Human Generated Data

Title

Introduction and artist biography for, "Andrea Modica: Real Indians"

Date

2002

People

Artist: Andrea Modica, American born 1961

Classification

Photographs

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Sidney and Shirley Singer, 2013.178.26.1-2

Copyright

© Andrea Modica

Human Generated Data

Title

Introduction and artist biography for, "Andrea Modica: Real Indians"

People

Artist: Andrea Modica, American born 1961

Date

2002

Classification

Photographs

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Sidney and Shirley Singer, 2013.178.26.1-2

Copyright

© Andrea Modica

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Andrea
2002
In 2002
people
photograph
Andrea Modica; Real Indians
Indians
In
states.
Modica;
Real
College
The
who
purpose
for
Fund
Americans
was commissioned by the American Indian College Fund to photograph people
project
to
the
western
Kellogg
commissioned
Native
was
American
celebrate
closely
by
from
Indian
purpose was to celebrate the Native American
Foundation.
associated
were
in
who were closely associated with the 32 tribal colleges for Native Americans in 12 western
underwritten
12
states. The project was underwritten grant from the W. K. Kellogg Foundation. The
tribal
was to
K.
32
grant
colleges
with the
W.

Google

San
Francisco,
CA
and
the
B
e
Nationale,
Paris
France
Modica's
photographs
hare
been
exhibited
extensively
published
in
four
monographs:
inor
(Smithsonian
Institution
Press,
1993)
Tread!
(Chronicle,
199);man
Reng
Nazracli,
Indians
Media,
is
represented
by
Edwynn
Houk
Gallery
New
York
Catherine
Edelman
Chicago.
Her
work
has
generously
supported
following
grants
awards:
The
for
Arts
Council
Simon
Fellowship;
Aaron
Andrea Modica; Real Indins In 2002 I was commissioned by the American Indian College Fund to photograph people who were closely associated with the 32 tribal colleges for Native Americans in 12 western states. The project was underwritten by a grant from the W. K. Kellogg Foundatio. The purpose was to celebrate the diversity of Native American peoples and to challenge assumptions and prejudices about these extraor dinarily rich cultures The photographs in this collection are the result of eight months of intensive work traveling around the United States, meeting the subjects, getting to know them and in some serendipitous way eliciting an aspect of their personality that informs not only the photograph, or some aspect of Native American culture, but also the culture of photogtaphy as well. Many of the loci, the settings, were places imbued with the presence of Native Atmerican peoples or special to families that had rooted there over generations. These photographs ultimately became the core of a book published at the behest of the American Indian College Fund that poignantly details the nuances of their culture. I am indebted to the American Indian College Fund for providing access to a pcople, to allowing me to learn and to share with them aspects of their civilization Andrea Modca Andrea Modica lives in Manitou Springs, Colorado and works as a photographer. After receiving her MFA from Yale School of Art in 1985 she was a professor in the Art Department at the State Universty of New York at Oneonta for 13 years. Her work is included in the permanent collections of the Metropolitan Museum of Art, New York: The Whitney Museum of Art, New York; the Brooklyn Museum of Art, Brooklyn, New York; the George Eastman House, Rochester, New York. The National Museum of American Art Smithsonian Institution, Washington, D.C.: The San Francisco Museum of Modem Art, San Francisco, CA and the B e Nationale, Paris France Modica's photographs hare been exhibited extensively and published in four monographs: inor Leagwe (Smithsonian Institution Press, 1993) Tread! (Chronicle, 199);man Reng Nazracli, 2001), and Real Indians Melcher Media, 2002). She is represented by the Edwynn Houk Gallery in New York and the Catherine Edelman Gallery in Chicago. Her work has been generously supported by the following grants and awards: The New York Foundation for the Arts Fellowship: The New York State Council of the Arts Decentralization Grant; The John Simon Guggenheim Fellowship; the Aaron Siskind Foundation Individual Photographers Grant: The Fulbright-Hays Rescarch Grant, the Light Work Artist-in-Residence program; the Center for Photography at Woodstock Photographer's Fund Award, and the Colorado Council of the Arts Fellowship
Andrea
Modica;
Real
Indins
In
2002
I
was
commissioned
American
Indian
College
Fund
to
photograph
people
who
were
closely
associated
with
32
tribal
colleges
Native
Americans
12
western
states.
project
underwritten
a
grant
from
W.
K.
Kellogg
Foundatio.
purpose
celebrate
diversity
of
peoples
challenge
assumptions
prejudices
about
these
extraor
dinarily
rich
cultures
this
collection
are
result
eight
months
intensive
traveling
around
United
States,
meeting
subjects,
getting
know
them
some
serendipitous
way
eliciting
an
aspect
their
personality
that
informs
not
only
photograph,
or
culture,
but
also
culture
photogtaphy
as
well.
Many
loci,
settings,
places
imbued
presence
Atmerican
special
families
had
rooted
there
over
generations.
These
ultimately
became
core
book
at
behest
poignantly
details
nuances
culture.
am
indebted
providing
access
pcople,
allowing
me
learn
share
aspects
civilization
Modca
Modica
lives
Manitou
Springs,
Colorado
works
photographer.
After
receiving
her
MFA
Yale
School
Art
1985
she
professor
Department
State
Universty
Oneonta
13
years.
included
permanent
collections
Metropolitan
Museum
Art,
York:
Whitney
York;
Brooklyn
Brooklyn,
George
Eastman
House,
Rochester,
York.
National
Smithsonian
Institution,
Washington,
D.C.:
Francisco
Modem
Leagwe
2001),
Melcher
2002).
She
Foundation
Fellowship:
Decentralization
Grant;
John
Guggenheim
Siskind
Individual
Photographers
Grant:
Fulbright-Hays
Rescarch
Grant,
Light
Work
Artist-in-Residence
program;
Center
Photography
Woodstock
Photographer's
Award,
Fellowship