Human Generated Data

Title

Maximus of Tyre

Date

1963

People

Artist: Ben Shahn, American 1898 - 1969

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Stephen Lee Taller Ben Shahn Archive, Gift of Dolores Taller, M24927.2

Copyright

© Estate of Ben Shahn / Artists Rights Society (ARS), New York

Human Generated Data

Title

Maximus of Tyre

People

Artist: Ben Shahn, American 1898 - 1969

Date

1963

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Stephen Lee Taller Ben Shahn Archive, Gift of Dolores Taller, M24927.2

Copyright

© Estate of Ben Shahn / Artists Rights Society (ARS), New York

Machine Generated Data

Tags

Amazon
created on 2022-05-28

Book 100
Text 98.2
Page 94.8
Word 75.3
Paper 71.2
Scroll 66.6
Advertisement 60
Letter 57.6

Clarifai
created on 2023-10-30

paper 99.5
page 99.1
retro 99.1
sepia pigment 98.1
no person 97.7
vintage 97.5
antique 97.5
old 97.4
manuscript 97.4
text 97
art 96.9
parchment 96.8
book bindings 96.4
document 96.2
writing 95.9
dirty 95.5
wear 94.3
print 92.3
poetry 91.7
ancient 90.9

Imagga
created on 2022-05-28

book jacket 89.5
jacket 70.6
paper 54.2
wrapping 52.9
old 51
vintage 45.7
texture 40.4
book 40.1
covering 38.6
binding 34.1
rough 32.9
document 32.5
grunge 32.4
empty 31.8
sheet 31.1
letter 30.3
antique 28.8
page 27.9
retro 26.3
dirty 26.3
ancient 26
aged 25.4
aging 24
canvas 23.8
wallpaper 22.3
cover 22.2
blank 21.5
journal 20.3
parchment 20.2
text 20.1
pages 19.6
pattern 19.2
design 17.5
cardboard 17.3
backgrounds 17.1
textured 16.7
frame 15.8
brown 15.5
stained 14.5
yellow 13.9
note 13.8
art 13.7
border 13.6
material 13.4
product 12.9
notebook 12.5
backdrop 12.4
weathered 12.4
envelope 12
message 11.9
damaged 11.5
grungy 11.4
post 10.5
creation 10.1
manuscript 9.8
old fashioned 9.5
historic 9.2
history 9
stamp 8.7
card 8.7
close 8.6
word 8.5
effect 8.2
brass 8.1
open 8.1
religion 8.1
surface 8
postmark 7.9
artistic 7.8
ragged 7.8
burnt 7.8
torn 7.8
read 7.7
used 7.7
mail 7.7
menu 7.7
rusty 7.6
communication 7.6
print 7.6
decorative 7.5

Google
created on 2022-05-28

Rectangle 85.9
Font 82.6
Paper 70.5
Paper product 68.7
Document 64
Vellum 58.7
Handwriting 57.7
Letter 57.5
Drawing 57.4
History 55.7
Art 55
Book 51.8
Illustration 51.7

