Created by gpt-4o-2024-05-13 on 2024-12-30

The image is a poster created by the Guerrilla Girls, an anonymous group of feminist, female artists devoted to fighting sexism and racism within the art world. The poster has the following bold text at the top: "WHAT'S FASHIONABLE, PRESTIGIOUS & TAX-DEDUCTIBLE? DISCRIMINATING AGAINST WOMEN & NON-WHITE ARTISTS." Below this, the poster lists various corporations and foundations that sponsored certain art exhibitions. Each exhibition is detailed by its title, year, venue, and curator, along with the percentage of men and white individuals featured in the exhibitions. Here is the list of sponsors along with the exhibitions and their respective demographics: 1. **Owen Cheatham Foundation, The National Endowment for the Arts** - "Transformations in Sculpture: Four Decades" 1985. Guggenheim Museum. Diane Waldman, curator - **Demographics: 95% men, 96% white** 2. **Exxon, Grand Marnier Foundation Enichem Americus, Inc., The NEA** - "Emerging Artists 1978-1986: Selections from the Exxon Series" 1987. Guggenheim Museum. Diane Waldman, Curator - **Demographics: 75% men, 98% white** 3. **McGraw-Hill Foundation** - "Printed Art: A View of Two Decades" 1980. The Museum of Modern Art. Riva Castleman, curator - **Demographics: 94% men, 93% white** 4. **The New York State Council on the Arts, The NEA** - "Monumental Drawings: Works by Twenty-two Contemporary Americans" 1986. Brooklyn Museum. Charlotta Kotik, curator - **Demographics: 82% men, 100% white** 5. **A.T. & T., The NEA** - "International Survey of Recent Painting and Sculpture" 1984. The Museum of Modern Art. Kynaston McShine, curator - **Demographics: 92% men, 98% white** 6. **Philip Morris Companies, Deutsche Bank, Bohen Foundation, The Federal Republic of Germany, The NEA** - "BerlinArt 1961-1987" 1987. The Museum of Modern Art. Kynaston McShine, curator - **Demographics: 95% men, 100% white** 7. **Kaufman Foundation, Lauder Fund, Lipman Foundation, Rose Foundation** - "BLAM! The Explosion of Pop, Minimalism and Performance 1958-1964" 1984. Whitney Museum. Barbara Haskell, curator - **Demographics: 85% men, 91% white** 8. **Chase Manhattan Bank, The NEA** - "High Styles: Twentieth Century American Design" 1986. The Whitney Museum. Lisa Phillips, curator - **Demographics: 87% men, 97% white** At the bottom of the poster, there is a message to send comments to Box 1056 Cooper Sta. NY, NY 10276. The poster is signed by the **Guerrilla Girls** with the tagline "Conscience of the Art World."

Created by gpt-4 on 2024-11-28

This image shows a poster or flyer with a bold, confrontational text as its main feature. The heading asks, "WHAT'S FASHIONABLE, PRESTIGIOUS & TAX-DEDUCTIBLE?". Beneath this, in large, capitalized letters, it states, "DISCRIMINATING AGAINST WOMEN & NON-WHITE ARTISTS." The poster then lists several corporations and foundations on the left, stating that they sponsored art exhibitions that featured a disproportionately high percentage of men and white artists. On the right, it shows a list of art exhibitions with the percentages of participants who were men and white: for example, one exhibition had 95% men and 96% white artists. Each exhibition is followed by the venue where it was held, the year, and the curator's name. At the bottom, there's an invitation for people to send their comments to an address specified on the poster. The poster is signed off with "GUERRILLA GIRLS, CONSCIENCE OF THE ART WORLD" in bold lettering, indicating that it was created by a group called the Guerrilla Girls, which is known for activism in the art world focusing on feminism and fighting against discrimination.

Created by claude-3-5-sonnet-20241022 on 2024-12-26

This is a protest poster created by the Guerrilla Girls, an activist art group, highlighting discrimination in the art world. The poster poses the satirical question "What's fashionable, prestigious & tax-deductible?" with the answer "Discriminating against women & non-white artists." The poster lists several major art exhibitions from the 1980s at prestigious institutions like the Guggenheim Museum, MoMA, and Whitney Museum, along with their corporate and foundation sponsors. For each exhibition, it shows stark statistics about representation, with most shows featuring between 75-95% male artists and 91-100% white artists. The data is presented in three columns showing: 1. The sponsoring organizations and foundations 2. The exhibition names, dates, venues, and curators 3. The percentage breakdowns of male/female and white/non-white artists The poster is designed in a bold, straightforward typography style typical of protest art, with the Guerrilla Girls' contact information at the bottom. It serves as a pointed critique of systematic discrimination in the institutional art world of the 1980s.

