Human Generated Data

Title

Untitled (bleed-through of previous page, left page); Untitled (design for exhibition poster on adhered sheet of paper, right page)

Date

1991

People

Artist: Otto Piene, German 1928 - 2014

Classification

Drawings

Credit Line

Harvard Art Museums/Busch-Reisinger Museum, Gift of Elizabeth Goldring Piene, 2019.41.27

Copyright

© Otto Piene Estate

Human Generated Data

Title

Untitled (bleed-through of previous page, left page); Untitled (design for exhibition poster on adhered sheet of paper, right page)

People

Artist: Otto Piene, German 1928 - 2014

Date

1991

Classification

Drawings

Credit Line

Harvard Art Museums/Busch-Reisinger Museum, Gift of Elizabeth Goldring Piene, 2019.41.27

Copyright

© Otto Piene Estate

Machine Generated Data

Tags

Amazon
created on 2022-08-12

Flooring 97
Floor 96.8
Wood 87.8
Art 85.1
Art Gallery 85.1
Hardwood 72.8

Clarifai
created on 2023-10-12

paper 99.8
no person 99.5
empty 97.8
blank 95.8
retro 94.3
graphic design 94.1
cardboard 93.6
page 92.7
devoid 91.8
writing 90.6
document 89.2
business 88.9
photocopy 88
simplicity 85.7
dirty 85.3
clean 85
booklet 84.6
interior design 83.8
text 83.3
art 83.3

Imagga
created on 2022-08-12

envelope 100
container 81.7
blank 58.4
paper 50.5
empty 45.6
office 33.8
notebook 33.1
message 33
document 32.6
note 31.3
business 26.2
write 24.5
page 24.2
letter 23
post 22.9
sheet 22.6
frame 21.9
card 21.3
board 21
journal 20.4
book 20.4
design 20.3
object 19.1
writing 18.9
communication 17.7
information 16.9
texture 16.7
reminder 16.5
border 15.4
sign 15.1
copy 15.1
education 14.8
pad 14.7
box 14.5
textured 14.1
text 14
old 13.3
grunge 12.8
memo 12.7
list 12.7
clip 12.1
open 11.7
pattern 11.7
label 11.3
cover 11.1
space 10.9
aged 10.9
notepad 10.8
correspondence 10.8
package 10.7
notice 10.7
binder 10.4
work 10.2
bulletin 9.9
stamp 9.7
pen 9.5
corner 9.2
stationery 9.2
vintage 9.1
clipboard 8.9
new 8.9
supplies 8.8
graphic 8.8
symbol 8.8
carton 8.7
clean 8.4
color 8.4
retro 8.2
backgrounds 8.1
brown 8.1
school 8.1
remind 7.9
postal 7.9
art 7.8
diary 7.8
antique 7.8
mail 7.7
canvas 7.6
pink 7.5
element 7.5
template 7.4
data 7.3
creative 7.1

Google
created on 2022-08-12

Automotive design 86.7
Art 83.6
Flooring 78.3
Font 74.4
Event 73.4
Building 73.4
Space 71.4
Exhibition 68.1
Visual arts 67
Art exhibition 62.2
Wood 61.2
Artifact 60.9
Room 60.2
Sculpture 60.1
Hardwood 57.5
Tourist attraction 56.7
Modern art 55.6
Collection 55.6
Art gallery 53.6
Museum 53.2

Microsoft
created on 2022-08-12

text 99.8
handwriting 98.6
whiteboard 98.4
drawing 92.1
design 88.8
sketch 85.7
child art 80.4
letter 77.5
book 58.6

Color Analysis

Categories

Imagga

text visuals 95.4%
food drinks 3%
paintings art 1.1%

Captions

Azure OpenAI

Created by gpt-4o-2024-05-13 on 2024-12-15

The image shows an open sketchbook. On the right page, there is a piece of paper attached that features a simple red-orange sketch of an eye enclosed in a roughly drawn rectangular border. Next to the sketch is handwritten text in a black pen, featuring a combination of notes and perhaps some dimensions (120 x 80). The upper right-hand corner of the page has a date noted: "28.II.'91." The left page of the sketchbook is blank.

