Human Generated Data

Title

Forty Variations

Date

1937

People

Artist: Katherine Dreier, American 1877 - 1952

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Theodore Dreier, Jr. and Barbara B. Dreier on behalf of Katherine S. Dreier bequest, 2007.202.1

Human Generated Data

Title

Forty Variations

People

Artist: Katherine Dreier, American 1877 - 1952

Date

1937

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Theodore Dreier, Jr. and Barbara B. Dreier on behalf of Katherine S. Dreier bequest, 2007.202.1

Machine Generated Data

Tags

Amazon
created on 2019-11-04

Text 99.9
Page 99.7
Handwriting 81.3
Letter 78.4

Clarifai
created on 2019-11-04

page 99.6
template 99
text 99
document 98.6
card 96.5
paper 95.8
layout 95
presentation 95
blank 94
bill 93.5
cover 93.4
graphic 93.4
illustration 92.7
vector 92
booklet 91.7
vintage 91.7
banner 91.5
form 90.9
picture frame 90.9
sign 90.5

Imagga
created on 2019-11-04

menu 100
fare 100
food 57.5
paper 32.2
design 31
business 28.6
blank 23.2
frame 21.8
envelope 20
element 19.9
office 19.3
card 18.9
page 18.6
letter 18.4
graphic 18.3
pattern 17.8
document 17.7
template 17.5
border 17.2
new 17
creative 16.8
art 15.7
style 15.6
vintage 14.9
symbol 14.8
note 14.7
banner 14.7
grunge 14.5
drawing 14
decoration 13.8
year 13.7
clean 13.4
modern 13.3
backdrop 13.2
retro 13.1
text 13.1
cover 13
sign 12.8
month 12.7
day 12.6
old 12.6
texture 12.5
date 12.5
decor 12.4
message 11.9
monthly 11.8
week 11.8
decorative 11.7
calendar 11.6
wallpaper 11.5
journal 11.4
cloud 11.2
ornate 11
container 10.9
organizer 10.8
diary 10.7
brochure 10.7
copy 10.6
collage 10.6
antique 10.4
ornament 10.4
empty 10.3
company 10.3
artwork 10.1
holiday 10.1
aged 10
collection 9.9
calender 9.9
planner 9.8
idea 9.8
daily 9.8
advertising 9.6
line 9.4
write 9.4
money 9.4
future 9.3
book 9.3
data 9.1
almanac 8.9
information 8.9
definition 8.8
notebook 8.8
schedule 8.8
new year 8.7
advertisement 8.7
post 8.6
floral 8.5
web 8.5
composition 8.5
communication 8.4
conceptual 7.9
icon 7.9
association 7.9
agenda 7.9
annual 7.9
season 7.8
tag 7.7
website 7.6
sheet 7.5
swirl 7.4
object 7.3
time 7.3
board 7.3
black 7.2

Google
created on 2019-11-04

Text 97.2
Font 83.1
Paper 79.5
Document 73.3
Paper product 60.9
Parallel 52.4

Microsoft
created on 2019-11-04

nintendo 100
text 100
letter 98.1
screenshot 86.9
design 84.4
handwriting 84
book 63.1

Color Analysis

Categories

Imagga

text visuals 100%

Text analysis

Amazon

twenty
1937
portfolios
Number
color
This
Paris
Dreier
pochoir
paper:
reproduced
This is Number
Introduction
Rives
Eighty
Katherine
represents
is
IAGREE
edition,
lithographs
by
of
Foreword
Foreword by Katherine S. Dreier
in color au pochoir on Rives paper: Paris 1937
on
fort
these
lithographs each. represents Eighty Sets, reproduced
Introduction by L. Moholy-Nag
au
L.
Sets,
Moholy-Nag
S.
The
miles
each.
THE edition, in two portfolios of twenty
in
marcl miles Look like
original
Look
marcl
helpiny
like
Dusamyp
THE
Faesimiles
these Faesimiles S) VartaFrians -
VartaFrians -
Dusamyp njy e The
two
24Noromber'g27
S)
njy e

Google

mnal Durkonp enjged telping theee facs miles ook eik the frts riginae Variatins 24 Norontr937 THE edition, in two portfolios of twenty НЕ lithographs each, represents Eighty Sets, reproduced in color au pochoir on Rives paper: Paris 1937 Introduction by L. Moholy-Nagy Foreword by Katherine S. Dreier This is Number I AGREE WITH MARCEL DUCHAMP THAT THE REPRODUCTIONS ARE EXPERTLY DONE. THEY ARE, IN MY OPIN1ON, A DISTINCT ASSET FOR STUDENTS WHO ARE STILL UNAWARE OF THE NEVER-ENDED CONTINUITY OF COMPOSITIONS. A SCIENTIST KNOWS IT, THE AV ERAGE ARTIST DOES NOT. KIESLER
mnal
Durkonp
enjged
telping
theee
facs
miles
ook
eik
the
frts
riginae
Variatins
24
Norontr937
THE
edition,
in
two
portfolios
of
twenty
НЕ
lithographs
each,
represents
Eighty
Sets,
reproduced
color
au
pochoir
on
Rives
paper:
Paris
1937
Introduction
by
L.
Moholy-Nagy
Foreword
Katherine
S.
Dreier
This
is
Number
I
AGREE
WITH
MARCEL
DUCHAMP
THAT
REPRODUCTIONS
ARE
EXPERTLY
DONE.
THEY
ARE,
IN
MY
OPIN1ON,
A
DISTINCT
ASSET
FOR
STUDENTS
WHO
STILL
UNAWARE
OF
NEVER-ENDED
CONTINUITY
COMPOSITIONS.
SCIENTIST
KNOWS
IT,
AV
ERAGE
ARTIST
DOES
NOT.
KIESLER