Machine Generated Data
Tags
Color Analysis
Feature analysis
Amazon

Person | 99% | |
Categories
Imagga
paintings art | 85.6% | |
text visuals | 13.9% | |
Captions
Microsoft
created by unknown on 2018-12-19
a close up of a map | 78.2% | |
close up of a map | 74.6% | |
a map with text | 63.8% | |
Clarifai
created by general-english-image-caption-blip-2 on 2025-07-01
a drawing of a man on the cross with a cross on his back | -100% | |
a photograph of a drawing of a man on a cross - stitched cross | -100% | |
OpenAI GPT
Created by gpt-4 on 2024-12-13
This image is a drawing that depicts a figure nailed to a cross, an iconic representation traditionally associated with Jesus Christ on the crucifix. The figure's head is adorned with a crown of thorns, slumped to one side, suggesting lifelessness or suffering. Above the figure's head is a sign with the letters "INRI," an abbreviation of the Latin phrase "Iesus Nazarenus Rex Iudaeorum," translating to "Jesus of Nazareth, King of the Jews."
The linear perspective indicates the cross's upright position. The drawing has annotations, possibly indicating dimensions or notes by the artist. There's also some text at the bottom that seems to be a signature or attribution, but without more details, it's not possible to comment on its meaning precisely.
The style of the drawing suggests it is from a historic period, characterized by fine lines and attention to detail, particularly in the depiction of the human anatomy and musculature. The drawing has a classical or Renaissance feel, a period known for its focus on human form and religious subjects.
Created by gpt-4o-2024-05-13 on 2024-12-13
The image is a detailed sketch of Jesus Christ on the cross, a depiction of the Crucifixion. Jesus is shown with a crown of thorns on his head and his body is affixed to the cross at his hands and feet. His torso and legs are prominently outlined as he hangs from the cross, mostly seen from the front with his head slightly tilted downwards. Above Jesus's head is an inscription reading "INRI," which stands for the Latin phrase "Iesus Nazarenus Rex Iudaeorum" (Jesus of Nazareth, King of the Jews). The sketch appears to be done in ink on paper and includes handwritten annotations around the figure, likely referencing specific parts of the drawing or providing additional context. The style suggests a study or preparatory piece, with lines emphasizing the form and details of the figure on the cross.
Anthropic Claude
Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-28
This appears to be a historical sketch or drawing depicting the crucifixion. It's rendered in a simple line drawing style, showing a figure on a cross. The drawing appears to be a study or architectural sketch, with measurements or notations written in what looks like Italian along the bottom. The style suggests it may be from the Renaissance period, and there are some technical markings and measurements indicated on the drawing. The lines are delicate and the paper appears aged, with some slight discoloration. At the bottom of the image, there appears to be a signature or attribution. The drawing has a technical, almost architectural quality to it, suggesting it might have been a preparatory sketch for a larger work of art.
Created by claude-3-haiku-20240307 on 2024-12-13
The image appears to be a sketch or drawing of a crucified figure. The central figure is depicted nude, with arms outstretched in a cruciform pose. The figure is shown in a stylized, diagrammatic manner, with minimal details. The background contains some rough sketches and text, though the specific meaning or context is not entirely clear from the image alone. Overall, the drawing seems to be a religious or symbolic representation of a crucifixion scene.
Created by claude-3-5-sonnet-20241022 on 2024-12-13
This is a historical sketch or drawing depicting the crucifixion, executed in a simple line drawing style with brown ink on paper. The drawing shows a figure on a cross with the "INRI" inscription at the top. The artwork demonstrates careful attention to anatomical detail, particularly in the rendering of the figure's torso and the flowing drapery around the waist. The cross appears to have measurements or notations marked along its dimensions, suggesting this may have been a preparatory sketch for a larger work. There are some inscriptions at the bottom of the drawing in what appears to be Italian. The overall composition is balanced and shows the classical Renaissance approach to religious art. The drawing style suggests it may date from the 16th or 17th century.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-13
The image is a sketch of a crucified man, likely Jesus Christ, with the inscription "INRI" above him. The man is depicted in a state of crucifixion, with his arms outstretched and his legs bent at the knees. He is wearing a loincloth and has a crown of thorns on his head. The background of the image is a plain, off-white color, with some faint lines and markings visible.
The inscription "INRI" is written in Latin, which stands for "Iesus Nazarenus Rex Iudaeorum," meaning "Jesus of Nazareth, King of the Jews." This inscription is often found on crucifixion scenes in art, as it was the title given to Jesus by the Roman authorities.
Overall, the image appears to be a study or sketch for a larger work of art, possibly a painting or sculpture. The level of detail and realism suggests that the artist was attempting to create a realistic and accurate depiction of the scene.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-13
The image depicts a sketch of Jesus Christ on the cross, with his body positioned in a dynamic pose. His arms are outstretched to the sides, and his legs are bent at the knees, with one foot resting on top of the other. The sketch is rendered in a simple yet expressive style, with bold lines and minimal shading.
The background of the image is a light beige color, which provides a subtle contrast to the darker tones of the sketch. The overall effect is one of simplicity and elegance, with the focus squarely on the figure of Christ.
