Below this are several other figures in similar circular auras. They are depicted in various poses and are likely holding symbolic objects or performing gestures known as mudras, which have spiritual or ritual significance.

The background of the painting is primarily dark with decorative motifs that are difficult to discern due to the age-related deterioration. Some red and gold elements stand out, contributing to the overall richness of the composition.

The overall composition suggests that these may be representations of Buddhist deities or bodhisattvas, although without more context or expertise in the symbolism and iconography of Asian art, it would be difficult to identify the exact figures or the specific cultural origin of the piece.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-27

This appears to be a traditional Buddhist religious painting, likely a thangka or similar devotional artwork. The composition features several figures rendered in red and gold tones against a dark background. The painting shows Buddhist deities or enlightened beings arranged in a hierarchical composition, with smaller figures at the bottom and larger, more prominent figures in the center and top portions. There's a circular mandala-like form in the upper portion containing a seated figure. The artwork employs traditional Buddhist iconography and appears to be quite old, as evidenced by the darkened, weathered appearance of the paint and the overall patina. The piece is framed with what looks like a golden or bronze-colored border. The style and execution suggest this is from an Asian Buddhist tradition, possibly Tibetan or Chinese in origin.

Created by claude-3-5-sonnet-20241022 on 2024-12-27

This appears to be a traditional Buddhist painting, likely from East Asia (possibly Japanese or Chinese). The artwork is rendered on a dark background and features several Buddhist figures arranged in a hierarchical composition. At the top are two sacred figures shown in meditation poses within circular and golden halos. Below them are several scenes depicted within red-bordered sections, showing various Buddhist deities or celestial beings in different poses and activities. The painting uses gold leaf and red pigments prominently, which is typical of Buddhist religious art from this period. The style and composition suggest this is likely a devotional painting or hanging scroll used for religious purposes. At the bottom of the painting are smaller figures, possibly attendants or donors, rendered in a simpler style. The overall condition shows some age with darkening and wear, indicating this is likely an antique religious artwork.

Created by claude-3-haiku-20240307 on 2024-11-17

This image appears to be a religious or spiritual artwork depicting various Buddhist or Hindu deities and figures. The central figure seems to be a large, golden-colored Buddha or enlightened being, surrounded by other figures and symbols in a dark, abstract landscape. The artwork features intricate details and vivid colors, suggesting it is a traditional or historical piece of Asian religious art.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-24

The image depicts a painting of various Buddhist figures, likely from the Tibetan tradition. The painting is rendered in muted colors, with a predominantly black background and accents of red, gold, and white.

In the center of the image, there are six figures arranged in two columns of three. Each figure is seated in a meditative pose, surrounded by a red aura. The figures appear to be deities or bodhisattvas, but their specific identities are not immediately clear.

Above the central figures, there is a smaller figure seated in a circular frame. This figure may represent a higher deity or a symbol of enlightenment.

At the bottom of the image, there are two smaller figures kneeling on either side of a white circle. These figures may represent devotees or attendants, and the white circle may symbolize a sacred object or a portal to another realm.

The overall composition of the painting suggests a sense of balance and harmony, with the central figures forming a symmetrical axis and the smaller figures providing a sense of depth and context. The use of muted colors and simple forms creates a sense of calm and contemplation, inviting the viewer to reflect on the spiritual themes and symbolism depicted in the painting.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-11-23

The image depicts a painting of a Buddhist monk, likely from the 14th century, based on the style and the presence of a Buddha figure. The painting is rendered in muted colors, with the monk shown in a contemplative pose, possibly in meditation. The background is dark, with the monk's robes and the surrounding environment subtly illuminated, creating a sense of serenity and focus.

The painting's style suggests it is from the Tibetan or Nepalese school of art, which was known for its detailed and intricate depictions of Buddhist themes. The use of muted colors and the emphasis on the monk's spiritual state are consistent with the artistic traditions of this region during that time period.

The painting's composition and style also evoke a sense of simplicity and humility, which were core values in Buddhist art and philosophy. The depiction of the monk in a contemplative pose, surrounded by symbols of his faith, serves to emphasize the importance of spiritual practice and the pursuit of enlightenment.

Overall, the painting is a beautiful representation of Buddhist art and culture, and its depiction of a monk in a state of meditation serves as a powerful reminder of the importance of spiritual practice and the pursuit of inner peace.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-04

The image is a painting on a dark background with a golden border. The painting depicts various figures in different poses, each enclosed in a circular or oval shape. The figures are depicted in a traditional art style, with intricate details and vibrant colors. The painting appears to be a depiction of a spiritual or religious scene, with the figures representing different deities or spiritual beings. The overall composition of the painting is symmetrical, with the figures arranged in a balanced and harmonious manner.

