Machine Generated Data
Tags
Amazon
created on 2019-04-08
Clarifai
created on 2018-02-09
Imagga
created on 2018-02-09
Google
created on 2018-02-09
Microsoft
created on 2018-02-09
screenshot | 70.3 | |
| ||
abstract | 67.8 | |
| ||
document | 29.8 | |
|
Feature analysis
Amazon

Document | 99.6% | |
|
Captions
Microsoft
a screenshot of a social media post | 96.7% | |
| ||
a screenshot of a cell phone | 88.3% | |
| ||
a screenshot of text | 88.2% | |
|
Text analysis
Amazon

Andrea

2002

In 2002

people

photograph

Andrea Modica; Real Indians

Indians

In

states.

Modica;

Real

College

The

who

purpose

for

Fund

Americans

was commissioned by the American Indian College Fund to photograph people

project

to

the

western

Kellogg

commissioned

Native

was

American

celebrate

closely

by

from

Indian

purpose was to celebrate the Native American

Foundation.

associated

were

in

who were closely associated with the 32 tribal colleges for Native Americans in 12 western

underwritten

12

states. The project was underwritten grant from the W. K. Kellogg Foundation. The

tribal

was to

K.

32

grant

colleges

with the

W.

Andrea Modica; Real Indins
In 2002 I was commissioned by the American Indian College Fund to photograph people
who were closely associated with the 32 tribal colleges for Native Americans in 12 western
states. The project was underwritten by a grant from the W. K. Kellogg Foundatio. The
purpose was to celebrate the diversity of Native American peoples and to challenge
assumptions and prejudices about these extraor
dinarily rich cultures
The photographs in this collection are the result of eight months of intensive work traveling
around the United States, meeting the subjects, getting to know them and in some
serendipitous way eliciting an aspect of their personality that informs not only the
photograph, or some aspect of Native American culture, but also the culture of photogtaphy
as well. Many of the loci, the settings, were places imbued with the presence of Native
Atmerican peoples or special to families that had rooted there over generations. These
photographs ultimately became the core of a book published at the behest of the American
Indian College Fund that poignantly details the nuances of their culture.
I am indebted to the American Indian College Fund for providing access to a pcople, to
allowing me to learn and to share with them aspects of their civilization
Andrea Modca
Andrea Modica lives in Manitou Springs, Colorado and works as a photographer. After
receiving her MFA from Yale School of Art in 1985 she was a professor in the Art
Department at the State Universty of New York at Oneonta for 13 years. Her work is
included in the permanent collections of the Metropolitan Museum of Art, New York: The
Whitney Museum of Art, New York; the Brooklyn Museum of Art, Brooklyn, New York;
the George Eastman House, Rochester, New York. The National Museum of American Art
Smithsonian Institution, Washington, D.C.: The San Francisco Museum of Modem Art, San
Francisco, CA and the B
e Nationale, Paris France
Modica's photographs hare been exhibited extensively and published in four monographs:
inor Leagwe (Smithsonian Institution Press, 1993) Tread! (Chronicle, 199);man Reng
Nazracli, 2001), and Real Indians Melcher Media, 2002). She is represented by the Edwynn
Houk Gallery in New York and the Catherine Edelman Gallery in Chicago.
Her work has been generously supported by the following grants and awards: The New
York Foundation for the Arts Fellowship: The New York State Council of the Arts
Decentralization Grant; The John Simon Guggenheim Fellowship; the Aaron Siskind
Foundation Individual Photographers Grant: The Fulbright-Hays Rescarch Grant, the Light
Work Artist-in-Residence program; the Center for Photography at Woodstock
Photographer's Fund Award, and the Colorado Council of the Arts Fellowship

Andrea

Modica;

Real

Indins

In

2002

I

was

commissioned

by

the

American

Indian

College

Fund

to

photograph

people

who

were

closely

associated

with

32

tribal

colleges

for

Native

Americans

in

12

western

states.

The

project

underwritten

a

grant

from

W.

K.

Kellogg

Foundatio.

purpose

celebrate

diversity

of

peoples

and

challenge

assumptions

prejudices

about

these

extraor

dinarily

rich

cultures

photographs

this

collection

are

result

eight

months

intensive

work

traveling

around

United

States,

meeting

subjects,

getting

know

them

some

serendipitous

way

eliciting

an

aspect

their

personality

that

informs

not

only

photograph,

or

culture,

but

also

culture

photogtaphy

as

well.

Many

loci,

settings,

places

imbued

presence

Atmerican

special

families

had

rooted

there

over

generations.

These

ultimately

became

core

book

published

at

behest

poignantly

details

nuances

culture.

am

indebted

providing

access

pcople,

allowing

me

learn

share

aspects

civilization

Modca

Modica

lives

Manitou

Springs,

Colorado

works

photographer.

After

receiving

her

MFA

Yale

School

Art

1985

she

professor

Department

State

Universty

New

York

Oneonta

13

years.

Her

is

included

permanent

collections

Metropolitan

Museum

Art,

York:

Whitney

York;

Brooklyn

Brooklyn,

George

Eastman

House,

Rochester,

York.

National

Smithsonian

Institution,

Washington,

D.C.:

San

Francisco

Modem

Francisco,

CA

B

e

Nationale,

Paris

France

Modica's

hare

been

exhibited

extensively

four

monographs:

inor

Leagwe

(Smithsonian

Institution

Press,

1993)

Tread!

(Chronicle,

199);man

Reng

Nazracli,

2001),

Indians

Melcher

Media,

2002).

She

represented

Edwynn

Houk

Gallery

Catherine

Edelman

Chicago.

has

generously

supported

following

grants

awards:

Foundation

Arts

Fellowship:

Council

Decentralization

Grant;

John

Simon

Guggenheim

Fellowship;

Aaron

Siskind

Individual

Photographers

Grant:

Fulbright-Hays

Rescarch

Grant,

Light

Work

Artist-in-Residence

program;

Center

Photography

Woodstock

Photographer's

Award,

Fellowship