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Human Generated Data

Title

Emile Chatrousse (born 1827)

Date

c. 1875

People

Artist: Nadar (Gaspard-Félix Tournachon), French 1820 - 1910

Sitter: Emile Chatrousse,

Classification

Photographs

Credit Line

Harvard Art Museums/Fogg Museum, Purchase through the generosity of Melvin R. Seiden, P1982.315

Human Generated Data

Title

Emile Chatrousse (born 1827)

People

Artist: Nadar (Gaspard-Félix Tournachon), French 1820 - 1910

Sitter: Emile Chatrousse,

Date

c. 1875

Classification

Photographs

Credit Line

Harvard Art Museums/Fogg Museum, Purchase through the generosity of Melvin R. Seiden, P1982.315

Machine Generated Data

Tags

Amazon
created on 2022-01-22

Human 99
Text 93.5
Clothing 84.9
Apparel 84.9
Advertisement 75.1
Face 73.4
Suit 73.4
Overcoat 73.4
Coat 73.4
Poster 71.4
Newspaper 63.3
Page 58.8

Clarifai
created on 2023-10-26

print 99.8
people 99.6
text 99.3
man 98.9
two 98.8
no person 98.7
one 98.4
newspaper 98.2
paper 97.9
leader 96.7
administration 96.7
adult 96.6
retro 95.1
war 94.7
woman 91.6
poetry 90.8
wear 89.3
art 89.2
military 89.1
portrait 88.8

Imagga
created on 2022-01-22

newspaper 100
product 92.1
creation 72.8
daily 55.4
money 33.2
paper 32.2
cash 29.3
currency 28.7
dollar 26.9
business 26.7
dollars 24.1
wealth 20.6
bank 20.6
finance 20.3
old 20.2
banking 19.3
vintage 19
financial 18.7
bill 18.1
exchange 17.2
close 17.1
savings 16.8
document 15.8
letter 15.6
hundred 15.5
us 15.4
antique 14.7
loan 14.4
religion 14.3
closeup 14.1
book 13.8
franklin 13.8
art 13.8
finances 13.5
one 13.4
text 13.1
detail 12.9
banknotes 12.7
bills 12.6
stamp 12.6
pay 12.5
design 12.4
ancient 12.1
economy 12.1
investment 11.9
postage 11.8
holy 11.6
mail 11.5
god 11.5
retro 11.5
religious 11.2
church 11.1
global 10.9
postmark 10.8
bible 10.8
banknote 10.7
success 10.5
capital 10.4
rich 10.2
artwork 10.1
aged 10
association 9.8
postal 9.8
definition 9.8
idea 9.8
envelope 9.7
creative 9.7
prayer 9.7
ink 9.6
education 9.5
united 9.5
draw 9.5
page 9.3
history 8.9
emphasize 8.9
felt 8.9
fluorescent 8.9
dye 8.8
legal 8.8
graphic 8.8
paying 8.7
man 8.7
states 8.7
spiritual 8.6
faith 8.6
profit 8.6
drawing 8.6
decorative 8.4
sign 8.3
market 8
philately 7.9
circa 7.9
highlight 7.9
twenty 7.9
face 7.8
portrait 7.8
price 7.7
communications 7.7
print 7.5
human 7.5
stock 7.5
commerce 7.5
symbol 7.4
note 7.4
concepts 7.1
information 7.1

Google
created on 2022-01-22

Headgear 82
Font 80.8
Collar 78.2
Suit 73.3
Vintage clothing 71.1
Paper 70.7
Paper product 67.8
History 67.2
Art 66.1
Visual arts 63.6
Facial hair 56.7
Retro style 53.9
Beard 53.8
Rectangle 51
Portrait 50.4

Microsoft
created on 2022-01-22

text 99.9
person 95
newspaper 94.7
human face 92.5
clothing 91.7
man 90

Color Analysis

Face analysis

Amazon

Microsoft

Google

AWS Rekognition

Age 48-56
Gender Male, 97.9%
Calm 98.6%
Angry 0.4%
Confused 0.3%
Sad 0.3%
Fear 0.1%
Surprised 0.1%
Disgusted 0.1%
Happy 0.1%

Feature analysis

Amazon

Person

Clarifai

Human face
Man
Human head
Human nose
Human eye
Human beard

AWS Rekognition

Person 99%

Categories

Imagga
created on 2022-01-22

streetview architecture 58.3%
paintings art 36.9%
text visuals 4.4%

Captions

Microsoft
created by unknown on 2022-01-22

text 91.7%

Clarifai

Created by general-english-image-caption-clip on 2025-07-12

a portrait of politician, by person.

