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the variety of space and light, the type of image, the suggestiveness
of shapes and forme; but not from the visual occurances alone.
The
response also is involved with whatever hume n quality the spectator
will project into the picture, or of whetever human qualities,
anatomical to emotionsl, the visual occurances remind him.
HUMANI ZI NG AGAIN
We are back to the heart of reading photogrephe egain --
projecti on of human quelities - sl1or any human qualities from the
distressing basic drivee, through the politer motives, to the
inaccessible reaches of spirit. For instance
what do the white spots suggest? To me they suggest little eyes,
and tfen it follows (1n my train of associations) that the black
sha pes euggest people. (I realize how personsl this associstion is,
