Human Generated Data

Title

School of Athens

Date

18th century

People

Artist: Giovanni Volpato, Italian 1735 - 1803

Artist after: Raphael, Italian 1483 - 1520

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund, G5679

Human Generated Data

Title

School of Athens

People

Artist: Giovanni Volpato, Italian 1735 - 1803

Artist after: Raphael, Italian 1483 - 1520

Date

18th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund, G5679

Machine Generated Data

Tags

Amazon
created on 2019-11-06

Art 99.1
Human 98.4
Architecture 83.7
Building 83.7
Apse 56.2

Clarifai
created on 2019-11-06

people 99.8
group 98.4
art 97.6
many 97
adult 96.2
man 96.2
print 95.2
engraving 93
crowd 90.9
illustration 90.9
administration 90.4
woman 85.6
cavalry 81.9
street 80.6
wear 78.4
monochrome 76.8
soldier 74.9
etching 74.2
famous 73.8
military 73.7

Imagga
created on 2019-11-06

altar 100
structure 93.1
church 64.8
architecture 61.6
cathedral 60.9
building 46.8
religion 45.8
old 34.9
catholic 34.4
arch 32
historic 31.2
landmark 29.8
sculpture 28.9
ancient 27.7
famous 27
history 26
city 25.8
religious 24.4
monument 23.4
travel 23.3
art 23.2
tourism 23.1
catholicism 22.6
saint 22.2
god 22
historical 21.7
interior 21.3
statue 21.1
stone 21.1
holy 20.3
door 20
entrance 18.4
column 17.5
temple 17.4
spirituality 17.3
chapel 16.7
inside 16.6
faith 16.3
culture 16.3
cross 16
window 14.6
worship 13.5
st 12.6
marble 12.6
medieval 12.5
gold 12.3
basilica 11.8
ceiling 11.8
tourist 11.8
vault 11.8
roman 11.7
pray 11.6
light 11.4
town 11.1
arches 10.8
palace 10.4
decoration 10.1
glass 10.1
facade 10
fountain 9.8
baroque 9.8
sacred 9.8
sightseeing 9.7
prayer 9.7
detail 9.7
tower 9
praying 8.8
heritage 8.7
spiritual 8.6
destination 8.4
traditional 8.3
roof 8.1
hall 8.1
memorial 8
architectural 7.7
buildings 7.6
vintage 7.5
triumphal arch 7.4
world 7.3
carving 7.1
love 7.1

Google
created on 2019-11-06

Microsoft
created on 2019-11-06

text 97.1
person 96.3
building 93.1
church 91.6
statue 84.7
clothing 80.5
arch 69.8
old 66.1
people 60.3
altar 14.2
colonnade 9.4

Color Analysis

Face analysis

Amazon

Imagga

AWS Rekognition

Age 23-35
Gender Male, 53.5%
Angry 45%
Surprised 45%
Confused 45.2%
Happy 45%
Calm 52.4%
Fear 45%
Sad 47.4%
Disgusted 45%

AWS Rekognition

Age 37-55
Gender Male, 50.4%
Disgusted 49.5%
Happy 50.1%
Sad 49.5%
Calm 49.6%
Confused 49.5%
Angry 49.8%
Surprised 49.5%
Fear 49.5%

AWS Rekognition

Age 38-56
Gender Female, 50.4%
Surprised 49.7%
Disgusted 49.5%
Fear 50.3%
Sad 49.5%
Calm 49.5%
Angry 49.5%
Confused 49.5%
Happy 49.5%

AWS Rekognition

Age 19-31
Gender Female, 50.2%
Surprised 49.5%
Fear 49.5%
Disgusted 49.5%
Angry 49.5%
Confused 49.5%
Sad 49.6%
Happy 49.5%
Calm 50.3%

AWS Rekognition

Age 16-28
Gender Female, 50.5%
Happy 49.5%
Surprised 49.5%
Confused 49.5%
Calm 50.4%
Angry 49.5%
Sad 49.6%
Fear 49.5%
Disgusted 49.5%

