Human Generated Data

Title

Road to Ruin

Date

April 1, 1803

People

Artist: Thomas Rowlandson, British 1756 - 1827

Publisher: Samuel William Fores, British 1761 - 1838

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Peter G. Neumann, 2016.344

Human Generated Data

Title

Road to Ruin

People

Artist: Thomas Rowlandson, British 1756 - 1827

Publisher: Samuel William Fores, British 1761 - 1838

Date

April 1, 1803

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Peter G. Neumann, 2016.344

Machine Generated Data

Tags

Amazon
created on 2022-10-27

Person 98.8
Human 98.8
Person 97.5
Person 97
Person 96
Person 95.8
Art 84.3
Painting 82.3
Drawing 64.3
Person 63.8
Text 59.2

Clarifai
created on 2023-10-12

people 99.9
print 99.8
art 99.7
painting 99.5
illustration 99.2
man 98.8
woman 98.5
family 98.5
group 98.4
adult 97.1
lithograph 96.4
child 96.4
seat 95.6
baby 94.1
Renaissance 94
aura 93.2
son 93
sofa 92.5
religion 91.5
old 90.3

Imagga
created on 2022-10-27

jigsaw puzzle 47.7
puzzle 38.6
art 35.5
religion 29.6
game 29.4
church 28.7
mosaic 24.9
god 20.1
icon 17.4
holy 17.3
faith 17.2
culture 17.1
religious 16.9
spirituality 16.3
money 16.2
postmark 15.8
vintage 15.7
bible 15.7
letter 15.6
ancient 15.6
stamp 15.5
prayer 15.4
mail 15.3
currency 15.2
comic book 14.8
old 14.6
saint 14.4
envelope 14
printed 13.8
symbol 13.5
postage 12.8
man 12.8
postal 12.8
museum 12.6
dollar 12.1
close 12
cash 11.9
masterpiece 11.9
shows 11.8
antique 11.7
painted 11.4
detail 11.3
decoration 11.2
painter 11.2
book jacket 10.9
colorful 10.7
bank 10.7
sacred 10.7
face 10.6
retro 10.6
bill 10.5
window 10.3
banking 10.1
child 10
paintings 9.8
catholic 9.7
one 9.7
pray 9.7
creation 9.6
spiritual 9.6
post 9.5
golden 9.5
color 9.4
finance 9.3
economy 9.3
black 9
interior 8.8
renaissance 8.8
artist 8.7
fine 8.6
jacket 8.5
temple 8.4
mother 8.3
global 8.2
paint 8.1
closeup 8.1
financial 8
post mail 7.9
zigzag 7.9
philately 7.9
fame 7.9
known 7.9
circa 7.9
stamps 7.9
orthodox 7.8
architecture 7.8
belief 7.8
delivery 7.8
portrait 7.8
banknote 7.8
cutting 7.7
cathedral 7.7
communications 7.7
exchange 7.6
unique 7.6
note 7.3
people 7.2
aged 7.2
office 7.2
sculpture 7.1
family 7.1
design 7.1
paper 7

Google
created on 2022-10-27

Art 82.1
Painting 80.6
Illustration 70
Drawing 69.2
Rectangle 69.1
Vintage clothing 65.4
Event 64.9
Visual arts 64.7
History 62.2
Pattern 62
Sharing 61.4
Room 57.7
Still life 56.7
Sitting 56.3

Microsoft
created on 2022-10-27

drawing 99.1
text 98.8
illustration 96.9
painting 94.8
cartoon 93.7
art 83.4
sketch 78.6
child art 66.5
human face 62.2
poster 51.5

Color Analysis

Face analysis

Amazon

Microsoft

AWS Rekognition

Age 20-28
Gender Male, 89.9%
Calm 99.9%
Surprised 6.3%
Fear 5.9%
Sad 2.2%
Happy 0%
Disgusted 0%
Angry 0%
Confused 0%

AWS Rekognition

Age 27-37
Gender Female, 99.9%
Sad 100%
Calm 11.1%
Surprised 6.4%
Fear 6%
Confused 0.5%
Angry 0.4%
Disgusted 0.2%
Happy 0.1%

AWS Rekognition

Age 54-62
Gender Female, 66.3%
Confused 47%
Calm 16.9%
Fear 11.8%
Surprised 8.7%
Angry 8.3%
Disgusted 6.5%
Sad 4%
Happy 1.4%

AWS Rekognition

Age 27-37
Gender Male, 69.7%
Calm 54.4%
Confused 31.2%
Surprised 7.8%
Fear 6.2%
Sad 5.2%
Disgusted 1.9%
Angry 1.7%
Happy 0.7%

AWS Rekognition

Age 36-44
Gender Male, 81.3%
Calm 34.3%
Fear 27.6%
Surprised 14.6%
Sad 11.3%
Angry 7.5%
Happy 3.2%
Disgusted 3.1%
Confused 1.7%

AWS Rekognition

Age 22-30
Gender Male, 63.7%
Angry 35.9%
Disgusted 23%
Calm 14.9%
Surprised 10%
Fear 8.9%
Sad 5.7%
Happy 4.2%
Confused 2.3%

