Human Generated Data

Title

Art Theory Text with Field Diagrams

Date

1937

People

Artist: Stuart Davis, American 1892 - 1964

Classification

Archival Material

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Mrs. Stuart Davis, 1967.79.1155

Copyright

© President and Fellows of Harvard College

Human Generated Data

Title

Art Theory Text with Field Diagrams

People

Artist: Stuart Davis, American 1892 - 1964

Date

1937

Classification

Archival Material

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Mrs. Stuart Davis, 1967.79.1155

Copyright

© President and Fellows of Harvard College

Machine Generated Data

Tags

Clarifai
created on 2023-10-27

no person 99.4
paper 98.9
page 97.8
retro 95.8
template 94.9
blank 94.2
stripe 92.5
booklet 92.4
vector 90.9
document 89.9
writing 89.5
graphic design 89.4
text 89.4
interior design 88.6
picture frame 87.1
antique 86.4
banner 85.4
design 83.1
stationery 82.6
simplicity 82.2

Color Analysis

Categories

Imagga

Captions

Azure OpenAI

Created on 2024-02-07

This image shows a framed document with typewritten text and two abstract illustrations. At the top of the document, "JAN. 1937" is noted. The text discusses visualizing a "plane-tone-color system in a circumscribed field" and comparing the planar relations of the subject with an ideal field of two specified types. There are two illustrations below the initial paragraph demonstrating the concepts discussed in the text. The first illustration depicts a series of solid and dashed horizontal lines arranged in a block, while the second consists of a single solid line and a dashed line below it. The last paragraph suggests that such comparison allows one to visualize the exact divergence of the subject sequence and the ideal sequence. It also mentions that objects must be progressively visualized as plane-tone-color systems, which are practical of execution with the means available and correspond to a sequence in nature plus the factor of the artist.

Anthropic Claude

Created on 2024-03-30

The image appears to be a typewritten document from January 1937 discussing a plane-tone-color system for visualizing and comparing the planal relations of a subject within a circumscribed field. The document describes how this comparison allows one to visualize the exact divergence of the subject sequence and the ideal sequence. It states that the objects must be progressively visualized as plane-tone-color systems, which are practical or executable with the means available and also correspond to a sequence in nature plus the factor of the artist.