Microsoft
created on 2022-05-28

text 100
letter 98.5
handwriting 97.8
book 90.7
paper 57.2

Color Analysis

Feature analysis

Amazon

Book 100%

Categories

Captions

Microsoft
created on 2022-05-28

text, letter 99.7%

Azure OpenAI

Created by gpt-4 on 2024-12-05

The image shows a page with typewritten text. The page appears to be aged, with some slight discoloration around the edges, hinting at its possibly vintage nature or it being an exposed to elements. The text on the page is a reflective piece on the nature of God, human understanding, and the beauty of the world. It discusses the limitations of human perception and the ways in which different cultures and individuals might experience and remember the divine. It talks about the use of symbols in art and nature that evoke memories and feelings of the divine, suggesting a varied and personal approach to spirituality. Here is the transcribed text: "GOD HIMSELF THE FATHER AND FASHIONER OF ALL THAT IS, OLDER THAN THE SUN OR THE SKY, GREATER THAN TIME AND ETERNITY AND ALL THE FLOW OF BEING, IS UNNAMEABLE BY ANY LAWGIVER, UNUTTERABLE BY ANY VOICE, NOT TO BE SEEN BY ANY EYE. BUT WE, BEING UNABLE TO APPREHEND HIS ESSENCE, USE THE HELP OF SOUNDS AND NAMES AND PICTURES, OF BEATEN GOLD AND IVORY AND SILVER, OF PLANTS AND RIVERS MOUNTAIN PEAKS AND TORRENTS, YEARNING FOR THE KNOWLEDGE OF HIM, AND IN OUR WEAKNESS NAMING ALL THAT IS BEAUTIFUL IN THIS WORLD AFTER HIS NATURE- JUST AS HAPPENS TO EARTHLY LOVERS TO THEM THE MOST BEAUTIFUL SIGHT WILL BE THE ACTUAL LINEAMENTS OF THE BELOVED, BUT FOR REMEMBRANCE' SAKE THEY WILL BE HAPPY IN THE SIGHT OF A LYRE, A LITTLE SPEAR, A CHAIR, PERHAPS, OR A RUNNING GROUND OR ANYTHING IN THE WORLD THAT WAKENS THE MEMORY OF THE BELOV[ED]. WHY SHOULD I FURTHER EXAMINE AND PAS[...]MENT ABOUT IMAGES? LET MEN KNOW WHAT IS DIVINE, [...] THEN KNOW: THAT IS ALL. IF A GREEK IS STIRRED TO THE REMEM[BRANCE] OF GOD BY THE ART OF PHEIDIAS, AN EGYPTIAN BY [BEING] WORSHIP TO ANIMALS, ANOTHER MAN BY A RIVER ANOTHER BY FIRE: I HAVE NO ANGER FOR THEIR DIVERGENCES, ONLY LET THEM KNOW, LET THEM LOVE, LET THEM REMEMBER." Please note that some parts of the text are missing or obscured at the right edge, so a few words have been interpreted within the context of the text.

Created by gpt-4o-2024-05-13 on 2024-12-05

This image is of a piece of brown-colored paper with text written on it in a neat and organized manner. The text is a contemplative, possibly philosophical or theological passage discussing the nature of God and human beings' attempts to understand or remember the divine. The passage emphasizes the futility of trying to comprehend God's essence fully and talks about how we use various means—like sounds, names, pictures, and objects—to capture the essence or memory of the divine. The text is written in uppercase letters and appears to be meticulously hand-written. Some key phrases include references to “God Himself,” “the help of sounds and names and pictures,” and “our weakness.” The passage also touches on the variety of ways people find reminders of the divine in different cultures, mentioning objects like a lyre, spear, and chair, and practices such as worship by Phidias, an Egyptian by a river, or by fire. The content emphasizes a respect for different ways people find spiritual meaning and ends on a note of acceptance, urging that people should be allowed to remember and love in their ways.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-05

The image appears to be a lengthy text written in calligraphic style on what looks like an old, yellowed piece of paper or parchment. The text discusses God and the divine, describing God as the "Father and Fashioner of all" who is greater than the sun or sky. It goes on to talk about the timelessness and eternity of God, and mentions using "the help of sounds and names and pictures" to apprehend God's presence. The text also reflects on the beauty of the natural world and suggests that for earthly lovers, the actual lineaments or forms of the beloved may be less important than the memories and feelings they evoke. Overall, the image seems to be a devotional or philosophical text exploring themes of the divine, nature, and human experience.

Created by claude-3-5-sonnet-20241022 on 2024-12-05

This appears to be a handwritten or hand-lettered text on aged, tan or beige paper. The text is written in capital letters in what seems to be black ink. It's a philosophical or religious text that discusses God and human perception of the divine through various symbols and natural elements. The writing begins with "GOD HIMSELF THE FATHER AND FASHIONER OF ALL" and continues with poetic descriptions of how humans attempt to understand and represent the divine through various means - gold, ivory, silver, plants, rivers, and mountain peaks. The text discusses how people find meaning and remembrance through physical objects and natural elements. The writing style appears to be somewhat informal but deliberate, with varying line lengths creating an artistic layout on the page. The bottom portion of the text appears slightly darker or more worn than the top. The entire piece has a contemplative, spiritual quality to it.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-05

