Created on 2024-02-06

The image features a handwritten note on yellowish paper with a small sketch on the top left corner. The note is written in black ink, with varying levels of pressure and legibility, reflecting a freehand style. The sketch seems to be a rough outline of a complex subject with different shapes and patterns. The handwriting and sketch both suggest an impromptu or initial conception rather than a finished piece. The text reads as follows, with some decipherable sections: "Aeh! in Mount[mountain?] (something illegible) The Subject - Logical [Message] as partly illustrated and partly coordinate to and the Dimension of... Mood - Idea never changes but trans... aspect of the Realism as a Value, (Not a Discovery) which is the completion of the Time - Space Percepts in Objective Drawing Actions The sequence of the Es's in the Drawing Of the Order in Which the Total Es's are Read in the Complete work. Same with the Color which in a Drawing made with 3 or more Colors instead of 2 Freedom in Drawing so Not Freedom from Drawing" The exact words in some places are difficult to interpret due to the handwriting; hence, the transcription may not be entirely accurate. The note seems to discuss philosophical or methodological aspects of drawing, relating to the logical expression, coordination, the role of mood and idea, and realism as a value in art. The theme of sequence and order of elements (referred to as "Es's") as well as the importance of color in drawings is also mentioned, highlighting the deliberate consideration behind artwork composition. Lastly, there's a mention of freedom in drawing, suggesting a distinction between freedom exercised within the act of drawing as opposed to freedom from the constraints of drawing itself.

Created on 2024-03-30

The image shows a handwritten note discussing the "Sequence of the C's in the Drawing", which refers to the order in which the lines or marks are made in the drawing. The note mentions the "Subject-Logo" as part of the drawing and discusses the "Dimension of Nord-Idea" and how it never changes, which is described as an aspect of the realism in the drawing. The note also comments on the "Freedom in Drawing" and distinguishes it from "Freedom from Drawing", suggesting the drawing is an expression of creative freedom. Overall, the note provides analysis and commentary on the technical and conceptual aspects of the drawing.