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Human Generated Data

Title

Judith with the Head of Holofernes

Date

c. 1586-1587

People

Artist: Hendrick Goltzius, Dutch 1558 - 1617

Artist after: Bartholomeus Spranger, Netherlandish 1546 - 1611

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.300

Human Generated Data

Title

Judith with the Head of Holofernes

People

Artist: Hendrick Goltzius, Dutch 1558 - 1617

Artist after: Bartholomeus Spranger, Netherlandish 1546 - 1611

Date

c. 1586-1587

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.300

Machine Generated Data

Tags

Amazon
created on 2022-09-27

Person 96.9
Human 96.9
Art 85.6
Painting 75.6
Person 72.2
Drawing 56.7
Dish 56
Food 56
Meal 56

Clarifai
created on 2023-10-12

people 99.7
art 98.8
one 98
man 97.1
print 96.3
portrait 95.9
adult 95.5
two 95
illustration 94.5
administration 93.7
no person 92.3
monochrome 91.5
leader 90.7
engraving 89.9
group 88.6
war 86.8
painting 83.4
retro 82.6
woman 82.1
baby 82.1

Imagga
created on 2022-09-27

money 55.3
currency 48.5
cash 43.1
finance 42.3
dollar 40.9
bank 37
ingot 36.7
financial 33.9
wealth 33.2
banking 29.4
block 29.3
business 28.6
one 25.4
coin 23.9
bill 22.8
paper 22.8
hundred 22.3
dollars 22.2
us 22.2
pay 22.1
close 21.1
exchange 20.1
savings 19.6
rich 18.6
commerce 16.8
franklin 16.7
coins 16.4
closeup 16.2
ceramic ware 15.9
economy 15.8
finances 15.4
change 15.4
miniature 15
states 14.5
china 14
metal 13.7
loan 13.4
silver 13.3
investment 12.8
funds 12.7
object 12.5
symbol 12.1
round 12.1
old 11.9
banknotes 11.8
bills 11.7
banknote 11.7
earthenware 11.3
sign 11.3
majolica 11.1
numismatics 10.9
value 10.7
concepts 10.7
payment 10.6
united 10.5
success 10.5
utensil 10.4
icon 10.3
earth 10.1
black 9.6
profit 9.6
porcelain 9.4
world 8.9
president 8.8
planet 8.8
stamp 8.7
price 8.7
capital 8.5
buy 8.5
number 8.4
globe 8.3
vintage 8.3
note 8.3
global 8.2
market 8
currencies 7.9
post 7.6
gold 7.4
retro 7.4
treasury 7.4
shiny 7.1
face 7.1

Google
created on 2022-09-27

Sleeve 87
Art 81.2
Chest 74.8
Illustration 73.2
Circle 70.7
Drawing 70.6
Pattern 70
Font 68.8
Printmaking 68.2
Line art 66
Fictional character 64.3
Beard 64.3
Mythology 62.5
Painting 62.3
History 61.8
Collar 60.6
Visual arts 59.9
Navel 53

Microsoft
created on 2022-09-27

drawing 99.5
sketch 98.8
text 95.2
ceramic ware 82.5
illustration 73.8
art 56.3
porcelain 34.8

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 25-35
Gender Female, 99.4%
Surprised 83.9%
Fear 20.7%
Angry 15%
Calm 4.8%
Sad 3%
Happy 2.5%
Disgusted 2%
Confused 1.3%

Feature analysis

Amazon

Person
Person 96.9%

Categories

Imagga

paintings art 100%

Captions

Microsoft
created by unknown on 2022-09-27

a close up of a clock 38.7%

Clarifai
created by general-english-image-caption-blip on 2025-05-02

a photograph of a drawing of a man with a sword and a woman -100%

OpenAI GPT

Created by gpt-4 on 2024-12-05

This is an image of an oval-shaped classical engraving. The artwork depicts a scene with mythological or allegorical figures. On the right side, there's a bearded male figure with pronounced muscles, wearing classical drapery around his lower body and a laurel wreath on his head, suggesting he might be a figure from ancient mythology or history. He holds a staff that is topped with what appears to be a pine cone, which is often associated with Dionysus or Bacchus in Greco-Roman mythology.

