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Human Generated Data

Title

Saint Francis Renounces His Parental Inheritance and Clothing, and Throws Himself Naked at the Feet of the Bishop of Assisi; Saint Francis Walking before the Sultan Sorio through the Fire

Date

19th century

People

Artist: Conte Carlo Lasinio, Italian 1759 - 1838

Artist after: Domenico Ghirlandaio, Italian 1449 - 1494

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G2190

Human Generated Data

Title

Saint Francis Renounces His Parental Inheritance and Clothing, and Throws Himself Naked at the Feet of the Bishop of Assisi; Saint Francis Walking before the Sultan Sorio through the Fire

People

Artist: Conte Carlo Lasinio, Italian 1759 - 1838

Artist after: Domenico Ghirlandaio, Italian 1449 - 1494

Date

19th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, G2190

Machine Generated Data

Tags

Amazon
created on 2019-04-09

Human 99.5
Person 99.5
Person 99
Person 98.7
Person 98.6
Person 98.6
Person 97.6
Person 97.2
Person 97
Painting 96.5
Art 96.5
Person 96.2
Person 94.8
Person 93.2
Person 92.9
Person 92.7
Person 92.7
Person 88.4
Drawing 79.3
Person 78.9
Person 77.1
Person 73.4
Text 70
Person 69.6
Person 63.8
Person 63.8
Person 50.8
Person 42.8

Clarifai
created on 2018-02-10

people 100
group 99.7
print 99.4
illustration 99
adult 98.8
many 98.6
engraving 98.1
woman 97.3
man 97.1
art 97.1
leader 96.8
administration 95.1
lithograph 95
veil 93.7
wear 92.6
child 92.3
crowd 85.4
several 84.8
gown (clothing) 84.6
etching 84

Imagga
created on 2018-02-10

drawing 100
sketch 100
representation 73
grunge 32.4
vintage 29
old 27.9
antique 23.4
graffito 22.1
decoration 20.2
retro 19.7
art 19.6
aged 19
texture 18.8
ancient 18.2
paper 18
architecture 16.4
structure 15
silhouette 14.9
dirty 14.5
jacket 13.8
design 13.5
building 13.5
style 13.4
history 12.5
frame 12.5
city 12.5
backgrounds 12.2
paint 11.8
graphic 11.7
pattern 11.6
car 11.4
grain 11.1
house 10.9
grime 10.7
material 10.7
decay 10.6
wrapping 10.5
old fashioned 10.5
scene 10.4
wall 10.2
sky 10.2
flower 10
urban 9.6
brown 9.6
construction 9.4
historical 9.4
effect 9.1
landscape 8.9
mottled 8.8
fracture 8.8
stamp 8.7
artistic 8.7
stain 8.6
leaf 8.6
space 8.5
textures 8.5
floral 8.5
tree 8.5
travel 8.5
wallpaper 8.4
black 8.4
letter 8.3
historic 8.2
gold 8.2
postmark 7.9
forest 7.8
aging 7.7
obsolete 7.7
mail 7.7
worn 7.6
damaged 7.6
skyline 7.6
grungy 7.6
decorative 7.5
tourism 7.4
man 7.4
water 7.3
border 7.2
covering 7.2
landmark 7.2
tower 7.2

Google
created on 2018-02-10

Microsoft
created on 2018-02-10

text 89.8
old 74.1
gallery 68.8
vintage 25.4

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 26-43
Gender Female, 51%
Angry 45.4%
Calm 53.1%
Confused 45.2%
Surprised 45.2%
Sad 45.9%
Disgusted 45.1%
Happy 45.1%

Feature analysis

Amazon

Person
Painting
Person 99.5%

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2024-12-30

This image is an intricate drawing depicting two distinct scenes divided at the center. On the left side, a group of people, many draped in robes, are gathered near a large architectural structure. One individual at the center appears to be kneeling while being assisted or dressed by another figure, surrounded by onlookers. The background features a fortified wall with towers and an open gate, with smaller groups of people scattered in the distance, creating a sense of depth in the scene. On the right side, the setting shifts to an interior scene with tall columns and an elaborate chair or throne where a central figure is seated, possibly a person of authority, likely a ruler or religious figure. In front of the seated figure, there is a group of people standing and kneeling, engaged in what appears to be a ritual or a demonstration. A significant element in the foreground is a fire on the ground, adding to the dramatic effect of the scene. The caption below the image is written in Italian and appears to describe the events depicted.

Created by gpt-4 on 2024-11-28

This image is a detailed engraving divided into two scenes, each with its own caption in Italian. In the background of both panels, there is a depiction of an ancient or medieval city with fortified walls and towers, set against a distant mountainous landscape. On the left panel, a group of figures dressed in religious robes is gathered around one individual in the center, notably performing an action that seems to carry a significant meaning, given their focused attention. The architecture suggests this is an outdoor public space. On the right panel, a similarly dressed group is shown displaying reverence toward a seated figure under a canopy. In front of this seated figure, another figure kneels, and there appears to be a small fire or source of smoke on the ground. The gathered figures are engaged in what seems to be a solemn ritual or ceremony. Both scenes convey a strong sense of narrative and are likely related historically or biblically, as indicated by the costumes and the activities depicted. The attention to detail in this engraving is meticulous, offering a rich portrayal of historical dress and ceremony. The captions, unfortunately, are not fully visible and therefore don't provide additional context within this description.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2024-12-26

This is a historical engraving divided into two scenes depicting events from religious history. The artwork appears to be in an Italian style, with Italian text captions below each scene. The left panel shows a group of robed figures in a dramatic scene of renunciation, with one figure kneeling before another in a gesture of humility. In the background, there are fortress walls and towers of what appears to be a medieval city. The right panel depicts a scene with religious figures gathered around a canopied seat or throne, with a fire burning on the ground. The scene appears to be showing some kind of trial or test involving fire, which was a common medieval religious motif. The figures in both scenes are wearing religious robes and garments typical of medieval Christian clergy and monastics. The artistic style and composition suggest this is likely from a series depicting the life of a religious figure, probably created in the 18th or 19th century based on the engraving technique. The scenes have a theatrical quality to them, with careful attention paid to architectural details and the arrangement of figures to create dramatic narrative moments.

