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Human Generated Data

Title

L'Immortelle Morte de Monde

Date

1967

People

Artist: Robert Filliou, French 1926 - 1986

Publisher: Something Else Press,

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift in honor of Charles Irvin Westheimer, Harvard '34 by his five children Tom, John, William, Mary, and Duffie Westheimer, 2006.284

Copyright

© Robert Filliou Estate

Human Generated Data

Title

L'Immortelle Morte de Monde

People

Artist: Robert Filliou, French 1926 - 1986

Publisher: Something Else Press,

Date

1967

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift in honor of Charles Irvin Westheimer, Harvard '34 by his five children Tom, John, William, Mary, and Duffie Westheimer, 2006.284

Copyright

© Robert Filliou Estate

Machine Generated Data

Tags

Clarifai
created on 2023-10-29

schedule 97.1
daily occurence 97.1
calendar 97
annual 96.1
time 95.7
monthly 95.6
date 95.4
almanac 95.3
planner 94.1
agenda 93.1
information 90.2
page 89.7
no person 88.8
business 87.9
facts 86.4
journal 86
template 85.9
text 85.5
number 83.9
forthcoming 81.9

Imagga
created on 2022-03-05

window 56
business 40.7
menu 38
design 29.3
idea 26.7
creative 26.5
data 26.5
element 24.8
information 23.9
button 23.8
letter 22.9
web 22.1
graphic 21.9
brochure 21.5
modern 21
office 20.9
calendar 20.4
template 20.2
device 19.6
computer 19.6
icon 19
collection 18.9
copy 18.6
cover 18.5
communication 18.5
technology 17.8
advertise 17.5
collage 17.4
advertising 17.3
cloud 17.2
composition 17
associated 16.8
conceptual 16.8
association 16.7
page 16.7
definition 16.7
month 16.6
carpet 16.5
artwork 16.5
year 16.4
advertisement 16.4
art 16.3
decor 15.9
backdrop 15.7
cereal 15.6
equipment 15.6
web site 15.3
screen 15.3
food 15.2

Google
created on 2022-03-05

Rectangle 89.4
Font 84.4
Material property 80
Parallel 78
Pattern 73.5
Magenta 69.8
Number 61.1
Square 61
Paper 59.6
Paper product 57.8
Circle 51.5

Color Analysis

Categories

Imagga

Captions

OpenAI GPT

Created by gpt-4 on 2024-02-07

The image shows an artwork featuring a grid of colored boxes with text. At the top, it reads "L'IMMORTELLE MORT DU MONDE THE DEATHLESS DYING OF THE WORLD BY ROBERT FILLIOU." Below the title, there are two subtitles "Five Emotions corresponding to Five Colors" and "Five Rides to Five Sounds:" The grid consists of colored boxes, each containing a short phrase or sentence. The color categories and some example phrases included are: - RED: "we've known for a long time..." - BLUE: "I'm happy to learn that..." - GREEN: "...why complain because..." - DARK BLUE: "...it's not my fault..." - YELLOW: "it's so unfortunate that..." - ORANGE: "...I repeat to my wife that..." - BROWN: "Shakespeare pointed out that..." - PURPLE: "...we read in the newspaper..." - PINK: "how disgusting to say that..." Each row of colors is consistent and spans the width of the image, but the colors in the columns vary. At the bottom of the image, there are two sections titled "Vertical Instructions" and "Horizontal Instructions," providing guidance on how the artwork could be performed or read. Finally, at the very bottom of the image, there is a note that says, "Dedicated to Daniel Spoerri Paris, September 1960." The image projects an artistic representation that appears to be interactive or performative in nature, suggesting a connection between colors, emotions, and sounds, all structured within the grid of phrases.

Anthropic Claude

Created by claude-3-haiku-48k-20240307 on 2024-03-30

This image appears to be a colorful visual representation of "The Deathless Dying of the World" by Robert Filliou. It is a grid-like layout with various phrases and statements in different colored boxes, each representing a philosophical or introspective perspective on life, death, and the human experience. The image does not contain any identifiable human faces, so I will simply describe the overall visual elements and content without identifying any individuals.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-28