Created by gpt-4 on 2024-12-15

The image shows an open notebook or sketchbook lying on a flat surface. On the right-hand page of the notebook, there's a small sketch or drawing highlighted with a red rectangle that appears to depict a human eye. The drawing is quite stylized, with the outlines and main features in red, and seems to have been quickly sketched with a focus on the main elements like the iris, pupil, eyelid, and lashes. To the right of the sketch are handwritten notes, which are slightly difficult to decipher due to the cursive script. The writing seems to include a date and possibly some remarks or comments related to the drawing or the context of its creation. Beneath the handwriting, there is also a black ink mark that may represent a number or a symbol. Overall, the notebook indicates a work in progress, possibly part of an artist's or designer's idea generation, sketching, or note-taking process.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-15

The image shows an open book or notebook with handwritten notes and a small sketch of an eye in the center of the page. The handwritten text appears to be in German and includes the date "DAF. 22.5.91" and a list of names or words. The background of the image is mostly white, with the book occupying the central focus.

Created by claude-3-5-sonnet-20241022 on 2024-12-15

This appears to be a page from a notebook or sketchbook dated "23.2.91" at the top. The main element on the page is a simple sketch in red or orange color showing a single eye within a rectangular frame. There are some handwritten notes in German on the right side of the page, including what appears to be "Graphik" and a date "22.IV.91". At the bottom of the page, there are some numbers written that look like "120 x 80". The overall composition is minimalist and appears to be some kind of planning sketch or note, possibly for a larger artwork or graphic design project.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-15

The image depicts an open book with a white page on the left and a page with handwritten notes and a sketch on the right. The right page features a red square containing a simple drawing of an eye, accompanied by illegible handwriting in black ink. The text appears to be written in German, but the specific words are difficult to decipher due to the handwriting style. The page also includes some numbers and symbols, such as "120x80" and a small black teardrop shape. The overall appearance of the page suggests that it may be a notebook or journal belonging to an artist or writer, with the sketch and notes serving as a form of creative expression or brainstorming.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-15

The image presents an open book with a sketch of an eye on the left page and handwritten notes on the right page. * The left page is blank except for a small sketch of an eye in the center, drawn in orange pencil. * The eye is depicted with a white iris and a black pupil, surrounded by a thin orange border. * The sketch is simple and minimalist, with no additional details or shading. * The right page contains handwritten notes in black ink. * The notes are written in a cursive script and appear to be a combination of German and English words. * The text includes phrases such as "Graphik & Reaktion für Gal. Schreiber" and "22. III: 91". * There are also some numbers and symbols scattered throughout the text, including "120" and "80". * The book itself is bound in a dark gray cover with a white spine. * The pages are white and appear to be made of a high-quality paper. * The book is open to a page with a slight crease in the middle, suggesting that it has been handled frequently. Overall, the image suggests that the book is a sketchbook or notebook used by an artist or designer to record ideas and inspiration. The sketch of the eye on the left page may be a study for a larger work, while the handwritten notes on the right page could be a record of thoughts or ideas related to the artwork.

Text analysis

Amazon

the
the Ancient World
Ancient
from
World
Vessels from
Vessels
Kings
Feasting
and Kings
Animal-Shaped
and
with
Feasting with Gods, Heroes,
Heroes,
Gods,
texts
were
today
even
and they
occasions
alcoholic
could
transformative
played
but
sharing
The
serving
feasting
function
ancient
storytelling
archaeological
mythical
goings-on
a channel for
a crucial
including
vessels
elements of
strengthening
gods
world
presence
relationships
role
introduced
beverages
also offered
loosened the
most direct
mood
and providing
theater
deceased
and potentially
The goings-on at feasts historical images and
of diverse drinking
at feasts
in establishing
food and drink
and other
evidence comes
animals and
consumption
individual
at
elevated the
for a range
just as
texts but the most direct evidence comes from the archaeological record, including
an integral
storytelling and performance, and they could even function
-shaped
In the ancient world just as today feasts and other occasions sharing food and drink
the vessels used for serving and drinking animals and
historical images and
-altering
used for
relationships and strengthening social bonds. theater for a range of diverse drinking
at ancient feasts: introduced elements of
alcoholic beverages elevated the mood and loosened the tongue,encouraging.new
and group
were an integral part of life. The consumption of wine, beer, and other mind- -altering
In the
part of life.
practices, feasting played a crucial role in establishing individual and group identities.1
Animal- -shaped vessels had a tangible a and potentially transformative presence
Animal-
also offered a channel for communicating with the s gods and providing of deceased
and drinking
mythical creatures.
feasts
record,
of
practices,
performance,
ancient feasts:
of wine, beer,
social bonds.
creatures.
other mind-
vessels had a tangible a
tongue,encouraging.new
communicating with the s
identities.1

