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Human Generated Data

Title

Joel

Date

18th century

People

Artist: Domenico Cunego, Italian 1727 - 1794

Artist after: Michelangelo Buonarroti, Italian 1475 - 1564

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G813

Human Generated Data

Title

Joel

People

Artist: Domenico Cunego, Italian 1727 - 1794

Artist after: Michelangelo Buonarroti, Italian 1475 - 1564

Date

18th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G813

Machine Generated Data

Tags

Amazon
created on 2019-11-06

Human 98.9
Art 93.1
Building 92.6
Architecture 92.6
Archaeology 57.7
Apse 56.2
Archangel 55.3
Angel 55.3

Clarifai
created on 2019-11-06

art 98.6
sculpture 97.1
people 96.7
no person 96.5
architecture 93.2
baroque 92.5
statue 92.4
print 91.5
travel 90.1
illustration 89.6
Renaissance 88.7
man 88.5
monument 85.4
church 85.1
one 84.3
symbol 84.1
old 84
building 84
administration 83.9
religion 83.7

Imagga
created on 2019-11-06

architecture 67
column 50.7
building 49.9
facade 45.7
sculpture 40.4
landmark 33.5
history 32.3
church 31.5
monument 30.9
religion 30.6
historic 30.3
old 30.1
arch 30
tourism 29.8
city 29.2
structure 29.2
ancient 26.9
statue 26.8
historical 26.4
travel 26.1
culture 25.7
cathedral 25.1
famous 23.3
art 22.6
stucco 22.4
stone 22.2
god 20.2
memorial 20.1
monastery 18.9
carving 18.5
exterior 18.5
triumphal arch 18.4
catholic 17.6
palace 16.8
detail 16.1
marble 15.5
holy 15.5
faith 15.4
religious 15
altar 14.8
architectural 14.5
carved 13.7
religious residence 13.7
roman 13.7
tourist 13.6
residence 13.6
door 13.4
antique 13
temple 12.9
catholicism 12.8
window 12.5
buildings 12.3
house 12.2
destination 12.2
worship 11.6
decoration 11.6
medieval 11.5
attraction 11.5
baroque 10.8
entrance 10.7
prayer 10.7
heritage 10.7
town 10.2
urban 9.6
spirituality 9.6
symbol 9.5
ornate 9.2
tower 9
support 9
carvings 8.9
statues 8.9
ornament 8.6
wall 8.6
capital 8.6
cross 8.5
vacation 8.2
fountain 8.2
style 8.2
interior 8
basilica 7.9
exteriors 7.9
sightseeing 7.8
majestic 7.7
saint 7.7
spiritual 7.7
vintage 7.5
classic 7.5
dome 7.4
roof 7.3

Google
created on 2019-11-06

Microsoft
created on 2019-11-06

text 99.6
book 98.7
person 91.1
church 87.3
clothing 78.1
baroque 67.4
old 64.7
art 60.9
vintage 47

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 50-68
Gender Male, 50%
Calm 45.2%
Sad 54.4%
Angry 45.3%
Fear 45.1%
Happy 45%
Surprised 45%
Confused 45%
Disgusted 45%

Feature analysis

Amazon

Person
Painting

Clarifai

No features identified

AWS Rekognition

Person 98.9%

Categories

Imagga
created on 2019-11-06

paintings art 76.4%
interior objects 21.2%
streetview architecture 2.4%

Captions

Microsoft
created by unknown on 2019-11-06

a vintage photo of a book 71.3%
a vintage photo of a person holding a book 54.3%
a vintage photo of a person 54.2%

Salesforce

Created by general-english-image-caption-blip on 2025-05-19

a photograph of a drawing of a man sitting on a ledge

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-03

The image is a detailed reproduction of a fresco from the Sistine Chapel, featuring a seated central figure in a classical architectural setting. The figure is surrounded by elaborate architectural elements, including columns, arches, and decorative figures. Two prominent winged cherubs are positioned above the central figure, each perched on a ledge and holding a decorative garland. Below the cherubs are niches containing small, standing statues.

