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Human Generated Data

Title

Woman Sitting Half-dressed before a Stove

Date

1658

People

Artist: Rembrandt Harmensz. van Rijn, Dutch 1606 - 1669

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G3261

Human Generated Data

Title

Woman Sitting Half-dressed before a Stove

People

Artist: Rembrandt Harmensz. van Rijn, Dutch 1606 - 1669

Date

1658

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G3261

Machine Generated Data

Tags

Amazon
created on 2019-08-06

Art 99.7
Human 95.1

Clarifai
created on 2019-08-06

people 100
adult 99.6
one 99.2
art 98.8
portrait 98.6
seat 97
wear 96.7
print 96.2
two 95.7
furniture 95.6
woman 94.1
engraving 93.1
administration 91.9
royalty 90.9
chair 89.9
sit 87.4
profile 87.3
man 86.9
leader 86.7
painting 84.2

Imagga
created on 2019-08-06

grave 28.7
statue 28.4
sculpture 27.1
ancient 26.8
religion 26
stone 22.7
architecture 22.2
temple 22.1
cemetery 21
history 20.6
old 19.5
culture 18.8
monument 16.8
travel 15.5
person 15
art 14.7
building 14.4
groom 13.9
religious 13.1
historic 12.8
famous 12.1
face 11.4
historical 11.3
people 11.2
portrait 11
sand 10.9
juvenile 10.4
antique 10.4
wall 10.3
adolescent 10.3
spirituality 9.6
god 9.6
sitting 9.4
model 9.3
head 9.2
tourism 9.1
child 8.9
world 8.9
man 8.7
monk 8.7
ruler 8.4
book jacket 8.4
east 8.4
church 8.3
earth 8.3
figure 8.2
hair 7.9
sepia 7.8
pray 7.8
attractive 7.7
grunge 7.7
sky 7.7
jacket 7.5
human 7.5
vintage 7.4
male 7.3
makeup 7.3
lady 7.3
landmark 7.2

Google
created on 2019-08-06

Microsoft
created on 2019-08-06

text 98.7
drawing 98.1
sketch 96.5
painting 96.4
person 91.9
human face 90.6
clothing 86
woman 76.2

Color Analysis

Face analysis

Amazon

Microsoft

AWS Rekognition

Age 26-43
Gender Male, 86.2%
Angry 0.6%
Surprised 0.4%
Happy 1%
Sad 1.3%
Calm 95.7%
Confused 0.5%
Disgusted 0.5%

Feature analysis

Amazon

Painting
Person

Clarifai

No features identified

AWS Rekognition

Painting 99.7%

Categories

Imagga
created on 2019-08-06

paintings art 60.4%
streetview architecture 33.4%
events parties 2.3%
people portraits 1.9%

Captions

Salesforce

Created by general-english-image-caption-blip on 2025-05-15

a photograph of a drawing of a woman sitting on a chair

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-08

The image depicts a classical drawing or etching of a partially clothed woman sitting on a bed-like structure. She appears to be draped in loose fabrics around her waist and lower body, leaving her upper body mostly exposed. The setting suggests a historical or ancient environment, with detailed textures and shading. On the right side, there is a piece of ornate furniture or a structure with an intricate design, possibly including a carved emblem or portrait. The overall tone of the artwork is somber and reflective, focusing on the interplay of light and shadow.

Created by gpt-4 on 2025-02-08

This is an etching or print depicting a female figure seated next to what appears to be an old-fashioned heater or stove. The woman is wearing a long skirt and her upper body is bare. She holds a piece of cloth or garment in her hands, which seems to be a focus of her attention. The room is simply furnished and adorned with a wall relief or ornamentation on the heater, adding a bit of detail and texture to the scene. The quality of the lines suggests this could be an artwork from the etching revival period or an earlier work, focusing on everyday life and domestic scenes. The etched technique gives the image a gritty, textural feel, making the shadows and light play vividly on the various surfaces.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-28

This is a classical etching or print, likely from the Dutch Golden Age period, showing a partially dressed figure in an intimate indoor setting. The artwork depicts someone seated on what appears to be a bed or chair, with partially exposed upper body and wearing a dark skirt or dress on the lower half. The scene is set in a dimly lit interior space with a decorative stove or heating element visible in the background, which features ornate carved details. The artistic technique demonstrates fine cross-hatching and delicate line work characteristic of master printmaking from this era. The composition creates a sense of private, domestic intimacy through its use of light and shadow, with the figure illuminated against the darker background.

Created by claude-3-5-sonnet-20241022 on 2025-02-08

This is a classical etching that appears to be from the Dutch Golden Age period, likely 17th century. It depicts a partially dressed figure in an interior domestic scene, seated on what appears to be a bed or bench. The figure is wearing a dark skirt and has partial upper body exposure. The artwork demonstrates fine cross-hatching technique typical of etchings from this era, creating subtle gradations of light and shadow. In the background, there's an ornate stove or heating element with decorative details carved into its surface. The overall composition creates an intimate, private moment, captured with the delicate line work characteristic of master printmakers of the period. The lighting in the scene is dramatic, with strong contrasts between light and dark areas, a technique known as chiaroscuro.

Created by claude-3-opus-20240229 on 2025-02-08

The image depicts a seated woman rendered in sketchy, expressive lines, likely an etching or engraving. She appears to be partially nude, with her upper body exposed and drapery gathered around her waist and legs. Her head is tilted down slightly as she sits next to what looks like an ornate furnace or heater, based on the architectural details visible. The deep shading and energetic linework give the scene a somber, contemplative mood, emphasizing the solitary female figure in a shadowy interior space.