In the background, behind the figures, a draped curtain sets the scene and adds to the classical aesthetic of the piece. The composition is framed with Roman-style lettering along the curved edges, providing a textual context that likely pertains to the narrative or theme represented by the figures. The exact meaning of the text is not discernible from the current perspective, but it is typical for engravings of this era to include phrases or descriptions in Latin. The work exhibits a high level of craftsmanship, with attention to detail in the figures' musculature, the drapery's folds, and the overall composition. It seems to be an engraving with an educational or historical narrative purpose.

Created by gpt-4o-2024-05-13 on 2024-12-05

The image depicts an intricately detailed, circular engraving with Latin text inscribed around the border. The central scene features two muscular figures in classical attire, interacting with each other in a dramatic moment. One figure, brandishing a sword, appears to be restraining the other, who seems to be attempting to pull away. The backdrop is composed of draped fabrics, enhancing the sense of movement and tension. The meticulous shading and line work highlight the anatomical features and the folds of the garments, suggesting a high level of artistic skill and attention to detail. The scene gives an impression of intensity and historical significance.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-05

The image appears to be a detailed engraved illustration depicting two nude, mythological figures, likely representing deities or allegorical figures. The central figure appears to be a female with curled hair, holding a staff or scepter. She is surrounded by ornate drapery and architectural elements. The other figure appears to be a bearded male, also nude, positioned next to the female figure. The overall style and subject matter suggest this is an artistic rendering of a classical or baroque mythological scene, though I cannot identify the specific individuals represented.

Created by claude-3-5-sonnet-20241022 on 2024-12-05

This appears to be a classical circular engraving or print, likely from the Renaissance or Baroque period. The artwork depicts partially nude figures in a dramatic composition, executed in a detailed black and white line technique. The piece features classical mythological or allegorical figures rendered in the style typical of that era, with dynamic poses and flowing drapery. There is Latin text inscribed around the circular border of the image. The engraving shows fine craftsmanship in its shading and cross-hatching techniques, creating depth and dimensionality. The overall composition demonstrates the technical skill and artistic conventions of historical printmaking.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-05

The image depicts a circular engraving featuring a woman and a man. The woman, positioned on the left, has her right hand grasping a sword and her left hand tied behind her back. She wears a dress that exposes her chest, with her right breast visible. The man, situated on the right, is depicted with his head turned to the left, holding a sword in his right hand and grasping the woman's left hand with his left hand. He is shirtless, with his left arm wrapped around the woman's waist.

The engraving is surrounded by text in Latin, which reads: "Nemo suis minim confidat viribus, myfis Nemo fuis tombe, Dact hoc Holophernis amnus." The background of the engraving is white, providing a clean and simple contrast to the detailed and intricate design of the figures.

Overall, the image presents a striking and dynamic scene, with the woman and man engaged in a dramatic pose. The use of Latin text adds an air of mystery and sophistication, while the circular shape of the engraving creates a sense of unity and wholeness.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-05

This image is a circular engraving featuring two figures. The central figure is a woman, likely Judith, who is depicted holding a sword in her right hand and grasping the beard of a man with her left hand. The man, possibly Holofernes, appears to be in a state of distress or pain.

The engraving is surrounded by an inscription that reads "Nemo finis immum confidat viribus, autis" and "Te Saluam, Judith memoranda Bethulia fecit." These phrases are written in Latin and suggest that the engraving is a representation of the biblical story of Judith and Holofernes.

The overall style of the engraving suggests that it was created during the Renaissance period, likely in the 16th century. The level of detail and the use of shading and texture are characteristic of engravings from this time period.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-26

The image is a black-and-white circular illustration, possibly from an old book or print. It depicts a scene with two figures, a woman and an old man. The woman is standing in front of the old man, who is seated on a bed. The woman is holding a staff and has her hand on the old man's shoulder. The old man has a long beard and is looking down, while the woman is looking at him. The image has a Latin inscription on the border, which reads "NEMO FUS NUMMUM CONTRA VIRTUTEM AUT VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM VIRTUTEM

