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Human Generated Data

Title

And There Is No Remedy

Date

18th-19th century

People

Artist: Francisco José de Goya y Lucientes, Spanish 1746 - 1828

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund, G8524

Human Generated Data

Title

And There Is No Remedy

People

Artist: Francisco José de Goya y Lucientes, Spanish 1746 - 1828

Date

18th-19th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund, G8524

Machine Generated Data

Tags

Amazon
created on 2019-11-01

Human 99.4
Astronaut 87
Art 84.5
Painting 56.4

Clarifai
created on 2019-11-01

people 99.1
painting 98
art 97.7
picture frame 95.9
adult 95
portrait 94
album 93.9
group 92.7
museum 92.6
wear 91.6
man 89.8
illustration 88.9
exhibition 88.5
desktop 86.4
blank 86.2
wall 85.7
woman 85.7
retro 85.5
two 85.4
landscape 84.7

Imagga
created on 2019-11-01

vintage 48.8
brass 46.4
old 43.9
memorial 38.7
structure 38.2
grunge 37.5
texture 32
retro 30.3
aged 29
wall 28.3
book jacket 26.8
antique 26
envelope 24.8
jacket 21.8
ancient 20.8
letter 20.2
dirty 19.9
stamp 19.3
rusty 19.1
paper 18
material 17.9
frame 17.7
mail 17.2
grungy 17.1
art 16.7
postage 16.7
wrapping 15.9
postmark 15.8
global 15.5
covering 15.5
damaged 15.3
postal 14.7
textured 14
design 13.7
blackboard 12.9
blank 12.9
symbol 12.8
border 12.7
black 12.6
container 12.5
post 12.4
surface 12.4
board 12.3
pattern 12.3
chalkboard 11.8
wallpaper 11.5
doormat 11.2
money 11.1
note 11
printed 10.8
detail 10.5
old fashioned 10.5
book 10.4
china 10.3
empty 10.3
icon 10.3
finance 10.1
artwork 10.1
rough 10
world 9.8
states 9.7
concrete 9.6
international 9.6
painted 9.5
bill 9.5
earth 9.4
culture 9.4
close 9.1
backdrop 9.1
currency 9
circa 8.9
shows 8.9
mat 8.8
faded 8.8
text 8.7
rust 8.7
stain 8.7
worn 8.6
united 8.6
weathered 8.5
product 8.5
business 8.5
communication 8.4
map 8.4
color 8.3
grain 8.3
historic 8.3
message 8.2
decoration 8.1
atlas 7.9
grime 7.8
stone 7.8
architecture 7.8
ragged 7.8
mottled 7.8
crumpled 7.8
decay 7.7
geography 7.7
stained 7.7
parchment 7.7
spot 7.7
communications 7.7
obsolete 7.7
japan 7.6
planet 7.5
photograph 7.5
sign 7.5
one 7.5
closeup 7.4
brown 7.4
cash 7.3
backgrounds 7.3
graphic 7.3
paint 7.2
gray 7.2

Google
created on 2019-11-01

Microsoft
created on 2019-11-01

scene 99.7
room 99.3
gallery 99.2
person 97.6
clothing 96.7
man 87.8
drawing 82.4
picture frame 78.7
text 71.7
white 69.2
old 56.7
painting 16.7

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 24-38
Gender Male, 51.3%
Fear 46.4%
Sad 50.3%
Disgusted 45.2%
Happy 45.4%
Surprised 45.1%
Calm 46.6%
Confused 45.2%
Angry 45.9%

Feature analysis

Amazon

Person

Clarifai

Picture frame
Man
Clothing

AWS Rekognition

Person 99.4%

Categories

Imagga
created on 2019-11-01

paintings art 100%

Captions

Microsoft
created by unknown on 2019-11-01

an old photo of a person 51.9%
a black and white photo of a person 38.3%
old photo of a person 38.2%

Clarifai

Created by general-english-image-caption-clip on 2025-07-11

painting artist, illustration for the story.

