Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon
Microsoft

AWS Rekognition
Age | 54-64 |
Gender | Male, 99.9% |
Calm | 96.5% |
Confused | 1% |
Happy | 0.8% |
Sad | 0.7% |
Disgusted | 0.5% |
Angry | 0.3% |
Fear | 0.1% |
Surprised | 0.1% |

Microsoft Cognitive Services
Age | 53 |
Gender | Male |

Google Vision
Surprise | Very unlikely |
Anger | Very unlikely |
Sorrow | Very unlikely |
Joy | Unlikely |
Headwear | Very unlikely |
Blurred | Very unlikely |
Feature analysis
Categories
Imagga
people portraits | 91.8% | |
paintings art | 3.4% | |
events parties | 3% | |
Captions
Microsoft
created by unknown on 2022-01-15
a person sitting on a book | 50.3% | |
a person sitting on top of a book | 49.4% | |
a person sitting posing for the camera | 49.3% | |
Clarifai
created by general-english-image-caption-blip on 2025-05-18
a photograph of a man in a black and white photo | -100% | |
OpenAI GPT
Created by gpt-4 on 2024-12-22
This is an image of a historical engraving or etching. The person in the artwork is dressed in attire typical of a past era, featuring a robe or long coat that is buttoned in the front. The attire includes a white collar that stands out against the dark fabric of the garment. The individual is holding a sizeable bound book or tome in their left hand. Their right hand holds two smaller pieces of paper or perhaps pamphlets, with visible text or numbering on them. In the background, there is a scenic landscape visible to the left, consisting of trees and what appears to be a body of water or a river. On the right, farther back in the distance, structures that resemble buildings of a town or cityscape can be discerned. At the bottom of the artwork, there's a caption in an antiquated script that reads “Antonius Arnauld Doctor Theologus Socius Sorbonicus,” which implies the person’s name and scholarly status related to the Sorbonne, a historical university in Paris. The engraving is a piece intended to convey a sense of dignity and intellectual accomplishment.
Created by gpt-4o-2024-05-13 on 2024-12-22
The image depicts a detailed engraved portrait of a man seated, wearing a long buttoned garment with a clerical collar. He holds a book in his left hand and a piece of paper in his right hand. The background features a pastoral scene with buildings and trees. Below the portrait, there is an inscription that reads "Antonius Arnauld Doctor Theologus Socius Sorbonicus."
Anthropic Claude
Created by claude-3-haiku-20240307 on 2024-12-22
The image appears to be a portrait engraving of a man in formal attire, possibly a clergyman or religious scholar. He has long, curled hair and a friendly, benevolent expression on his face. The background includes architectural elements, suggesting the portrait may have been commissioned or created in an urban setting. The image is labeled "Antonius Arnauld Doctor Theologus Socius Sorbonicus", indicating this is a portrait of a specific individual, but I will not attempt to identify or name him in line with the instructions provided.
Created by claude-3-5-sonnet-20241022 on 2024-12-22
This is a historical engraved portrait showing a religious or academic figure from what appears to be the 17th century. The subject is wearing typical clerical attire of the period, including a white collar and dark robes. They are depicted seated, holding what appear to be books or documents, with a landscape and building visible in the background. The engraving style is characteristic of formal portraiture of that era, with careful attention to shading and detail. The image includes text at the bottom identifying the subject as "Antonius Arnauld Doctor Theologus Socius Sorbonicus." The artwork demonstrates the formal portrait style common for depicting scholarly and religious figures of that time period.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-22
The image is a portrait of Antonius Arnould, a doctor of theology, created in 1644. The portrait is an engraving and depicts Antonius Arnould seated in a chair, wearing a long robe with a high collar and a small hat. He holds a book in his left hand and a paper with writing in his right hand. The background of the portrait features a landscape with buildings and trees.
Key Features:
- Subject: Antonius Arnould, a doctor of theology
- Creation Date: 1644
- Medium: Engraving
- Depiction: Seated in a chair, wearing a long robe with a high collar and a small hat
- Accessories: Holding a book in his left hand and a paper with writing in his right hand
- Background: Landscape with buildings and trees
Summary:
The portrait of Antonius Arnould is a detailed engraving created in 1644. The subject is depicted in a seated position, wearing a long robe with a high collar and a small hat. He holds a book in his left hand and a paper with writing in his right hand. The background of the portrait features a landscape with buildings and trees.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-22
The image is a black-and-white engraving of a man in clerical attire, likely from the 17th or 18th century. The man is depicted sitting with his right arm resting on a book and his left hand holding a piece of paper. He wears a dark robe with a white collar and a small hat.
In the background, there appears to be a landscape with buildings and trees. The overall atmosphere of the image suggests that it may be a portrait of a religious figure or scholar.