Salesforce

Created by general-english-image-caption-blip on 2025-05-19

a photograph of a portrait of a man in a suit and tie

OpenAI GPT

Created by gpt-4o-2024-11-20 on 2025-06-17

The image is a vintage page showcasing artistic and biographical information about Emile Chatrousse, a sculptor. The design features ornate borders and decorative typography, emphasizing the classical elegance of the publication. The centered photograph of the individual is framed with intricate patterns. Surrounding the photograph is text that details Chatrousse's life, artistic philosophy, and contributions, written in French. The overall layout suggests a historical document or a magazine feature honoring the sculptor and his work.

Created by gpt-4o-2024-08-06 on 2025-06-17

The image is a vintage print featuring a portrait photograph framed with an ornate border design at the center. The page is dominated by the headline titled "CHATROUSSE" at the top. The portrait depicts a man wearing formal clothing, with one arm bent and resting on a surface. The layout includes columns of text both to the left and right of the portrait. At the bottom of the portrait frame, there is a label with the name "CHATROUSSE" in bold letters. The text around the image is written in French, likely describing the life and work of Chatrousse, with ornamental initial letters and decorative elements enhancing the classical style of the page. The page has an aged appearance, with visible foxing and a slightly yellowed paper.

Anthropic Claude

Created by anthropic.claude-3-haiku-20240307-v1:0 on 2025-06-20

The image appears to be an engraved portrait of a person, likely a French sculptor named Chatrousse. The portrait is surrounded by text that provides some biographical information about Chatrousse, describing him as a French sculptor who sought to perpetuate the traditions of Greek and Roman art. The text also discusses the role of art in society and the importance of artistic expression. The portrait itself shows a serious-looking individual, likely the sculptor Chatrousse, in a formal pose.

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-20

This is a historical document page featuring a portrait photograph within an ornate decorative frame. The page appears to be from a French publication, with "CHATROUSSE" prominently displayed at the top and bottom of the frame. The photograph shows a person in Victorian-era clothing, seated and posed with their head resting thoughtfully on their hand. The portrait is surrounded by an elegant architectural-style frame with decorative elements at the corners and top. The page contains French text both above and below the framed portrait, appearing to be biographical information. The overall design and layout is typical of late 19th century publishing, with careful attention to typography and decorative elements. The paper shows some age-related discoloration but is otherwise well-preserved.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-06-10

The image is a page from an old book or magazine, featuring a portrait of a man in a suit and a decorative border around the text.

  • The title "CHATROUSSE" is written in large letters at the top of the page.
    • The title is centered and written in a serif font.
    • The text is in French.
  • Below the title, there is a large portrait of a man with a beard and mustache.
    • The man is wearing a dark suit and tie.
    • He has his hand on his chin and is looking directly at the camera.
    • The portrait is surrounded by a decorative border that includes intricate designs and patterns.
  • The rest of the page is filled with text in French.
    • The text is written in a smaller font than the title.
    • It appears to be an article or essay about the man in the portrait.
    • The text is divided into paragraphs and includes headings and subheadings.
  • At the bottom of the page, there is a small section of text that reads "Chatrousse (Emile) est né à Paris, en 1827."
    • This text is written in a smaller font than the rest of the page.
    • It appears to be a biographical note about the man in the portrait.

