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Human Generated Data

Title

Saint Paul at Ephesus; Saint Paul Working as a Tentmaker

Date

16th century

People

Artist: Pietro Santi Bartoli, Italian 1635 - 1700

Artist after: Raphael, Italian 1483 - 1520

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G159

Human Generated Data

Title

Saint Paul at Ephesus; Saint Paul Working as a Tentmaker

People

Artist: Pietro Santi Bartoli, Italian 1635 - 1700

Artist after: Raphael, Italian 1483 - 1520

Date

16th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G159

Machine Generated Data

Tags

Amazon
created on 2019-11-06

Human 99.2
Person 99.2
Person 99.1
Person 99.1
Person 98.9
Person 98.3
Person 98.3
Person 97.3
Person 97.3
Art 94.2
Person 93.4
Person 91.4
Painting 86
Person 73.3

Clarifai
created on 2019-11-06

people 100
print 99.8
art 99.4
group 99.3
illustration 98.3
adult 98.3
engraving 97.8
leader 96.3
veil 96.1
man 95
royalty 93.6
gown (clothing) 92.8
facial hair 92.1
cape 91.7
many 91.4
woodcut 88.3
monarch 88.2
woman 87.9
Renaissance 87.4
administration 86.8

Imagga
created on 2019-11-06

sketch 79.8
drawing 60.7
representation 49
art 31.5
sculpture 29.5
old 25.8
history 25
statue 23.3
architecture 21.2
vintage 19
landmark 18.1
treasury 17.8
building 17.6
ancient 17.3
monument 16.8
famous 16.7
paper 15.7
depository 15.4
tourism 14.8
detail 14.5
money 14.5
stone 14.3
antique 14.3
symbol 14.1
artistic 13.9
stamp 13.7
mail 13.4
god 13.4
culture 12.8
decoration 12.3
dollar 12.1
postmark 11.8
facility 11.7
currency 11.7
religion 11.7
marble 11.5
historical 11.3
travel 11.3
style 11.1
church 11.1
historic 11
cash 11
column 10.8
postage 10.8
city 10.8
postal 10.8
us 10.6
post 10.5
carving 10.4
newspaper 10.3
rich 10.2
closeup 10.1
temple 10
retro 9.8
design 9.6
creation 9.5
grunge 9.4
finance 9.3
book jacket 9.3
decorative 9.2
letter 9.2
black 9
wealth 9
one 9
bank 9
statues 8.9
united 8.6
close 8.6
capital 8.5
product 8.4
fountain 8.3
banking 8.3
painting 8.1
arch 8.1
financial 8
business 7.9
facade 7.9
angel 7.8
catholic 7.8
states 7.7
holy 7.7
loan 7.7
bill 7.6
comic book 7.6
religious 7.5
savings 7.5
tourist 7.2
jacket 7.2
museum 7.2
holiday 7.2

Google
created on 2019-11-06

Microsoft
created on 2019-11-06

text 99.7
drawing 92.6
person 91.6
book 90.8
sketch 90.1
clothing 88.6
old 81
posing 70.8
illustration 65
engraving 57.7
cartoon 55.7
painting 50.6

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 21-33
Gender Male, 53.6%
Angry 45.1%
Happy 45%
Disgusted 45%
Surprised 45%
Sad 45.1%
Fear 45%
Calm 54.8%
Confused 45%

Feature analysis

Amazon

Person
Painting
Person 99.2%

Categories

Imagga

paintings art 99.2%

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-02

The image appears to be an engraving that is divided into two sections. The first section on the left shows a group of robed figures standing and engaging in discussion in front of a classical architectural setting with columns. The second section on the right depicts two figures kneeling and interacting in front of a large, draped curtain, with another robed figure standing in the background. The text in Latin along the bottom suggests a biblical scene involving the Apostle Paul and events related to the tabernacle.

