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Human Generated Data

Title

Achim and Amminadab

Date

18th century

People

Artist: Domenico Cunego, Italian 1727 - 1794

Artist: Luigi Fabri, Italian 1778 - c. 1835

Artist after: Michelangelo Buonarroti, Italian 1475 - 1564

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G823

Human Generated Data

Title

Achim and Amminadab

People

Artist: Domenico Cunego, Italian 1727 - 1794

Artist: Luigi Fabri, Italian 1778 - c. 1835

Artist after: Michelangelo Buonarroti, Italian 1475 - 1564

Date

18th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G823

Machine Generated Data

Tags

Amazon
created on 2019-11-06

Art 95.3
Human 92.1
Person 92.1
Architecture 91.7
Building 91.7
Person 87.9
Painting 85.2
Archaeology 71.8
Person 65.1
Flooring 57.9
Crypt 57

Clarifai
created on 2019-11-06

art 98.9
vintage 97.2
old 95.9
architecture 94.3
antique 94.3
people 93.6
illustration 93.2
retro 92.2
print 91.8
ancient 90.3
building 89
travel 88.1
symbol 86.9
church 86.5
city 86.4
design 85
decoration 84.8
no person 83.5
historic 83.2
sculpture 82.3

Imagga
created on 2019-11-06

stucco 100
architecture 58.1
facade 42.8
building 41.4
old 37
history 33.2
ancient 29.5
religion 28.7
church 27.8
landmark 26.2
art 24.9
travel 24
tourism 24
historic 23.9
monument 23.4
sculpture 23.1
structure 23.1
window 23.1
arch 22.5
door 21.9
wall 21.8
entrance 21.3
culture 20.5
city 20
antique 19.9
stone 19.4
cathedral 19.2
vintage 19.1
exterior 18.5
decoration 17.4
style 17.1
historical 17
detail 16.9
medieval 16.3
memorial 16.2
religious 14.1
famous 14
gate 13.6
architectural 13.5
ornate 12.8
house 12.8
brass 12.6
ornament 12.1
mosque 11.9
catholic 11.7
town 11.1
tourist 10.9
traditional 10.8
palace 10.6
faith 10.5
destination 10.3
retro 9.8
carving 9.8
holy 9.6
design 9.6
god 9.6
attraction 9.6
construction 9.4
classic 9.3
frame 9.2
texture 9
pattern 8.9
marble 8.9
doorway 8.9
roman 8.8
urban 8.8
heritage 8.7
dome 8.7
saint 8.7
paper 8.6
street 8.3
exteriors 7.8
temple 7.7
grunge 7.7
buildings 7.6
brick 7.5
brown 7.4
tower 7.2

Google
created on 2019-11-06

Microsoft
created on 2019-11-06

drawing 98.1
indoor 92.6
sketch 92.5
art 89.2
text 84.2
museum 82
gallery 67.7
painting 54.4
old 47.4
room 42.4

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 24-38
Gender Female, 50.5%
Calm 50%
Surprised 49.5%
Confused 49.5%
Happy 49.8%
Disgusted 49.5%
Fear 49.6%
Sad 49.5%
Angry 49.5%

Feature analysis

Amazon

Person
Painting
Person 92.1%

Categories

Captions

Microsoft
created on 2019-11-06

an old photo of a clock 53.1%
a clock hanging on the wall 44.8%
a clock hanging on a wall 43%

OpenAI GPT

Created by gpt-4 on 2025-02-03

This image appears to be a print or an engraving depicting a scene with classical architectural elements. The central focus is an arched structure within which there are two figures. On the left, there is a seated figure representing a muscular male, reminiscent of classical Greco-Roman statues, with contrapposto pose. This figure is draped in cloth and looks contemplatively downwards. In the background, a smaller figure stands beside him, which could be interpreted as an assistant or attendant. To the right, within another arched section, is a second seated figure that appears contemplative or perhaps reading. This figure is also draped in clothing with classical styling and sits next to a tablet or plaque that is inscribed. The architecture includes inscriptions that allude to the historical context or perhaps the patronage of the art – phrases like "MICHAEL ANGELUS BONAROTUS PINXIT" which may suggest that the original artwork was painted by Michelangelo Buonarroti, and "IN SIXTINO VATICANQ SACELLO," indicating a connection to the Sistine Chapel in the Vatican. In the center, below the arches, there is a fanlight window and a Latin inscription: "ACHILLES AMINTAB" (though the end of this word is not fully legible), and beneath the artwork, there's an additional Latin inscription: "PIO SEPTIMO PONT. OPT. MAX.", likely referencing Pope Pius VII. Based on these elements, the artwork seems to pay homage to Renaissance art and architecture, possibly evoking the decor of the Sistine Chapel or similar environments. This piece is likely a reproduction of a segment of a fresco or a decoration from a church or another significant religious or historical building.

