WHAT'S FASHIONABLE
PRESTIGIOUS
& TAX-DEDUCTIBLE?
DISCRIMINATING AGAINST
WOMEN & NON-WHITE ARTISTS.
THESE CORPORATIONS &
FOUNDATIONS SPONSORED...THESE EXHIBITIONS...
Owen Cheatham Foundation, The Transformations in Sculpture: Four
National Endowment for the Arts Decades', 1985, Guggenheim Museum,
CONTAINING THESE
PERCENTAGES:
95% men
96% white
Diane Waldman, curator
Exxon, Grand Marnier Foundation
Enichem Americus, Inc., The NEA
75% men
98% white
"Emerging Artists 1978-1986: Selections
from the Exxon Series', 1987, Guggenheim
Museum. Diane Waldman, Curator
94 % men
93% white
McGraw-Hill Foundation
"Printed Art: A View of Two Decades" 1980
The Museum of Modern Art
Riva Castleman, curator
The New York State
Council on the Arts, The NEA
"Monumental Drawings: Works by Twenty-two 82% men
Contemporary Americans', 1986, Brooklyn
Museum. Charlotta Kotik, curator
100% white
A.T. & T., The NEA
"InternationalSurvey of Recent Painting
and Sculpture 1984. The Museum of
Modern Art. Kynaston McShine, curator
92% men
98% white
Philip Morris Companies, Deutsche
Bank, Bohen Foundation, TheFederal
Republic of Germany, The NEA
"BerlinArt 1961-1987"1987. The Museum
of Modern Art. Kynaston McShine, curator
95% men
100% white
Kaufman Foundation, Lauder Fund, "BLAM! The Explosion of Pop, Minimalism
Lipman Foundation, Rose Foundotion, and Performance 1958-1964" 1984.
85% men
91% white
Whitney Museum. Barbara Haskell, curator
87 % men
97% white
Chase Manhattan Bank. The NEA
"High Styles: Twentieth Century American
Design" 1986. The Whitney Museum.
Lisa Phillips, curator
Please send $ and comments to:
Box 1056 Cooper Sta.NY,NY 10276
