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Human Generated Data

Title

Embracing Figures with Urn; Trophy Supported by Standing Male Nudes

Date

18th century

People

Artist: Jean-Honoré Fragonard, French 1732 - 1806

Classification

Drawings

Credit Line

Harvard Art Museums/Fogg Museum, Bequest of Frances L. Hofer, 1979.70.5

Human Generated Data

Title

Embracing Figures with Urn; Trophy Supported by Standing Male Nudes

People

Artist: Jean-Honoré Fragonard, French 1732 - 1806

Date

18th century

Classification

Drawings

Credit Line

Harvard Art Museums/Fogg Museum, Bequest of Frances L. Hofer, 1979.70.5

Machine Generated Data

Tags

Amazon
created on 2019-07-26

Art 95.3
Drawing 91.1
Painting 79.9
Sketch 75.2

Clarifai
created on 2019-07-26

art 99.7
people 99.1
sculpture 98.8
ancient 98.6
adult 98.5
man 98.1
statue 97.3
wear 96.8
group 96
two 95.8
one 95.5
leader 94.9
architecture 94.4
illustration 94.1
retro 93.6
old 93.4
chalk out 92.5
vintage 92.2
religion 91.9
print 91.8
Human face 68.5
Human face 53.2
Human face 49.1
Man 37.2
Person 36.9
Footwear 35.4
Human face 34.4
Man 33.4

Imagga
created on 2019-07-26

sketch 100
drawing 100
representation 100
old 30
paper 26.7
vintage 25.7
art 23.5
grunge 23
money 23
ancient 22.5
retro 22.1
currency 20.7
antique 19.9
cash 19.2
texture 18.1
history 17
finance 16.9
stamp 15.7
bank 15.2
dollar 14.9
banking 14.7
financial 14.3
aged 13.6
business 13.4
stucco 13.3
pattern 13
wall 12.8
travel 12.7
wealth 12.6
symbol 12.1
note 12
design 11.8
frame 11.7
sculpture 11.6
stone 11.4
bill 11.4
detail 11.3
rich 11.2
historic 11
architecture 10.9
mail 10.5
grungy 10.4
close 10.3
culture 10.3
savings 10.3
border 10
postmark 9.9
postage 9.8
postal 9.8
carving 9.8
bills 9.7
one 9.7
dollars 9.7
us 9.6
brown 9.6
decoration 9.6
artistic 9.6
exchange 9.6
temple 9.5
economy 9.3
letter 9.2
investment 9.2
dirty 9
textured 8.8
worn 8.6
monument 8.4
sign 8.3
rough 8.2
style 8.2
paint 8.2
landmark 8.1
building 7.9
burnt 7.8
parchment 7.7
pay 7.7
post 7.6
damaged 7.6
capital 7.6
decorative 7.5
famous 7.4
page 7.4
global 7.3
success 7.2
religion 7.2
nobody 7

Google
created on 2019-07-26

Drawing 95.8
Sketch 94.3
Figure drawing 80.8
Art 80
Artwork 76.6
Visual arts 68.6
Still life 64.1
Illustration 54.5
Painting 53.4

Microsoft
created on 2019-07-26

sketch 99.8
drawing 99.5
cartoon 85.7
child art 65.4
illustration 62.2
old 44.6
stone 7

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 35-52
Gender Female, 52.6%
Confused 45.5%
Disgusted 46.4%
Sad 46.2%
Calm 49.2%
Surprised 45.8%
Angry 45.8%
Happy 46.2%

Feature analysis

Amazon

Painting
Painting 79.9%

Categories

Imagga

paintings art 99.7%

Captions

Microsoft
created by unknown on 2019-07-26

an old photo of a person 57.4%
old photo of a person 50.3%
an old photo of a person 50.2%

Clarifai
created by general-english-image-caption-blip on 2025-05-03

a photograph of a drawing of a man sitting on a bench -100%
two drawings of two men hugging each other -100%

OpenAI GPT

Created by gpt-4 on 2024-12-14

This image depicts a pencil sketch featuring two sculptures. On the left side of the sketch, there's a stone sculpture of two figures embracing each other with what appears to be a draped garment partially covering them; they are seated on a plinth. In the middle of this sculpture, there's an inscribed stone element, likely a memorial or dedication plaque.

On the right side of the sketch is another stone sculpture depicted in side view. This sculpture consists of two figures, standing back to back, supporting a heavy load together, which is resting on their shoulders and hands. They seem to be straining under the weight, highlighting a theme of struggle or cooperation. This sculpture also rests on a plinth with a discernible but not legible inscription at its base.

Both renderings are sketched in a rough, impressionistic style that captures the postures and general forms of the sculptures. The artist has included shading to give depth to the sculptures and suggest the play of light and shadow on their surfaces. The top right corner of the sketch bears a handwritten note, possibly a reference number or annotation by the artist. The paper itself shows signs of age, with a slightly browned tone and textured surface.