Created by gpt-4o-2024-05-13 on 2025-02-03

The image is an engraving of a detailed architectural and sculptural composition that appears to be inspired by Renaissance art. It depicts an arched architectural element featuring two prominently seated human figures on each side of a central window or arched opening. One figure is seated on the left side of the arch, appearing thoughtful and resting their head on a hand, with a childlike figure standing beside them. The figure is draped in classical robes and has a strong, muscular build, suggesting it may be an allegorical or mythological representation. On the right side, another figure is also seated and similarly contemplative, with one leg propped up. This figure conveys an air of introspection, and like the left figure, is clad in flowing, classical garments. A childlike figure is seen at the figure's feet, possibly representing a form of support or guidance. Above the arch, there are two inscriptions, one on each side within the triangular spandrels. On the left side, the inscription reads "MICHAËL ANGELUS BUONARROTI PINXIT," indicating the work of Michelangelo Buonarroti, the renowned Renaissance artist. The right side inscription reads "IN SIXTINO VATICANO SACELLO," suggesting a connection to the Vatican's Sistine Chapel. Central above the arch, a plaque with the inscription "ACHIM MUNABD" is prominently displayed between the two figures. Below the entire composition, the words "PIO SEPTIMO PONT. OPT. MAX." indicate a dedication to Pope Pius VII, who was the pope during the early 19th century. The engraving combines elements of architectural precision and classical sculpture, reflective of Michelangelo's influence and the Renaissance era's emphasis on humanism and divine proportion. The overall tone of the engraving is one of solemnity and contemplation, befitting a religious or philosophically profound setting such as the Sistine Chapel.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-03

This is a historic architectural engraving showing a lunette (semi-circular) design from the Vatican's Sistine Chapel. The artwork features three figures in classical dress arranged within the curved architectural space. In the center is a tablet or cartouche with text that reads "ACHIM AMINADAB". The composition is symmetrical, with reclining figures on either side of the central tablet, and includes architectural details like an arched window or niche below. The text at the bottom indicates this was created during the pontificate of Pope Pius VII ("PIO SEPTIMO PONT. OPT. MAX."). The engraving appears to be executed in a neoclassical style, with careful attention to shading and architectural detail. The overall composition is part of a larger decorative program within the Vatican's sacred spaces.

Created by claude-3-opus-20240229 on 2025-02-03

The image depicts an architectural engraving or illustration titled "PIO SEPTIMO PONT. OPT. MAX." which translates to "Pious Seventh Best Greatest Pope". The illustration shows a grand arched structure, possibly the entrance or interior of a cathedral or important building. Within the arch are seated figures, likely allegorical or religious in nature based on their poses and drapery. Above the arch is a semicircular window letting light into the space. The entire scene is rendered in fine, detailed linework giving it a classical, engraved appearance on aged paper.

Created by claude-3-haiku-20240307 on 2025-02-03

The image appears to be an engraved illustration featuring an elaborate architectural structure with a central arched window. Within the arched window is an inscription that reads "Acuum Aminador". Flanking the central window are two figures seated in contemplative poses. The overall scene seems to depict some sort of religious or historical subject, though without being able to identify any specific individuals, I cannot provide more details about the exact subject matter.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16

The image is a sepia-toned engraving of an architectural archway, featuring two seated figures and a small cherub. The archway is adorned with a large window and a rectangular plaque bearing the inscription "ACHIM AMINADAB." The two figures are dressed in classical attire, with the one on the left wearing a long robe and the one on the right wearing a shorter tunic. A small cherub stands to the left of the archway, holding a bow and arrow. The engraving is surrounded by a decorative border, with the words "MIRIAM ANGELYS MONARCHIVE PINXIT" at the top left and "IN SEXTING VATICANO SACRLO" at the top right. At the bottom of the engraving, the text reads "PIO SEPTIMO PONT OPT MAX." The overall effect of the engraving is one of elegance and sophistication, with the intricate details and classical motifs evoking a sense of refinement and culture. The use of sepia tones adds a sense of age and nostalgia to the image, suggesting that it may be a reproduction of an older work of art.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16

The image depicts a sepia-toned illustration of an archway with three figures and a central plaque. The archway is adorned with intricate details, including a small window at its base. The central plaque features the inscription "ACHIM AMINADAB" in Latin, while the archway itself bears the names "MICHAEL ANGELUS BONAROTIUS PINXIT" on the left and "IN SIXTINO VATICANO SACELLO" on the right. The three figures are positioned within the archway, each engaged in a distinct activity. The figure on the left appears to be playing a musical instrument, while the central figure is seated and holding a book. The figure on the right is depicted in a contemplative pose, with their head resting on their hand. At the bottom of the image, the text "PIO SEPTIMO PONT. OPT. MAX." is inscribed, suggesting that the illustration may be related to a religious or historical context. Overall, the image presents a detailed and intricate depiction of an archway with three figures, set against a backdrop of Latin inscriptions and ornate details.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-03

The image is a monochromatic illustration of a building's facade. The facade has a large arched window at the center, and above it, there is a semi-circular arch that has three people sitting on it. The person in the middle is a man holding a scroll, and the two people on either side of him are also men. The person on the left is sitting with a child. There are words written on the top left and right corners.

Created by amazon.nova-lite-v1:0 on 2025-02-03

The image is a black and white print of an architectural design, possibly from the 18th century. The design features a central arch with an inscription above it, and two figures sitting on either side of the arch. The figure on the left is holding a child, while the figure on the right is leaning against the arch. The image also includes the text "Pio Septimo Pont. Opt. Max." at the bottom.

Text analysis

Amazon

SIXTINO
SEPTIMO
ACHIM
PONT.
SACELLO
MICHAE
PIO SEPTIMO PONT. OPT.MAX.
PINXI'T
MICHAE ANGELVS. IN SIXTINO
PIO
IN
BONAROTIVS
OPT.MAX.
ANGELVS.
AMINADABL
VITICANG

Google

IN SIXTIN0 VATICANO SACELLO MICHAHI ANGIELVS BONAROTIVS PINXIT ACHIM AMINADAB PIO SEPTIMO PONT. OPT.MAX
IN
SIXTIN0
SACELLO
MICHAHI
ANGIELVS
BONAROTIVS
PINXIT
ACHIM
PIO
PONT.
OPT.MAX
VATICANO
AMINADAB
SEPTIMO