Salesforce

Created by general-english-image-caption-blip on 2025-05-25

a photograph of a man in a uniform is standing in front of a picture of a man in

OpenAI GPT

Created by gpt-4 on 2025-01-31

The image depicts an etching or print in black ink on a cream-colored paper. The scene presented is quite dynamic and seems to tell a story. It shows two figures in the foreground, with the main focus being on a person standing and bent over another figure, who appears to be lying on the ground. The standing figure seems to be engaged in some kind of activity with their hands directed toward the figure on the ground, suggesting an interaction that could be of care, conflict, or something else. The clothing style of the figures suggests a historical or possibly old-fashioned setting.

The background is dark and less detailed, accentuating the interaction between the two figures in the foreground. No other auxiliary elements or environment details are clearly distinguishable. There is a sense of movement and intensity in the depiction of the figures, conveyed by the strong contrast of light and shadow as well as the vigorous lines that define the forms.

The image has an overall somber or serious tone, and the technique used by the artist adds to the texture and depth of the scene, which might reflect a particular moment in a narrative or a broader thematic representation.

The print is centered on the paper, with a wide margin around it. The paper itself shows some discoloration, typical of aged paper items, which might suggest the piece has historical value. There is handwriting or a signature at the lower left corner of the print itself, which is common in artist's prints for identification or authenticity.

Created by gpt-4o-2024-05-13 on 2025-01-31

This image is an etching titled "¡Y no hay remedio!" (And It Cannot Be Helped) by the Spanish artist Francisco Goya. It is a part of his series "The Disasters of War" which depicts the horrors of the Peninsular War and its aftermath.

The etching shows a tragic and grim scene with a central figure tied to a wooden pole, seemingly recently executed by a firing squad. His body slumps lifelessly, with a gunshot wound clearly visible in his clothing. There are multiple corpses around him, implying that others were also executed in the same manner. In the background, soldiers with rifles are visible, underscoring the brutality and violence of the scene.

The overall mood of the image is dark and somber, capturing the despair and hopelessness of wartime atrocities. The fine details and use of light and shadow convey a powerful message about the cost of conflict and the suffering it brings to individuals.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-25

This appears to be an etching or print, likely from Francisco Goya's "Los Desastres de la Guerra" (The Disasters of War) series. The image shows a dark, dramatic scene with several figures in a dimly lit space. The composition is dominated by strong contrasts between light and dark areas, characteristic of Goya's etching technique. The figures appear to be in distress or involved in some kind of violent or tragic scene, which is typical of this series that depicted the horrors of war. The print is set against a light background, and the etching itself is contained within a rectangular frame with deep black tones. The style is characteristic of early 19th-century printmaking, with fine line work and dramatic chiaroscuro effects.

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a dark and somber etching, likely from Francisco Goya's "Los Desastres de la Guerra" (The Disasters of War) series. The scene depicts several figures in a dimly lit setting. The central figure is standing, wearing light-colored clothing, while other figures are shown in various positions around them, including what appears to be someone lying on the ground. The artwork uses strong contrasts between light and dark areas, creating a dramatic and emotional effect. The etching technique creates fine lines and textures that add to the atmospheric quality of the scene. The overall tone of the work appears to be one of suffering and tragedy, which is consistent with Goya's series documenting the horrors of war.

Created by claude-3-opus-20240229 on 2025-01-31

The image is an etching or print depicting a dramatic scene. In the foreground, there are several figures huddled together, appearing to be in distress or mourning. One figure is standing while the others are collapsed on the ground. The background is dark and shadowy, suggesting a somber or tragic atmosphere. The strong contrast between the light and dark areas creates an intense, emotional tone to the artwork.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a black and white etching or engraving depicting a scene from what looks like a dramatic or tragic event. The central figure in the image is a person wearing loose, flowing clothing who seems to be in a position of distress or mourning over the body of another person lying on the ground. There are two other figures in the background, also in loose, flowing garments, who appear to be observing or participating in the scene. The image has a dark, somber mood and conveys a sense of anguish or sorrow.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15

The image is a black-and-white sketch of a man standing over a fallen man, with a third man in the background. The standing man has dark hair and wears a light-colored shirt and pants, while the fallen man lies on his back, his head turned to the side. The third man in the background appears to be sitting or kneeling, possibly holding something.