Google

were
an
part
life
The
wine
beer
and
mind
altering
beverages
the
loosened
new
strengthening
a
of
drinking
played
crucial
in
individual
identities
It
for
with
gods
providing
.
at
past
surmised
historical
,
direct
comes
from
took
mythical
creatures
T
-
vessels
transformative
feasts
brought
filled
liquid
they
introduced
elements
storytelling
performance
could
even
function
as
masks
This
exhibition
foregrounds
series
overlapping
made
used
Mediterranean
some
years
Bronze
Age
f
Islam
regional
chronological
highlights
lively
exchange
objects
ideas
throughout
this
antiquity
across
Asia
other
Africa
East
points
Curated
by
Susanne
Ebbinghaus
George
M.A.
Hanfmann
Curator
Art
Head
Asian
Mediteranean
project
possible
grant
human
findings
expressed
do
not
necessarily
represent
Harvard
Museums
are
deeply
grateful
to
donor
gift
memory
Melvi
R.
Seiden
H
work
folowing
endowed
funds
Ded
Andrew
Melon
Publication
Herry
Mchenny
Fund
M.
Victor
Levente
fund
To
more
about
these
extraordinary
vesses
contexts
their
use
look
prompts
visit
complementary
digital
source
hundartanimad
apartyanimals
hippopotamus Animal-Shaped Vessels from the Ancient World Feasting with Gods, Heroes, and Kings In the ancient world, just as today, feasts and other occasions for sharing food and drink were an integral part of life. The consumption of wine, beer, and other mind-altering alcoholic beverages elevated the mood and loosened the tongue, encouraging new relationships and strengthening social bonds. As theater for a range of diverse drinking practices, feasting played a crucial role in establishing individual and group identities. It also offered a channel for communicating with the gods and providing for the deceased. The The goings- at feasts of the past can be surmised through historical images and eing texts, but the most direct evidence comes from the archaeological record, including the vessels used for serving and drinking-many of which took the form of animals and mythical creatures. T Animal-shaped vessels had a tangible and potentially transformative presence at ancient feasts: brought to life when filled with liquid, they introduced elements of storytelling and performance, and they could even function as masks. This exhibition foregrounds a series of c a series of overlapping traditions of vessels made and used in the Near East and the Mediterranean over a span of some three thousand years, from the Bronze Age to the advent f Islam. The broad regional and chronological scope highlights the lively exchange objects and ideas throughout this swath of land in antiquity and extending across Central Asia all the way to China. Examples from other places and periods-- including Africa, East Asia, medieval and modern Europe, and South America-provide further points comparison. Curated by Susanne Ebbinghaus George M.A. Hanfmann Curator of Ancient Art Head of the Division of Asian and Mediteranean Art This project has been made possible in part by a major grant from the National Endowment for the Humanities Exploring the the human endeavor. Any views, findings, conclusions, or recommendations expressed do not necessarily represent those of the National Endowment for the Humanities. Humanities In addition, the Harvard Art Museums are deeply grateful to the anonymous donor of a gift in memory of Melvi R. Seiden and to Malcolm H Wiener parvard A.B. St Lehmann for enabling JD and Michael and Helen Lel pote us to mount this exhibition and to pursue the related search. This work was also made possible in part by the folowing endowed funds the Ded Mo Funk the Andrew Melon Publication Funds, including the Herry R. Mchenny Fund and the M. Victor Levente fund To learn more about these extraordinary vesses and the contexts of their use, look for prompts throughout the exhibition to visit the complementary digital source hundartanimad apartyanimals
hippopotamus
Animal
Shaped
Vessels
Ancient
World
Feasting
Gods
Heroes
Kings
In
ancient
world
just
today
occasions
sharing
food
drink
integral
consumption
alcoholic
elevated
mood
tongue
encouraging
relationships
social
bonds
As
theater
range
diverse
practices
feasting
role
establishing
group
also
offered
channel
communicating
deceased
goings-
can
be
through
images
eing
texts
but
most
evidence
archaeological
record
including
serving
many
which
form
animals
shaped
had
tangible
potentially
presence
:
when
c
traditions
Near
over
span
three
thousand
advent
broad
scope
swath
land
extending
Central
all
way
China
Examples
places
periods-
medieval
modern
Europe
South
America
provide
further
comparison
Division
has
been
major
National
Endowment
Humanities
Exploring
endeavor
Any
views
conclusions
or
recommendations
those
addition
anonymous
Malcolm
Wiener
parvard
A.B.
St
Lehmann
enabling
JD
Michael
Helen
Lel
pote
us
mount
pursue
related
search
was
Mo
Funk
Funds
learn