In the bottom-left corner of the image, there is some handwritten text in Italian. The text appears to be a quote or a passage from a religious text, but it is not clear what the specific words are. The handwriting is elegant and cursive, with flourishes and embellishments that add to the overall aesthetic of the image.
Overall, the image presents a powerful and evocative depiction of Christ on the cross, with a focus on simplicity, elegance, and expressive detail. The addition of the handwritten text adds an extra layer of meaning and context to the image, inviting the viewer to reflect on the significance of the scene being depicted.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-01-13
The image shows a drawing of a man on a cross with his arms outstretched. He is naked and has a cloth wrapped around his waist. The cross is made of wood and has a sign on top that reads "INRI." The drawing is on a piece of paper with some writing on it. The paper is old and has some stains on it.
Created by amazon.nova-lite-v1:0 on 2025-01-13
This image depicts a drawing of the crucified Christ, signed and dated on the lower right. The drawing is a sketch of a crucifix, showing Jesus Christ nailed to the cross, with his arms outstretched and his body in a slightly bent position. The drawing is signed and dated "Palmi di 13 dimons" on the lower right, indicating that it was created in the month of March (dimons) of the year 13 (Palmi). The drawing also includes a note in Italian that reads "Sacritta Sagra pi michieta fara meglio," which translates to "Sacred Sacrifice for a better world." The drawing is accompanied by a label that reads "INT 21," which may refer to the inventory number of the drawing. The drawing appears to be an early work by the artist, as it is a simple sketch with minimal details and a limited color palette.
Google Gemini
Created by gemini-2.0-flash on 2025-05-07
Here is a description of the image:
The image is a pen and ink drawing of the crucifixion of Jesus Christ on a piece of what appears to be aged parchment. The drawing is rendered in a freehand style.
Jesus is nailed to a simple wooden cross. Above his head is a sign that reads "INRI". He wears a crown of thorns, and his body is thin and slightly contorted. A loincloth loosely drapes around his waist. His feet are crossed and nailed to the cross.
The cross is supported by a sketch of the ground below.
There are some handwritten notes on the paper, including "Palmi 8 dimens", "Palmi 13 almono", "la sartita Soura piu inchinate fara meglio," and "Di Fran: Vanni Senefe." These annotations are written in a cursive script. Some arrows are sketched on either side of the cross, pointing to the base.
Created by gemini-2.0-flash-lite on 2025-05-07
The image is a pen and ink drawing of the crucifixion of Jesus. The drawing is done in a sketchy style, with a focus on capturing the form and anatomy of the figure. Jesus is depicted on a cross, with his arms outstretched. His body is thin, and his face is contorted in pain. He wears a crown of thorns, and a loincloth. The cross is simple, with the inscription "INRI" at the top. The drawing is on a sheet of aged paper. The artist has also added notations in Italian around the drawing.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-02
The image is a detailed sketch depicting the crucifixion of Jesus Christ. The drawing is executed in a simple, linear style with fine lines and minimal shading. Here are the key elements:
Central Figure: Jesus Christ is shown crucified on a cross. His body is depicted with attention to anatomical details, including the musculature of the arms, torso, and legs. He is wearing a loincloth, and his head is crowned with thorns.
Cross: The cross is depicted as a simple structure with a horizontal beam (patibulum) and a vertical beam (stipes). The inscription "INRI" is placed at the top of the cross, which stands for "Iesus Nazarenus, Rex Iudaeorum" (Jesus of Nazareth, King of the Jews).
Surrounding Elements: There are faint outlines of additional elements around the central figure, possibly indicating the landscape or other figures, but these are not fully detailed.
Annotations: The sketch includes several annotations in what appears to be Latin or Italian. These annotations likely provide context or instructions related to the drawing. For example, "Palmi 8" and "Palmi 13" might refer to measurements, and "Dr. Joan Vanni Senese" could be the name of the artist or the person who commissioned the sketch.
Artistic Style: The style is reminiscent of Renaissance or Baroque preparatory sketches, where artists would plan out their compositions before creating the final work. The focus is on the figure of Christ, with minimal background details.
Overall, the image is a historical and religious artwork that captures a significant moment in Christian iconography with a focus on detail and anatomical accuracy.
Qwen
Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-06-29
The image depicts a sketch of the crucifixion of Christ. The figure is depicted in a classical, elongated pose, with arms outstretched on a cross. The individual's body is detailed with anatomical lines, and the hands and feet are bound to the cross. There are handwritten notes and measurements in the image, indicating that it may be a study or a design for a piece of art, possibly for a painting or sculpture. The text at the bottom reads "Di Franc' Vanni Senese," which translates to "By Franc' Vanni Sienese," suggesting the artist or the owner of the sketch. The style of the drawing is reminiscent of Renaissance art, with precise and detailed linework. The cross is simple and vertical, and the background is minimal, focusing attention on the figure of Christ.
Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-06-29
This is a detailed sketch depicting the crucifixion of Jesus Christ. The figure is shown nude except for a loincloth, with his arms stretched out and nailed to the cross. The cross is marked with the inscription "INRI" at the top. The drawing includes annotations and measurements, suggesting it might be a study or preparatory sketch for a larger work. The style is realistic, with attention to anatomical details and the drapery of the loincloth. The artist's signature, "Di Fra' Vanni Senese," is visible at the bottom. The overall tone of the image is somber and reflective of the religious significance of the scene.