AWS Rekognition

Age 23-35
Gender Male, 50.5%
Confused 49.5%
Disgusted 49.5%
Fear 49.5%
Sad 49.5%
Calm 50.4%
Surprised 49.5%
Angry 49.5%
Happy 49.5%

AWS Rekognition

Age 22-34
Gender Male, 50.1%
Confused 49.5%
Sad 49.5%
Fear 49.8%
Surprised 49.7%
Happy 49.5%
Calm 49.7%
Disgusted 49.5%
Angry 49.7%

AWS Rekognition

Age 19-31
Gender Male, 50%
Fear 49.5%
Sad 49.6%
Disgusted 49.5%
Angry 49.5%
Surprised 49.5%
Confused 49.5%
Happy 49.5%
Calm 50.4%

AWS Rekognition

Age 56-74
Gender Male, 50.4%
Sad 50.3%
Surprised 49.5%
Happy 49.5%
Angry 49.6%
Disgusted 49.5%
Confused 49.5%
Calm 49.6%
Fear 49.5%

AWS Rekognition

Age 51-69
Gender Female, 50.1%
Surprised 49.5%
Disgusted 49.5%
Fear 49.5%
Sad 49.5%
Calm 50.4%
Angry 49.5%
Confused 49.5%
Happy 49.5%

AWS Rekognition

Age 21-33
Gender Male, 50.1%
Confused 49.5%
Angry 49.5%
Happy 49.5%
Sad 49.5%
Fear 49.5%
Disgusted 49.5%
Calm 50.5%
Surprised 49.5%

AWS Rekognition

Age 15-27
Gender Male, 50.4%
Confused 49.5%
Surprised 49.5%
Happy 49.7%
Angry 49.8%
Sad 49.7%
Calm 49.6%
Disgusted 49.5%
Fear 49.6%

AWS Rekognition

Age 20-32
Gender Female, 50.1%
Happy 49.5%
Confused 49.5%
Calm 49.7%
Surprised 49.5%
Angry 50.1%
Fear 49.5%
Sad 49.6%
Disgusted 49.5%

AWS Rekognition

Age 17-29
Gender Male, 50.1%
Angry 49.5%
Happy 50.2%
Fear 49.5%
Surprised 49.5%
Sad 49.5%
Confused 49.5%
Calm 49.7%
Disgusted 49.5%

AWS Rekognition

Age 51-69
Gender Male, 50.3%
Surprised 49.8%
Confused 49.5%
Happy 49.6%
Fear 49.6%
Angry 49.5%
Sad 49.7%
Disgusted 49.5%
Calm 49.8%

AWS Rekognition

Age 27-43
Gender Male, 50.4%
Sad 50%
Surprised 49.5%
Angry 49.6%
Calm 49.7%
Confused 49.5%
Fear 49.6%
Happy 49.6%
Disgusted 49.5%

AWS Rekognition

Age 47-65
Gender Male, 50.4%
Happy 49.5%
Surprised 49.5%
Calm 50.4%
Disgusted 49.5%
Angry 49.5%
Confused 49.5%
Sad 49.5%
Fear 49.5%

AWS Rekognition

Age 30-46
Gender Female, 50.4%
Angry 49.6%
Fear 49.6%
Calm 49.6%
Confused 49.5%
Disgusted 49.5%
Surprised 49.5%
Sad 49.6%
Happy 50%

AWS Rekognition

Age 33-49
Gender Male, 50.5%
Calm 49.9%
Angry 49.5%
Fear 49.5%
Happy 49.5%
Disgusted 49.5%
Sad 50.1%
Surprised 49.5%
Confused 49.5%

AWS Rekognition

Age 21-33
Gender Male, 50.4%
Fear 49.5%
Confused 49.5%
Calm 50.4%
Sad 49.5%
Happy 49.5%
Surprised 49.5%
Disgusted 49.5%
Angry 49.5%