To the left and right of the central figure, there are groups of additional figures engaged in various poses and activities, framed by the arches and elaborate architectural details. The intricacy of the design and the classical themes of the imagery suggest a Renaissance style, consistent with the works of Michelangelo. The inscription at the top reads "MICHAEL ANGELUS BONAROTUS PINXIT," indicating Michelangelo as the creator. Another inscription mentions "IN SIXTINO VATICANO SACELLO," referring to the Sistine Chapel in the Vatican.

The bottom inscription, "PIO SEPTIMO PONT. OPT. MAX." refers to Pope Pius VII, indicating that this piece may have been created or reproduced during his papacy. The architectural and figurative elements combine to create a composition rich in classical symbolism and Renaissance artistry.

Created by gpt-4 on 2025-02-03

This is an image of an etching that depicts an intricately decorated interior space, possibly a part of a grand building or a church. It is executed in a classical style, with architectural elements such as arches, columns, and pediments, suggesting a Renaissance or Neoclassical influence. The walls are adorned with framed artwork and sculptures. On top of the central archway, there are two figures seated on pedestals that flank a circular relief sculpture. Below these figures, an architectural drawing hangs on the wall. Statues of males stand on the cornices of the surrounding architecture. Below, there are figures seated in niches: one appears to be reading and another is shown next to a sculpture. At the bottom of the image, Latin text references "PIO SEPTIMO PONT. OPT. MAX," which could be an indication of the work being dedicated to or commissioned by Pope Pius VII, who was the Pope at the turn of the 19th century. The artwork suggests a celebration of art, architecture, and possibly religious or cultural heritage.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-03

This is a classical architectural artwork that appears to be from the Vatican, as indicated by the text "IN VATICANO SACELLO" at the top. The image shows an elaborate fresco or architectural drawing with multiple figures arranged in a symmetrical composition. The central figure is seated on a throne-like structure and appears to be a religious figure, likely a pope given the inscription "PIO SEPTIMO PONT. OPT. MAX." at the bottom.

The composition includes decorative elements typical of Renaissance art, with nude figures (putti or angels) flanking the top portion, and classical architectural features like arches and columns. Two seated figures appear in niches on either side of the lower portion. The artwork is attributed to "MICHAEL ANGELUS BONAROTIUS PINXIT" (Michelangelo) as indicated by the text at the top left.

The overall style is characteristic of High Renaissance art, with careful attention to perspective, architectural detail, and human anatomy. The image appears to be a reproduction or print of the original artwork, rendered in sepia or monochromatic tones.

Created by claude-3-opus-20240229 on 2025-02-03

The image depicts an elaborate architectural engraving or drawing titled "PIO SEPTIMO PONT. OPT. MAX." which translates to "Pope Pius VII, Supreme Pontiff". The central figure appears to be a pope or religious leader seated on an ornate throne or pedestal. Flanking him on either side are classical sculpted male nudes representing angels or mythological figures. Above them are Latin inscriptions praising the pope's virtues. The entire scene is framed by highly detailed arched columns and decorative moldings in a Renaissance or Baroque architectural style. The image conveys the majesty, religious authority and artistic opulence associated with the papacy during that historical period.

Created by claude-3-haiku-20240307 on 2025-02-03

The image appears to depict a detailed and ornate architectural interior scene. At the center is a large figure seated on a throne-like chair, surrounded by smaller figures and decorative elements. The overall composition features classical architectural motifs and statuary, creating an elaborate and grandiose visual effect. The image seems to showcase a highly detailed and intricate artistic rendering of a significant religious or ceremonial space.

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-25

This is a reproduction of a fresco from the Vatican, painted by Michelangelo (as indicated by the inscription "MICHAEL ANGELUS BONAROTIUS PINXIT"). The image shows an architectural composition with multiple figures arranged in a hierarchical manner. At the top are two seated figures with decorative elements between them. Below them are several nude figures serving as architectural supports (known as atlantes or telamones). The central figure appears to be a prophet or biblical figure seated on a throne-like structure. Below this is another nude figure in a supporting role. The composition includes arched elements and architectural details typical of Renaissance art. The bottom of the image has an inscription reading "PIO SEPTIMO PONT. OPT. MAX." (referring to Pope Pius VII). The artwork demonstrates Michelangelo's characteristic style in depicting the human form and his integration of figures with architecture.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-11

The image depicts a section of the ceiling of the Sistine Chapel, specifically the "Pio Septimo" section, which is a part of Michelangelo's famous frescoes. The image shows a central figure of Pope Pius V, surrounded by other figures and inscriptions.

