Human Generated Data

Title

Flagellation of Christ

Date

c. 1608-1653

People

Artist: Abraham Hogenberg, Flemish active 1608-1653

Artist after: Hendrick Goltzius, Dutch 1558 - 1617

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Barbara Ketcham Wheaton, 2011.618.6

Human Generated Data

Title

Flagellation of Christ

People

Artist: Abraham Hogenberg, Flemish active 1608-1653

Artist after: Hendrick Goltzius, Dutch 1558 - 1617

Date

c. 1608-1653

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Barbara Ketcham Wheaton, 2011.618.6

Machine Generated Data

Tags

Amazon
created on 2023-10-06

Art 100
Painting 100
Wedding 98.9
Drawing 89.6
Face 82.5
Head 82.5
Archaeology 57.8

Clarifai
created on 2018-05-11

people 100
print 99.8
illustration 99.8
art 99.7
group 99.4
engraving 99.1
adult 98.9
man 98.4
painting 95.7
two 95.5
leader 94.6
one 94.6
administration 94.1
three 93
many 92.1
woodcut 91.6
several 91
facial hair 90.4
etching 89.8
veil 85.8

Imagga
created on 2023-10-06

statue 44.3
column 44.2
sculpture 38.8
religion 36.8
art 33.8
temple 33.8
architecture 33.1
ancient 29.4
culture 24.8
history 24.2
old 23.7
stone 23.6
religious 23.4
monument 23.4
god 23
sketch 22.1
famous 19.6
holy 19.3
building 19.2
spirituality 18.2
obelisk 18
travel 17.6
church 17.6
structure 17.3
carving 17.3
decoration 17.2
tourism 16.5
spiritual 16.3
drawing 16.1
historical 16
city 15.8
book jacket 15
figure 14.9
face 14.2
landmark 13.6
representation 13.1
tourist 12.7
antique 12.4
golden 12
historic 11.9
comic book 11.9
jacket 11.7
faith 11.5
worship 10.6
detail 10.5
design 9.9
palace 9.8
carved 9.8
sacred 9.7
catholic 9.7
newspaper 9.6
cathedral 9.5
east 9.3
traditional 9.2
statues 8.9
wrapping 8.9
bible 8.8
museum 8.7
pray 8.7
prayer 8.7
saint 8.7
fountain 8.5
painter 8.5
daily 8.4
decorative 8.4
vintage 8.3
mosaic 8.3
cemetery 8.2
icon 7.9
holiday 7.9
century 7.8
meditation 7.7
symbol 7.4
gold 7.4
man 7.4
exterior 7.4
product 7.3

Google
created on 2018-05-11

art 87.3
black and white 78.4
history 73.5
drawing 71.5
artwork 69.1
painting 67.4
visual arts 65.7
sketch 62.2
figure drawing 52.6
monochrome 51.8

Microsoft
created on 2018-05-11

text 99.7
book 98.7
old 56.4

Color Analysis

Face analysis

Amazon

Microsoft

Imagga

AWS Rekognition

Age 49-57
Gender Male, 100%
Calm 62.9%
Confused 16.6%
Sad 9.5%
Surprised 7.2%
Fear 6.4%
Angry 3.5%
Disgusted 2%
Happy 1.1%

AWS Rekognition

Age 38-46
Gender Male, 98.4%
Calm 86.6%
Sad 9.7%
Surprised 6.4%
Fear 6.2%
Angry 0.6%
Disgusted 0.3%
Confused 0.2%
Happy 0.1%

AWS Rekognition

Age 26-36
Gender Male, 99.8%
Calm 63.3%
Surprised 12.9%
Disgusted 12.5%
Happy 6.9%
Fear 6.5%
Angry 3.2%
Sad 2.4%
Confused 2.3%

AWS Rekognition

Age 62-72
Gender Male, 100%
Calm 99.1%
Surprised 6.3%
Fear 5.9%
Sad 2.2%
Angry 0.2%
Happy 0.2%
Confused 0.1%
Disgusted 0.1%