Created by gpt-4 on 2025-02-02

The image you've provided appears to be a detailed engraving depicting multiple scenes from biblical history or narratives, typical of artwork produced during the Renaissance or Baroque periods. On the left portion of the image, a group of figures in classical attire is gathered together, seemingly engaged in a serious discussion or dispute, which may represent a moment of religious or historical significance. On the right side, two scenes are set against an architectural backdrop: the top scene shows a couple of figures in a debate or discussion, and the bottom scene depicts two individuals, one of whom seems to be performing a task or ritual, possibly of religious nature, by a draped structure resembling a tent or tabernacle. Throughout the artwork, the architecture, clothing, and compositions are characteristic of traditional Western art. The classical columns, flowing robes, and gestures all contribute to an atmosphere of historical or theological storytelling. The etching technique is intricate, suggesting that this work is likely crafted by an artist skilled in printmaking. There are also inscriptions in Latin, which indicate that the scenes represent specific events described in biblical texts, with references to the books and chapters in the Bible where these stories can be found.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-02

This appears to be a historical religious engraving or print depicting two biblical scenes. The image is divided into two parts: In the left portion, there's a group of figures wearing long robes and engaged in what appears to be a discussion or debate in a columned building, likely a synagogue. According to the Latin text below, this scene depicts Paul at Ephesus disputing in the synagogue. The right portion shows a smaller scene with what appears to be a tent or tabernacle structure with draped fabric, and figures nearby. The Latin text indicates this is related to the entrance of the Tabernacle. The artwork is rendered in a classical style with fine line work typical of historical engravings, and the scenes are presented in a monotone, likely black or sepia ink. The composition shows careful attention to architectural details and the flowing robes of the figures. The inscription at the bottom is in Latin and provides context for both scenes. This appears to be part of a larger series of biblical illustrations, possibly from a religious text or educational material from several centuries ago.

Created by claude-3-opus-20240229 on 2025-02-02

This black and white etching or engraving depicts a religious scene, likely from the Bible. It shows a group of bearded men in robes gathered together, some gesturing as if engaged in discussion or teaching. On the right, a man lies on a bed with curtains drawn around it. The Latin inscription at the bottom suggests this depicts the Apostle Paul preaching or debating in the synagogue at Ephesus, as described in the book of Acts in the New Testament. The detailed linework and shading give the figures a sculptural, classical appearance typical of Renaissance-era religious illustrations and etchings.

Created by claude-3-haiku-20240307 on 2025-02-02

This image appears to depict a scene from the Bible, specifically the story of the apostle Paul. The image shows a group of people gathered in what seems to be a synagogue or temple setting. The central figure, likely representing Paul, is gesturing and addressing the crowd. The surrounding figures are depicted in various poses, some seemingly engaged in discussion or listening intently. The overall scene has a somber, historical tone, characteristic of religious or historical artwork from that time period.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-11

The image is a detailed illustration of a biblical scene, likely from the book of Acts, depicting the early Christian community. The scene is divided into two panels, each with its own narrative. **Left Panel:** * A group of men, dressed in robes, are gathered around a central figure. * The central figure is holding a small object, possibly a scroll or a book, and appears to be addressing the group. * The men surrounding him are engaged in conversation, some gesturing or pointing towards the central figure. * In the background, there is a building with columns and a staircase, suggesting a public or communal space. **Right Panel:** * A woman is kneeling on the ground, holding a small child in her arms. * A man, also dressed in a robe, is standing behind her, placing his hand on her shoulder. * Another man is standing to the side, looking on with concern. * In the background, there is a curtain or a veil, which may symbolize separation or privacy. **Overall:** * The illustration is rendered in a classical style, with intricate details and shading. * The use of robes and classical architecture suggests a sense of timelessness and universality. * The scene appears to be a moment of drama or tension, with the central figure addressing the group and the woman and child in the foreground drawing attention to a specific issue or concern. **Possible Interpretation:** * The illustration may depict a scene from the early Christian church, where the central figure is addressing the community about a matter of faith or doctrine. * The woman and child in the foreground may represent the vulnerable or marginalized members of the community, who are being cared for and protected by the church. * The curtain or veil in the background may symbolize the separation between the sacred and the profane, or the distinction between the inner and outer circles of the community. **Conclusion:** * The illustration is a powerful representation of the early Christian community, highlighting the importance of faith, community, and care for the vulnerable. * The use of classical style and symbolism adds depth and meaning to the scene, inviting the viewer to reflect on the themes and messages presented.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-11