Created by claude-3-haiku-20240307 on 2024-11-27

The image appears to depict a historical religious or ceremonial scene. It shows a large gathering of people, many wearing robed and hooded attire, gathered around a central figure who is seated under a canopy. The background depicts a cityscape in the distance. The overall scene conveys a sense of solemnity and ritual. Without identifying any specific individuals, the image appears to represent some kind of significant religious or cultural event from the past.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-24

The image presents a detailed illustration of two scenes from the life of Saint Francis of Assisi, an Italian Catholic friar and preacher. The illustration is divided into two panels, each depicting a distinct moment in the saint's life. **Panel 1: Saint Francis Renounces His Wealth** In the first panel, Saint Francis is shown renouncing his wealth and worldly possessions. He stands in the center of the image, surrounded by a group of people who appear to be his family and friends. Francis is depicted as a young man with a shaved head, wearing a simple tunic and holding a staff. He is shown giving away his clothes and belongings to the poor, symbolizing his rejection of material wealth and his commitment to a life of poverty and simplicity. The background of the first panel features a cityscape with buildings and towers, which may represent Assisi, the city where Francis was born and lived. The sky above is cloudy, adding a sense of drama and tension to the scene. **Panel 2: Saint Francis Preaches to the Birds** In the second panel, Saint Francis is shown preaching to a group of birds. He stands in the center of the image, surrounded by a flock of birds that appear to be listening intently to his words. Francis is depicted as an older man with a long white beard, wearing a simple robe and holding a staff. He is shown standing on a rock or a hill, with a tree or a bush behind him. The background of the second panel features a landscape with hills and mountains, which may represent the countryside around Assisi. The sky above is clear, with a few clouds scattered across it. **Inscription** At the bottom of the image, there is an inscription in Italian that reads: "S. Francesco rinuncia al Padre Celeste e la vesti, e nudo se getta ai piedi del Vescovo di Assisi." This translates to: "Saint Francis renounces his heavenly father and his clothes, and naked, he throws himself at the feet of the Bishop of Assisi." Overall, the image provides a vivid representation of two important moments in the life of Saint Francis of Assisi. The illustration is detailed and expressive, conveying the emotions and actions of the characters in the scene. The use of color and shading adds depth and texture to the image, making it feel more lifelike and engaging.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-11-26

The image depicts a scene from the 16th century, likely an engraving or etching, showcasing a gathering of people in ancient attire. The scene is divided into two panels, each with its own narrative. **Left Panel:** In the left panel, a group of men and women are gathered around a man who appears to be kneeling or prostrate on the ground. He is dressed in a simple tunic and has his hands clasped together in front of him. The surrounding individuals are dressed in more elaborate robes, with some wearing hats or head coverings. The background of this panel features a cityscape with buildings and a cloudy sky. **Right Panel:** The right panel shows a group of men gathered around a fire, with one man seated on a throne-like chair. The man on the throne is wearing a regal-looking robe and has a crown or headpiece on his head. The other men are dressed in simpler attire and appear to be engaged in conversation. The background of this panel features a landscape with mountains and a cloudy sky. **Overall:** The image appears to depict a scene from ancient times, possibly a historical or mythological event. The use of classical architecture and clothing suggests that the scene is set in an ancient civilization. The two panels may represent different aspects of the same story or event, with the left panel showing a moment of reverence or supplication and the right panel depicting a gathering of leaders or dignitaries.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-27

The image is a black-and-white illustration that is divided into two parts. On the left side, a group of people are gathered in an outdoor setting, with a man kneeling on the ground in front of them. They are all wearing traditional clothing. On the right side, another group of people are gathered indoors, with a man sitting on a chair under a canopy. There is a fire burning in front of him, and a man is kneeling on the ground in front of the fire.

Created by amazon.nova-lite-v1:0 on 2025-02-27

The image shows a double-page spread from a book featuring two distinct scenes. On the left side, there is a scene depicting a group of monks gathered around a central figure who is seated and appears to be in a state of contemplation or prayer. The monks are dressed in simple, long robes, and the central figure is wearing a hooded cloak. The background includes a cityscape with towers and walls, suggesting a medieval setting. On the right side, there is another scene where a man is kneeling before a seated figure, possibly a bishop or a religious leader, who is holding a book or a scroll. The kneeling man is dressed in a tunic and appears to be in a state of reverence or submission. The background shows a fire burning in a brazier, with a canopy overhead, indicating a more formal or ceremonial setting. The image is in black and white and has a historical or religious theme.

Text analysis

Amazon

illeso
del
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leredita
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Soria
Francesco
passa
nudo
gella
davanle
il
oldlano
rinunilta del vesti, d illeso
Dadve
Franeesco
or Franeesco al Dadve leredita le nudo p Francesco davanle al oldlano d Soria
omemice
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nella
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gella a juede Vescove Qessisi passa so pera il uoeo
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Blhere a Jrrvin omemice del Ghiclamlra nella Coppela der rsseth p Trimila de erenite.
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