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Human Generated Data

Title

Venus and Adonis

Date

1638

People

Artist: Michel Dorigny, French 1617 - 1685

Artist after: Simon Vouet, French 1590 - 1649

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Purchase through the generosity of Jan Paul Richter and Ellen von Seggern Richter, 2016.198

Human Generated Data

Title

Venus and Adonis

People

Artist: Michel Dorigny, French 1617 - 1685

Artist after: Simon Vouet, French 1590 - 1649

Date

1638

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Purchase through the generosity of Jan Paul Richter and Ellen von Seggern Richter, 2016.198

Machine Generated Data

Tags

Amazon
created on 2019-04-10

Art 95.8
Human 94.3
Drawing 94.3
Person 91.1
Painting 88.7
Doodle 80.1

Clarifai
created on 2018-11-01

illustration 99.9
people 99.8
print 99.7
art 99.1
man 98.1
adult 97.9
painting 97.8
one 97.6
engraving 96.4
woodcut 96.1
lithograph 95.5
group 92.5
visuals 88
Renaissance 86
sword 85.4
cavalry 85.2
weapon 85.2
old 85
antique 82.7
portrait 81.3

Imagga
created on 2018-11-01

ceramic ware 76.7
china 76.1
porcelain 61.1
utensil 50.1
earthenware 39.9
currency 35.9
money 35.7
cash 33.9
majolica 30.8
finance 29.6
dollar 28.8
financial 26.7
art 26.5
paper 25.9
banking 24.8
bank 24.2
business 22.5
wealth 22.4
bill 20.9
dollars 19.3
us 19.3
grunge 18.7
close 18.3
pay 17.3
design 17.1
wallpaper 16.8
artistic 16.5
exchange 16.2
futuristic 16.2
graphic 15.3
pattern 15
one 14.9
light 14.7
banknote 14.6
style 14.1
rich 14
old 13.9
texture 13.9
hundred 13.6
savings 13.1
fractal 12.9
color 12.8
antique 12.8
concepts 12.4
retro 12.3
cup 12.3
digital 12.2
ancient 12.1
economy 12.1
investment 11.9
effect 11.9
shiny 11.9
bills 11.7
vintage 11.6
textured 11.4
sketch 11.3
note 11
shape 10.9
container 10.8
franklin 10.8
black 10.8
closeup 10.8
backdrop 10.7
finances 10.6
coin 10.5
motion 10.3
commerce 10.3
space 10.1
history 9.8
funds 9.8
drawing 9.7
states 9.7
payment 9.6
capital 9.5
dynamic 9.4
flame 9.4
generated 9.3
gold 9
map 8.9
line 8.6
globe 8.3
element 8.3
smooth 8.2
fantasy 8.1
structure 8.1
success 8
market 8
world 8
curve 7.9
banknotes 7.8
face 7.8
travel 7.7
coins 7.7
modern 7.7
loan 7.7
profit 7.7
united 7.6
artwork 7.3
detail 7.2
tableware 7

Google
created on 2018-11-01

Microsoft
created on 2018-11-01

text 96.8
book 94.5

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 23-38
Gender Female, 94%
Disgusted 0.4%
Sad 9.7%
Confused 1.4%
Angry 1.1%
Happy 0.3%
Calm 86.6%
Surprised 0.5%

Feature analysis

Amazon

Person
Painting
Person 91.1%

Categories

Imagga

paintings art 98.5%

Captions

Microsoft
created on 2018-11-01

a close up of a book 29.3%
close up of a book 25.4%
a close up of text on a white surface 25.3%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2024-12-31

The image is an etching that portrays a dramatic, mythological scene featuring two central figures, likely male and female, engaged in an intense interaction. The male, dressed in a tunic and holding a tall staff or spear, appears to be stepping backward, as if being stopped or confronted by the female figure. She is partially draped in cloth and reaching out towards him, possibly pleading or attempting to hold him back. In the background, there are two dogs, one standing alertly and another seeming to leap or move energetically. The setting includes a landscape with trees and what looks like a mountainous or rocky terrain. On the left side of the image, cherubs or small angelic figures are partly visible, adding a celestial or divine element to the scene. The image has a classical antique style, indicated by the detailed, intricate etching technique. The text at the lower left reads "S. Vouet pinxit" and "M. Dorigny scu[l]", hinting at the artist and engraver, with the location and year "Parijs 1638" noted at the bottom right.