The image depicts a scene from the Bible, specifically the story of Paul and Barnabas in Acts 14:8-18. The scene is divided into two parts, with the left side showing Paul and Barnabas healing a lame man, and the right side showing the people of Lystra trying to offer sacrifices to them as gods. **Left Side:** * Paul and Barnabas are standing in front of a crowd of people. * A lame man is sitting on the ground, looking up at Paul. * Paul is gesturing towards the lame man, while Barnabas is standing next to him. * The crowd is watching in amazement as the lame man stands up and walks. **Right Side:** * The people of Lystra are gathered around an altar, preparing to offer sacrifices to Paul and Barnabas. * A priest is holding a bull, ready to be sacrificed. * Paul and Barnabas are standing in front of the altar, looking concerned and trying to stop the sacrifice. * The crowd is chanting and waving their arms, eager to worship the two men as gods. **Background:** * The background of the image is a light beige color, with a subtle texture that resembles parchment or paper. * There are some faint lines and markings on the background, which may be intended to resemble the pages of an ancient manuscript. **Overall:** * The image is a detailed and dramatic depiction of a key event in the Bible. * It shows the power of faith and the importance of humility, as Paul and Barnabas refuse to be worshiped as gods. * The image is likely intended to illustrate the story of Paul and Barnabas in a visually engaging way, and to convey the message of the Bible to viewers.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-02

A black-and-white drawing of a scene from the Bible depicts the apostles Peter and John healing a lame man. The scene is divided into two parts. On the left, Peter and John are standing in front of a group of people, with Peter pointing his hand toward the man. On the right, the man is kneeling on the floor while Peter and John are healing him.

Created by amazon.nova-lite-v1:0 on 2025-02-02

The image depicts a historical scene from the early Christian era, possibly illustrating an event related to the early Christian church. The scene is divided into two main parts, with a group of people gathered in the foreground and another group in the background. The people in the foreground are dressed in ancient Roman attire, with togas and flowing robes, suggesting they are part of the Roman society. They appear to be engaged in a discussion or debate, with one person gesturing towards another. In the background, there is a more intimate scene. A man is kneeling before another person who is seated, possibly a religious figure. The kneeling man is holding a book or scroll, indicating a religious or scholarly context. The seated person appears to be listening attentively, with a contemplative expression. The image has a monochromatic, almost sepia tone, giving it an antique and historical feel. The text at the bottom of the image is in Latin, further emphasizing the historical context of the scene. The overall composition and style suggest that this image is an illustration or engraving from a historical or religious text.

Text analysis

Amazon

dipuitabat
et ingreus
tentorium
ad
Tabemnaculi.
Deuenit:
Synagogam
Paulls
introitu
t
E
Tudeeis
dipuitabat Cil Tudeeis Aet. E t tentorium in introitu Tabemnaculi.
T'emplit
Cil
fommis
Bart
Ephefuun
Aet.
Roma
Deuenit: Paulls Ephefuun et ingreus Synagogam Ferus Sancour Bart -del Apo.Caig. o-Taebarde Rubris fommis Roma ad T'emplit pacis ai Priu'ss
Apo.Caig.
pacis
Vrbinae
o-Taebarde
Sancour
-del
Rubris
Ralaelanctio Vrbinae Inu'
Ralaelanctio
Priu'ss
Inu'
Ferus
in
ai

Google

Deuenit Paulus Ephefum et ingreßus Synagogam diputabat ai Iudais A. Apo Caig. Er tentorium in introitu Tabernaculi..tcap 39 Io Tacobar de Rubeis formis Roma ad Templi pais ai PriusPont Petrus Sanctur Bart del et Saul Rafael Sanctio Vrbinar Inus
Deuenit
Paulus
Ephefum
et
ingreßus
Synagogam
diputabat
ai
Iudais
A.
Apo
Caig.
introitu
Io
Tacobar
Roma
PriusPont
Petrus
Bart
del
Saul
Sanctio
Vrbinar
Inus
Er
tentorium
in
Tabernaculi..tcap
39
de
Rubeis
formis
ad
Templi
pais
Sanctur
Rafael