Overall, the image suggests that the man in the portrait is a notable figure, possibly an artist or writer, and the text on the page provides more information about his life and work.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-06-10

This image is a vintage French page featuring a portrait of French artist Paul-Émile Chassaigne, also known as Émile Chatrousse. The page is divided into two sections: the left side contains text in French, while the right side features a large, ornate frame with a black-and-white photograph of the artist. The frame is adorned with intricate designs and patterns, adding to its elegance.

At the top of the page, the title "CHATROUSSE" is prominently displayed in large letters, followed by a smaller subtitle that reads "CHATROUSSE" again. The text on the left side of the page appears to be an article or biography about the artist, written in a formal and poetic style. The language is rich and descriptive, suggesting that the article is meant to be both informative and entertaining.

The overall design of the page is reminiscent of 19th-century French art and literature, with its ornate typography and elegant layout. The use of a large frame to showcase the artist's portrait adds a sense of grandeur and importance, emphasizing the significance of Chatrousse's work. Overall, this image provides a glimpse into the artistic and cultural heritage of France during the 19th century, and serves as a tribute to the life and work of Émile Chatrousse.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-06-09

The image is a page from a book or magazine featuring a portrait of a French sculptor named Chatrousse. The portrait is framed in a black-and-white photograph, and the text around it provides information about Chatrousse's life and work. The text is written in French and appears to be a biography or an article about the sculptor. The image also includes decorative elements, such as a border and a decorative font used for the heading.

Created by amazon.nova-pro-v1:0 on 2025-06-09

The image shows a page from a book or magazine, featuring an article about the French sculptor Émile Chatrousse. The page has a decorative border and includes a portrait of Chatrousse in the center. The portrait is framed with a decorative border that includes the name "CHATROUSSE" at the bottom. The text around the portrait is in French and provides information about Chatrousse's life and work. The page appears to be from an old publication, as it has a vintage look and feel.

Google Gemini

Created by gemini-2.0-flash on 2025-05-17

Here is a description of the image:

The image is a page from a French publication, featuring a portrait of Emile Chatrousse within an ornamental frame, along with accompanying text. The portrait shows Chatrousse, an older gentleman with a beard, dressed in a dark coat over a white shirt and tie. He is looking to the side with a contemplative expression. The title "CHATROUSSE" is displayed prominently below the portrait.

The surrounding text, written in French, discusses Chatrousse's views on French sculpture and his artistic journey. It mentions his belief that art should reflect the ideas of the people and the spirit of the time, while also referencing his involvement in the 1862 London Universal Exposition. The text also details Chatrousse's early life, struggles, and eventual commitment to sculpture, drawing a parallel with the artist Correggio. There is additional text discussing Chatrousse's life and habits at the bottom.

The page is credited to "GALERIE CONTEMPORAIRE, 120, boulevard de Magenta, Paris," and "Cliché Nadar, 51, rus d'Anjou-Saint-Hentié."

Created by gemini-2.0-flash-lite on 2025-05-17

Here's a description of the image:

Overall Impression:

The image is a page from a late 19th-century or early 20th-century publication, likely a biographical or art magazine. It's a classic layout with text, a central portrait, and a decorative border. The style is typical of the period, with an emphasis on formal presentation and detailed text.

Key Elements:

  • Portrait: The central focus is a sepia-toned portrait of a man. He's likely the subject of the article, probably an artist or a person of cultural importance. He has a refined appearance, with a beard and a thoughtful expression. The portrait is within a decorative frame.
  • Text: The page is filled with dense text, which appears to be a biographical sketch or critical analysis of the subject. It mentions his name, Emile Chatrousse, in the large text at the top of the image. The text is likely in French, given the origin of the publication.
  • Decorative Elements: The page is designed with an eye to aesthetics. The decorative frame around the portrait, the use of typography, and the layout contribute to the visual appeal of the publication.
  • Title: The word "CHATROUSSE" in large, bold letters at the top of the image.