The image depicts a colorful poster titled "L'IMMORTELLE MORT DU MONDE" by Robert Filliou, featuring a grid of 100 squares with text inside. The title is written in large letters at the top, with the subtitle "THE DEATHLESS DYING OF THE WORLD" below it. **Grid of Squares:** * The grid consists of 10 rows and 10 columns, with each square containing a different color and text. * The colors used are red, yellow, blue, green, orange, brown, purple, pink, and black. * The text inside each square appears to be a quote or phrase, but it is not legible due to the small font size. **Vertical Instructions:** * Below the grid, there are instructions for vertical performance, which include: + The ten colors represent ten performers, numbered from 1 to 10. + The performers come onstage one by one, asking one another, "What are we doing here?" + According to random selection (looking up the last number of a dollar bill, for instance), one performer comes forward and gives a commonplace explanation for his presence onstage (eg., "I'm here because I'm a man. Man is good..."). + He will modify his explanation according to the spreading out of 5 readily identifiable random sounds provided by the audience. Each sound is associated with an emotion. For instance, when suffering is struck, the performer contradicts himself (eg., "Man is not good..."). A sixth sound means that the performer forward is replaced by the performer immediately behind him, who is good. + But if he has to lie right he will say, "I deny that he is good..." The comments on this poster merely indicate... **Horizontal Instructions:** * Below the vertical instructions, there are instructions for horizontal performance, which include: + The 9 performers move at random behind the performer standing forwardmost. They make comments about what he says either in words or with gestures. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his own comments. Each performer is free to make his

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-02

The image presents a poster titled "L'IMMORTELLE MORT DU MONDE" (THE DEATHLESS DYING OF THE WORLD) by Robert Filliou, featuring a grid of 9x10 colored boxes with text inside each box. The title is displayed in large black font at the top, with the subtitle "THE DEATHLESS DYING OF THE WORLD" written below it in smaller font. **Key Features:** * **Color-Coded Boxes:** The grid consists of 90 boxes, each containing a single sentence or phrase. The boxes are colored according to a specific pattern, with the first row featuring red, green, yellow, dark blue, green, sky blue, orange, brown, and purple boxes. * **Text Inside Boxes:** Each box contains a unique sentence or phrase, which may be a statement, question, or exclamation. The text is written in black font and is often humorous or thought-provoking. * **Vertical Instructions:** Below the grid, there are instructions on how to use the poster. The text explains that the ten colors represent ten performers, numbered from 1 to 10. The performers come onstage one by one, asking one another, "What are you doing here?" According to random selection, looking up the last number of a defi- nition. Each performer's comments depend upon the stage. For instance, red (suspicious) is forward) while of the olive is to his right. "I've known for a long time that man is good." But if blue is to his right he will say, "I deny that man is good." The comments on this poster merely indicate. Performers may improvise, or, as said above, replace comments by gestures, dance, or other, etc. The performance continues for any length of time. * **Horizontal Instructions:** At the bottom of the poster, there are additional instructions on how to use the poster. The text explains that the nine performers move at random behind the performers standing forwardmost. They make comments about what they are doing here. Each performer's comments depend upon the stage. For instance, red (suspicious) is forward) while of the olive is to his right. "I've known for a long time that man is good." But if blue is to his right he will say, "I deny that man is good." The comments on this poster merely indicate. Performers may improvise, or, as said above, replace comments by gestures, dance, or other, etc. The performance continues for any length of time. **Overall:** The poster appears to be a game or interactive piece that encourages audience participation. The use of color-coding and random selection adds an element of unpredictability, making the experience more engaging and dynamic.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-25

The image is a poster for a performance titled "L'Immortelle Mort Du Monde" (The Deathless Dying of the World) by Robert Filliou. The poster features a grid of 90 colored squares, each containing a phrase or statement. The phrases are grouped into five categories, each represented by a different color: Red, Yellow, Dark Blue, Green, and Sky Blue. The poster also includes instructions for performers on how to interact with the phrases during the performance. The poster is dedicated to Daniel Spoerri and is dated Paris, September 1960.

Created by amazon.nova-pro-v1:0 on 2025-02-25

The image depicts a page of a play titled "L'Immortelle Mort du Monde" by Robert Filliou. The page is divided into a grid of 60 squares, each containing a phrase or sentence. The phrases are written in different colors, including red, yellow, blue, green, orange, brown, purple, and pink. The play is about the deathless dying of the world and explores various emotions and themes related to mortality and existence. The page also includes instructions for the performance, indicating that the performers will move randomly behind the main performer and interact with him based on the color of the phrases. The play encourages improvisation and experimentation, allowing the performers to create their own interpretations and explanations for the phrases. Overall, the image conveys a sense of chaos and randomness, reflecting the themes of the play and the unpredictable nature of life and death.

