Unable to open [object Object]: HTTP 0 attempting to load TileSource

Human Generated Data

Title

Saint Mark's Departure for Antioch

Date

16th century

People

Artist: Pietro Santi Bartoli, Italian 1635 - 1700

Artist after: Raphael, Italian 1483 - 1520

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G155

Human Generated Data

Title

Saint Mark's Departure for Antioch

People

Artist: Pietro Santi Bartoli, Italian 1635 - 1700

Artist after: Raphael, Italian 1483 - 1520

Date

16th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G155

Machine Generated Data

Tags

Amazon
created on 2019-11-06

Human 99.3
Art 97.7
Archaeology 70.1

Clarifai
created on 2019-11-06

people 99.9
print 99.4
art 99.4
adult 98.7
group 98.6
engraving 96.6
illustration 96.1
man 94.7
leader 94.2
woman 93.4
veil 92.2
wear 91.9
Renaissance 91.3
portrait 89.9
gown (clothing) 89.1
cape 88.6
facial hair 88.3
royalty 87.8
music 86.1
many 86

Imagga
created on 2019-11-06

sculpture 43.4
statue 38.8
art 30.8
old 30
ancient 25.1
history 25
sketch 24.6
antique 21.8
drawing 20.7
religion 20.6
stone 19.4
god 19.1
religious 17.8
monument 17.7
vintage 17.4
carving 16.8
saint 16.4
money 16.2
detail 16.1
representation 15.7
paper 15.7
catholic 15.6
symbol 15.5
architecture 14.9
landmark 14.4
currency 14.4
figure 13.9
culture 13.7
dollar 13
church 13
angel 12.7
marble 12.7
travel 12.7
finance 12.7
close 12
cash 11.9
bank 11.6
holy 11.6
closeup 11.5
decoration 10.8
tourism 10.7
temple 10.6
spiritual 10.6
pay 10.5
faith 10.5
business 10.3
banking 10.1
historic 10.1
city 10
wealth 9.9
spirituality 9.6
historical 9.4
famous 9.3
book jacket 9.3
one 9
statues 8.9
post 8.6
jacket 8.4
roman 8.3
traditional 8.3
sign 8.3
stamp 8.1
building 7.9
design 7.8
pray 7.8
plastic art 7.7
us 7.7
cathedral 7.7
mail 7.7
united 7.6
bill 7.6
cross 7.5
rich 7.4
classic 7.4
man 7.4
retro 7.4
letter 7.3
financial 7.1
face 7.1

Google
created on 2019-11-06

Microsoft
created on 2019-11-06

text 100
book 99.3
drawing 95
sketch 94.1
person 92.4
clothing 88.4
old 86.4
group 69.2
white 67.4
painting 63.6
clothes 23.7

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 41-59
Gender Male, 52.1%
Disgusted 45%
Happy 45.1%
Fear 45.1%
Confused 45%
Calm 54%
Surprised 45.1%
Sad 45.1%
Angry 45.7%

Feature analysis

Amazon

Person
Painting

Clarifai

No features identified

AWS Rekognition

Person 99.3%

Categories

Imagga
created on 2019-11-06

paintings art 99.6%

Captions

Salesforce

Created by general-english-image-caption-blip on 2025-05-25

a photograph of a drawing of a group of people standing around a man

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-02

The image depicts an intricate classical engraving of a group of figures robed in traditional garments, engaged in various interactions that suggest an emotional and significant event. The figure on the left appears to be receiving an embrace, while the other figures display a range of gestures including raised hands, pointing, and contemplative stances. The scene is laden with expression and movement, portraying a narrative moment of great importance. The text underneath the engraving includes names such as "Rafaƫl Sanctio," "Petrus Sanctus Bartoli," "Jo. Jacobi de Rubeis form," and makes a reference to "Acta Apostolorum Caput 20," indicating a potential biblical context, specifically the Acts of the Apostles.

Created by gpt-4 on 2025-02-02

This image is an etching or an engraving, displaying a classical scene with several figures wearing togas, a style of dress that suggests an ancient Roman or Greek context. The figures are standing in various poses that suggest a dramatic interaction or narrative is taking place. Some are gesturing passionately, while others appear to be in conversation or deep in thought. The artwork carries an inscription in Latin, which suggests the scene may have historical or literary significance. The style of the artwork is reminiscent of the Renaissance period, with attention to the drapery of the garments and the naturalistic portrayal of the human body, which reflects the influence of classical antiquity on Renaissance artists.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-02

This is a historical engraving or print showing a dramatic religious scene. Multiple figures are depicted wearing flowing robes and tunics in a classical style. The artwork appears to be illustrating a Biblical scene, with several figures embracing and showing strong emotional expressions. There's Latin text at the bottom of the image which begins "Magnus fletus factus est omnium..."