In summary:

The image is a page from a historical publication, featuring a portrait and a biographical profile of a man named Emile Chatrousse, likely an artist or someone associated with the arts. The image suggests a formal and informative tone, typical of the publishing style of the late 19th century.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-05

The image is a historical document featuring a portrait and biographical information about a French sculptor named Chatrousse. The document is written in French and includes a detailed description of his life and work. Here is a summary of the text:

Title

  • CHATROUSSE

Text

  • Introduction:

    • Chatrousse is described as a French sculptor who was active during the day, with a unique and personal style. He is noted for his ability to perpetuate Greco-Roman traditions and the styles of great artists like Rude. His work is characterized by a sense of art and a deep understanding of the human form, which he uses to create idealized and beautiful figures.
  • Early Life and Education:

    • Born into a family of artists, Chatrousse was trained in the art of sculpture from a young age. He was a student of the École des Beaux-Arts and worked under the guidance of renowned sculptors.
  • Career:

    • Chatrousse's career is highlighted by his contributions to various artistic movements and his ability to blend classical and modern styles. He is known for his sculptures that depict historical figures and scenes, often with a sense of grandeur and idealism.
  • Artistic Style:

    • His work is described as having a strong sense of form and proportion, with a focus on the beauty of the human body. He is noted for his ability to create sculptures that are both aesthetically pleasing and technically proficient.
  • Legacy:

    • Chatrousse's legacy is discussed in terms of his influence on future generations of sculptors and his contributions to the art world. His work is seen as a bridge between classical and modern sculpture, and he is remembered for his dedication to his craft and his ability to create timeless works of art.

Portrait

  • The central part of the document features a photograph of Chatrousse, showing him as an older man with a beard and mustache, dressed in formal attire. The photograph is framed with an ornate border, adding to the historical and artistic feel of the document.

Additional Information

  • The document includes a small decorative element at the top left corner and credits at the bottom, indicating that it was published by Galerie Contemporaine and printed by G. Silvestre in Paris.

Overall, the document serves as a tribute to Chatrousse's life and work, highlighting his contributions to the world of sculpture and his enduring legacy.

Qwen

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-07-09

The image is a black-and-white illustration, likely from a historical or biographical context. It features a portrait of a man with a long beard, wearing formal attire, and holding his hand to his head in a thoughtful pose. The portrait is framed by an ornate border with decorative elements. Above the portrait, the name "CHATROUSSE" is prominently displayed in a bold, capitalized font. The text surrounding the portrait appears to be a biography or an essay written in French, discussing the life and work of the individual. The illustration is bordered by a large decorative frame, and the overall layout suggests it may be a page from a book or magazine. The bottom of the image includes additional text, likely providing credits or information related to the illustration and its publication.

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-07-09

This image is a vintage magazine page featuring an article about Chatrouse, presumably an artist or cultural figure. The article contains text in French, discussing Chatrouse's contributions and legacy. The page is divided into two columns of text, with a decorative framed photograph of a man in the center. The man appears to be Chatrouse, and he is depicted in a thoughtful pose, resting his head on his hand. The photograph is monochrome and has a vintage look. The frame around the photograph is ornate, with decorative elements and the name "CHATROUSSE" prominently displayed at the top and bottom. The overall style of the page suggests it is from a historical publication, possibly from the late 19th or early 20th century.

Text analysis

Amazon

suite
plus
qui
idées
pour
française
rendre
sentit
mieux
demi,
CHATROUSSE
lourde
des
bijoux.
dut,
moins
d'art
quoi
jour,
il
de
Rude,
refoulait
en
romaines,
que
le
grands
sculpture
jour
bornent
artistes,
la
les
chez
possible,
En
tout
poésie
En grandissant, il se sentit de plus en plus entrainé vers les
restant
ans et demi,
dès
traditions
ans
apprentissage
pensent
un
affirme,
regret
A sculpture française affirme, de jour en jour,
ne refoulait qu'à regret pour gagner de quoi rendre moins lourde
ne
entrer
justement
qu'il
romaines, de grands artistes, à la suite de
onze
maternelle.
vers
grandissant,
A
déjà
et
se
nourrissait
bijoux. L 'enfant nourrissait déjà des idées de poésie et d'art qu'il
la tâche maternelle.
entrainé
'enfant
gagner
sa personnalité. A côté des maitres qui se
personnalité.
côté
entrer en apprentissage chez un graveur-ciseleur en
Rude, pensent justement que l'Art. tout en
qu'à
tâche
bornent ن perpétuer les traditions
ن
et jour pour l'élever le mieux possible, il dut, dès l'lge de onze
à
maitres
l'élever
sa
L
restant I'Idéal,
graveur-ciseleur
perpétuer
Greco-
et jour
l'Art.
I'Idéal,
l'lge

