Machine Generated Data
Tags
Amazon
created on 2022-01-30
Clarifai
created on 2023-10-28
Imagga
created on 2022-01-30
Google
created on 2022-01-30
Plant | 94.5 | |
| ||
Font | 83.1 | |
| ||
Twig | 81.9 | |
| ||
Tree | 81.8 | |
| ||
Elk | 76.1 | |
| ||
Art | 75.4 | |
| ||
Deer | 68.1 | |
| ||
Paper | 66 | |
| ||
Paper product | 65.5 | |
| ||
Room | 64.9 | |
| ||
Illustration | 64.5 | |
| ||
Visual arts | 58.1 | |
| ||
Book | 57.5 | |
| ||
Vase | 57.3 | |
| ||
Reindeer | 54.5 | |
|
Color Analysis
Categories
Imagga
text visuals | 42.2% | |
| ||
food drinks | 30.5% | |
| ||
paintings art | 26% | |
|
Captions
Microsoft
created on 2022-01-30
text, letter | 98.7% | |
|
Text analysis
Amazon

ON

the

that

GOES

what

to

has

no

get

THE

his

250

other

HIS

IN

OF

is

on

design.

FOR

Yet,

go

and

Generally

lightly

everything

all

can

knows

happens

he

WHAT

Look

reading

if

PHOTOGRAPHS

photograph

photographer

it

outrageous

choice

woefully

present

PHOTOGRAPHER

get woefully twisted. Look what happens to propagenda photographs.

unless

RESPONSIBILITY OF THE PHOTOGRAPHER FOR WHAT GOES ON IN HIS

a

identified

intelligent

photograph contains, all that it contains, and presants it accordingly,

photographs.

accordingly,

"bridge

Otherwise

some

other choice ectually. Yet, unless the photographer knows what his

spectator

contains,

read

propagenda

statements.

be

action

experience", the intelligent action is to go lightly on reading

twisted.

Otherwise everything is to be read -- the spectator has no

Generally if the photograph is identified as a "bridge to

presants

he can present some outrageous and felse statements. Or his intentions

RESPONSIBILITY

ectually.

Or

intentions

experience",

-- the

felse

as

250
RESFONSIBILITY OF THE PHOTOGRAPHER FOR WHAT GOES ON IN HIS
PHOTOGRAPHS
Generally if the photograph is identified as a "bridge to
experience", the intelligent action is to go lightly on reading
design. Otherwise everything is to be read - the spectator has no
other choice ectually. Yet, unlees the photo grapher knows what his
photograph contains, all that it contains, and presante it accordingly,
he can present sone outregeous and false statements. Or his intentione
get woefully twieted. Look what heppens to propagenda photogrephs.

250

RESFONSIBILITY

OF

THE

PHOTOGRAPHER

FOR

WHAT

GOES

ON

IN

HIS

PHOTOGRAPHS

Generally

if

the

photograph

is

identified

as

a

"bridge

to

experience",

intelligent

action

go

lightly

on

reading

design.

Otherwise

everything

be

read

-

spectator

has

no

other

choice

ectually.

Yet,

unlees

photo

grapher

knows

what

his

contains,

all

that

it

and

presante

accordingly,

he

can

present

sone

outregeous

false

statements.

Or

intentione

get

woefully

twieted.

Look

heppens

propagenda

photogrephs.