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Human Generated Data

Title

Azor and Nahshon

Date

18th century

People

Artist: Domenico Cunego, Italian 1727 - 1794

Artist: Luigi Fabri, Italian 1778 - c. 1835

Artist after: Michelangelo Buonarroti, Italian 1475 - 1564

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G824

Human Generated Data

Title

Azor and Nahshon

People

Artist: Domenico Cunego, Italian 1727 - 1794

Artist: Luigi Fabri, Italian 1778 - c. 1835

Artist after: Michelangelo Buonarroti, Italian 1475 - 1564

Date

18th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G824

Machine Generated Data

Tags

Amazon
created on 2019-03-22

Human 98.3
Person 98.3
Person 97.1
Art 97.1
Architecture 81.2
Building 81.2
Drawing 77.2
Painting 73.5
Archaeology 63.4
Flooring 56

Clarifai
created on 2019-03-22

art 96.4
architecture 93.2
vintage 91.3
old 90.8
sculpture 89.2
travel 88.5
design 88.2
building 88
symbol 87.4
decoration 85.9
ancient 85.5
monument 85.3
city 84.3
statue 83.4
antique 82.7
historic 80.5
illustration 80.2
retro 79.8
style 79.1
culture 78.9

Imagga
created on 2019-03-22

stucco 100
architecture 47.2
old 39
building 29.7
vintage 27.3
history 26.9
facade 26.1
ancient 26
art 25.8
travel 21.1
arch 20.6
religion 20.6
decoration 20.3
wall 19.3
historic 19.3
window 19.1
antique 19.1
culture 18
entrance 17.4
sculpture 17.3
tourism 16.5
landmark 16.3
door 16.2
structure 16.1
style 15.6
retro 15.6
ornament 15.5
monument 15
church 14.8
detail 14.5
grunge 14.5
city 14.1
design 14.1
paper 13.3
texture 13.2
pattern 13
mosque 12.8
ornate 12.8
medieval 12.5
exterior 12
stone 11.8
frame 11.7
famous 11.2
money 11.1
currency 10.8
historical 10.4
classic 10.2
house 10.1
memorial 10
bank 10
traditional 10
gate 9.7
palace 9.6
cathedral 9.6
brown 9.6
religious 9.4
cash 9.2
architectural 8.7
attraction 8.6
floral 8.5
details 8.5
decorative 8.4
banking 8.3
border 8.1
decor 8
doorway 7.9
carved 7.8
banknote 7.8
bill 7.6
finance 7.6
east 7.5
tourist 7.3
tower 7.2
textured 7

Google
created on 2019-03-22

Text 85.2
Picture frame 79.7
Art 79.6
Arch 77.2
Stock photography 77.1
Visual arts 75.9
Painting 74.2
Illustration 71.8
Triumphal arch 68.7
History 67.6
Collection 66.1
Architecture 65.5
Artwork 56.7
Paper 54.3
Square 50.6

Microsoft
created on 2019-03-22

indoor 93.4
gallery 61.6
old 51.6
room 47.8
painting 40
decorated 32.4
museum 32.4
art 30.9
monochrome 4.7

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 38-57
Gender Female, 54.9%
Sad 54.4%
Angry 45.1%
Calm 45.2%
Surprised 45%
Confused 45.1%
Happy 45.1%
Disgusted 45.1%

Feature analysis

Amazon

Person
Painting
Person 98.3%

Categories

Captions

Microsoft
created on 2019-03-22

a painting on the wall 78.8%
a painting on a wall 78.3%
a painting hanging on a wall 78.2%

OpenAI GPT

Created by gpt-4 on 2025-02-03

This image depicts an artwork resembling an architectural design featuring an arched structure with a semi-circular layout. At the center of the composition is a semi-circular element resembling a window or a recessed niche with a grid design at the bottom. On either side of this central feature, set back within their own semi-circular arches, are two figures. These figures are seated on high-backed chairs or thrones and appear to be in reflective or contemplative poses.

The overall style is reminiscent of classical or neoclassical art with its precise geometric forms and a clear sense of symmetry. The figures and the surrounding architecture are detailed in a way that suggests depth and three-dimensionality. Latin inscriptions can be seen above each figure and at the base of the artwork. The inscription at the base reads "GREGORIO PRIMO SEDENTE PONT. OPT. MAX.", likely a reference to Pope Gregory I, suggesting a religious or historical context for this piece.

The paper itself looks aged, giving the impression of being a print or etching from an older period. This work could be a part of a series or a collection given the number "17" positioned in the bottom right corner.

Created by gpt-4o-2024-05-13 on 2025-02-03

The image depicts an architectural engraving featuring two figures in classical attire seated in arched niches on either side of a central inscription that reads "AXIOR NAX NASON." Below the arches, there is an ornate, circular window detail. The architectural style and decorative elements suggest a Renaissance or neoclassical influence. The inscription at the bottom of the image reads "GREGORIO DECIMO SEXTO PONT. OPT. MAX."