Microsoft Cognitive Services

Age 56
Gender Male

Microsoft Cognitive Services

Age 60
Gender Male

Microsoft Cognitive Services

Age 55
Gender Male

Imagga

Traits no traits identified

Imagga

Traits no traits identified

Feature analysis

Amazon

Adult
Bride
Female
Person
Woman
Baby
Male
Man

Clarifai

Man
Clothing
Human face
Picture frame
Footwear
Human head
Human arm

AWS Rekognition

Adult 98.9%

AWS Rekognition

Adult 98%

AWS Rekognition

Bride 98.9%

AWS Rekognition

Female 98.9%

AWS Rekognition

Person 98.9%

AWS Rekognition

Person 98.8%

AWS Rekognition

Person 98.8%

AWS Rekognition

Person 98.6%

AWS Rekognition

Person 98%

AWS Rekognition

Person 94.9%

AWS Rekognition

Person 93.4%

AWS Rekognition

Person 86.3%

AWS Rekognition

Person 64.1%

AWS Rekognition

Woman 98.9%

AWS Rekognition

Baby 98.8%

AWS Rekognition

Baby 98.6%

AWS Rekognition

Baby 94.9%

AWS Rekognition

Male 98%

AWS Rekognition

Man 98%

Clarifai

Man 83.8%

Clarifai

Man 71.6%

Clarifai

Man 71.2%

Clarifai

Man 68.6%

Clarifai

Man 64%

Clarifai

Man 55.9%

Clarifai

Man 54.2%

Clarifai

Man 53.5%

Clarifai

Man 51.6%

Clarifai

Man 47.5%

Clarifai

Man 41.7%

Clarifai

Man 41.4%

Clarifai

Man 39.5%

Clarifai

Man 33.4%

Clarifai

Clothing 77.8%

Clarifai

Clothing 69.2%

Clarifai

Clothing 63.4%

Clarifai

Clothing 42%

Clarifai

Human face 60.9%

Clarifai

Human face 52.4%

Clarifai

Human face 51.1%

Clarifai

Human face 49.9%

Clarifai

Human face 45.1%

Clarifai

Human face 41.9%

Clarifai

Human face 41.5%

Clarifai

Human face 40.8%

Clarifai

Human face 40.7%

Clarifai

Human face 37%

Clarifai

Human face 34.5%

Clarifai

Picture frame 41.9%

Clarifai

Footwear 38.7%

Clarifai

Footwear 37.4%

Clarifai

Footwear 35.9%

Clarifai

Footwear 34.8%

Clarifai

Footwear 33.2%

Clarifai

Human head 36.8%

Clarifai

Human arm 34.7%

Categories

Imagga
created on 2023-10-06

paintings art 89.7%
streetview architecture 9.5%

Captions

Microsoft
created by unknown on 2018-05-11

an old photo of a book 40.7%
an old photo of two men 40.6%
an old photo of a boy 40.5%

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip on 2025-05-15

a photograph of a drawing of a man with a child

Created by general-english-image-caption-blip-2 on 2025-07-07

a drawing of jesus being crucified by men

OpenAI GPT

Created by gpt-4 on 2025-02-14

This image is a detailed black and white etching depicting a scene with several figures in what appears to be a public setting during a historical period. The background features classical architecture with a bridge, buildings, and various windows. Some of the individuals in the foreground are engaging in various activities. The clothing and attire suggest a scene from the Renaissance or a similarly historical European time period. The skillful use of shading and perspective gives the scene depth and realism. The clothing style of the figures suggests a setting from centuries ago, and their actions and positions within the composition appear to reflect a narrative or a moment captured in time. There are items strewn on the ground which adds to the sense of activity within the scene. The etching is rich in detail and invites a closer look to uncover all the storytelling elements present in the artwork.

