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Human Generated Data

Title

Remains of old Roman Forum

Date

1837

People

Artist: Gaetano Cottafavi, Italian 19th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R7331

Human Generated Data

Title

Remains of old Roman Forum

People

Artist: Gaetano Cottafavi, Italian 19th century

Date

1837

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R7331

Machine Generated Data

Tags

Amazon
created on 2023-10-25

Art 100
Painting 100
Architecture 99
Building 99
Archaeology 94.1
Person 78.9
Person 76.3
Person 75.2
Text 67.5
Ruins 66.2
City 60.8
Arch 56.7
Drawing 56

Clarifai
created on 2019-02-18

painting 99.6
art 99.5
print 98.9
people 98.3
building 98.1
vintage 97.4
illustration 97.2
adult 97
architecture 97
city 96.4
old 95.3
museum 95.1
wall 94.9
house 93.6
wear 93.6
town 93.6
retro 93.2
picture frame 92.9
landscape 92.8
tower 92.1

Imagga
created on 2019-02-18

grunge 34.9
old 30
vintage 28.9
retro 26.2
antique 24.4
architecture 22.8
chandelier 22.7
drawing 22.5
structure 21.7
texture 20.8
sketch 20.2
aged 19.9
building 17.8
frame 17.5
art 17.4
grungy 17.1
design 16.9
ancient 16.4
dirty 16.3
screen 15.9
paper 15.7
city 15
house 14.4
lighting fixture 14.3
black 13.8
pattern 13.7
tower 13.4
representation 12.9
paint 12.7
history 12.5
brown 12.5
graphic 12.4
sconce 11.9
rough 11.8
border 11.8
landmark 11.7
decoration 11.1
window 11
menorah 10.9
fixture 10.7
wall 10.7
messy 10.6
damaged 10.5
religion 9.9
urban 9.6
sky 9.6
brass 9.5
temple 9.5
space 9.3
memorial 9.2
travel 9.2
material 8.9
bracket 8.9
altar 8.8
noise 8.8
scratch 8.8
candelabrum 8.7
collage 8.7
rust 8.7
mask 8.6
dirt 8.6
construction 8.6
wallpaper 8.4
page 8.4
historic 8.2
covering 8.2
text 7.9
photographic 7.8
protective covering 7.8
support 7.8
color 7.8
snow 7.8
layer 7.7
edge 7.7
worn 7.6
weathered 7.6
book jacket 7.6
silhouette 7.4
device 7.4
church 7.4
light 7.4
computer 7.2
film 7.2
home 7.2
textured 7

Google
created on 2019-02-18

Microsoft
created on 2019-02-18

gallery 99.3
room 99.2
scene 96.3
indoor 91.3
white 64.8
old 60.9
art 60.9
print 13.8
heritage 8.1
painting 6.7
monochrome 6.2

Color Analysis

Feature analysis

Amazon

Building
Person
Building 99%

Categories

Captions

Microsoft
created on 2019-02-18

an old photo of a room 70.8%
old photo of a room 64.7%
an old photo of a living room 33.2%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-12

The image is an etching depicting the ruins of ancient Rome. Central to the scene are three prominent pillars standing amidst other remnants of Roman architecture. In the background, an arch can be seen, as well as additional ruins stretching into the distance. To the left and right, there are more columns and structures, partially preserved, illustrating the grandeur of ancient Roman buildings. The scene is populated by a few figures who appear to be admiring or exploring the ruins, adding a sense of scale to the structures. The sky above is lightly clouded, suggesting a calm atmosphere. Below the image, there is a caption in Italian describing the view, which translates to "Before the Forum and the Capitol." The entire scene is set within a broad white margin.

Created by gpt-4 on 2025-02-12

This image is a print or etching that depicts a scene of ancient ruins. The scene is composed in a landscape format and appears to be set within the context of classical antiquity, with architectural elements that suggest a Roman setting. In the foreground, we see fragments of ancient columns and stone blocks, scattered around as if part of an archaeological site. A figure seems to be reclining or sitting on the ground near the ruins, giving a sense of scale to the structures. Toward the middle ground, there is an archway or triumphal arch, partly in ruins, which stands as a central focal point. Farther in the background, we can observe a series of additional columns and architectural remnants, suggesting a larger complex or cityscape. The sky is depicted with scattered clouds, and there appears to be soft shading used throughout the image, imparting a sense of depth and three-dimensionality. Overall, the image has a romantic quality typical of 18th and 19th-century views of classical ruins, evoking a sense of historical grandeur and the passage of time. There's text at the bottom of the image, typically indicating the title of the piece, possibly the location of the ruins, the artist, and publication information, but it's not fully legible in this view, and the context does not provide enough clarity for me to decipher it without speculation.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-12

This is a historical engraving or print showing the Roman Forum, labeled as "Avanzi dell'antico Foro Romano" (Remains of the ancient Roman Forum). The image depicts the ruins of several classical Roman structures, including prominent columns, arches, and architectural remains. In the foreground, there are some tall Corinthian columns standing in isolation, likely from the Temple of Castor and Pollux. The Arch of Septimius Severus can be seen to the left, and various other temple ruins and architectural fragments are scattered throughout the scene. The composition includes small figures in the scene for scale, and fluffy clouds dot the sky above. The artwork appears to be done in a typical 18th or 19th-century archaeological illustration style, combining both artistic merit and documentary accuracy to capture the romantic appeal of Roman ruins.