  • Central Figure:
    • The central figure is Pope Pius V, depicted in a seated position.
    • He is shown holding a sword and a book, symbolizing his role as a religious leader and protector of the faith.
  • Surrounding Figures:
    • The surrounding figures are depicted in various poses, some sitting, standing, or kneeling.
    • They appear to be engaged in different activities, such as reading, praying, or contemplating.
  • Inscriptions:
    • The inscriptions on the ceiling are written in Latin and appear to be names of saints, biblical figures, or other important individuals.
    • They add to the overall sense of grandeur and importance of the scene.
  • Architectural Elements:
    • The ceiling itself is adorned with intricate architectural elements, including arches, columns, and decorative moldings.
    • These elements help to create a sense of depth and perspective, drawing the viewer's eye upward.
  • Color Scheme:
    • The dominant color scheme is a muted palette of earth tones, including shades of brown, beige, and gray.
    • The use of these colors creates a sense of warmth and coziness, despite the grandeur of the scene.

Overall, the image captures a small but significant portion of Michelangelo's masterpiece, showcasing his skillful use of composition, color, and symbolism to convey the beauty and importance of the Catholic Church.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-11

This image is a sepia-toned illustration of a section of the Sistine Chapel ceiling, featuring Michelangelo's famous frescoes. The central figure is a bearded man sitting on a pedestal, wearing a long robe and holding a scroll in his right hand. He is surrounded by various figures, including nude male models, some of whom are posing or interacting with each other.

The illustration also includes architectural elements, such as arches and columns, which are adorned with intricate carvings and sculptures. The overall effect is one of grandeur and beauty, showcasing Michelangelo's mastery of art and architecture.

At the bottom of the image, there is an inscription that reads "PIO SEPTIMO PONT. OPT. MAX." This suggests that the illustration was created during the papacy of Pope Pius VII, who ruled from 1800 to 1823. The image may have been used as a print or engraving to promote the Sistine Chapel and its artistic treasures to a wider audience.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-03

The image is a black and white illustration of an artwork, which is a depiction of a man sitting on a throne. The throne is placed on top of a structure that has a few sculptures of humans and children. The man is holding a book and is sitting on a throne with a cushion. On the right side, there is a man sitting on a chair and holding a child.

Created by amazon.nova-lite-v1:0 on 2025-02-03

This image is a detailed illustration of the interior of the Sistine Chapel, specifically focusing on the architectural elements and sculptures. The central figure is a seated man, likely representing a significant historical or religious figure, positioned prominently on a pedestal. Surrounding him are various statues and figures, some seated, others standing, all arranged in a symmetrical layout. The scene is set within the chapel's architectural framework, featuring arches, columns, and decorative elements. The image also includes inscriptions and labels, such as "MICHAEL ANGELIVS" and "IN SIXTINO VATICANO SACELLO," indicating the artist and the chapel's location. The overall composition is reminiscent of classical art, with a focus on symmetry and balance.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-04-28

This is a black and white print or engraving, likely depicting a section of Michelangelo's work in the Sistine Chapel. It's a highly detailed, classical composition.

Here's a breakdown of what's visible:

  • Overall Composition: The image appears to be a depiction of the ceiling or a specific part of the Sistine Chapel, as indicated by the inscription "IN SIXTINO VATICANO SACELLO". It shows a classical architectural setting, likely within a vaulted space.

  • Central Figure: The central focus is on a seated figure, likely a prophet or a key figure from the Old Testament. The figure is elderly, with flowing robes and is depicted writing or studying a scroll or book. The name "JOEL" is written above.

  • Architectural Elements: The composition is framed by arched architectural elements, common in Renaissance and Baroque styles. There are smaller figures, likely statues or sculpted figures, placed within niches and along the architectural structure.