AWS Rekognition

Age 23-35
Gender Female, 50.2%
Disgusted 49.5%
Fear 49.5%
Sad 49.6%
Happy 49.5%
Surprised 49.5%
Angry 49.7%
Calm 50.2%
Confused 49.5%

AWS Rekognition

Age 22-34
Gender Male, 50.3%
Sad 49.7%
Calm 50%
Surprised 49.5%
Disgusted 49.5%
Angry 49.6%
Confused 49.5%
Happy 49.5%
Fear 49.5%

AWS Rekognition

Age 29-45
Gender Male, 50.4%
Surprised 49.5%
Disgusted 49.5%
Fear 49.5%
Confused 49.5%
Sad 49.5%
Calm 50.2%
Happy 49.5%
Angry 49.6%

AWS Rekognition

Age 48-66
Gender Male, 50.4%
Happy 49.5%
Fear 49.6%
Disgusted 49.5%
Sad 49.6%
Calm 49.5%
Surprised 49.5%
Confused 49.5%
Angry 50.3%

AWS Rekognition

Age 45-63
Gender Female, 50.1%
Disgusted 49.5%
Sad 50%
Fear 49.5%
Happy 49.5%
Calm 49.8%
Confused 49.5%
Angry 49.5%
Surprised 49.6%

AWS Rekognition

Age 17-29
Gender Male, 50.4%
Disgusted 49.5%
Confused 49.5%
Calm 49.5%
Happy 49.6%
Surprised 49.5%
Fear 49.9%
Angry 49.5%
Sad 50%

AWS Rekognition

Age 25-39
Gender Female, 50.1%
Fear 49.5%
Calm 49.6%
Happy 49.5%
Disgusted 49.5%
Confused 49.9%
Surprised 49.5%
Angry 49.5%
Sad 49.8%

AWS Rekognition

Age 23-37
Gender Female, 50.2%
Happy 49.5%
Angry 49.5%
Calm 49.5%
Surprised 49.5%
Fear 49.5%
Confused 49.5%
Sad 50.5%
Disgusted 49.5%

AWS Rekognition

Age 38-56
Gender Male, 50.3%
Confused 49.5%
Angry 49.5%
Fear 49.5%
Disgusted 49.5%
Sad 49.9%
Happy 49.5%
Calm 50.1%
Surprised 49.5%

AWS Rekognition

Age 32-48
Gender Female, 50.4%
Confused 49.5%
Sad 49.7%
Disgusted 49.5%
Happy 49.6%
Fear 49.5%
Angry 49.5%
Calm 50%
Surprised 49.5%

Imagga

Traits no traits identified

Imagga

Traits no traits identified

Feature analysis

Amazon

Painting
Person

Clarifai

No features identified

AWS Rekognition

Painting 99.1%

AWS Rekognition

Person 98.4%

AWS Rekognition

Person 96.6%

AWS Rekognition

Person 95%

AWS Rekognition

Person 94.6%

AWS Rekognition

Person 94%

AWS Rekognition

Person 88.3%

AWS Rekognition

Person 87.3%

AWS Rekognition

Person 83.8%

AWS Rekognition

Person 78.3%

AWS Rekognition

Person 77.2%

AWS Rekognition

Person 76.5%

AWS Rekognition

Person 74.6%

AWS Rekognition

Person 74%

AWS Rekognition

Person 72.6%

AWS Rekognition

Person 71.3%

AWS Rekognition

Person 69.7%

AWS Rekognition

Person 64.4%

AWS Rekognition

Person 62.4%

AWS Rekognition

Person 60.3%

AWS Rekognition

Person 51.8%

AWS Rekognition

Person 47.4%

AWS Rekognition

Person 42.2%

Categories

Imagga
created on 2019-11-06

streetview architecture 98.3%

Captions

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip on 2025-05-20

a photograph of a painting of a painting of a man in a church

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-03

This image depicts a detailed and intricate engraving that is a reproduction of Raphael’s "The School of Athens." The scene is set in a grand architectural space with high, vaulted ceilings and arches, adding depth and perspective to the composition. The artwork features numerous figures engaged in various intellectual activities, representing some of the greatest philosophers and thinkers of antiquity. In the foreground and middle ground, groups of individuals are engrossed in discussion, reading, writing, and teaching, capturing the vibrancy of intellectual life. The background shows an ornate, coffered ceiling and arched walkways. The overall scene is highly dynamic, with a sense of movement and purpose among the figures. The engraving includes Latin inscriptions, which frame the scene and pay homage to Pope Pius VI. The composition is harmoniously balanced, emphasizing the importance of knowledge and philosophy in classical culture.