Text analysis

Google

Pewspaoers L'IMMORTELLE MORT DU MONDE THE DEATHLESS DYING OF THE WORLD BY ROBERT FILLIOU Five Emo tions Corres ponding to Five Sounds: ve known for long time hat... Let's form a committee and decide really... Kiss my ass you want b know for sure if... Does it make you happy to say that... Why complain because... Who told you to Descartes first say that... I'm happy to deny that... RED: learn that,.. id... . I disagree but P'l defend your right to main- tain that... It's very American to say that... It's the govern ment's fault if... 'm not going to cry because. Go tell a cop that... m mad at the thought that.. How stupid to believe that... Esuspected that... Why be good OLIVE: t's so onfortunate . Only a very original mind could grasp that... After death do you still feel that... It is evident that... In our time it's normal that... pity you fyou believe that... t's your fault Negroes deny that... YELLOW: Of course. .. that... It's not my fault How do you if... Should I commit suicide because... Why have children if. t saddens me o think that.. What's ife about if... was won- dering, myself. don't ive a shit if.. You must live as if you didn't know that... DARK BLUE: know that... It is meaningless to say that. .. You mustn't tell de Gaulle that... You must be mad to believe that... A good metabolism is more important confess to a than knowing forbid you to say that... wish it were You should GREEN: 's so strange Shat... Why talk if... true that... priest that .. that... ou'll be shot you keep haintaining that... Learning that "will demoralize the country. To know that " has Since ends Justify means it's normal hat... 's the first e's not Mom's hult if... Who has told vou that... You're very lucky to believe that... SKY BLUE: t I confirm me I've heard cosmic significance. hat... that... The Chinese don't give a damn if... Do your duty i repeat to my wife that.. Shit, why ay that...? 'l kick the hell out of you if you read McLuhan repeat that.... You must have What to do if 's true that... Instead ef telling everyone that... ORANGE: doubt that... Ask God whether... to know that. Shakespeare denied that... A few centuries ago would you have snid that... Since you know t. you should Reep it to ourself that... h this country you'll be sent o jail if you Say that... I must think it over before deciding if... What do you want me to do ..? I'm flabbergasted to learn that.. We went to war because... BROWN: know that... I've read in the newspapers that... You have no perspective if you insist that... makes me ugh when you say that... Only an insane mar would proclair that... PURPLE: Write to the Beatles that.. m delighted o see that... It's impolite to say that ... It's nice to believe that... Sleep over the dea that... No wonder you're a failure Love more and you tell ever vorry less if.. ne that... m fed up to How disgustin to say that... I congratulate hear you repeat you for confess- tlevised while ing that... You should be Thank you for informing us that... I was expecting you to say that... PINK: OK!OK! hat... Saying that Vertical Instructions The ten colors represent ten performers, numbered from 1 to 10. The performers come onstage one by one, ask- ing one another: "What are we doing here?" According to random selection (looking up the last umber of a dol- lar bill, for instance), one performer comes forward and gives a commonplace explanation for his presence on- stage (eg.. "I'm here because I'm a man. Man is good.") He will modify his explanation according to the spreading out of 5 readily-identifiable random sounds provided by the sound track. Each sound is associated with an emo- tion. For instance, when suffering is struck, the per- former contradicts himself (eg. "Man is not good.") A sixth sound means that the performer forward is re placed by the performer immediately behind him, who then proceeds to give his own explanation for his pres- ence onstage. Horizontal Instructions The 9 performers move at random behind the performer standing forwardmost. They make comments about what he says, either in words or with gestures. Each performer's comments depend upon the color