Human Generated Data

Title

David Cutting off Goliath's Head

Date

1715

People

Artist: Benoît Audran the Elder, French 1661 - 1721

Artist after: Daniele da Volterra, Italian 1509 - 1566

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G85

Human Generated Data

Title

David Cutting off Goliath's Head

People

Artist: Benoît Audran the Elder, French 1661 - 1721

Artist after: Daniele da Volterra, Italian 1509 - 1566

Date

1715

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G85

Machine Generated Data

Tags

Amazon
created on 2022-02-18

Person 97.5
Human 97.5
Art 96.7
Painting 94.7

Clarifai
created on 2023-10-28

people 100
print 99.9
illustration 99.7
adult 99.6
group 99.3
lithograph 99
art 98.9
engraving 98.7
two 98.7
man 97.9
woman 97.6
reclining 96.9
Renaissance 96.5
nude 95.4
interaction 94.1
painting 91.7
three 91.5
one 91.5
royalty 91.3
mammal 90.5

Imagga
created on 2022-02-18

daily 58.2
newspaper 46
product 35.8
creation 28.1
dog 21.7
whippet 19.8
cadaver 18.3
hound 17.4
greyhound 17.1
close 16
money 15.3
dollar 13.9
cash 13.7
currency 13.5
racer 12.8
finance 12.7
wealth 12.6
dollars 12.6
paper 12.5
banking 11.9
hunting dog 11.6
business 10.9
bank 10.7
financial 10.7
old 10.4
pet 10.1
cute 10
water 10
one 9.7
adult 9.7
us 9.6
home 9.6
sand 9.3
canine 9
sleep 8.8
sea 8.6
resting 8.6
animals 8.3
person 8.1
symbol 8.1
hair 7.9
design 7.8
bills 7.8
portrait 7.8
travel 7.7
bill 7.6
statue 7.6
savings 7.5
vintage 7.4
people 7.2
black 7.2
face 7.1

Google
created on 2022-02-18

Microsoft
created on 2022-02-18

text 100
book 99.8
drawing 96.8
sketch 96.4
cartoon 82.3
person 65.2

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 42-50
Gender Male, 99.2%
Sad 32%
Angry 24.1%
Calm 17.4%
Fear 13%
Disgusted 5.9%
Confused 4.8%
Surprised 1.4%
Happy 1.3%

Feature analysis

Amazon

Person
Painting
Person 97.5%
Painting 94.7%

Categories

Imagga

paintings art 99.4%

Captions

Microsoft
created on 2022-02-18

a person sitting on top of a book 27.6%

OpenAI GPT

Created by gpt-4 on 2025-01-26

This is an image of a classical piece of art, presented as an engraving. It depicts two male figures in a dramatic and violent scene. The figure on top appears to be a young, muscular man in a heroic pose, wielding a scythe-like weapon raised above his head, as if he is about to strike. He is wearing a draped cloth around his lower body. His face shows a sense of determination or anger. Beneath him lies another male figure who is lying on his back, defeated and seemingly powerless under the weight of his attacker. One of his arms is raised in a futile attempt to defend himself while the other arm is sprawled out on the ground. His face is turned to the side, away from the oncoming strike, and he appears to be in distress or pain. The background is quite simple and serves to emphasize the action in the foreground. It looks like a rocky terrain, suggesting an outdoor setting, and there is a dark area to the left which could be depicting a cave or shadow, creating a sense of depth. At the bottom of the image, there is a block of text dedicated "A Monsieur le Prince de Chalais," indicating that this piece was likely commissioned or dedicated to a specific person. It is common for artwork from certain historical periods to include such dedications or to be presented as a form of tribute. The context of the image and the description below it would likely provide additional information about the significance of the depicted scene and the reasons for its creation.

Created by gpt-4o-2024-05-13 on 2025-01-26

This image depicts a dramatic scene in which a young man, likely David, is about to behead a larger, older man, probably Goliath. The young man is shown with his arm raised, holding a sword, and is poised to strike. He has a muscular build and his expression is focused and determined. The older man is lying on the ground, firmly held by the wrist to prevent defense, his face contorted in pain and defeat. The scene is highly dynamic, with a great sense of movement and tension captured through the detailed illustration of the characters' muscles and expressions. The background is simple and does not distract from the intensity of the struggle between the two figures. Below the image is an inscription dedicating the work to a figure named Monseigneur le Prince de Chelamas and providing various titles and honors he holds. The style and technique of the artwork suggest it is a finely crafted historical illustration, likely created with precision and attention to detail.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-26

This is a classical engraving depicting a dramatic combat scene, showing two figures engaged in intense physical struggle. The artwork appears to be from the 18th century, given its style and execution. One figure is shown wielding what appears to be a curved blade while positioned above the other figure who is lying on the ground. The composition is dynamic, with flowing drapery and muscular figures rendered in a typical neoclassical style. At the bottom of the image, there is French text dedicating the work to "Monseigneur le Prince de Chelamar" along with additional text describing his titles and positions. The engraving technique shows fine detail and shading, creating a sense of depth and drama in the scene.

