Human Generated Data

Title

Untitled

Date

1958

People

Artist: Paul Feeley, American 1910 - 1966

Classification

Paintings

Credit Line

Harvard Art Museums/Fogg Museum, Gift of the Family of Paul Feeley, 2006.46

Copyright

© Courtesy the Estate of Paul Feeley and Garth

Human Generated Data

Title

Untitled

People

Artist: Paul Feeley, American 1910 - 1966

Date

1958

Classification

Paintings

Credit Line

Harvard Art Museums/Fogg Museum, Gift of the Family of Paul Feeley, 2006.46

Copyright

© Courtesy the Estate of Paul Feeley and Garth

Machine Generated Data

Tags

Amazon
created on 2019-04-05

Art 90.2
Modern Art 80.3
Text 74.4
Symbol 73
Trademark 57.7
Logo 57.7
Alphabet 56

Clarifai
created on 2018-04-19

symbol 98.4
desktop 97.5
abstract 97.3
texture 96.7
artistic 96.1
disjunct 95.9
sign 95.5
no person 95.5
retro 95.5
child 95.3
graphic design 95.1
illustration 94.5
creativity 94.2
shape 93.5
paper 92.8
art 92.7
hand 92.3
love 92.2
color 92.1
dirty 92.1

Imagga
created on 2018-04-19

ski mask 26.1
silhouette 24
mask 23.2
covering 21.4
face mask 20.9
bib 16.7
love 15.8
clothing 15.6
black 14.4
art 14.3
cemetery 13.9
man 12.6
protective covering 12.2
symbol 12.1
male 12
clip art 11.1
pumpkin 10.8
cartoon 10.7
celebration 10.4
shape 10.2
design 10.1
heart 10.1
people 10
fun 9.7
outline 9.5
color 9.4
cutout 9.3
face 9.2
brassiere 9.1
profile 8.6
human 8.2
squash 8.2
decoration 8
person 7.8
boy 7.8
fashion 7.5
garment 7.5
child 7.5
consumer goods 7.4
animal 7.4
woman's clothing 7.3
undergarment 7.3
graphic 7.3
new 7.3
romance 7.1
happiness 7

Google
created on 2018-04-19

yellow 95.5
symmetry 58.5
font 57.6
computer wallpaper 50.6

Color Analysis

Categories

Imagga

Captions

Microsoft
created on 2018-04-19

a close up of a train 13.9%
close up of a train 10.1%
a train on the tracks 5.4%

Azure OpenAI

Created on 2024-12-03

The image appears to be a painting, likely from the color field branch of abstract art. It features three large, bulbous forms that are mirror images across the central vertical axis. The top half of the painting is a deep, muted blue, while the bottom half is a bright red. The forms themselves are colored a vibrant yellow. The paint application appears soft, with the colors blending slightly at their borders, creating a somewhat fuzzy or feathered edge. The composition is simple and symmetrical, with bold, solid colors that stand out against each other. There is no discernible representation of real-life objects, emphasizing the painting's focus on color, shape, and the emotional response they elicit rather than on depicting a scene or subject.

Anthropic Claude

Created on 2024-11-27

This abstract painting features a striking color palette of blue, yellow, and red. The central focus is a pair of large, rounded yellow shapes against a deep blue background. The shapes have a somewhat organic, undulating quality, with their edges blending into the surrounding colors. Below the yellow shapes are two bold red areas, creating a sense of contrast and balance within the composition. The overall impression is one of bold, vibrant colors and a dynamic, rhythmic visual interplay between the different elements.

Meta Llama

Created on 2024-11-22

The image depicts a painting with a unique composition. The top half of the painting is a deep blue, while the bottom half is divided into two sections: a yellow section in the middle and a red section at the bottom. The yellow section is shaped like two rounded, connected ovals, with the left side extending further to the left than the right side. The red section is shaped like a rounded rectangle, with the left side extending further to the left than the right side. The painting is framed by a thin, light-colored border. The overall effect of the painting is one of simplicity and elegance, with bold colors and clean lines creating a striking visual impact. The use of negative space adds depth and dimension to the piece, drawing the viewer's eye to the central yellow shapes. The painting appears to be a modern work, possibly created in the mid-20th century, and is likely intended to be a contemplative or meditative piece rather than a representational one.