  • Side Figures: In the arched spaces to the sides, there are depictions of figures. On one side, there is a woman with a child, on the other side there are female figures in a similar position.

  • Above: On top of the central figure, a panel with two figures.

  • Inscriptions: There are inscriptions in Latin, which include:

    • "MICHAEL ANGELYS BONAROTIVS PINXIT" - indicating that Michelangelo Buonarroti (Michelangelo) painted this work.
    • "PIO SEPTIMO PONT. OPT. MAX." - referring to Pope Pius VII.
  • Style: The style is highly detailed, characteristic of classical art and the meticulous techniques of engraving. The use of light and shadow contributes to the depth and three-dimensional effect.

In summary, it appears to be a detailed print or engraving that captures the grandeur and artistic skill of Michelangelo's work in the Sistine Chapel, likely made as a reproduction or a study after the original painting.

Created by gemini-2.0-flash on 2025-04-28

Here is a description of the image:

The image is a detailed etching of a section of the Sistine Chapel, showcasing its architectural elements and frescoes. At the top, the text "MICHAEL ANGELYS BONAROTIVS PINXIT" is inscribed on one side, indicating that Michelangelo Buonarroti painted the artwork. On the opposite side, the inscription reads "IN SIXTINO VATICANO SACELLO," referring to the Sistine Chapel in the Vatican.

The composition features a central, elevated platform where a robed figure sits, presumably a prophet or biblical figure. He is holding a scroll or book. Above this figure, on either side, there are classical figures sitting nude. Flanking the seated figure are groups of smaller nude figures supporting architectural details.

Below the central figure is another platform with a niche that features a nude figure, likely depicting a young boy or angel. The name "JOEL" is inscribed above this figure. On either side of this niche are scenes with figures. On the left, a woman is seated with a child, possibly depicted reading or working. On the right, a woman holds a child in her arms, reminiscent of a Madonna and Child composition.

At the bottom of the image, the inscription "PIO SEPTIMO PONT. OPT. MAX." is present, which refers to Pope Pius VII, suggesting this image was created during his papacy.

The overall aesthetic is reminiscent of Renaissance art and architecture, emphasizing classical motifs and religious themes.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-24

The image depicts an intricate and detailed architectural drawing of a tomb monument. The monument is dedicated to Pope Pius VII, as indicated by the inscription "Pio Septimo Pont. Opt. Max." at the bottom. The central figure is a seated statue of the Pope, depicted in a regal pose, holding a book and wearing traditional papal attire.

Above the Pope's statue, there is an ornate medallion featuring a relief sculpture, flanked by two figures seated on either side. These figures appear to be allegorical representations, possibly symbolizing virtues or attributes associated with the Pope.

On either side of the central figure, there are niches containing various statues. These statues depict figures in different poses, some standing and some seated, adding to the overall grandeur and symbolism of the monument.

The background features architectural elements such as arches and columns, enhancing the monument's majestic appearance. The inscription at the top reads "Michael Angelus Bonarotius Florentinus Pius VII In Sintino Vaticano Sacello," which translates to "Michelangelo Buonarroti, the Florentine, for Pius VII in the Vatican Basilica."

Overall, the image showcases a highly detailed and symbolic tomb monument, reflecting the artistic and architectural styles of the Renaissance period.

Qwen

Text analysis

Amazon

PINXIT
SEPTIMO
MICHAEL
IN
VATICANO
HONAROTIVS
MICHAEL ANGELVS IN SIXTINO
SIXTINO
ANGELVS
SACEL1O
OPT.MAX.
PIO SEPTIMO PONT. OPT.MAX.
PONT.
PIO
JOE1

Google

MICHAEL ANCELVS IN SIXTINO BONAROTIVS VATICANO PINXIT SACELLO TOEI L.I V D PIO SEPTIMO PONT. OPT. MAX.
MICHAEL
ANCELVS
IN
SIXTINO
BONAROTIVS
VATICANO
PINXIT
SACELLO
TOEI
L.I
V
D
PIO
SEPTIMO
PONT.
OPT.
MAX.