Created by gpt-4o-2024-05-13 on 2025-02-14

This image is a black and white depiction of a historical or biblical scene. The central figure, who is scantily clad, is tied to a pillar, suggesting an act of punishment or torture. Surrounding this central figure are several people, most of whom carry various tools or weapons, possibly a scourge, indicating they are participating in or observing the punishment. The background features large architectural structures, including arches and a detailed multi-story building. The presence of soldiers or guards is suggested by their attire, which includes helmets and armor. The overall atmosphere conveys a sense of severity and historical significance.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-14

This appears to be a historical engraving depicting the Flagellation scene, a biblical scene showing the scourging. The central figure is shown bound to a column, partially clothed in a loincloth. Around him are several figures in medieval or Renaissance-era clothing who are wielding whips and rods. The setting appears to be in a courtyard with architectural elements including arches and buildings visible in the background. The artwork is done in a detailed line engraving style typical of Renaissance printmaking, with careful attention to shading and architectural detail. The date shown on the print appears to be 1507. The composition is dramatic and shows the violence of the scene through the poses and actions of the figures involved.

Created by claude-3-opus-20240229 on 2025-02-14

The image depicts a detailed engraving or etching showing a scene with multiple figures. In the center, a nearly nude figure with long hair stands between two columns, surrounded by other figures who appear to be soldiers or guards. The setting has classical architectural elements like arches and columns in the background, suggesting an ancient or biblical scene taking place in a courtyard or public square. The style of the etching, with fine linework and shading, gives it an antique feel typical of prints from past centuries.

Created by claude-3-haiku-20240307 on 2025-02-14

The image appears to be an engraving depicting a dramatic religious or historical scene. It shows a group of figures, some of whom are dressed in ornate robes and appear to be religious or political leaders, surrounding a central figure who is partially nude. The central figure appears to be a man with long hair and a beard, possibly representing a religious or historical figure. In the background, there are architectural structures that suggest an urban setting. The overall scene has a somber and serious tone, with the figures appearing engaged in some kind of confrontation or event.

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-26

This appears to be a historical engraving depicting a scene of flagellation or punishment. The central figure is bound to a column and appears to be a prisoner or condemned person. Around this central figure are several people in medieval or Renaissance-era clothing, some holding whips or other instruments of punishment. The setting appears to be in a courtyard or public space with architectural elements including arches and buildings in the background. The artwork is rendered in fine detail with careful attention to the cross-hatching technique typical of engravings from this period. The composition draws the viewer's eye to the central dramatic scene while including detailed architectural elements that provide context and depth to the image. The date visible on the print appears to be "1587."

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16

The image depicts a scene from the Bible, specifically the Flagellation of Christ. The painting, titled "Flagellation of Christ" by Albrecht Dürer, shows Jesus Christ being whipped by Roman soldiers. The scene is set in a courtyard, with a group of men surrounding Jesus, some holding whips or clubs. Jesus is depicted with his hands bound behind his back, and his face is contorted in pain. The background of the painting features a stone wall and a few buildings, adding to the sense of realism and historical accuracy.

Dürer's use of chiaroscuro, a technique that uses strong contrasts between light and dark to create a sense of volume and depth, adds to the dramatic effect of the painting. The figures are rendered in great detail, with intricate textures and folds in their clothing. The overall mood of the painting is one of intense emotion and suffering, capturing the brutality and cruelty of the Roman soldiers as they inflict pain on Jesus.

The painting is a powerful representation of the Christian faith and the sacrifice of Jesus Christ. It serves as a reminder of the importance of compassion, forgiveness, and redemption, and continues to inspire and move people to this day.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16

The image is a black-and-white drawing of the flagellation of Jesus Christ.

In the center of the image, Jesus is depicted standing on a platform, bound to a column with his arms raised above his head. He is wearing a loincloth and has a crown of thorns on his head. To the right of Jesus, a man is shown flogging him with a whip.

Surrounding Jesus are several other men, some of whom appear to be guards or soldiers. One of them is holding a torch, while another is holding a whip. In the background, there are buildings and a crowd of people watching the scene unfold.