Created by gpt-4 on 2024-11-17

This is an image of a circular-shaped engraving or print, presented in a monochromatic color scheme. The artwork depicts a dramatic scene with several figures and animals. The central figure appears to be an adult, possibly male, in a dynamic pose, with drapery flowing around the body, expressing a sense of movement. This figure is reaching out or pushing away another figure. To the left, two smaller figures, which could be children, are lying on the ground, with one looking desperately towards the central figure. On the right side, there is a dog, depicted in a state of alertness or aggression, with its tail erect and mouth open as if barking or snarling. The background suggests an outdoor setting with sky and foliage, giving the impression that the event is taking place in a natural environment. The text at the bottom indicates the artists involved and the creation date of the piece. The inscription reads "S. Voiçi pinx:t." and "N. Dorigny Scul. Parisi 1633" which suggests the names of the printmaker or engraver (N. Dorigny) and the painter (S. Voiçi) who created the original design, along with the year of creation, which is 1633. The word "Scul." is an abbreviation for "sculpsit," meaning "engraved by," and "pinx:t." is likely an abbreviation for "pinxit," meaning "painted by." The image likely has historical or mythological significance, given the style of the artwork and the period in which it was created.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2024-12-27

This is a classical engraving from 1633 by M. Dorigny, based on a painting by S. Vouet. The oval-framed composition depicts a dramatic mythological or allegorical scene featuring figures in dynamic motion. The scene shows partially draped figures in a struggle or chase, accompanied by what appears to be a hunting dog. The artwork uses typical baroque-era engraving techniques with cross-hatching and fine line work to create depth and volume. The composition is dynamic, with flowing drapery and diagonal movement that was characteristic of baroque art. The setting appears to be outdoors with some vegetation or trees visible in the background.

Created by claude-3-haiku-20240307 on 2024-11-17

The image depicts a dramatic, mythological scene. In the center of the oval frame, two figures are engaged in a violent struggle. A muscular, partially nude male figure appears to be attacking or overpowering a female figure, who is also partially nude. The scene is set against a wild, mountainous landscape with swirling clouds in the background. The style and subject matter suggest this is a classical or baroque engraving, likely depicting a scene from Greek or Roman mythology.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-24

This image is a black and white etching of a scene from Greek mythology, specifically the story of Diana and Actaeon. The etching depicts Diana, the goddess of the hunt, and Actaeon, a mortal hunter, in a dramatic moment. Diana is shown standing in the center of the image, holding a bow and arrow, while Actaeon is kneeling before her, his hands raised in a gesture of supplication. The background of the etching features a forest landscape with trees and foliage, adding depth and context to the scene. The etching is signed by the artist, Nicolas Dorigny, in the bottom-right corner, and dated 1658. The image also includes a Latin inscription in the bottom-left corner, which translates to "S. Voet pinxit. Cu privil." This suggests that the etching was based on a painting by Simon Vouet, a French artist who was active during the 17th century. Overall, this image is a beautiful example of Baroque art, with its intricate details and dramatic composition. It showcases the skill and craftsmanship of the artist, Nicolas Dorigny, and provides a glimpse into the artistic styles and themes of the 17th century.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-01

The image depicts a scene from the painting "The Judgment of Paris" by the Dutch master Rembrandt van Rijn. Created in 1655, this work showcases Rembrandt's exceptional skill in capturing dramatic and emotionally charged moments. The painting centers around the mythological story of Paris, who was tasked with judging which of the goddesses, Aphrodite, Athena, and Hera, was the most beautiful. Rembrandt's interpretation of this scene is characterized by its intense lighting and deep shadows, which add to the dramatic effect of the moment. The figures are depicted with a sense of movement and tension, emphasizing the gravity of the situation. Rembrandt's use of chiaroscuro, a technique that uses strong contrasts between light and dark to create a sense of volume in modeling three-dimensional objects and figures, is evident throughout the painting. This technique not only adds depth to the scene but also highlights the emotional intensity of the characters. Overall, "The Judgment of Paris" is a testament to Rembrandt's mastery of light and shadow, as well as his ability to convey complex emotions through his art.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-24

The image is an oval-shaped black and white etching that depicts a scene with several figures. In the center, there are two men, one holding a spear and the other holding a dog's leash. The man with the spear is looking at the other man, who is kneeling down. The kneeling man is holding a small child, and the man with the spear is looking at the child. There are two dogs in the scene, one lying down and the other standing. The image has a vintage look and feel, with a sepia tone and a slightly worn appearance. The image is titled "S. Voiet pinxt. Ca pril." and "M. Dorigny scul. Paris 1683," indicating that it was created by the artist S. Voiet and engraved by M. Dorigny in Paris in 1683.

Created by amazon.nova-pro-v1:0 on 2025-02-24

The image is a black-and-white engraving of two men in a forest. The man on the left is wearing a robe and holding a stick, while the man on the right is wearing a loincloth and holding a stick. The man on the left is holding the right man's hand, and the man on the right is holding the left man's hand. There are two dogs on the right side of the image.

Text analysis

Amazon

pinxit.
Donigny
Cu
Voiiet
S Voiiet pinxit. N. Donigny scuil
N.
pritil.
scuil
Cu pritil. Parifi 1638
Parifi
S
1638