Created by claude-3-haiku-20240307 on 2024-11-27

This image appears to be a poster or flyer created by the Guerrilla Girls, a feminist activist group that addresses discrimination against women and non-white artists in the art world. The poster asks "What's fashionable, prestigious & tax-deductible?" and then goes on to list various art exhibitions and corporations that the Guerrilla Girls accuse of discriminating against women and non-white artists. The poster provides statistics showing the gender and racial imbalance in these exhibitions and events, highlighting the lack of representation of women and non-white artists. The overall message seems to be a critique of the art establishment and the systemic biases that exist within it.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-24

The image is a poster created by the Guerrilla Girls, an anonymous group of feminist artists, to highlight the lack of representation of women and non-white artists in prestigious art institutions. The poster features bold black text on a white background, with the title "What's Fashionable, Prestigious & Tax-Deductible? Discriminating Against Women & Non-White Artists." The poster lists several corporations and foundations that sponsor exhibitions at prominent museums, along with the percentage of men and white artists featured in these exhibitions. The statistics are striking, with some exhibitions featuring as high as 100% white artists and 98% men. The poster also includes a call to action, encouraging viewers to send comments and donations to the Guerrilla Girls' address. Overall, the poster is a powerful critique of the art world's lack of diversity and inclusivity, and it serves as a reminder of the importance of promoting equity and representation in all aspects of society.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-11-25

The image presents a list of art exhibitions and their corresponding demographics, specifically focusing on the percentage of men and white individuals involved. The list is organized into two columns, with the left column listing the corporations and foundations that sponsored the exhibitions, and the right column displaying the percentages of men and white individuals in each exhibition. * **Title**: "What's Fashionable, Prestigious & Tax-Deductible? Discriminating Against Women & Non-White Artists." * **List of Exhibitions**: * **Owen Cheatham Foundation, The National Endowment for the Arts** * "Transformations in Sculpture: Four Decades" 1985. Guggenheim Museum. Diane Waldman, curator * Containing these percentages: * 95% men * 96% white * **Exxon, Grand Marnier Foundation Enichem Americas, Inc., The NEA** * "Emerging Artists 1978-1986: Selections from the Exxon Series" 1987. Guggenheim Museum. Diane Waldman, Curator * Containing these percentages: * 75% men * 98% white * **McGraw-Hill Foundation** * "Printed Art: A View of Two Decades" 1980 The Museum of Modern Art Riva Castleman, curator * Containing these percentages: * 94% men * 93% white * **The New York State Council on the Arts, The NEA** * "Monumental Drawings: Works by Twenty-two Contemporary Americans" 1986. Brooklyn Museum. Charlotta Kotik, curator * Containing these percentages: * 82% men * 100% white * **A.T. & T., The NEA** * "International Survey of Recent Painting and Sculpture" 1984. The Museum of Modern Art. Kynaston McShine, curator * Containing these percentages: * 92% men * 98% white * **Philip Morris Companies, Deutsche Bank, Bohen Foundation, The Federal Republic of Germany, The NEA** * "BerlinArt 1961-1987" 1987. The Museum of Modern Art. Kynaston McShine, curator * Containing these percentages: * 95% men * 100% white * **Kaufman Foundation, Lauder Fund, Lipman Foundation, Rose Foundation** * "BLAM!" The Explosion of Pop, Minimalism and Performance 1958-1964" 1984. Whitney Museum. Barbara Haskell, curator * Containing these percentages: * 85% men * 91% white * **Chase Manhattan Bank, The NEA** * "High Styles: Twentieth Century American Design" 1986. The Whitney Museum. Lisa Phillips, curator * Containing these percentages: * 87% men * 97% white The list highlights the underrepresentation of women and non-white artists in the art world, with many exhibitions having a majority of white men involved. This disparity raises questions about the inclusivity and diversity of the art industry.

Created by amazon.nova-lite-v1:0 on 2025-02-26

The image is a poster with a black-and-white design. The poster is titled "What's Fashionable, Prestigious, & Tax-Deductible? Discriminating Against Women & Non-White Artists." The poster lists several corporations and foundations that sponsored various art exhibitions. The poster also provides statistics on the gender and racial composition of the artists in these exhibitions. The poster is asking for donations and comments to be sent to the Guerrilla Girls, an anonymous group of feminist artists who use art to expose discrimination and corruption in the art world.

Created by amazon.nova-pro-v1:0 on 2025-02-26

The image is a black-and-white poster that appears to be an advertisement or announcement. The poster is titled "WHAT'S FASHIONABLE, PRESTIGIOUS & TAX-DEDUCTIBLE? DISCRIMINATING AGAINST WOMEN & NON-WHITE ARTISTS." The text is bold and in a large font, with the main title in uppercase letters. Below the title, there is a list of corporations and foundations that sponsored exhibitions, along with the percentage of men and white artists represented in those exhibitions. The percentages are in bold and range from 75% to 100%. The poster also includes the names of the curators for each exhibition. The poster is likely a form of protest or activism against the lack of diversity and representation in the art world.