of the per former immediately to his right on the stage. For in- stance, red (supposing pink is forward) will comment, if olive is to his right, "I've known for a long time that man is good." But if blue is to his right he will say, "I deny that man is good." The comments on this poster merely indicate. This "auto-theater" poster may be used for advertising the performance by simply gluing over this portion of it a band giving names of performers, credits, composer, locale, etc. Performers may improvise, or, as said above, replace comments by gestures, dance steps, faces, sounds, etc. The performance continues for any length of time Dedicated to Daniel Spoerri Paris, September 1960 Crevright o 1967 by Something Ele ess inc. 10 m Avenue, New York, NY 100se A rigs reserved, incuding rght of performance atlel statement, er ita pegation, preceded by "maybe ..." (eg, "Maybe man is (m al statement, or its negation, preceded by "I'm sorry that..." (eg. "I'm sorry that Man is (not) good.")
Pewspaoers
L'IMMORTELLE
MORT
DU
MONDE
THE
DEATHLESS
DYING
OF
WORLD
BY
ROBERT
FILLIOU
Five
Emo
tions
Corres
ponding
to
Sounds:
ve
known
for
long
time
hat...
Let's
form
a
committee
and
decide
really...
Kiss
my
ass
you
want
b
know
sure
if...
Does
it
make
happy
say
that...
Why
complain
because...
Who
told
Descartes
first
I'm
deny
RED:
learn
that,..
id...
.
I
disagree
but
P'l
defend
your
right
main-
tain
It's
very
American
the
govern
ment's
fault
'm
not
going
cry
because.
Go
tell
cop
m
mad
at
thought
that..
How
stupid
believe
Esuspected
be
good
OLIVE:
t's
so
onfortunate
Only
original
mind
could
grasp
After
death
do
still
feel
It
is
evident
In
our
it's
normal
pity
fyou
Negroes
YELLOW:
Of
course.
..
Should
commit
suicide
have
children
if.
t
saddens
me
o
think
What's
ife
about
was
won-
dering,
myself.
don't
ive
shit
if..
You
must
live
as
if
didn't
DARK
BLUE:
meaningless
that.
mustn't
de
Gaulle
A
metabolism
more
important
confess
than
knowing
forbid
wish
were
should
GREEN:
's
strange
Shat...
talk
true
priest
that
ou'll
shot
keep
haintaining
Learning
"will
demoralize
country.
To
"
has
Since
ends
Justify
means
e's
Mom's
hult
vou
You're
lucky
SKY
confirm
I've
heard
cosmic
significance.
The
Chinese
give
damn
Do
duty
i
repeat
wife
Shit,
why
ay
that...?
'l
kick
hell
out
of
read
McLuhan
that....
What
Instead
ef
telling
everyone
ORANGE:
doubt
Ask
God
whether...
Shakespeare
denied
few
centuries
ago
would
snid
t.
Reep
ourself
h
this
country
you'll
sent
jail
Say
over
before
deciding
..?
flabbergasted
We
went
war
BROWN:
in
newspapers
no
perspective
insist
makes
ugh
when
an
insane
mar
proclair
PURPLE:
Write
Beatles
delighted
see
impolite
...
nice
Sleep
dea
No
wonder
you're
failure
Love
ever
vorry
less
ne
fed
up
disgustin
congratulate
hear
confess-
tlevised
while
ing
Thank
informing
us
expecting
PINK:
OK!OK!
Saying
Vertical
Instructions
ten
colors
represent
performers,
numbered
from
1
10.
performers
come
onstage
one
by
one,
ask-
another:
"What
are
we
doing
here?"
According
random
selection
(looking
last
umber
dol-
lar
bill,
instance),
performer
comes
forward
gives
commonplace
explanation
his
presence
on-
stage
(eg..
"I'm
here
because
man.
Man
good.")
He
will
modify
according
spreading
5
readily-identifiable
sounds
provided
sound
track.
Each
associated
with
emo-
tion.
For
instance,
suffering
struck,
per-
former
contradicts
himself
(eg.
"Man
sixth
re
placed
immediately
behind
him,
who
then
proceeds
own
pres-
ence
onstage.
Horizontal
9
move
standing
forwardmost.
They
comments
what
he
says,
either
words
or
gestures.
performer's
depend
upon
color
per
on
stage.
in-
stance,
red
(supposing
pink
forward)
comment,
olive
right,
"I've
man
good."
But
blue
say,
"I
poster
merely
indicate.
This
"auto-theater"
may
used
advertising
performance
simply
gluing
portion
band
giving
names
credits,
composer,
locale,
etc.
Performers
improvise,
or,
said
above,
replace
gestures,
dance
steps,
faces,
sounds,
continues
any
length
Dedicated
Daniel
Spoerri
Paris,
September
1960
Crevright
1967
Something
Ele
ess
inc.
10
Avenue,
New
York,
NY
100se
rigs
reserved,
incuding
rght
atlel
statement,
er
ita
pegation,
preceded
"maybe
..."
(eg,
"Maybe
(m
al
its
negation,
sorry
that..."
(not)