Created by gpt-4 on 2025-02-03

This image is a detailed engraving showing a scene set in a grand architectural space with arches and columns. The architecture is reminiscent of classical antiquity, suggesting a Renaissance or Neoclassical style. Numerous figures populate the scene, including men, women, and children engaged in various activities such as conversation, reading, and contemplation. Several individuals are holding or interacting with objects that may represent different forms of study or the arts, such as books, musical instruments, and drawing tools. Statues stand in niches along the walls, contributing to the scholarly atmosphere of the setting.

On the top part of the image, there is Latin text, which seems to honor an individual, possibly a patron or an influential figure. The clothing and demeanor of the figures suggest a gathering of learned individuals, possibly philosophers, scholars, or artists. The overall composition conveys a sense of intellectual pursuit and cultural richness.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2025-02-03

The image depicts a large and ornate interior space, likely a grand hall or cathedral, filled with many figures. At the center are several individuals positioned on steps, surrounded by a crowd of people. The architecture includes arched ceilings, columns, and statues along the walls. The overall scene appears to be a complex, elaborate, and bustling setting. Without identifying any specific individuals, the image conveys a sense of a significant historical or religious event unfolding within this impressive architectural space.

Created by claude-3-5-sonnet-20241022 on 2025-02-03

This is "The School of Athens," one of Raphael's most famous frescoes, shown here in what appears to be a sepia-toned print reproduction. The artwork is located in the Vatican's Apostolic Palace and was created in the early 16th century.

The scene depicts a grand architectural setting with arched ceilings and classical Roman architecture. The composition shows numerous figures engaged in philosophical and intellectual discourse, arranged in a complex but harmonious grouping. The central focus is on two figures in the middle of the steps, surrounded by other scholars, philosophers, and thinkers of classical antiquity.

The architecture features beautiful Renaissance perspective, with a central vanishing point that draws the eye through successive arches. On either side of the main arch, there are niches with classical statues. The floor has a geometric pattern that enhances the sense of depth and perspective.

The inscription at the top reads "RAPHAEL SANTIVS PINX" and "IN AEDIBVS VATICANIS," indicating this is Raphael's work in the Vatican. At the bottom, there's a dedication to "PIO SEXTO PONT. MAX." (Pope Pius VI).

This image represents one of the greatest achievements of Renaissance art, combining classical learning with Renaissance humanism and artistic mastery.

Created by claude-3-opus-20240229 on 2025-02-03

The image depicts a highly detailed engraving or illustration titled "PIO SEXTO PONT. MAX." which translates to "Pope Pius VI Pontifex Maximus" (Supreme Pontiff).

The central scene shows an architectural interior space, likely St. Peter's Basilica in the Vatican, based on the arched ceilings and columned niches visible. In the middle, a large gathering of figures crowds around what appears to be the Pope seated on an elevated throne or platform.

The figures are dressed in detailed robes and garments suggesting this depicts an important papal event or ceremony. Sculptures stand in the niches along the walls.

Latin text at the top and bottom provides the title and additional details, stating this is to honor the restoration of some artifact to its proper place by Pope Pius VI. The meticulous linework and shading gives the engraving an impressive level of depth and realism to capture this momentous occasion and setting. Overall, it is a fascinating historical illustration documenting an event during the papacy of Pope Pius VI in the late 18th century.