Created by amazon.nova-pro-v1:0 on 2025-02-26

The image is a circular engraving of a man and a woman. The woman is standing and holding a key in her right hand. She is wearing a dress with a belt and a necklace. The man is sitting and is holding a book in his right hand. He is wearing a robe and has a beard. The engraving has a border with Latin text.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-04-28

This image is a detailed engraving depicting the biblical story of Judith and Holofernes. Here's a breakdown:

Composition:

  • The image is circular, like a medallion or plate.
  • The central focus is on Judith, a female figure, and Holofernes, an older, bearded man.
  • Judith is shown in the act of beheading Holofernes. His head is already partly severed, and she holds it up with one hand. She is partially unclothed.
  • Holofernes is seated, his body contorted in a reaction to the attack.
  • There is drapery and a table or platform in the background.

Style and Technique:

  • The engraving style is highly detailed, with fine lines used to create shading, texture, and form.
  • The figures are rendered in a classical style, with attention to anatomy and musculature.
  • The work likely employs cross-hatching and stippling to achieve tonal variation.

Text:

  • The circular border of the image contains Latin inscriptions.
  • Inscriptions likely describe the scene, and provide religious or philosophical reflection.
  • The text near the artist's signature gives authorship.

Interpretation and Themes:

  • The scene is from the Book of Judith in the Old Testament, where Judith saves her people by killing Holofernes, an Assyrian general.
  • The image likely conveys themes of courage, faith, deception, and the victory of good over evil.
  • The partially exposed body of Judith may emphasize her vulnerability or perhaps her virtue.

Overall Impression:

This is a classical engraving with a dramatic subject. The meticulous technique, dynamic composition, and thematic richness suggest the work of a skilled artist.

Created by gemini-2.0-flash on 2025-04-28

The image is a circular, black-and-white etching depicting a biblical scene. It features a woman standing and holding the severed head of a man. The woman is semi-nude, with a garment draped across her lower body and a decorative piece on her chest. She holds a scepter-like object in her left hand and her right hand is outstretched towards the severed head, which she is holding. The man's head is held up by his own hair, with his eyes closed and mouth open in a grimace. His body is partially visible, reclining on a bed-like structure. The background includes a curtain or drape. The image is framed within a circle that has text inscribed around the edge. The text is in Latin and includes the words "Judith," "Bethulia," and "Holophernus." The etching also includes the signatures "B. Spranger. Inue" and "Goltzius fruly."

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-04-28

The image is an engraving depicting a dramatic scene from the biblical story of Judith and Holofernes. The central figures are a woman, Judith, and a man, Holofernes. Judith is shown holding a sword in her right hand and grasping the hair of Holofernes with her left hand. Holofernes appears to be in a state of distress or defeat.

The scene is framed within a circular border, and there is text in Latin around the perimeter of the circle. The text reads:

"Te Saluam, Judith memoranda! Bethulia fecit. Caenum. Nemo fuit nimium confidat viribus; nylis, Nemo fuit tanta: Doceat hoc Holofernis amantes. Exitus: omnin ega crinis Judith."

This text appears to be a poetic or narrative accompaniment to the visual scene, emphasizing the bravery and significance of Judith's actions. The engraving is detailed, with careful attention to the expressions and postures of the figures, as well as the folds of their clothing and the overall composition. The artist's signature, "B. Spranger Inue. H. Goltzius f." is also visible, indicating that the engraving was created by Hendrick Goltzius after a design by Bartholomeus Spranger.

Text analysis

Amazon

Bethulia
diri
aufis
confidat
nimium
Docet
Tyranni
Nemo
us
viribus,
fecit.
ceruice
Saluam,
fuis
memoranda,
Fudith
temere;
Nomo
foulp
Suis
Goltzius foulp
20y
Goltzius
un
وزارة
B.Spranger June

Google

me shu 2 Te faluam, Judith memoranda Bethulia fecit. rerin us B. Spranger Inne Goltzius fruly Nemo fuis nimum confidat 11 si solo Nemo fuis temerè; Docet
me
shu
2
Te
faluam
,
Judith
memoranda
Bethulia
fecit
.
rerin
us
B.
Spranger
Inne
Goltzius
fruly
Nemo
fuis
nimum
confidat
11
si
solo
temerè
;
Docet