The scene is set in a dimly lit room, with a wall visible in the background. The overall atmosphere of the image is one of tension and drama, suggesting that the standing man may be about to attack the fallen man or is in the process of doing so. The image is likely a depiction of a violent or confrontational scene, possibly from a historical or literary work.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15

The image depicts a somber and intense scene, with a man standing over two bodies on the ground. The man is dressed in a white shirt and pants, with his back to the viewer, and appears to be holding a rope or cord in his hands. He is positioned in the center of the image, with one foot resting on the chest of one of the bodies.

The two bodies on the ground are also dressed in white clothing, and appear to be lifeless. One body is lying on its back, while the other is positioned on its side. The background of the image is dark and shadowy, with a faint light source coming from the left side of the image.

The overall atmosphere of the image is one of violence and tragedy, suggesting that the man may have been involved in some kind of conflict or struggle that resulted in the deaths of the two individuals on the ground. The use of dark colors and dramatic lighting adds to the sense of tension and drama in the image.

It's worth noting that the image appears to be a print or engraving, possibly from the 19th century. The style and technique used in the image are reminiscent of the work of Francisco Goya, a Spanish artist known for his bold and expressive use of light and shadow.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image is a black-and-white drawing of a person standing with his back turned. He is holding a long object in his hands, probably a sword. He is standing next to a pole. In front of him, there are two people lying on the ground. One of them is lying on his back, while the other is lying on his stomach. The image has a watermark with the text "No. 18" in the bottom left corner.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image is a black-and-white drawing depicting a scene of violence and chaos. In the foreground, a person is lying on the ground, seemingly injured or unconscious. Another person is standing nearby, holding a weapon, and appears to be attacking or threatening the person on the ground. The scene is set in a dimly lit room or space, with a wooden post or pillar visible in the background. The overall mood of the image is one of tension and danger, with a sense of urgency and violence.

Google Gemini

Created by gemini-2.0-flash on 2025-06-02

The image is an etching by Francisco Goya from his series "The Disasters of War". It depicts a scene of execution or violent conflict. In the center, a man is bound to a post with his hands tied behind his back. He is wearing simple clothing and his head is bowed, perhaps in resignation or despair. To the right of the standing man, there is a group of bodies, some lying on the ground. The body closest to the viewer is prone on the ground. In the background, there is a sense of darkness and chaos, conveyed through the dense and irregular etching lines. The composition is stark, with a focus on the brutality of the scene and the suffering of the victims. The style is characteristic of Goya's "Disasters of War" series, which portrays the horrors and atrocities of war with unflinching realism.

Created by gemini-2.0-flash-lite on 2025-06-02

This is an etching, likely from a larger series depicting scenes of war or violence. It shows a grim scene, probably a depiction of the aftermath of a conflict.

Here's a breakdown:

  • Composition: The etching is framed within a square on a larger off-white paper.
  • Subject: In the center, a figure, likely a executioner, stands over a group of bodies. One lies prostrate, seemingly dead or dying. Another is leaning against a post and tied up. The figures are rendered in a rough, expressive style, common to this type of artwork.
  • Atmosphere: The scene is dark and somber, with stark contrasts of light and shadow. The use of etched lines creates texture and a sense of drama.
  • Style: The artistic style is characterized by its emotive qualities and the use of line.
  • Text: The title "Y no hai remedio" is written in the bottom of the frame.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-09

The image depicts a dramatic and somber scene, likely an etching or print, featuring several figures in a dark, outdoor setting. The central figure is a person standing and leaning slightly forward, with their arms raised in a gesture that suggests anguish or despair. This figure is dressed in simple, flowing garments.

In the foreground, there are two other figures lying on the ground. One appears to be a woman, dressed in a long gown, lying face down with her arms outstretched. The other figure, possibly a man, is lying on his back with his head tilted to the side, suggesting he might be injured or deceased.

In the background, there are additional figures, some of whom appear to be observing the scene. The overall mood of the image is somber and tragic, with a sense of loss or despair conveyed through the postures and expressions of the figures. The title at the bottom of the image reads "Y no hai remedio," which translates from Spanish to "And there is no remedy," further emphasizing the sense of hopelessness and tragedy in the scene.

The artwork is reminiscent of the style of Francisco Goya, known for his series "The Disasters of War," which often depicted the horrors and tragedies of conflict and human suffering.

Qwen

No captions written