Machine Generated Data
Tags
Color Analysis
Feature analysis
Amazon

Menu | 87.5% | |
Categories
Imagga
text visuals | 100% | |
Captions
Microsoft
created on 2022-02-19
a close up of text on a white background | 92.3% | |
a close up of text on a black background | 90.5% | |
close up of text on a white background | 90.4% | |
OpenAI GPT
Created by gpt-4 on 2025-02-17
The image is of a poster with a bold headline that reads, "THESE ARE THE MOST BIGOTED GALLERIES IN NEW YORK." Below the headline, it explains the reason for this accusation as, "Why? Because they show the fewest women & artists of color." The poster features a table listing various galleries with two columns to their right indicating numbers: one for "No. of women 1989-90" and the other for "Artists of color 89-90." The rows list different gallery names, such as Blum Helman, Diane Brown, Leo Castelli, Charles Cowles, and others, followed by the corresponding numbers for each category. The footer of the poster provides the source for the data as "ART IN AMERICA ANNUAL 1989-90" and includes a note, "Please send $ and comments to:" followed by an address for the Guerrilla Girls, labeling them as the "conscience of the art world." There's a small note on the side of the poster with an asterisk next to Jay Gorney that reads, "*TM Rollins and KOS," which may be a specific comment or inclusion pertaining to that particular gallery's information. The poster is part of an activism effort by the Guerrilla Girls, a group of anonymous artists who aim to highlight discrimination and inequality in the art world, specifically in terms of gender and race. Their distinctive approach often involves bold, provocative visuals and text to make a statement and encourage dialogue about systemic bias within cultural institutions.
Created by gpt-4o-2024-05-13 on 2025-02-17
The image is a poster created by the Guerrilla Girls, an anonymous group of feminist, female artists devoted to fighting sexism and racism within the art world. The poster is titled "THESE ARE THE MOST BIGOTED GALLERIES IN NEW YORK." It states that these galleries show the fewest women and artists of color. At the top of the poster, large bold text reads: "THESE ARE THE MOST BIGOTED GALLERIES IN NEW YORK. Why? Because they show the fewest women & artists of color." Below this text is a table listing various New York art galleries, along with the number of women and artists of color they exhibited during 1989-1990. The table has three columns with the headers: - GALLERY (the name of the gallery) - No. of women 1989-90 - Artists of color 1989-90 The rows below these headings list the galleries along with numbers indicating how many women and artists of color each gallery showed during the specified years. Here is the information presented in the table: - Blum Helman: 2 women, 0 artists of color - Diane Brown: 3 women, 1 artist of color - Leo Castelli: 0 women, 1 artist of color - Charles Cowles: 3 women, 1 artist of color - Larry Gagosian: 0 women, 0 artists of color - Gemini G.E.L.: 2 women, 1 artist of color - Marian Goodman: 2 women, 0 artists of color - Jay Gorney: 2 women, * - Hirschl & Adler Modern: 1 woman, 0 artists of color - Kent: 1 woman, 0 artists of color - Knoedler: 1 woman, 0 artists of color - Koury Wingate: 1 woman, 0 artists of color - David McKee: 1 woman, 0 artists of color - Pace: 3 women, 1 artist of color - Tony Shafrazi: 0 women, 1 artist of color - Holly Solomon: 3 women, 1 artist of color - Sperone Westwater: 1 woman, 1 artist of color - Stux: 0 women, 0 artists of color The bottom of the poster has a note saying: "Please send $ and comments to: Guerrilla Girls, Box 237, 496 LaGuardia Pl., NY, NY 10012" It also includes the Guerrilla Girls logo and the tagline "CONSCIENCE OF THE ART WORLD." The source of the data is mentioned as "ART IN AMERICA ANNUAL 1990-91" and there is an attribution to "TIM ROLLINS AND K.O.S."
Anthropic Claude
Created by claude-3-5-sonnet-20241022 on 2025-02-17
This is a powerful activist artwork that presents statistical data about representation in New York art galleries during 1989-90. The piece, created by the Guerrilla Girls, an activist art group, shows a table listing various prominent New York galleries and their track record of showing women artists and artists of color. The bold headline states "THESE ARE THE MOST BIGOTED GALLERIES IN NEW YORK" and presents data for 18 different galleries. The data shows strikingly low numbers - most galleries showed between 0-3 women artists, and many showed zero artists of color during that time period. Some notable examples from the data: - Leo Castelli and Larry Gagosian galleries showed zero women and zero artists of color - Several galleries like Blum Helman and Marian Goodman showed just 2 women and no artists of color - Even the "better" performing galleries like Diane Brown, Charles Cowles, and Holly Solomon only showed 3 women artists each The piece serves as a stark visualization of the systemic discrimination in the art world during this period. At the bottom, it includes contact information for the Guerrilla Girls, who describe themselves as the "conscience of the art world." This is part of the Guerrilla Girls' larger body of work that uses data and bold graphic design to expose discrimination in the art world.
Created by claude-3-opus-20240229 on 2025-02-17
The image shows a list titled "These are the most bigoted galleries in New York", which ranks major New York art galleries based on the number of women and artists of color they exhibited from 1989-1990. The galleries are ranked in order with data on how many women and artists of color they showed during that period. The stated reason for this ranking is "Because they show the fewest women & artists of color." The data reveals significant underrepresentation of both women and artists of color at these prominent galleries. The image makes a bold visual statement by calling out specific well-known galleries and presenting data to support claims of bias and exclusion in their artist representation. It prompts the viewer to send comments to the Guerrilla Girls, who are credited with compiling this information to raise awareness about inequities in the art world.