The composition is horizontal, showing the figures arranged in a frieze-like manner across the image. The style appears to be from the Renaissance or Baroque period, with careful attention to the draping of fabrics and the emotional gestures of the figures. The engraving technique uses fine lines to create shading and texture in the robes and background.

This scene likely depicts a farewell or emotional parting described in the Acts of the Apostles, as suggested by both the imagery and the Latin inscription. The technical quality of the engraving suggests it was created by a skilled artist of the period.

Created by claude-3-opus-20240229 on 2025-02-02

The image depicts a relief sculpture showing several figures in flowing robes, likely apostles or religious figures. They are standing in a row, some with arms raised or gesturing, while others seem to be embracing. The drapery and folds of their garments are depicted in great detail. Below the image is a Latin inscription providing more context about the artwork, stating it shows "the apostles procumbent on the hill" and is from the Basilica of St. Paul Outside the Walls in Rome. The style suggests it is a classical or neoclassical bas-relief sculpture carved into stone or marble.

Created by claude-3-haiku-20240307 on 2025-02-02

The image appears to depict a religious or historical scene with multiple figures in robed garments. The figures seem to be gesturing and interacting with each other in a dramatic manner. The image has a somber, serious tone and seems to convey a significant event or narrative, though without further context, I cannot provide more specific details about the individuals or the specific scene being portrayed.

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-24

This is a historical engraving or print that appears to depict a biblical scene, specifically from the Book of Acts. The image shows a group of people in classical robes and dress, arranged in an emotional farewell scene. The figures are drawn in a classical style with flowing robes and dramatic poses, showing gestures of grief and embrace. At the bottom of the image, there is Latin text that begins "Magnus fletus factus est omnium..." which refers to a passage from Acts 20:37 describing the emotional farewell between Paul and the elders of Ephesus. The artwork is rendered in black and white with detailed line work characteristic of historical engravings. The composition shows the figures arranged in a horizontal frieze-like manner, with their bodies and gestures creating a sense of movement and emotional intensity across the scene.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16

The image is a black and white engraving of a scene depicting several men in ancient Greek attire, with one man pointing at another. The scene appears to be a dramatic or confrontational moment, possibly from a classical myth or historical event.

  • The engraving is detailed, with intricate lines and shading that give the figures depth and texture.
  • The men are dressed in flowing robes, with some wearing sandals or bare feet.
  • The background of the engraving is a simple, textured surface that allows the figures to take center stage.
  • The overall effect of the engraving is one of drama and tension, as if the scene is frozen in time.

The image is likely a reproduction of an original work of art, possibly created in the 17th or 18th century. The engraving style and the clothing of the figures suggest a classical or Renaissance influence.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16

This image depicts a black-and-white illustration of nine men in robes, with the central figure pointing to the left. The men are dressed in long, flowing robes, and their facial expressions convey a sense of discussion or debate. The central figure, who appears to be the focal point of the image, is gesturing towards the left side of the illustration.

The background of the image is a plain, textured surface that resembles a wall or a canvas. The overall atmosphere of the image suggests a sense of intellectual or philosophical discussion, as the men seem to be engaged in a lively debate or conversation.

At the bottom of the image, there is an inscription in Latin, which reads: "Magnus fletus factus est omnium et procumbentes super collum Pauli osculabantur eum." This translates to "There was great weeping among all, and falling on Paul's neck, they kissed him." The inscription suggests that the image may be depicting a scene from the Bible, possibly from the book of Acts, where Paul is saying goodbye to his friends and followers before embarking on a journey.

Overall, the image appears to be a representation of a significant moment in religious history, capturing the emotions and interactions of the individuals involved.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-02

The image depicts a group of men, probably apostles, gathered together in a room. They are all wearing long robes, and some of them are barefoot. The man in the middle is raising his hand, possibly gesturing or speaking to the others. The man on the left is holding the hand of the man next to him, while the man on the right is holding his chin. There is a text written on the bottom of the image.

Created by amazon.nova-lite-v1:0 on 2025-02-02

The image is a black-and-white drawing featuring a group of people dressed in ancient Roman attire. They are standing in a line, facing the same direction, and appear to be engaged in a conversation or discussion. The drawing has a historical or classical art style, reminiscent of ancient Roman or Greek art.

The people in the drawing are depicted with intricate details, showcasing their clothing, hairstyles, and facial expressions. The man in the center of the group is gesturing with his hand, possibly pointing or emphasizing a point during the conversation. The other individuals are listening attentively, with some of them looking towards the man in the center.