Created by claude-3-opus-20240229 on 2025-02-12

The image depicts an engraving or etching of ancient Roman ruins. The ruins include several tall columns and archways, with people walking amongst the debris and rubble scattered around the base of the structures. In the background, additional Roman architecture can be seen, suggesting this was once a grand and expansive site. The engraving is quite detailed, using fine linework to convey the texture and weathering of the stone ruins against a cloudy sky. The caption at the bottom identifies this as a view of the "Remains of the Temple of Peace in Rome", likely created as an artistic documentation of these historical ruins for posterity.

Created by claude-3-haiku-20240307 on 2025-02-12

The image depicts an illustration of ancient Roman ruins and architectural structures. It shows various columns, arches, and other remnants of what appears to be a once-grand city or settlement. The image has a distinctly historical and artistic style, suggesting it is a depiction of an important historical site or landmark. Several small figures can be seen among the ruins, adding a sense of scale and context to the scene. The overall impression is one of a grand, but now decaying, past civilization.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image depicts a vintage engraving of an ancient Roman cityscape, featuring a prominent archway and columns. The engraving is rendered in a sepia tone, with a faded appearance that suggests it may be a reproduction or a scan of an original piece. **Key Features:** * **Archway:** A large archway dominates the center of the engraving, flanked by two columns. The archway appears to be a gateway or entrance to the city. * **Columns:** Several columns are visible in the engraving, some of which are partially destroyed or crumbling. These columns likely supported buildings or structures within the city. * **Buildings:** Various buildings are depicted in the background, including what appears to be a temple or other religious structure. The buildings are rendered in a stylized manner, with intricate details and ornate decorations. * **People:** A few figures are visible in the engraving, including a person standing near the archway and another person walking in the distance. These figures add a sense of scale and human presence to the scene. * **Text:** At the bottom of the engraving, there is a caption written in an old-fashioned font. The text is difficult to read, but it appears to be a title or description of the engraving. **Overall Impression:** The engraving presents a romanticized view of ancient Rome, with its crumbling architecture and serene landscape evoking a sense of nostalgia and wonder. The use of sepia tones and the stylized depiction of buildings and figures contribute to a dreamlike quality, as if the viewer is gazing upon a long-forgotten era.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

The image presents a vintage-style illustration of an ancient Roman cityscape, featuring a prominent archway and several columns. The scene is rendered in sepia tones, with a light brown background that evokes a sense of age and nostalgia. **Key Elements:** * **Archway:** A large archway stands at the center of the image, flanked by two smaller arches on either side. The archway is adorned with intricate carvings and ornate details. * **Columns:** Several columns are scattered throughout the scene, some of which appear to be partially destroyed or overgrown with vegetation. * **Figures:** Two figures are visible in the foreground, one of whom is seated on a rock while the other stands nearby. They appear to be engaged in conversation or contemplation. * **Background:** The background of the image features a cloudy sky with a few wispy clouds drifting across it. The overall atmosphere is one of serenity and tranquility. **Text:** * **Title:** The title of the image is written in Italian and reads "AVANZI DELLA ANTICA PORE ROMANO." This translates to "Remains of the Ancient Roman Port." * **Description:** A brief description of the image is provided below the title, which reads "Il Monte S. Angelo, Antico, Edificio, Edifici, Porti, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e Chiese, e altri Edifici, e

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-12

The image depicts an old architectural drawing of an ancient Roman city. It is a black-and-white drawing with a white border. The drawing shows a city with many buildings and structures, including temples, columns, and arches. The buildings are in different sizes and styles, and some of them are in ruins. The drawing also shows people walking around the city, and there are trees and other vegetation in the area.

Created by amazon.nova-lite-v1:0 on 2025-02-12

The image is an old drawing of a city with ruins, featuring a large arch in the center. The drawing is in black and white and has a watermark in the bottom left corner. The drawing is surrounded by a white border. The arch is surrounded by columns, and there are other structures in the background. The drawing is labeled "AVANTY DELL'ANTICO FORO ROMANO" and has a caption that reads "AVANTY DELL'ANTICO FORO ROMANO."

Text analysis

Amazon

ANTIC
A
Remana
The
A Romageo The
TORO
All
Citty
All Merite Citty Andrologra well Universite Remana men
AVANSA LIGING ANTIC 0 TORO BEMANO
men
Merite
AVANSA
0
distince
well Universite
LIGING
Romageo
« distince dilaters amidated Controle
Controle
Andrologra
dilaters
BEMANO
«
amidated

Google

ns:㎞ ass.ca..sela-. M..- e-... a
ns
:
ass.ca..sela-
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M
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e
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a