Created by claude-3-haiku-20240307 on 2025-02-08

The image appears to depict a female figure seated in a dimly lit interior space. She is wearing a long, flowing dress and has an pensive or melancholic expression on her face. In the background, there is an ornate architectural feature, possibly a piece of furniture or a decorative element. The overall mood of the image is somber and introspective.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16

The painting 'The Woman at the Well' by Rembrandt, created in 1632, depicts a woman sitting by a well, lost in thought. The woman is shown in a contemplative pose, leaning against the well, with her head tilted downward and her hands clasped together. The scene is set in a dimly lit environment, with the well serving as a focal point. The woman's expression and posture convey a sense of introspection and possibly sadness or longing. The painting is characterized by Rembrandt's use of chiaroscuro, a technique that uses strong contrasts between light and dark to create a sense of volume in modeling three-dimensional objects and figures. This technique adds depth and drama to the scene, drawing the viewer's attention to the woman and her emotional state. The overall mood of the painting is one of quiet contemplation and introspection, inviting the viewer to reflect on the woman's thoughts and emotions.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16

The image depicts a woman sitting in a room, with her body facing the right side of the image. She is wearing a long dark skirt and has a white cloth wrapped around her waist. Her upper body is bare, and she has her hair pulled back. The woman is seated on a chair, with her left leg crossed over her right leg. Her left arm is resting on her lap, while her right arm is bent at the elbow, with her hand holding the edge of the cloth.

In the background, there is a large piece of furniture that appears to be a cabinet or a dresser. It has an oval-shaped design on the front, which may be a mirror or a decorative element. To the right of the cabinet, there is a tall, narrow object that could be a vase or a sculpture. The overall atmosphere of the image suggests that it is a painting or a drawing, possibly created in the 17th or 18th century. The style of the artwork is reminiscent of the Dutch Masters, who were known for their realistic and detailed depictions of everyday life.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-08

The image is a monochromatic drawing of a woman sitting on a chair. The woman is wearing a skirt and a top, and her hair is tied up. She is holding a piece of fabric in her hands, which she is folding. She is looking down at the fabric. Behind her, there is a cabinet with a keyhole lock. The cabinet has a drawer and a door. The floor is made of tiles.

Created by amazon.nova-lite-v1:0 on 2025-02-08

The image is a black-and-white etching by Rembrandt van Rijn, titled "The Three Crosses." It depicts a scene from the crucifixion of Jesus Christ, with three crosses in the background. The central figure is Jesus, who is depicted as a young man with a beard and long hair. He is nailed to the cross and appears to be in pain. The two other crosses in the background depict the two thieves who were crucified alongside Jesus. The image is a powerful and emotional depiction of the crucifixion, and it is considered one of Rembrandt's most famous works.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-05-09

Certainly! Here's a description of the image:

Overall Impression:

The image is a black and white etching, likely from the Baroque or Rococo period. It depicts a nude woman in a dimly lit interior. The style and technique suggest an artwork created with great skill and attention to detail.

Key Elements:

  • The Woman: The central figure is a woman with a relatively pale complexion, seated on a chair. She is nude from the waist up, and her body has a soft, classical quality. She has her hair styled in a bun and is looking downwards with a contemplative expression.
  • Clothing: She is wearing a long skirt and draped over her legs is a white cloth.
  • Setting: The woman is in what looks like a niche or a small interior space, the background suggests a textured wall. To the right, there is a small, ornate architectural element, possibly a pedestal or wall fixture with a carving on it. A large, dark, rectangular element can be seen above the pedestal, and a hook is attached.
  • Lighting and Tone: The image is heavily reliant on chiaroscuro (the use of strong contrasts between light and dark). This creates depth, enhances the form of the figure, and adds a sense of drama and intimacy to the scene.

Style and Technique:

  • The etching technique is evident in the fine lines, cross-hatching, and varied shading used to create form, texture, and depth.

Let me know if you would like more details about any specific element or aspect of the image.

Created by gemini-2.0-flash on 2025-05-09

This black and white etching depicts a partially nude woman seated in what appears to be a domestic setting. The room is dimly lit, with much of the background shrouded in darkness, contributing to a sense of intimacy. The woman is the focal point of the image, and she is positioned slightly off-center, facing to the right. Her hair is pulled back into a loose bun, and her expression is contemplative. She is seated on a piece of furniture that is draped with a light-colored cloth. A dark, heavy skirt covers her lower body, while her upper body is partially exposed.

To her right, there is a tall, rectangular structure with a classical base. The base is adorned with decorative elements, including what appears to be a bas-relief or carving. A key hangs from the structure, adding a touch of mystery to the scene. The background is composed of a rough, textured surface that seems to suggest a wall or corner of a room. The technique employed in the etching emphasizes line work and shading, which creates a rich contrast between light and shadow. The overall mood of the image is somber and introspective.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-09

The image is an etching that depicts a woman in a domestic setting. She is seated on a low chair or stool, partially clothed with a shirt draped around her lower body and a dark skirt. Her upper body is exposed, and she appears to be in the process of dressing or undressing. The woman has a contemplative or possibly melancholic expression as she looks downward.

The background features a simple interior with a large stove or heater to the right, which has ornate decorations, including a face-like design. The room is dimly lit, adding to the intimate and somewhat somber atmosphere of the scene. The etching style uses fine lines and shading to create depth and texture, characteristic of traditional etching techniques. The overall mood of the image is introspective and quiet, capturing a private, everyday moment.

Qwen