Created by amazon.nova-lite-v1:0 on 2025-01-04

The image is a painting on a black background with a golden border, depicting a scene with a mix of religious and artistic elements. The central figure is a deity or saint, seated in a meditative pose, surrounded by a red aura. This figure is likely a representation of a revered spiritual figure, possibly from a Buddhist or Hindu tradition. Below this central figure, there are several smaller figures, possibly disciples or devotees, arranged in a row. The painting also includes a landscape element, with a small figure standing in a river or stream, adding a sense of depth and context to the scene. The overall composition and style suggest a traditional or classical art form, possibly from a specific cultural or religious tradition.

Google Gemini

Created by gemini-2.0-flash on 2025-04-26

This is a worn and aged painting of several figures on a dark background, enclosed by a decorated border. The figures are arranged vertically in what appear to be a symmetrical pattern.

At the top, there are two seated figures in meditative poses. The figure on the left is within a red circular frame, while the figure on the right is depicted in a golden hue.

Below these figures are five more figures, each surrounded by a reddish flame or aura. These figures appear more active, with dynamic poses and multiple arms.

At the bottom of the painting, two smaller figures are positioned near what looks like a landscape with water. The figure on the left is seated, and the figure on the right is standing.

The overall impression is of a spiritual or mythological scene, typical of religious artwork from certain Asian traditions. The painting's age and wear suggest it may be an antique. The borders have a floral or leaf-like pattern.

Created by gemini-2.0-flash-lite on 2025-04-26

This is a Tibetan Buddhist thangka, or painted scroll. It features a complex arrangement of deities and figures.

  • Composition: The painting is vertically oriented, with a central arrangement of deities. It has a dark background.
  • Figures: There are multiple figures depicted. The top section has two seated deities, one in a red circle. The central section contains more deities seated in flame-like forms. The bottom section depicts two figures, with one seated and the other standing.
  • Color: The color palette is dominated by shades of red, black, and gold, which are traditional in Tibetan Buddhist art.
  • Style: The figures appear to be rendered in a stylized, symbolic manner.
  • Frame: The image is framed with a decorative border.

It's a visually rich piece, likely used for meditation and devotional purposes.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-04-25

The image depicts a traditional Buddhist thangka, a Tibetan Buddhist painting on cotton or silk appliqué, typically used for meditation and religious purposes. This particular thangka features several deities and figures arranged in a vertical composition.

  1. Central Figure: The central figure appears to be a prominent deity, possibly a Buddha or a Bodhisattva, seated in a meditative posture. This figure is surrounded by a red aureole, indicating its importance.

  2. Surrounding Figures: Around the central figure, there are several other deities, each also enclosed within red aureoles. These figures are depicted in various postures and hold different attributes, which are symbolic in Buddhist iconography.

  3. Top Figures: At the top, there are two smaller figures. The one on the left is seated and appears to be in a meditative pose, while the one on the right is standing and holds an object, possibly a ritual implement.

  4. Bottom Figures: At the bottom, there are two smaller figures. One is seated in a meditative posture, and the other stands holding what looks like a staff or a similar object.

  5. Background and Border: The background is predominantly dark, which makes the red aureoles and the figures stand out. The border of the thangka is intricately designed with patterns, adding to the overall aesthetic and religious significance of the piece.

Thangkas are rich in symbolism and are often used as aids in meditation and for teaching the principles of Buddhism. The detailed depiction of deities and their attributes serves as a visual representation of Buddhist teachings and beliefs.

Qwen

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-06-24

This image appears to be an ancient painting, possibly from a religious or spiritual tradition, characterized by its use of vibrant colors and symbolic imagery. The central focus seems to be on figures that are likely deities or Buddhas, depicted in elaborate robes and adorned with intricate details. Each figure is set against a dark background, which contrasts sharply with the bright colors of their attire, such as gold, red, and pink. The figures are seated on ornate thrones, suggesting their importance and divine status.

The painting is framed with a patterned border, indicating that it may have been part of a larger set or collection. The overall style and iconography suggest that this could be from a traditional Asian art form, possibly from East Asia, such as Chinese, Japanese, or Korean. The presence of attendants or smaller figures around the main figures might represent followers, attendants, or other significant beings associated with the main deities.

The condition of the painting shows signs of age, with some wear and tear visible on the surface, which is not uncommon for antique artworks. The composition, with its symmetry and hierarchical arrangement of figures, reflects traditional religious or ceremonial themes often found in East Asian religious art.

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-06-24

This image appears to be a traditional East Asian Buddhist painting, possibly of Chinese or Tibetan origin. The artwork features multiple depictions of deities or bodhisattvas, each surrounded by a circular or oval halo. The figures are seated or standing in various poses, and some are adorned with elaborate headdresses and garments.

The central figure is seated in a meditative pose, with a prominent halo behind them. Surrounding this central figure are other deities, each with their own distinct features and postures. The painting uses a rich palette of colors, including reds, golds, and blacks, with intricate patterns and details.

At the bottom of the painting, there are two smaller figures, possibly disciples or attendants, depicted in a smaller scale. The background is dark, which helps to highlight the vibrant colors and details of the figures and their halos. The overall composition and style suggest that this is a religious or spiritual artwork, likely used for worship or meditation.