Human Generated Data

Title

Tarpeia is Crushed by the Shields of the Sabines, plate 23

Date

c. 1575

People

Artist: Giovanni Battista Fontana, Italian c. 1524 - 1587

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Acquisition Fund for Prints, 2016.248.23

Human Generated Data

Title

Tarpeia is Crushed by the Shields of the Sabines, plate 23

People

Artist: Giovanni Battista Fontana, Italian c. 1524 - 1587

Date

c. 1575

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Acquisition Fund for Prints, 2016.248.23

Machine Generated Data

Tags

Amazon
created on 2019-04-09

Person 96.4
Human 96.4
Person 91.9
Art 88.2
Painting 86.8
Person 74.9
Mammal 74.6
Animal 74.6
Horse 74.6
Person 72.1
Person 62
Drawing 57.5
Archaeology 55.5
Person 50.3

Clarifai
created on 2018-02-19

people 100
print 99.9
group 99.7
illustration 99.7
adult 99.4
man 98.9
engraving 98.7
art 98.1
many 98
administration 94.8
military 93.8
weapon 93.3
vehicle 93.2
soldier 93
leader 92.7
woman 92.4
lithograph 92.3
royalty 91.8
war 89.5
veil 89.3

Imagga
created on 2018-02-19

vintage 40.5
old 38.3
antique 31.1
paper 30.6
retro 29.5
ancient 28.5
map 24.9
texture 23.6
grunge 23
aged 22.6
close 20
tile 20
art 19.7
mosaic 19.4
letter 19.3
money 18.7
pattern 18.5
cash 18.3
currency 18
finance 16.9
design 16.9
stamp 16.6
brown 15.5
dirty 15.4
bank 15.2
frame 15.1
lace 14.4
mail 14.4
container 14.1
banking 12.9
note 12.9
historic 12.8
postmark 12.8
postage 12.8
obsolete 12.5
exchange 12.4
post 12.4
representation 12.3
textured 12.3
dollar 12.1
arabesque 11.9
rough 11.9
postal 11.8
border 11.8
collection 11.7
torn 11.6
business 11.5
parchment 11.5
bill 11.4
text 11.3
card 11.2
financial 10.7
book 10.5
decoration 10.3
page 10.2
wealth 9.9
world 9.7
used 9.6
binding 9.6
grungy 9.5
blank 9.4
print 9.4
envelope 9.3
transducer 9.3
communication 9.2
wallpaper 9.2
banknote 8.7
us 8.7
stained 8.7
worn 8.6
old fashioned 8.6
floral 8.5
backdrop 8.2
one 8.2
atlas 8.1
history 8.1
detail 8
office 8
fabric 7.9
crumpled 7.8
travel 7.7
dollars 7.7
covering 7.7
geography 7.7
payment 7.7
sheet 7.5
number 7.5
document 7.4
religion 7.2
material 7.1
wall 7.1
decor 7.1

Google
created on 2018-02-19

art 80.5
history 77.8
illustration 58
paper 57.6
visual arts 57.6
printmaking 55.4
black and white 54
tree 54
font 50.2

Microsoft
created on 2018-02-19

text 100
book 100

Color Analysis

Face analysis

Amazon

Microsoft

AWS Rekognition

Age 23-38
Gender Male, 84.9%
Surprised 6.4%
Calm 28.9%
Sad 37.1%
Angry 17.2%
Happy 0.3%
Disgusted 3.3%
Confused 6.9%

AWS Rekognition

Age 26-43
Gender Male, 98%
Surprised 0.5%
Happy 0.2%
Sad 18.3%
Calm 78.7%
Confused 0.8%
Angry 1.4%
Disgusted 0.1%

Microsoft Cognitive Services

Age 50
Gender Male

Feature analysis

Amazon

Person 96.4%
Painting 86.8%
Horse 74.6%

Captions

Microsoft
created on 2018-02-19

a close up of a book 43.7%
close up of a book 38.7%
a photo of a book 38.6%

Azure OpenAI

Created by gpt-4 on 2024-11-17

This is a black and white etching depicting a scene from what appears to be a historical or mythological narrative. The foreground shows a group of figures in a state of conflict or struggle, with some being pushed to the ground and others aggressively engaging with one another. They are dressed in attire that suggests an earlier historical period, possibly ancient Roman, given the style of the helmets and shields. On the right side, a group of individuals is shown entering a doorway or a passageway, armed and carrying shields. Despite the intense action, their faces are composed, suggesting a disciplined or determined force. There are Latin inscriptions at the top and bottom of the image, hinting at the context or moral of the scene. The inscriptions may refer to a specific historical or allegorical event, possibly related to themes such as betrayal, avarice, or downfall as a consequence of human vices. The classical architecture accentuates the scene's ancient setting.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-11-17

The image appears to depict a violent and chaotic scene. It shows several figures, both male and female, engaged in what seems to be some kind of violent altercation or struggle. There are figures on the ground, others attacking or defending, and an overall sense of chaos and upheaval. The style is detailed and appears to be an engraving or etching, giving it an older, historical aesthetic. Without being able to identify any individuals, the image conveys a sense of brutality and turmoil.

Meta Llama

Created on 2024-12-01

The image depicts a scene from the 16th-century engraving "The Massacre of the Innocents" by Albrecht Dürer. The engraving shows a chaotic and violent scene, with several figures engaged in a brutal struggle. In the foreground, a group of men are attacking a woman who is lying on the ground, while another man stands over her, holding a sword. The background of the image is dark and shadowy, with arches and columns visible in the distance. The engraving is rendered in a detailed and realistic style, with intricate lines and shading that give the impression of depth and texture. The figures in the image are depicted in a dynamic and expressive manner, with their bodies twisted and contorted in a way that conveys a sense of tension and violence. The overall effect of the engraving is one of shock and horror, as the viewer is confronted with the brutal and senseless violence of the scene. The image is a powerful commentary on the destructive nature of human conflict, and serves as a reminder of the devastating consequences of war and violence. *Answer*: The image depicts a scene from the 16th-century engraving "The Massacre of the Innocents" by Albrecht Dürer, showing a chaotic and violent scene with several figures engaged in a brutal struggle.

Text analysis

Amazon

SCELERATA
SABINS
MAGNO SCELERATA AVARITIA EXEMPLO
MAGNO
TARPEIA
AVARITIA
INTROMISSIS
EXEMPLO
EORVM
OBRVITVR
NOSTY
TARPEIA INTROMISSIS NOSTY SABINS EORVM SOVTIS OBRVITVR
SOVTIS

Google

TARPEIA INTROMISSIS NO AGNO SCE TA AVAR ITIA EXEMPL O
TARPEIA
INTROMISSIS
NO
AGNO
SCE
TA
AVAR
ITIA
EXEMPL
O