Created by claude-3-opus-20240229 on 2025-01-26

The black and white image depicts a muscular male figure, likely a mythological or religious character, wrestling with a large serpent or dragon-like creature. The man is nude except for a draping cloth, and has a beard and curly hair. He appears to be strangling or fighting the serpentine beast, which is coiled around his body. The dramatic struggle is taking place on rocky, uneven ground. The text below the image is in French, and seems to provide the title "A Monseigneur le Prince de Chalama" along with additional context about the artwork, though I cannot translate it fully. The image has an engraved, classical art style typical of etchings or prints from past centuries.

Created by claude-3-haiku-20240307 on 2025-01-26

The image depicts two nude male figures engaged in a physical struggle. One figure, lying on the ground, appears to be subdued or overpowered by the other figure, who is grasping and restraining the first figure. The composition has a dramatic, tense quality, with the figures' intertwined bodies and the dark, shadowy background adding to the sense of conflict and tension. The title of the work, "A Monseigneur le Prince de Chelamar," suggests this may be a depiction of a historical or mythological event, though I will refrain from speculating further on the specific subject matter or identities of the figures.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-26

The image is a black-and-white drawing of two men engaged in a fierce fight. One man is lying on the ground, and the other is standing on him. The man on the ground is trying to push the other man off him. The man on top is holding a sword in his right hand and is about to strike the man on the ground. The drawing is in a vintage style.

Created by amazon.nova-lite-v1:0 on 2025-01-26

The image depicts a black and white engraving from the 18th century. The central focus is on a dramatic scene where two figures are engaged in a fierce battle. One figure, dressed in a flowing garment and holding a sword, is positioned above the other, who is lying on the ground. The upper figure appears to be pinning down the lower one with a determined expression. The background is dark and atmospheric, contributing to the intensity of the scene. The engraving is titled "A Monseigneur le Prince de Chelama" and includes a caption that provides historical context, mentioning a military commander and a battle.

Text analysis

Amazon

Grand
de
dans
Prince
le
surfaces
la
Ecuier
A Monseigneur le Prince de Chelamar
attitudes
Chelamar
Catholique
Commandeur
l'Ordre
A
Chambre
Ministre
Caravaca
Monseigneur
deux
son
d'une
du
Ange
representant
David
Michel
Audran
Paris
combat
en
au
in
dedie
ambassadeur
Paris le 1716
Commandeur de Caravaca dans l'Ordre de S.Tacques Gentilhomme de la Chambre de S М. Catholique
Marly
Maitre
de la
laquelle
1715
Palais
Geliath
Ministre de son Conseil privé, Grand Ecuier de la Reine .et ambassadeur in France.edc
1716
.et
cotte
S
Beneit
l'année
differentes
les
privé,
laquelle Beneit Audran onlin & "des Rev, dedie copu Marly d'une le deux printures de Michel au Ange Buendreasa quercuppens les surfaces Maitre d'ant grande purre representant de meme rujet du combat A de David 3r-Decembre of de Geliath en deuz differentes attitudes
Conseil
des
М.
LOUISLE
Rev,
Reine
of
Gentilhomme
&
Aportolique
Monsig
add presenté par antrur sun "3 LOUISLE GRAND.à cotte des 15 Juillet de l'année 1715 Stem de Monsig "Judice senfrere Grand du Palais Aportolique
S.Tacques
copu
presenté par
"3
printures
"Judice
purre
3r-Decembre
GRAND.à
onlin
d'ant grande
deuz
15 Juillet
de meme rujet
France.edc
sun
add
quercuppens
Buendreasa
Stem
senfrere
antrur
"des

Google

A Monseigneur le Prince de Chelamar Commandeur de Caravaca dans l'Ordre de S:Tacques, Gentilhomme de la Chambre de S.M. Catholique, Ministre de son Conseil prive, Grand Ecuier de la Reine,et ambassadeur en France cdc Beneit . Audrananveur ondin du Rey, dedie laguelle a ete prnmte par son e"a 1.oviS LE GRAND, à farty le 25 Juiller de lannee 17s au lon de Monseig Tudice son fiwe, Grand Maitre du Palais Apertolique. e catte copie dune des deux printurer de Michel e Ange 3uenarotta qurecuppent les surfaces dune grande perre representant le même sujet du combat de Daid et de Geliath en deux diferentes attitudes A Paris le 3r.Decembre 1y16.
A
Monseigneur
le
Prince
de
Chelamar
Commandeur
Caravaca
dans
l'Ordre
S:Tacques,
Gentilhomme
la
Chambre
S.M.
Catholique,
Ministre
son
Conseil
prive,
Grand
Ecuier
Reine,et
ambassadeur
en
France
cdc
Beneit
.
Audrananveur
ondin
du
Rey,
dedie
laguelle
a
ete
prnmte
par
e"a
1.oviS
LE
GRAND,
à
farty
25
Juiller
lannee
17s
au
lon
Monseig
Tudice
fiwe,
Maitre
Palais
Apertolique.
e
catte
copie
dune
des
deux
printurer
Michel
Ange
3uenarotta
qurecuppent
les
surfaces
grande
perre
representant
même
sujet
combat
Daid
et
Geliath
diferentes
attitudes
Paris
3r.Decembre
1y16.