Created on 2024-11-28

This image shows a poster or flyer with a bold, confrontational text as its main feature. The heading asks, "WHAT'S FASHIONABLE, PRESTIGIOUS & TAX-DEDUCTIBLE?". Beneath this, in large, capitalized letters, it states, "DISCRIMINATING AGAINST WOMEN & NON-WHITE ARTISTS." The poster then lists several corporations and foundations on the left, stating that they sponsored art exhibitions that featured a disproportionately high percentage of men and white artists. On the right, it shows a list of art exhibitions with the percentages of participants who were men and white: for example, one exhibition had 95% men and 96% white artists. Each exhibition is followed by the venue where it was held, the year, and the curator's name. At the bottom, there's an invitation for people to send their comments to an address specified on the poster. The poster is signed off with "GUERRILLA GIRLS, CONSCIENCE OF THE ART WORLD" in bold lettering, indicating that it was created by a group called the Guerrilla Girls, which is known for activism in the art world focusing on feminism and fighting against discrimination.

Created on 2024-11-27

This image appears to be a poster or flyer created by the Guerrilla Girls, a feminist activist group that addresses discrimination against women and non-white artists in the art world. The poster asks "What's fashionable, prestigious & tax-deductible?" and then goes on to list various art exhibitions and corporations that the Guerrilla Girls accuse of discriminating against women and non-white artists. The poster provides statistics showing the gender and racial imbalance in these exhibitions and events, highlighting the lack of representation of women and non-white artists. The overall message seems to be a critique of the art establishment and the systemic biases that exist within it.

Created on 2024-11-25

The image presents a list of art exhibitions and their corresponding demographics, specifically focusing on the percentage of men and white individuals involved. The list is organized into two columns, with the left column listing the corporations and foundations that sponsored the exhibitions, and the right column displaying the percentages of men and white individuals in each exhibition. * **Title**: "What's Fashionable, Prestigious & Tax-Deductible? Discriminating Against Women & Non-White Artists." * **List of Exhibitions**: * **Owen Cheatham Foundation, The National Endowment for the Arts** * "Transformations in Sculpture: Four Decades" 1985. Guggenheim Museum. Diane Waldman, curator * Containing these percentages: * 95% men * 96% white * **Exxon, Grand Marnier Foundation Enichem Americas, Inc., The NEA** * "Emerging Artists 1978-1986: Selections from the Exxon Series" 1987. Guggenheim Museum. Diane Waldman, Curator * Containing these percentages: * 75% men * 98% white * **McGraw-Hill Foundation** * "Printed Art: A View of Two Decades" 1980 The Museum of Modern Art Riva Castleman, curator * Containing these percentages: * 94% men * 93% white * **The New York State Council on the Arts, The NEA** * "Monumental Drawings: Works by Twenty-two Contemporary Americans" 1986. Brooklyn Museum. Charlotta Kotik, curator * Containing these percentages: * 82% men * 100% white * **A.T. & T., The NEA** * "International Survey of Recent Painting and Sculpture" 1984. The Museum of Modern Art. Kynaston McShine, curator * Containing these percentages: * 92% men * 98% white * **Philip Morris Companies, Deutsche Bank, Bohen Foundation, The Federal Republic of Germany, The NEA** * "BerlinArt 1961-1987" 1987. The Museum of Modern Art. Kynaston McShine, curator * Containing these percentages: * 95% men * 100% white * **Kaufman Foundation, Lauder Fund, Lipman Foundation, Rose Foundation** * "BLAM!" The Explosion of Pop, Minimalism and Performance 1958-1964" 1984. Whitney Museum. Barbara Haskell, curator * Containing these percentages: * 85% men * 91% white * **Chase Manhattan Bank, The NEA** * "High Styles: Twentieth Century American Design" 1986. The Whitney Museum. Lisa Phillips, curator * Containing these percentages: * 87% men * 97% white The list highlights the underrepresentation of women and non-white artists in the art world, with many exhibitions having a majority of white men involved. This disparity raises questions about the inclusivity and diversity of the art industry.