Human Generated Data

Title

Flagellation of Christ

Date

17th century

People

Artist: Grégoire Huret, French c. 1606 - 1670

Classification

Drawings

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Jeffrey E. Horvitz, 1999.28

Human Generated Data

Title

Flagellation of Christ

People

Artist: Grégoire Huret, French c. 1606 - 1670

Date

17th century

Classification

Drawings

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Jeffrey E. Horvitz, 1999.28

Machine Generated Data

Tags

Amazon
created on 2023-10-18

Art 100
Painting 100
Person 97.7
Person 95.4
Person 95.1
Person 94.9
Person 90.1
Baby 90.1
Person 88.7
Baby 88.7
Face 87
Head 87
Person 76.1
Adult 76.1
Bride 76.1
Female 76.1
Wedding 76.1
Woman 76.1
Person 73.5
Adult 73.5
Bride 73.5
Female 73.5
Woman 73.5
Archaeology 57.8
Angel 56.1

Clarifai
created on 2023-10-18

art 99.7
Renaissance 99.5
baroque 99.3
religion 97.9
saint 97.6
marble 97.5
ancient 97.3
no person 97
sculpture 96.5
nude 96.4
man 95.3
god 94.9
old 92.5
monument 91.4
cupid 90.8
Gothic 90.7
painting 89.8
antique 89.6
mythology 88.6
relief 87.2

Imagga
created on 2018-12-21

sculpture 94.3
carving 77.7
statue 46.7
art 46.4
temple 40.2
stone 39.1
religion 37.7
architecture 37.6
ancient 36.4
culture 35.1
corbel 32.3
history 31.4
monument 30.9
plastic art 30.1
relief 28.2
bracket 27.5
old 27.2
support 26.8
column 25.2
travel 24
figure 22.7
god 20.1
heritage 19.4
religious 18.8
carved 18.6
detail 18.5
historic 18.4
tourism 18.2
building 17.5
landmark 17.2
marble 17
historical 16
sculptures 15.8
decoration 15.2
famous 14.9
spirituality 14.4
device 13.6
sandstone 13.4
east 13.1
exterior 12.9
palace 12.5
holy 12.5
facade 12.5
tourist 11.8
city 11.7
spiritual 11.5
carvings 10.9
statues 10.9
traditional 10.8
sand 10.7
antique 10.6
structure 10.4
face 10
lion 9.8
ruins 9.8
ruin 9.7
style 9.7
ruler 9.6
oriental 9.5
wall 9.4
tradition 9.3
design 9
world 8.9
architectural 8.7
buildings 8.5
roman 8.5
pedestal 8.1
soil 8
southeast 7.9
fountain 7.9
century 7.8
artistic 7.8
arts 7.8
museum 7.8
cemetery 7.7
meditation 7.7
attraction 7.7
head 7.6
details 7.6
china 7.5
close 7.4
symbol 7.4
nobody 7

Google
created on 2018-12-21

Microsoft
created on 2018-12-21

sculpture 57.2
different 45.1
several 12
stone 3.8
art 1
marble 1
museum 0.4
baroque 0.4

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 24-34
Gender Male, 99.9%
Sad 89.4%
Calm 50.5%
Surprised 6.4%
Fear 6.2%
Disgusted 2.9%
Confused 2.3%
Angry 1.4%
Happy 0.2%

AWS Rekognition

Age 21-29
Gender Female, 53.3%
Calm 51.6%
Surprised 29%
Angry 14.1%
Disgusted 7.4%
Fear 6.6%
Sad 2.7%
Confused 1.7%
Happy 0.8%

Feature analysis

Amazon

Person 97.7%
Baby 90.1%
Adult 76.1%
Bride 76.1%
Female 76.1%
Woman 76.1%

Categories

Imagga

paintings art 98.7%

Captions

Microsoft
created on 2018-12-21

a group of men posing for a photo 30.9%
a group of people posing for a photo 30.8%

Azure OpenAI

Created by gpt-4 on 2024-12-13

This image appears to be a drawing or a sketch, done in a style suggestive of classical or Renaissance art. It depicts a dynamic scene with several figures, both male and female, in various poses. The central figure is a muscular male standing on a pedestal, with one arm extended and supporting another figure. There are also some architectural elements in the background suggesting an interior setting, possibly a palace or a temple, with columns and decorative motifs. The artwork has an unfinished look, with sketch lines visible and areas of the drawing that appear less detailed, which is indicative of a preparatory sketch or study. The monochromatic sepia or brownish tones imply that it might be drawn with ink, chalk, or another similar medium on paper. The figures show a study of anatomy and motion, typical of many classical artworks where the human form and expressive poses were greatly emphasized. Overall, it conveys a sense of drama and narrative, almost as if it's capturing a moment from a larger story.