The image presents a poem written in black ink on a yellowed, aged paper. The poem is divided into two sections, with the top section featuring 24 lines of text and the bottom section containing 14 lines. The text is written in a handwritten style, with varying line lengths and spacing between lines. **Top Section:** * The poem begins with the phrase "GOD HIMSELF, THE FATHER AND FATHER OF ALL" and continues to explore themes of creation, beauty, and the natural world. * The language is lyrical and descriptive, with vivid imagery and metaphors used throughout. * The poem touches on the idea of God's presence in the world and the beauty of creation. **Bottom Section:** * The poem shifts focus to the concept of remembrance and the passing of time. * The language is more contemplative and reflective, with a focus on the fleeting nature of life and the importance of remembering the past. * The poem concludes with a sense of longing and nostalgia for what has been lost. **Overall:** * The poem is a meditation on the human experience, exploring themes of beauty, creation, and the passage of time. * The use of imagery and metaphor creates a rich and evocative language that draws the reader in. * The poem's structure and layout add to its sense of depth and complexity, inviting the reader to reflect on the themes and ideas presented.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-05

The image presents a typed poem on a brown paper background, with the text arranged in a column on the left side and a paragraph at the bottom. The poem's content is deeply philosophical, exploring themes of beauty, memory, and the human experience. **Poem Content:** * The poem begins by addressing God as the "Father and Fashioner of all" and describes Him as older than time and eternity. * It highlights the limitations of human understanding, stating that God is unnameable by any lawgiver and unutterable by any voice. * The poem then shifts its focus to the beauty of nature, describing the world as "beautiful in this world after His nature - just as happens to earthly lovers to them the most beautiful sight will be the actual lineaments of the beloved." * The final paragraph explores the idea that remembrance is what makes something beautiful, and that it is the memory of the beloved that wakens the memory of the beloved. * The poem concludes by asking why men should further examine and pass judgment on images, suggesting that they should instead let them know what is divine. **Visual Elements:** * The poem is typed on a brown paper background, which gives it a rustic and earthy feel. * The text is arranged in a column on the left side of the page, with a paragraph at the bottom. * The font is simple and easy to read, with no embellishments or decorations. * The overall design of the poem is minimalist and understated, allowing the reader to focus on the content and meaning of the words. **Themes and Symbolism:** * The poem explores themes of beauty, memory, and the human experience. * The use of natural imagery, such as mountains, rivers, and plants, emphasizes the idea that beauty is found in the world around us. * The reference to God as the "Father and Fashioner of all" suggests a sense of reverence and awe for the divine. * The poem's focus on remembrance and memory highlights the importance of preserving and honoring the past. **Tone and Mood:** * The tone of the poem is contemplative and reflective, inviting the reader to slow down and appreciate the beauty of the world. * The mood is peaceful and serene, with a sense of wonder and awe for the mysteries of life. * The poem's use of simple language and imagery creates a sense of intimacy and closeness, drawing the reader into a shared experience of contemplation and reflection. Overall, the poem is a thoughtful and beautiful exploration of the human experience, encouraging the reader to slow down and appreciate the beauty of the world around them.

Text analysis

Amazon

OF
THE
SUN
SEEN
BY
AND
ALL
FOR
GOD
GOLD
HELP
BEATEN
USE
NAMING ALL
FATHER
OUR
IVORY
BUT
AND PICTURES, OF BEATEN GOLD AND IVORY
ETERNITY
USE THE HELP OF SOUNDS AND NAMES
THAN
IN
OR
ANY
NATURE-
THAN TIME AND ETERNITY AND ALL THE
PEAKS
WORLD
TIME
EARTHLY
FLOW
HAPPENS
FOR THE KNOWLEDGE
BEING
GOD HIMSELF. THE FATHER AND FASHIONER OF ALL
OF HIM, AND IN
RIVERS
THAT
IS
THAT IS
AND SILVER, OF PLANTS AND RIVERS
MOUNTAIN PEAKS AND
GREATER
PLANTS
NAMES
NAMING
JUST
TO
HIM,
NOT
UNABLE
YEARNING
SOUNDS
BEAUTIFUL
BE
MOUNTAIN
FASHIONER
OUR WEAKNESS
EYE.
PICTURES,
JUST AS
KNOWLEDGE
UNUTTERABLE
OLDER
NOT TO BE SEEN BY ANY EYE. BUT WE,
APPREHEND
AS
WEAKNESS
UNNAMEABLE
SILVER,
HIMSELF.
HIS
AFTER HIS
TORRENTS. YEARNING
VOICE,
THAT IS. OLDER THAN THE SUN OR THE SKY, GREATER
LAWGIVER. UNUTTERABLE BY ANY VOICE,
WE,
TORRENTS.
FLOW OF BEING, IS UNNAMEABLE BYANY
BEING UNABLE TO APPREHEND HIS ESSENCE.
BYANY
SKY,
IN THIS
LAWGIVER.
LOVERS.
BEING,
IS.
ESSENCE.