The drawing also includes a Latin inscription at the bottom, which translates to "Magnus fletus factus est et omnium et procumbentes super column Pauli osculabantur" or "A great weeping occurred, and everyone fell down and kissed the column of Paul." This suggests that the drawing may be depicting a scene from ancient Roman history or mythology, possibly related to the martyrdom of Saint Paul.

Overall, the image is a detailed and historically inspired drawing that captures a moment of conversation or discussion among a group of people dressed in ancient Roman attire.

Google Gemini

Created by gemini-2.0-flash on 2025-06-03

Here is a description of the image:

The image is an engraving depicting a scene of farewell or departure. It features a group of figures in classical robes, indicating a historical or religious context. The style of the artwork is reminiscent of Renaissance or Baroque era engravings.

On the left, two figures are embracing or kissing, one holding the other's hand. The figures appear distressed or emotional. Further to the right, other figures are gesturing or pointing, conveying a sense of urgency or importance. Some of the figures seem to be looking towards the departing individual or group.

The figures are all barefoot and their robes are draped in a classical style, indicating a historical or biblical context. The background is simple and suggests an outdoor setting.

Beneath the image, there are inscriptions in Latin, identifying the artist as Rafael Sanctio Veb-Inu, the engraver as Petrus Sanctus Bartolus, and the publisher as Ie-Jacobi de Rubeis. The Latin phrase "Magnus fletus factus est omnium et procumbentes super collum Pauli osculabantur eum. Act Ap. C.20" translates to "There was much weeping, and they fell on Paul's neck and kissed him. Acts 20," suggesting the scene is related to the departure of Paul the Apostle.

Created by gemini-2.0-flash-lite on 2025-06-03

The image is a black and white etching depicting a scene from the Bible, specifically the farewell of Paul to the elders of Ephesus.

Here's a breakdown of the scene:

  • Figures: The main focus is on a group of men, likely representing Paul and the elders. They are all draped in classical robes.
  • Actions: The men are embracing and kissing each other, with expressions of sorrow and emotion. Some are pointing or gesturing. The expressions on their faces suggest deep sadness and farewell.
  • Composition: The figures are arranged in a horizontal line. There is some shading and detail in the clothing, indicating a classical artistic style.
  • Inscription: There is Latin text at the bottom. The text suggests that there was a great weeping and the men were embracing Paul.

Overall, the etching captures a moment of emotional farewell. The image is a visual representation of a biblical event, rendered in a classical and dramatic style.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-09

The image depicts a scene from the Bible, specifically the stoning of Saint Stephen, the first Christian martyr. The scene shows a group of men in classical attire, with one man prominently in the center, identified as Saint Stephen, who is being stoned. The other figures are actively participating in the stoning, with some throwing stones and others gesturing angrily.

The Latin inscription at the bottom of the image reads:
"Magnus fletus factus est omnium et procumbentes super collum Pauli osculabantur eum."
This translates to:
"There was great mourning by all, and falling upon Paul's neck, they kissed him."

This text is from the Acts of the Apostles (Acts 20:37) and refers to a different event, the farewell of Paul from the Ephesian elders, but the image itself clearly represents the stoning of Stephen.

The image is attributed to Rafael Sadeler, a Flemish engraver, and was printed by Sanctus Bartels in Rome. The engraving is based on a work by Jacopo de Rubris, and it is dedicated to Pope Paul V. The detailed and dynamic depiction of the figures and their actions captures the intensity and emotion of the biblical event.

Qwen

Text analysis

Amazon

factus
et
super
fletuis
Magnus
collum
procumbentes
ad
omniu
Pauli
osculabantuir
Magnus factus eFt omniu et procumbentes collum Pauli osculabantuir
de
Rubeis
Rafael
form
Sanctio
Bartohe
T'emp
fletuis Tetru: Bartohe super loJacobi de Rubeis form Romee ad T'emp Pacir eum.Atip.c2o, Pris-
loJacobi
Pont.
Romee
Pacir
Tetru:
Sanchus
Seuelp.
Rafael Sanctio V.k ina Sanchus del-et Seuelp. eti Pont.
del-et
eFt
eti
Pris-
eum.Atip.c2o,
ina
V.k

Google

eMagnus fletus factus eft omnium et procumbentes super collum Pauli osculabantur eum.AeAp C2o. Io lacobi de Rubeis form Romae ad Temp Pacir ei Priu-S.Pont Rafael Sanctie Vb inu Petrus Sanctus Bartohs del-et Seulp
eMagnus
fletus
factus
eft
omnium
et
procumbentes
super
collum
Pauli
osculabantur
eum.AeAp
C2o.
Io
lacobi
de
Rubeis
form
Romae
ad
Temp
Pacir
ei
Priu-S.Pont
Rafael
Sanctie
Vb
inu
Petrus
Sanctus
Bartohs
del-et
Seulp