Microsoft Cognitive Services

Age 24
Gender Female

Feature analysis

Amazon

Person 98.8%
Painting 82.3%

Categories

Captions

Microsoft
created on 2022-10-27

map 81.2%

Azure OpenAI

Created by gpt-4 on 2024-12-06

This is a colored print depicting a scene of disarray and excess. The central part of the image shows a group of individuals in an interior room, slumped over a couch and chairs in various states of repose, suggesting a scene of exhaustion or inebriation following a raucous event. The clothing they wear is indicative of a historical period with elaborate garments, such as a jacket with gold braiding, a frilled dress, and striped stockings. On the wall behind them are two framed images, and to the right, a curtain is partially drawn, possibly indicating a window or partition. The floor is littered with items like a broken bottle and what seems to be a spilt liquid. The print is titled "ROAD TO RUIN," which, along with the disheveled state of the room and its inhabitants, suggests a moralistic message about the dangers of a hedonistic lifestyle.

Created by gpt-4o-2024-05-13 on 2024-12-06

This image is an illustration depicting a chaotic and disheveled scene in what appears to be an opulently furnished room. The room has ornate decorations including a large green couch, gilded mirrors, and detailed ceiling mouldings. The illustration shows a group of people in disarray, with some in exaggerated poses and disheveled clothing, suggesting a sense of debauchery or excess. The title of the image at the bottom reads "ROAD TO RUIN," implying a moral or social commentary on the behaviors depicted. The overall artistic style appears to be characteristic of satirical or caricature art from the 18th or 19th century.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-06

The image depicts a scene of debauchery and excess, with several individuals in various stages of undress and intoxication. There appear to be several people reclining on a couch or bed, surrounded by ornate mirrors and furniture. The overall tone of the image is one of moral decay and the "Road to Ruin" as indicated by the title. While the depiction is visually striking, I will refrain from identifying any of the individuals shown, in accordance with the instructions provided.

Created by claude-3-5-sonnet-20241022 on 2024-12-06

This appears to be a historic satirical print titled "Road to Ruin." It's an 18th or early 19th century colored engraving depicting a scene of debauchery in what looks like a parlor or salon. There are several figures lounging on furniture in various states of undress, suggesting a morality tale about vice and dissolution. The interior features decorative elements like ornate gilt-framed mirrors on the wall. The style and coloring is typical of Georgian-era British satirical prints, with exaggerated expressions and poses meant to shock and amuse while delivering a moral message. The clothing and furnishings are consistent with late 18th century fashion and decor.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-06

The image is a cartoon titled "Road to Ruin" and depicts a chaotic scene of people in various states of undress and disarray. The cartoon appears to be a commentary on the moral decay and social ills of the time, with the title suggesting a path of destruction or downfall. * The cartoon shows a group of people in a room, with some lying on the floor, others sitting or standing, and one person hanging from a mirror. The people are dressed in clothing from the 18th or 19th century, with men wearing wigs and women wearing corsets and long dresses. * The cartoonist has used humor and exaggeration to convey the message that the characters are on a path of ruin. The characters are shown in various states of undress, with some exposing their breasts or buttocks, and others with their clothes torn or falling off. * The cartoon also includes symbols and motifs that add to the overall message. For example, the mirror hanging from the wall may represent vanity or self-obsession, while the broken furniture and scattered objects may symbolize chaos and disorder. * The cartoon is likely intended to be humorous and satirical, rather than a serious commentary on the state of society. However, it does highlight the social and moral issues of the time, such as the corrupting influence of wealth and power, and the dangers of excess and indulgence. Overall, the cartoon "Road to Ruin" is a humorous and satirical commentary on the social and moral issues of the time. It uses humor and exaggeration to convey its message, and includes symbols and motifs that add to the overall meaning.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-06

The image is a cartoon titled "Road to Ruin" and features a group of people in a room, with one woman lying on the floor. The cartoon appears to be a commentary on the dangers of excess and the consequences of one's actions. In the foreground, a woman is depicted lying on the floor, surrounded by several other individuals who are seated or standing around her. The woman on the floor is dressed in a white dress with a red and yellow striped sash, and her hair is disheveled. She appears to be in a state of distress or despair. To the left of the woman on the floor, a man is seated on a couch, holding a cane in his hand. He is dressed in a red coat with gold trim, and his hair is styled in a fashionable manner. Next to him, a woman is seated on the couch, wearing a blue dress with a white hat. She appears to be engaged in conversation with the man. On the right side of the image, another man is seated in a chair, wearing a blue coat with a white shirt and a black hat. He appears to be looking at the woman on the floor with concern or alarm. In the background, there are two mirrors hanging on the wall, which reflect the image of the people in the room. The mirrors add a sense of depth and perspective to the image, and they also serve to highlight the themes of vanity and self-absorption that are present in the cartoon. Overall, the image "Road to Ruin" is a commentary on the dangers of excess and the consequences of one's actions. It suggests that the pursuit of wealth, status, and material possessions can lead to ruin and destruction, both for individuals and for society as a whole. The image is a powerful critique of the social and economic systems of the time, and it continues to be relevant today.

Text analysis

Amazon

ROAD
TO
ROAD TO RUIN
RUIN
II42

Google

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