Created by gpt-4o-2024-05-13 on 2024-12-13

This image appears to be an artwork that depicts a scene of significant historical or religious importance. It shows a group of people surrounding a central figure who is positioned on a raised platform or set of steps. The central figure, who is partially undressed, seems to be in a state of suffering or distress. Others around him are either assisting in the torment or are onlookers to the event. The composition is highly dynamic, with many figures in various poses, some showing signs of aggression or activity, while others appear to be more passive. The artwork features a sepia-toned palette with areas of highlighted detail, suggesting the use of a technique similar to drawing or sketching with ink and chalk. Details such as the architectural background and the anguish on the central figure's face indicate that this could be a depiction of a scene from Christian tradition, possibly the Flagellation of Christ. The presence of elements like a whip and expressions of suffering further support this interpretation.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-13

The image appears to be a complex, allegorical scene depicting numerous nude figures in various poses. The central focus seems to be a large, elevated structure or vessel surrounded by a crowd of figures, some of whom appear to be in anguished or distressed postures. The overall composition has a dreamlike, fantastical quality, with the figures arranged in a dynamic, almost chaotic manner. The style and technique suggest this is likely a detailed preparatory drawing or study for a larger, more elaborate work of art.

Created by claude-3-5-sonnet-20241022 on 2024-12-13

This appears to be a classical religious artwork, likely depicting a scene of martyrdom or persecution. It's rendered as a sepia-toned or brown ink drawing, showing multiple figures gathered around a central stepped platform or pedestal. The composition is dynamic and dramatic, with figures in various poses of action - some wielding implements while others are positioned in poses suggesting suffering or supplication. The artwork demonstrates skillful draftsmanship typical of Renaissance or Baroque period religious art, with careful attention to human anatomy and dramatic movement. The drawing technique uses light and shadow to create depth and volume in the figures. The scene appears to be taking place in an architectural setting, though the background details are somewhat sketchy or faded.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-13

The image is a drawing of a scene depicting a group of people in various states of undress, with some appearing to be in a state of distress or turmoil. The drawing is rendered in a monochromatic color scheme, with the figures and background rendered in shades of brown and beige. In the foreground, several figures are shown in a state of disarray, with some appearing to be struggling or fighting. One figure is shown being dragged away by another, while another is shown being held back by a third. In the background, several other figures can be seen, some of whom appear to be watching the scene unfold with interest or concern. The overall atmosphere of the drawing is one of chaos and turmoil, with the figures appearing to be in a state of panic or distress. The use of a monochromatic color scheme adds to the sense of drama and tension, creating a sense of urgency and importance around the scene. The drawing appears to be a study or sketch for a larger work, possibly a painting or sculpture. The level of detail and the use of chiaroscuro (the use of strong contrasts between light and dark) suggest that the artist was experimenting with different techniques and styles to capture the emotions and actions of the figures. Overall, the image is a powerful and evocative representation of a moment of crisis or conflict, with the artist using a range of visual elements to convey the emotions and drama of the scene.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-13

The image is a sepia-toned drawing of a scene depicting the martyrdom of Saint Sebastian. The central figure, Saint Sebastian, is shown being tied to a column and pierced with arrows by several men. He appears to be nude, with his arms raised in a gesture of acceptance or prayer. In the foreground, several figures are engaged in various activities. One man is shown holding a bundle of arrows, while another is depicted in the act of shooting an arrow at Saint Sebastian. A third figure is seen binding the saint's wrists to the column. The background of the image features a cityscape, with buildings and arches visible behind the figures. The overall atmosphere of the image is one of drama and tension, as the figures in the foreground are engaged in a violent act, while the saint in the center appears to be accepting his fate. The image is rendered in a detailed and realistic style, with intricate lines and shading used to create a sense of depth and texture. The use of sepia tones adds a sense of age and nostalgia to the image, suggesting that it may be a historical or classical work of art. Overall, the image is a powerful and evocative depiction of a pivotal moment in Christian iconography.