The overall atmosphere of the image is one of suffering and brutality, as Jesus is being subjected to physical punishment and humiliation. The use of dark shading and bold lines adds to the dramatic effect of the scene, emphasizing the intensity of the emotions and actions depicted.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-14

The image is an engraving of a scene of a man tied to a pole, possibly in a public square, with several people around him. The man is standing with his hands tied behind his back. Some of the people are holding sticks, and one of them is holding a torch. A man is kneeling on the ground, holding a bundle of sticks. The background features buildings and a cloudy sky.

Created by amazon.nova-lite-v1:0 on 2025-02-14

The image is a black-and-white drawing depicting a scene of a man being punished in a public square. The man is tied to a pole and is being whipped by two men in the foreground. Another man is holding a torch and appears to be lighting the man's back. In the background, there is a crowd of people watching the punishment, and a building can be seen in the distance. The drawing appears to be from the 17th century.

Google Gemini

Created by gemini-2.0-flash on 2025-05-21

The image shows an engraving of the Flagellation of Christ. Christ is tied to a column, surrounded by figures who are whipping him with sticks and other instruments of torture. A crowd of onlookers is present. The scene is set in a courtyard, with buildings in the background. The engraving is in black and white.

Created by gemini-2.0-flash-lite on 2025-05-21

This is a detailed, black-and-white etching depicting the biblical scene of the Flagellation of Christ. The artwork is characterized by its intricate linework and use of shading to create depth and form.

Here's a breakdown of the scene:

  • Central Figure: Jesus Christ is tied to a tall, fluted column. He is depicted semi-nude, with a cloth draped around his waist. His expression is somber, conveying a sense of suffering.
  • The Torturers: Two figures on either side of Christ are in the act of whipping him. One is holding a bundle of whips aloft, ready to strike, while the other is already striking him. They are dressed in historical attire, suggesting the time period depicted in the image.
  • Supporting Characters: Other figures are present, seemingly officials or onlookers. Some hold weapons, torches, or look on with varying expressions.
  • Foreground: A person is on their knees at the bottom of the image, preparing the ground with what looks like a bundle of rushes, perhaps to soften the impact of the blows.
  • Background: The scene is set within an architectural context, including a courtyard or an open area enclosed by buildings. The buildings feature detailed architectural elements, creating a sense of place.
  • Light and Shadow: The artist uses cross-hatching and other techniques to create a strong contrast between light and shadow, emphasizing the figures and the dramatic tension of the scene.

Overall, the artwork is a powerful depiction of a significant biblical event, executed with great attention to detail and artistic skill.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-02

The image depicts a detailed engraving of a scene that appears to be from the Passion of Christ, specifically the moment when Jesus is being scourged and mocked before his crucifixion. Here is a detailed summary of the elements in the image:

  1. Central Figure: The central figure is a nearly nude man, presumably Jesus Christ, who is tied to a column. His expression is serene despite the surrounding chaos.

  2. Surrounding Figures:

    • Left: A soldier holding a bundle of rods or a whip, suggesting he is part of the group inflicting punishment.
    • Center: Several figures are gathered around Jesus. One is kneeling and appears to be striking or mocking him. Another figure holds a cup, possibly containing vinegar, which is traditionally associated with this scene.
    • Right: A soldier with a bandaged head is holding a spear and a shield, indicating his role as a guard or executioner.
  3. Background:

    • The scene is set in an urban environment with stone buildings and arches, giving it a historical and architectural context.
    • There are additional figures in the background, some of whom appear to be onlookers or participants in the event.
  4. Artistic Style: The engraving is highly detailed, with intricate lines and shading that give depth and texture to the figures and the environment. The use of perspective and the detailed rendering of clothing and architecture are characteristic of Renaissance art.

  5. Signature: At the bottom of the image, there is a signature that reads "AD 1512," indicating the year the engraving was created, and the initials "AD," which likely stand for Albrecht Dürer, a renowned German artist from the Renaissance period.

This engraving is a powerful depiction of a significant religious scene, showcasing the artist's skill in capturing emotion, detail, and narrative within a single frame.

Qwen

No captions written

Text analysis

Amazon

HG
1.97