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-26

This is a reproduction of Raphael's famous fresco "The School of Athens," though this appears to be an engraved version. The artwork depicts a grand architectural setting with arched ceilings and classical Roman architecture, characteristic of the High Renaissance style. The scene shows numerous figures gathered in what appears to be a great hall or academy, with various groups engaged in discussion, study, and philosophical debate.

The composition is set within the Vatican ("IN AEDIBVS VATICANI" is written at the top), and shows Raphael's masterful use of perspective with the central vanishing point drawing the viewer's eye down the center of the hall. The figures are arranged in various poses - some standing, others seated or reclining on steps, creating a dynamic and balanced composition.

At the bottom of the print, there is text reading "PIO SEXTO PONT. MAX." indicating this print was likely made during the papacy of Pius VI (1775-1799).

The engraving captures the original fresco's complex architectural details and the numerous figures populating the scene, though rendered in monochromatic tones rather than the original's full color. This work represents one of the most significant pieces of Renaissance art, celebrating classical learning and philosophy.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image is a reproduction of the famous painting "The School of Athens" by Raphael, created in 1509-1511. The painting depicts a gathering of some of the most influential figures in ancient Greek philosophy, including Plato, Aristotle, Socrates, and others, set within the grandeur of the ancient Greek Academy.

Key Features:

  • Central Figures: Plato and Aristotle are prominently featured in the center of the painting, engaged in a lively discussion.
  • Surrounding Figures: Other notable philosophers, such as Socrates, Pythagoras, and Euclid, are depicted in various poses and activities around the central figures.
  • Architectural Setting: The painting is set within a grand, classical-style building with arches, columns, and ornate details, evoking the sense of a ancient Greek academy.
  • Mannerism Style: The painting is characterized by the Mannerist style, which was popular during the Renaissance period. This style is marked by elongated forms, unusual perspectives, and a sense of movement and energy.
  • Symbolism: The painting is rich in symbolism, with each figure and element representing a different aspect of ancient Greek philosophy and culture.

Overall Impression:

"The School of Athens" is a masterpiece of Renaissance art that captures the essence of ancient Greek philosophy and culture. The painting's grand scale, intricate details, and symbolic imagery make it a timeless work of art that continues to inspire and educate viewers to this day.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

The image is a black-and-white illustration of a large room with many people, featuring arches and columns. The scene appears to be set in ancient Greece or Rome, with individuals dressed in robes and togas. Some are engaged in various activities such as reading, writing, or conversing with one another.

In the foreground, several figures are depicted in different poses, including sitting, standing, or kneeling. The background of the image features a series of arches and columns, which add to the sense of grandeur and classical architecture. The overall atmosphere of the image suggests a scene of intellectual or philosophical discussion, possibly taking place in a library, academy, or other learned institution.

The image also includes some text at the bottom, which reads "PIO SEXTO PONT. MAX." and "BONARVM ARTIVM RESTITVTORI AC VINDICI D.D.D." This text appears to be a dedication or inscription, possibly honoring a patron or benefactor of the arts. Overall, the image presents a vivid and detailed representation of a classical setting, filled with people engaged in intellectual pursuits.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-03

A black-and-white drawing depicts a group of people in an indoor area. Some of them are sitting on the floor, while others are standing. Some of them are wearing ancient Roman clothing. The man in the middle is sitting on the floor with a book on his lap. The man on the right is holding a stick and appears to be talking to the man in front of him. The ceiling has a geometric design.

Created by amazon.nova-lite-v1:0 on 2025-02-03

This image is an engraving of Raphael's painting "The School of Athens," which depicts a gathering of philosophers and scholars in ancient Greece. The painting is set in a grand architectural setting, with a large arch at the top of the image. The figures in the painting are dressed in classical attire, and some are seated on steps while others stand and engage in conversation. The painting is signed by Raphael, and the engraving is attributed to Johannes Voetius. The image is a historical representation of the intellectual and philosophical traditions of ancient Greece.

Google Gemini

Created by gemini-2.0-flash on 2025-04-30

The image is an engraving of a historical or allegorical scene set within a grand architectural space. An arched frame surrounds the central composition, providing a view into a hall lined with classical columns and statues. The ceiling is intricate and coffered, leading the eye deep into the perspective of the building.