Created by gpt-4o-2024-05-13 on 2024-12-14

This image is a pencil sketch depicting two different views of a pair of sculptures.

On the left side of the image, the sketch shows two nude figures kneeling and embracing an urn in between them. They are positioned symmetrically, with each figure resting one hand on the urn and the other on the back of the opposite figure.

On the right side of the image, another sketch shows two nude figures standing back to back, supporting a rectangular structure with an object (possibly an urn) on top. Both figures have their arms crossed over their chests.

The sketch is executed in a detailed and classical style, with careful attention to the anatomy and posture of the figures.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-14

The image appears to be a pencil sketch containing two distinct scenes. On the left side, there is a depiction of two figures embracing each other. They seem to be in a close, intimate pose. On the right side, there is a sketch of several nude figures standing on a pedestal or platform, with a bell-shaped structure above them. The overall style of the sketch appears to be loosely drawn, with a focus on capturing the forms and compositions rather than precise details.

Created by claude-3-5-sonnet-20241022 on 2024-12-14

This appears to be a pencil sketch of two sculptural studies or monuments. On the left, there's a drawing of two figures in a close, embracing position seated or kneeling on what appears to be a pedestal or base. On the right, there's another sculpture sketch showing two standing figures positioned back-to-back on a pedestal, with what looks like some kind of structure or element above them. Both sketches are rendered in a loose, sketchy style typical of preliminary artistic studies. The drawings seem to focus on capturing the basic forms and positioning of the figures rather than detailed features.

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-26

This appears to be a light pencil sketch or drawing showing classical-style figures. The composition shows what looks like a sculptural grouping or relief, with several figures arranged together on what appears to be a pedestal or base. The figures are drawn in a neoclassical style, with flowing robes or drapery. The sketch has a soft, delicate quality typical of preliminary artistic studies. On the right side, there appear to be additional figure studies. The overall drawing has the characteristic look of an artist's preparatory sketch, possibly for a larger work or sculpture.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-14

The image presents a sketch of two sculptures, likely created by the artist Gustave Doré. The sketch is rendered in pencil and features two distinct sculptures.

Sculpture 1:

  • The first sculpture depicts a woman kneeling on the ground, embracing a large stone or tombstone.
  • The woman is dressed in a long robe, which is draped over her body, and her head is bowed in grief or prayer.
  • The stone or tombstone is large and imposing, with intricate carvings or inscriptions that are not clearly visible in the sketch.

Sculpture 2:

  • The second sculpture shows a man standing upright, holding a large stone or pedestal above his head.
  • The man is dressed in a short tunic or loincloth, and his body is muscular and athletic.
  • The stone or pedestal is large and heavy, and the man's facial expression suggests strain and effort as he holds it aloft.

Background:

  • The background of the sketch is plain and unadorned, with no additional details or embellishments.
  • The overall effect of the sketch is one of simplicity and elegance, with the two sculptures taking center stage.

Style:

  • The sketch is rendered in a classical style, with clean lines and precise details.
  • The use of pencil creates a sense of softness and subtlety, which contrasts with the more dramatic and dynamic poses of the sculptures.

Artist's Intent:

  • The artist's intent is unclear, but the sketch may be intended to showcase the artist's skill and technique in capturing the human form and the beauty of classical sculpture.
  • Alternatively, the sketch may be intended to evoke a sense of nostalgia or longing for a bygone era, as the classical style and themes are often associated with ancient Greece and Rome.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-14

This image features a pencil drawing of two statues, each depicting a couple embracing. The statue on the left shows a man and woman kneeling together, their arms wrapped around each other as they gaze downward. The statue on the right portrays a man and woman standing together, with the man's arms crossed over his chest and the woman's arms wrapped around him.

The background of the drawing is a light beige color, which provides a subtle contrast to the dark pencil lines used to create the statues. The overall effect is one of simplicity and elegance, with the focus squarely on the emotional connection between the two couples.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-01-12

The image depicts two pencil drawings of sculptures, one on the left and one on the right. The drawing on the left shows two women sitting on a platform, embracing each other. One of the women is holding a large object, possibly a shield, while the other is holding her head down. The drawing on the right shows two men standing on a platform, holding a large object on their shoulders. One of the men is looking down, while the other is looking to the side.

Created by amazon.nova-pro-v1:0 on 2025-01-12

The image is a pencil sketch of two statues on a white background. The statue on the left is of two women sitting on a platform, embracing each other. The statue on the right is of two men standing on a platform, with their arms crossed. The statue on the right has a rectangular structure on top of it. The sketch is done in pencil, and the lines are somewhat rough and uneven.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-04-29

Here's a description of the image:

Overall Impression:

The image is a pencil sketch, likely a study for a sculpture or architectural element. It features two distinct compositions side-by-side on a sheet of paper, giving the impression of a study or exploration of design ideas. The style is classical, reminiscent of ancient Greek or Roman art.