At the bottom of the image, there is an inscription in Latin that reads "Antonius Arnauld Doctor Theologus Socius Sorbonicus." This suggests that the man in the image is Antonius Arnauld, a French theologian and member of the Sorbonne.
Amazon Nova
Created by amazon.nova-lite-v1:0 on 2025-02-27
The image is a black-and-white portrait of a man named Antonius Arnauld, who was a theologian and doctor at the Sorbonne. He is depicted sitting on a bench, holding a book in his left hand, and wearing a long-sleeved robe with a high collar. He has a serious expression on his face and is looking to the right. Behind him is a blurry background of a tree, a building, and a tower. The image has a watermark on the bottom left corner that reads "D.B. Champagne pinxit."
Created by amazon.nova-pro-v1:0 on 2025-02-27
The image is a portrait of a man named Antonius Arnoldus, a Doctor Theologus, or Doctor of Theology. He is sitting on a chair with his left hand resting on a book and his right hand holding a piece of paper. He is wearing a long-sleeved shirt with a collar and a hat. Behind him is a tree, and in the distance, there are buildings and a tower.
Google Gemini
Created by gemini-2.0-flash-lite on 2025-05-18
This is a black and white engraving, likely a portrait, depicting a man identified as "Antonius Arnauld Doctor Theologus Socius Sorbonicus". The image is framed with a simple line.
Description of the Man:
- Attire: The man is dressed in dark, formal clerical attire, possibly a long coat or robe. He wears a flat, dark cap and a white collar. The garment appears to have small buttons running down the front.
- Pose: He is shown seated, with his right arm resting on a stone or rock ledge, and the left arm resting on a closed book. He is looking directly at the viewer with a slightly benevolent or knowing expression.
- Appearance: He has light hair that is slightly receding, and a thoughtful expression.
- Details: In his right hand, he holds a small piece of paper with some writing on it. The paper includes dates: “natus 6 February 1613” and “obit 8 Aug 1694”.
Background and Setting:
- Behind the man is a stylized, textured background that resembles rock formations with some foliage.
- In the background on the left side, there is a faint depiction of what appears to be a building, possibly a church or castle, adding to the image's sense of time.
Overall Impression:
The engraving is a classical portrait, typical of the style of its time, possibly the 17th or 18th century, given the dress and the engraving style. The detail and the inscription suggest it was created to commemorate a respected figure, possibly a theologian and member of the Sorbonne.
Created by gemini-2.0-flash on 2025-05-18
Here's a description of the image:
The image is a portrait of Antonius Arnauld, titled "Antonius Arnauld Doctor Theologus Socius Sorbonicus." It appears to be an engraved print, likely from the 17th or 18th century.
Subject: Antonius Arnauld, a theologian and member of the Sorbonne, is depicted as an older man with short, slightly wavy hair and a receding hairline. He wears a simple, dark robe with a white collar, characteristic of clergy or academics of that period. A small cap sits atop his head.
Pose and Composition: Arnauld is shown in a three-quarter pose, facing slightly towards the viewer. He is seated, resting one hand on a book and the other on a piece of paper or note.
Details: The piece of paper in Arnauld's hand contains dates "Natus 6 Februarius 1613" and "Obit 8 Augy 1694". In the background to the left, a small building with towers is visible, perhaps a church or academic building, and there's a rugged landscape behind him, featuring a cliff and sparse vegetation.
Style: The artwork is done in a style reminiscent of early portrait engravings, with fine lines used to create texture and shading.
Inscriptions: Below the image, the name and title of the subject are written in Latin. The bottom corners include the details: "T.B. Champagne pinxit" (meaning Champagne painted it) on the left, and "G. Edelinck Sculpsit C.P.R" on the right (meaning Edelinck engraved it with the King's Privilege). There's also a "D. 141. F. 235" note on the bottom left.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-03
The image is an engraved portrait of a man identified as Antonius Arnauld, who is described as "Doctor Theologus Societas Sorbonicus." This title indicates that he was a Doctor of Theology associated with the Sorbonne, a prestigious theological college in Paris.
The portrait depicts Arnauld seated, wearing academic or clerical attire typical of the period, which includes a dark robe with a white collar. He has a cap on his head and holds a piece of paper in his right hand. The background features a serene landscape with trees and a distant building, possibly a church or a castle.
The engraving includes the dates 1612 and 1561, which likely refer to significant years in Arnauld's life, such as his birth and death or important events in his career. The engraving is detailed and appears to be an artistic representation, possibly created for commemorative or scholarly purposes. The artist's name is inscribed at the bottom left corner, but it is not entirely clear in the image.