In the foreground, there is a gathering of many figures, mostly men, engaged in various activities. Some are standing and discussing ideas, others are seated and writing, while still others are gesturing or engaged in scholarly pursuits. The figures are dressed in classical robes and tunics, suggesting an ancient or Renaissance setting.

The text at the top of the image on the left side, "RAPHAEL SANTIUS PINX," indicates that the painting is by Raphael. The text on the right side, "IN AEDIBVS VATICA NIS," suggests it is in the Vatican. At the bottom, "PIO SEXTO PONT. MAX BONARVM ARTIVM RESTITVTORI AC VINDICI D.D.D." and "JOANNES VOF PATO," likely refer to Pope Pius VI and the artist who created the engraving.

The overall tone is intellectual and historical, emphasizing the importance of the figures and the architectural grandeur of the setting.

Created by gemini-2.0-flash-lite on 2025-04-30

This is a detailed engraving of Raphael's "School of Athens," depicting a gathering of philosophers and scientists in a grand architectural setting. The image is framed within a decorative archway, with inscriptions at the top indicating the painter's name ("Raphael Santivs Pinx.") and location ("In Aedibvs Vatica Nis."), and at the bottom, a dedication to Pope Pius VI ("Pio Sexto Pont. Max. / Bonarvm Artivm Restitvtori Ac Vindici D.D.D."). The engraving style is precise, showing a multitude of figures in various poses, engaged in discussion, writing, and observation. The architecture is ornate, with columns, arches, and statues adding to the classical theme. The overall mood is one of intellectual activity and historical grandeur.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-27

This image is an engraving depicting a scene from the Renaissance period. It features a large, detailed architectural setting with a prominent archway in the background, which appears to be part of a grand building, possibly a basilica or a significant religious structure. The arch is adorned with intricate decorations and statues.

In the foreground, there is a crowd of people, both men and women, dressed in classical attire. Some individuals are standing, while others are seated or kneeling on the steps leading up to the archway. The central figure appears to be a person of importance, possibly a religious leader or a pope, given the context of the inscriptions and the setting.

The inscriptions at the top of the image read "RAPHAEL SANTIVS PINX" on the left and "IN AEDIBVS VATICA NIS" on the right. These inscriptions indicate that the original painting was created by Raphael (Raffaello Sanzio) and is located in the Vatican. The bottom inscription reads "PIO SEXTO PONT. MAX. BONARVM ARTIVM RESTITVTORI AC VINDICI D.D.D.," which translates to "Dedicated to Pope Pius VI, restorer and defender of the fine arts."

The engraving is signed "JOANNES VOLPATO" in the bottom right corner, indicating that Giovanni Volpato is the engraver who reproduced Raphael's original work. The scene captures the essence of Renaissance art with its focus on classical architecture, human figures, and the celebration of artistic and cultural heritage.

Qwen

No captions written

Text analysis

Amazon

SEXTO
AFDIBVS
MAX
VATICA
VINDICI
ARTIVM
IN AFDIBVS
PIO SEXTO PONT MAX
RESTITVTORI
IN
SANTIVS
PIO
BONARVM
PONT
BONARVM ARTIVM RESTITVTORI AC VINDICI D.D.D.
JOANNES
AC
JOANNES VOFPATO
RAPHAEL
VOFPATO
NIS,
PINX
D.D.D.

Google

IN AFDIBVS VATICA NIS RAPHAEL SANTIVS PINX PΙO SE XTΟ ΡONT. ΜAX. D. D.D BONARVM ARTIVM RESTITVTORI AC VINDICI JOANNES VOFPATO
IN
AFDIBVS
VATICA
NIS
RAPHAEL
SANTIVS
PINX
PΙO
SE
XTΟ
ΡONT.
ΜAX.
D.
D.D
BONARVM
ARTIVM
RESTITVTORI
AC
VINDICI
JOANNES
VOFPATO