Google

CHATROUSSE A sculpture française affirme, de jour en jour, | et jour pour l'élever le mieux possible, il dut, dès l'âge de onze sa personnalité. A cóté des maitres qui se ans et demi, entrer en apprentissage chez un graveur-ciseleur en bornent à perpétuer les traditions Gréco- bijoux. L'enfant nourrissait dėjà des idées de poésie et d'art qu'il ne refoulait qu'à regret pour gagner de quoi rendre moins lourde romaines, de grands artistes, à la suite de Rude, pensent justement 'que l'Art, tout en restant l'Idéal, doit varier selon les milieux la tâche maternelle. En grandissant, il se sentit de plus en plus entrainé vers les qu'il habite, reproduire les types, refléter les idées du peuple qu'il | Lettres et les Beaux-Arts; aussi négligea-t-il peu à peu son métier afin de s'instruire lui- mėme. Mais de quel côté devait-il diriger traduit et s'inspirer des moeurs et cou- tumes du siècle dans son esprit ? Etait-ce dans la poésie, la pein- ture ou la sculpture qu'il devait trouver à la fois la satisfaction de ses penchants ar- tistiques et la possibi- lité de subvenir aux nécessités de l'exis- tence ? Absolument isolé, il n'avait à compter que sur lui- même. La littérature, pour laquelle il avait une prédilection mar- quéelui paraissaitina- bordable; car com- ment en vivre ! II n'en ébaucha pas moins quelques lam- beaux de drames et de romans. Ses pre- miers travaux dans la lequel il prend nais- sance. En effet,-comme l'écrivait si bien Cha- trousse dans le jour- nal l'Artiste, en ren- dant compte des tra- vaux de la statuaire à l'exposition univer- selle de Londres, en 1862: « Ce serzit nier » l'histoire, le pro- » grès, l'âme hu- D maine et les des- » tinées providen- » tielles du monde, » que de croire que » l'idéal d'un peuple » peut, à tant de siè- » cles de distance, » devenir çelui d'un » autre peuple si di- » versement doué, » alors surtout que gravure et la ciselure le conduisaient au contraire vers la scul- » le monde a été re- » nouvelé par tant et » de si profondes ré- » volutions. » pture. Aussi, après quelques années de tåtonnement, d'illu- sions et de décep- tions, prit-il un jour une résolution défi- nitive et s'écria-t-il à l'instar du Corrège : « Anch io son sculp- L'artiste qui pro- fesse de telles idées et sait les exprimer si nettement, fait évi- demment partie de ce groupe de chercheurs infatigables qui, sans nierlepassé,n'en veu- lent retenir qu'une seule chose : l'Art de formuler la beauté, et reportent toutes leurs inspirations et leur pendant plusieurs années ? cela est tout un problème. Je me rap- science vers un idéal nouveau qui soit bien l'expression du génie pelle ce qu'il me conta jadis à cet égard et ce souvenir me rend tore, » CHATROUSSE Il abandonna donc sa profession et par conséquent son gain. Comment vécut-il national. encore le ceur tout ému. Chatrousse (Emile) est né à Paris, en 1827. Son entrée dans la vie fut loin d'être heureuse, si le bonheur consiste dans le bien-être réver sous les ombrages du Jardin des Plantes. Il y vit des artistes matériel. Resté seul avec une mère qui l'adorait et travaillait nuit peignant ou modelant des animaux, et cela le tenta. Ces artistes Habitant alors l'ile Saint-Louis, il allait, aux heures matinales, GALERIE CONTEMPORAINE, 126, boulevard de Magenta, Paris. Clicié NADAR, 51, re d'Anjoe-Saiat-llensié.