Left Composition:

  • Subject: Depicts two figures embracing a large urn. They are kneeling with their arms wrapped around each other and the urn. They seem to be nude or partially draped in cloth.
  • Style: The forms are simplified and rendered with soft shading, suggesting a three-dimensional form.
  • Placement: The figures and urn rest on a rectangular base, further emphasizing the potential for a sculpted monument.

Right Composition:

  • Subject: Features two nude male figures with arms crossed, supporting a structure above them. The structure appears to be a square or rectangular base topped with a decorative element.
  • Style: Similar to the left composition, the figures and structure are drawn with careful attention to proportion and light.
  • Placement: The figures stand on a rectangular base, reminiscent of the left composition.

General Features:

  • Material: Pencil on paper.
  • Technique: The artist uses hatching and shading to indicate form and depth.
  • Purpose: The image appears to be a study or practice drawing. It is likely a preparatory sketch for a larger work.

In summary: The image represents a study of classical sculptural elements. It is a composition of ideas exploring a funerary motif with the two female figures on the left, and a support or heroic figure on the right.

Created by gemini-2.0-flash on 2025-04-29

Here's a description of the image:

This is a pencil sketch on paper, featuring two separate studies of neoclassical sculptures.

On the left, two partially draped figures, likely female, are kneeling on a plinth and embracing a vase. Their arms encircle the vase, and their heads appear to be touching or very close together. There is some script or decoration on the vase, but it's indistinct. The plinth has an inscription written in a stylized script.

To the right of the first study, two nude male figures are standing back-to-back on a similar plinth. They have their arms crossed tightly in front of their chests, with their hands gripping their upper arms. They are supporting a rectangular structure above their heads, which is decorated with a festoon. On top of this structure is another ornamental vase or urn. The plinth also has an inscription written in a stylized script.

The drawing style is detailed with a focus on shading to give form and depth to the figures and architectural elements. The overall impression is of a preliminary study or sketches of classical sculpture for potential use in decorative or architectural contexts. The sketch is labeled "Grave n° 3" in the upper right corner.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-26

The image is a sketch depicting two sculptural figures in a classical style. The drawing is divided into two sections:

  1. Left Section:

    • This part of the sketch shows two figures in a close embrace, facing each other.
    • Both figures appear to be seated or kneeling on a rectangular pedestal.
    • The figures are draped in cloth, which covers their lower bodies and parts of their upper bodies.
    • The sketch emphasizes the emotional connection between the two figures, suggesting a sense of intimacy or support.
  2. Right Section:

    • This section depicts the same two figures, but from a different angle, likely from the side.
    • The figures are standing, and their embrace is more evident from this perspective.
    • They are positioned on a pedestal with an ornate, decorated top, possibly indicating a monument or a memorial.
    • The figures are nude, highlighting the musculature and form of their bodies.

The sketch is executed in a detailed, yet somewhat loose, style, using pencil or charcoal to capture the forms and textures of the figures and their surroundings. The drawing is signed or annotated with the word "Bassi" and a number "3" in the top right corner.

Qwen

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-06-28

The image is a pencil sketch on a piece of paper, showing two different sculptural designs. On the left, there is a kneeling figure wrapped in a shawl or cloak, hugging a large, cylindrical object that resembles a sarcophagus or cylindrical monument. The figure appears to be in a state of grief or sorrow, as suggested by the posture and the way the shawl is draped. The background is relatively plain, with some shading to indicate a shadow under the figure.

On the right, there are two standing figures, both naked, positioned symmetrically and holding a large sarcophagus between them. The figures are also in a grief-stricken pose, with their heads bowed and arms crossed over their chests. The sarcophagus is elevated on a pedestal, and the entire composition is rendered in a classical style, with attention to anatomical detail and a sense of solemnity.

The entire image has a somber and reflective mood, and the sketches seem to be conceptual designs for memorial or funerary sculptures. The artist has used shading to create depth and to emphasize the emotional state of the figures.

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-06-28

This black-and-white sketch depicts two sculptural designs side by side.

  • Left Side: The design features a draped figure, likely a caryatid, supporting a cylindrical pedestal. The figure is enveloped in flowing fabric that obscures much of its form, creating an abstract and enigmatic presence. The pedestal appears smooth and circular, with a base that includes inscriptions or decorative details. The overall impression is one of classical elegance with a touch of mystery due to the draping.

  • Right Side: The design shows a more complex arrangement of two winged figures, possibly cherubs or putti, supporting a heavy, ornate object above them. The figures are more detailed and anatomical, with visible musculature and expressive poses. The object they are holding appears to be a large, rectangular block with an elaborate, possibly pyramidal top, suggesting it could be a funerary monument or an architectural element. The figures seem strained under the weight, adding a dynamic and dramatic element to the composition.

Both designs are rendered with careful attention to shading and perspective, giving them a three-dimensional quality on the two-dimensional page. The contrast between the abstract, draped figure on the left and the detailed, anatomical figures on the right highlights the artist's exploration of different sculptural styles and themes.