Google

OF
ALL
,
OLDER
THE
OR
SKY
GREATER
AND
BEING
.
IS
UNNAMEABLE
BY
ANY
LAWGIVER
UNUTTERABLE
VOICE
NOT
TO
UNABLE
HIS
ESSENCE
BEATEN
IVORY
PLANTS
TORRENTS
FOR
KNOWLEDGE
HIM
IN
WEAKNESS
BEAUTIFUL
AFTER
WILL
BE
LINEAMENTS
BELOVED
SIGHT
A
LYRE
LITTLE
SPEAR
CHAIR
GROUND
ANYTHING
BELOV
ED
WHY
SHOULD
I
FURTHER
EXAMINE
PASS
CEMENT
ABOUT
IMAGES
?
LET
MEN
KNOW
WHAT
DIVINEET
THEM
THAT
IF
GREEK
STIRRED
REMEMB
RANCE
GOD
ART
PHEIDIAS
AN
EGYPTIAN
PAYING
WORSHIP
ANIMALS
ANOTHER
MAN
RIVER.ANOTHER
FIRE
HAVE
NO
ANGER
THEIR
DIVERGENCES
;
ONLY
LOVE
REMEMBER
GOD HIMSELF THE FATHER AND FASHIONER OF ALL THAT IS, OLDER THAN THE SUN OR THE SKY GREATER THAN TIME AND ETERNITY AND ALL THE FLOW OF BEING. IS UNNAMEABLE BY ANY LAWGIVER, UNUTTERABLE BY ANY VOICE, NOT TO BE SEEN BY ANY EYE. BUT WE BEING UNABLE TO APPREHEND HIS ESSENCE, USE THE HELP OF SOUNDS AND NAMES AND PICTURES, OF BEATEN GOLD AND IVORY AND SILVER, OF PLANTS AND RIVERS MOUNTAIN PEAKS AND TORRENTS. YEARNING FOR THE KNOWLEDGE OF HIM AND IN OUR WEAKNESS NAMING ALL THAT IS BEAUTIFUL IN THIS WORLD AFTER HIS NATURE- JUST AS HAPPENS | ΤΟ EARTHLY LOVERS TO THEM THE MOST BEAUTIFUL SIGHT WILL BE THE ACTUAL LINEAMENTS OF THE BELOVED, BUT FOR REMEMBRANCE SAKE THEY WILL BE HAPPY IN THE SIGHT OF A LYRE, A LITTLE SPEAR, A CHAIR, PERHAPS, OR A RUNNING GROUND OR ANYTHING IN THE WORLD THAT WAKENS THE MEMORY OF THE BELOV ED. WHY SHOULD I FURTHER EXAMINE AND PASS CEMENT ABOUT IMAGES? LET MEN KNOW WHAT IS DIVINEET THEM KNOW THAT IS ALL. IF A GREEK IS STIRRED TO THE REMEMB RANCE OF GOD BY THE ART OF PHEIDIAS, AN EGYPTIAN BY PAYING WORSHIP TO ANIMALS, ANOTHER MAN BY A RIVER.ANOTHER BY FIRE I HAVE NO ANGER FOR THEIR DIVERGENCES; ONLY LET THEM KNOW, LET THEM LOVE, LET THEM REMEMBER.
HIMSELF
FATHER
FASHIONER
THAN
SUN
TIME
ETERNITY
FLOW
SEEN
EYE
BUT
WE
APPREHEND
USE
HELP
SOUNDS
NAMES
PICTURES
GOLD
SILVER
RIVERS
MOUNTAIN
PEAKS
YEARNING
OUR
NAMING
THIS
WORLD
NATURE
JUST
AS
HAPPENS
|
ΤΟ
EARTHLY
LOVERS
MOST
ACTUAL
REMEMBRANCE
SAKE
THEY
HAPPY
PERHAPS
RUNNING
WAKENS
MEMORY