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-03

This is an architectural illustration showing a semi-circular arched design, likely from a church or religious building. The design features two seated figures in classical robes positioned on either side of a central fanlight window. Above the window is a tablet bearing the text "AZOR NAASON". The figures appear to be in contemplative poses, with one appearing to be reading or writing. The overall style is neoclassical, with the text at the bottom reading "GREGORIO DECIMO SENTO PONT. OPT. MAX." The artwork appears to be an engraving or print, rendered in monochromatic tones with detailed architectural elements including decorative moldings and patterns.

Created by claude-3-opus-20240229 on 2025-02-03

The image depicts an architectural engraving or illustration showing an arched alcove with two seated male figures, one on each side. Above the alcove, there is a plaque that reads "AZOR XANXIS". The architecture features intricate detailing and patterning. The seated figures are dressed in robes and appear to be in contemplative or thoughtful poses. The caption below the illustration reads "GREGORIO DECIMO SEXTO. PONT. OPT. MAX."

Created by claude-3-haiku-20240307 on 2025-02-03

The image appears to be an engraved architectural or artistic rendering. It depicts an ornate, arched entrance with two seated figures on either side. The figures appear to be male and are rendered in a classical, allegorical style. Above the arched entrance is a title "Azor Masson" and the text "Gregorio Decimo Sexto Pont. Opt. Max." which suggests this is related to a pontificate or church figure. The overall style and composition suggests this is an illustration or decorative print from a historical or religious context.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-14

The image is a sepia-toned engraving of a scene from ancient Roman architecture, featuring two figures in the foreground and a large archway behind them. The engraving is surrounded by a border with text in Latin.

  • Background:
    • The background of the image is a light beige color.
  • Central Image:
    • The central image is an engraving of a scene from ancient Roman architecture.
    • It features two figures in the foreground, one kneeling and the other sitting.
    • Behind them is a large archway with a semicircular shape.
    • Above the archway is a rectangular plaque with the words "AZOR NAASON" inscribed on it.
    • Below the archway is a semicircular window with a grid pattern.
  • Border:
    • The border around the engraving is made up of a series of lines and shapes.
    • It contains text in Latin, including the words "GREGORIO DECIMO SEXTO PONT. OPT. MAX."
  • Overall:
    • The image appears to be a reproduction of an ancient Roman engraving, possibly from the 18th or 19th century.
    • It showcases the architectural style and artistic techniques of the time period.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-14

The image depicts a sepia-toned illustration of two figures in classical attire, situated within an arched structure. The figure on the left is depicted in a kneeling position, while the figure on the right is seated. Both figures are attired in flowing robes, with the kneeling figure appearing to be engaged in some form of activity or gesture.

Above the figures, a rectangular plaque bears the inscription "AZOR NAASON" in bold letters. The archway surrounding the figures features intricate details and patterns, adding to the overall sense of grandeur and elegance.

At the bottom of the image, a Latin phrase is inscribed: "GREGORIO DECIMO SEXTOPONT OPT MAX." This phrase translates to "Gregory X, the sixth pontiff, the greatest of all." The image appears to be a representation of a historical or religious scene, possibly from the Renaissance period. The use of classical motifs and the inscription of the Latin phrase suggest a connection to ancient Roman culture and the Catholic Church. Overall, the image exudes a sense of reverence and solemnity, inviting the viewer to contemplate its meaning and significance.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-03

The image is a black-and-white illustration of a painting. The painting depicts two people sitting on either side of a window. The window is open, and the sunlight is coming through it. The two people are sitting on the window ledge, which is curved. The painting is framed by a black border. The painting is signed by the artist, Gregorio Decimo Sexto Pont. Opt. Max.

Created by amazon.nova-lite-v1:0 on 2025-02-03

The image is an engraving depicting an architectural scene with two figures. The scene is set within an arched structure that resembles a window or an entrance. The engraving has a monochromatic palette, giving it a classical and timeless appearance. At the top of the arch, there is an inscription in Latin, "Azor Naason," which likely refers to a specific location or a historical figure. Below the arch, there are two figures. On the left, a figure is depicted standing and holding a book, possibly engaged in reading or studying. On the right, a figure is seated, appearing to be in a contemplative or meditative pose. The engraving is framed with a decorative border, adding to its artistic and historical significance.

Text analysis

Amazon

DECIMO
GREGORTO
AZOR
NEXTO
NAASON
GREGORTO DECIMO NEXTO PONT.OPT.MAX.
PONT.OPT.MAX.
SEXTIC

Google

AZ OR NAASON 7
AZ
OR
NAASON
7