CHATROUSSE
A
sculpture
française
affirme,
de
jour
en
jour,
|
et
pour
l'élever
le
mieux
possible,
il
dut,
dès
l'âge
onze
sa
personnalité.
cóté
des
maitres
qui
se
ans
demi,
entrer
apprentissage
chez
un
graveur-ciseleur
bornent
à
perpétuer
les
traditions
Gréco-
bijoux.
L'enfant
nourrissait
dėjà
idées
poésie
d'art
qu'il
ne
refoulait
qu'à
regret
gagner
quoi
rendre
moins
lourde
romaines,
grands
artistes,
la
suite
Rude,
pensent
justement
'que
l'Art,
tout
restant
l'Idéal,
doit
varier
selon
milieux
tâche
maternelle.
En
grandissant,
sentit
plus
entrainé
vers
habite,
reproduire
types,
refléter
du
peuple
Lettres
Beaux-Arts;
aussi
négligea-t-il
peu
son
métier
afin
s'instruire
lui-
mėme.
Mais
quel
côté
devait-il
diriger
traduit
s'inspirer
moeurs
cou-
tumes
siècle
dans
esprit
?
Etait-ce
poésie,
pein-
ture
ou
devait
trouver
fois
satisfaction
ses
penchants
ar-
tistiques
possibi-
lité
subvenir
aux
nécessités
l'exis-
tence
Absolument
isolé,
n'avait
compter
que
sur
même.
La
littérature,
laquelle
avait
une
prédilection
mar-
quéelui
paraissaitina-
bordable;
car
com-
ment
vivre
!
II
n'en
ébaucha
pas
quelques
lam-
beaux
drames
romans.
Ses
pre-
miers
travaux
lequel
prend
nais-
sance.
effet,-comme
l'écrivait
si
bien
Cha-
trousse
jour-
nal
l'Artiste,
ren-
dant
compte
tra-
vaux
statuaire
l'exposition
univer-
selle
Londres,
1862:
«
Ce
serzit
nier
»
l'histoire,
pro-
grès,
l'âme
hu-
D
maine
des-
tinées
providen-
tielles
monde,
croire
l'idéal
d'un
peut,
tant
siè-
cles
distance,
devenir
çelui
autre
di-
versement
doué,
alors
surtout
gravure
ciselure
conduisaient
au
contraire
scul-
monde
a
été
re-
nouvelé
par
profondes
ré-
volutions.
pture.
Aussi,
après
années
tåtonnement,
d'illu-
sions
décep-
tions,
prit-il
résolution
défi-
nitive
s'écria-t-il
l'instar
Corrège
:
Anch
io
sculp-
L'artiste
fesse
telles
sait
exprimer
nettement,
fait
évi-
demment
partie
ce
groupe
chercheurs
infatigables
qui,
sans
nierlepassé,n'en
veu-
lent
retenir
qu'une
seule
chose
l'Art
formuler
beauté,
reportent
toutes
leurs
inspirations
leur
pendant
plusieurs
cela
est
problème.
Je
me
rap-
science
idéal
nouveau
soit
l'expression
génie
pelle
conta
jadis
cet
égard
souvenir
rend
tore,
Il
abandonna
donc
profession
conséquent
gain.
Comment
vécut-il
national.
encore
ceur
ému.
Chatrousse
(Emile)
Paris,
1827.
Son
entrée
vie
fut
loin
d'être
heureuse,
bonheur
consiste
bien-être
réver
sous
ombrages
Jardin
Plantes.
y
vit
artistes
matériel.
Resté
seul
avec
mère
l'adorait
travaillait
nuit
peignant
modelant
animaux,
tenta.
Ces
Habitant
l'ile
Saint-Louis,
allait,
heures
matinales,
GALERIE
CONTEMPORAINE,
126,
boulevard
Magenta,
Paris.
Clicié
NADAR,
51,
re
d'Anjoe-Saiat-llensié.