Created by claude-3-haiku-20240307 on 2025-02-17
The image presents statistics regarding the representation of women and artists of color in galleries in New York. It shows the number of women and artists of color represented in various galleries during the 1989-90 and 1989-90 periods. The image criticizes these galleries for exhibiting the fewest number of women and artists of color, and it encourages readers to send feedback to the "Guerrilla Girls" organization, which seems to be advocating for greater diversity and representation in the art world.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15
The image presents a table titled "THESE ARE THE MOST BIGOTED GALLERIES IN NEW YORK" in bold black text, with the subtitle "Why? Because they show the fewest women & artists of color." The table is divided into two columns: "GALLERY" and "No. of women 1989-90" and "Artists of color 89-90". * **Title and Subtitle** * The title is in large, bold black text at the top of the image. * The subtitle is in smaller black text below the title. * **Table** * The table has two columns: "GALLERY" and "No. of women 1989-90" and "Artists of color 89-90". * The table lists 15 galleries, with their corresponding numbers of women and artists of color exhibited in 1989-90. * The galleries are listed in the following order: * Blum Helman * Diane Brown * Leo Castelli * Charles Cowles * Larry Gagosian * Gemini G.E.L. * Marian Goodman * Jay Gorney * Hirschl & Adler Modern * Kent * Knoedler * Koury Wingate * David McKee * Pace * Tony Shafrazi * Holly Solomon * Sperone Westwater * Stux * **Source and Contact Information** * The source of the data is listed as "ART IN AMERICA ANNUAL 1990-91". * The contact information for Guerrilla Girls is provided at the bottom of the image, including their address and phone number. * **Additional Text** * The image includes additional text at the bottom, including a note about the source of the data and a request for comments. In summary, the image presents a table highlighting the galleries in New York that exhibited the fewest women and artists of color in 1989-90. The table lists 15 galleries and their corresponding numbers of women and artists of color exhibited during that period. The image also includes source information and contact details for Guerrilla Girls, the organization responsible for creating the table.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15
The image presents a table titled "THESE ARE THE MOST BIGOTED GALLERIES IN NEW YORK," which critiques the representation of women and artists of color in New York galleries. The table is divided into three columns: "GALLERY," "No. of women 1989-90," and "Artists of color 89-90." The table lists 19 galleries, with their corresponding numbers of women and artists of color exhibited between 1989 and 1990. Notably, only one gallery, Jay Gorney, has an asterisk next to it, indicating that it has at least one artist of color. At the bottom of the image, there is a message from the Guerrilla Girls, a group of feminist artists who aim to promote gender equality in the art world. The message reads, "Please send $ and comments to: Box 237, 496 LaGuardia Pl., NY 10012 GUERRILLA GIRLS CONSCIENCE OF THE ART WORLD." This suggests that the image is a call to action, encouraging viewers to support the Guerrilla Girls' mission and to hold galleries accountable for their lack of diversity. Overall, the image effectively conveys the message that many New York galleries are not doing enough to promote diversity and inclusion in the art world. By presenting the data in a clear and concise manner, the image makes a powerful statement about the need for change.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-02-17
The image is a black and white poster with text that appears to be a list of galleries in New York City. The poster has a bold heading that reads, "THESE ARE THE MOST BIGOTED GALLERIES IN NEW YORK." The heading is followed by a question and answer: "Why? Because they show the fewest women & artists of color." Below this, there is a table that lists various galleries along with the number of women artists and artists of color they have exhibited. The table has three columns: "GALLERY," "No. of women 1989-90," and "Artists of color 89-90." The galleries listed are Blum Helman, Diane Brown, Leo Castelli, Charles Cowles, Larry Gagosian, Gemini G.E.L., Marian Goodman, Jay Gorney, Hirschl & Adler Modern, Kent, Knoedler, Koury Wingate, David McKee, Pace, Tony Shafrazi, Holly Solomon, Sperone Westwater, and Stux. The number of women artists and artists of color exhibited by each gallery varies. For example, Blum Helman exhibited 2 women artists and 0 artists of color, while Diane Brown exhibited 3 women artists and 1 artist of color. The poster also includes a note at the bottom that reads, "Please send $ and comments to: GUERRILLA GIRLS, Box 237, 496 LaGuardia PI., NY 10012." The Guerrilla Girls are a group of feminist artists who use art to expose sexism and racism in the art world. The poster is a form of activism and aims to raise awareness about the lack of representation of women and artists of color in the art world. It encourages people to support the Guerrilla Girls by sending money and comments to their address.
Created by amazon.nova-lite-v1:0 on 2025-02-17
The image is a poster with a bold, eye-catching title at the top that reads, "These Are the Most Bigoted Galleries in New York." The title is followed by a subtitle that explains why these galleries are considered the most bigoted: "Because they show the fewest women & artists of color." Below the title and subtitle, there is a table listing various galleries in New York City and their statistics regarding the number of women and artists of color they exhibited from 1989 to 1990. The table includes columns for the gallery name, the number of women artists exhibited, and the number of artists of color exhibited. The poster appears to be a form of protest or activism, aiming to highlight the lack of diversity and inclusion in the art world of New York City during that period.