Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon
Imagga

AWS Rekognition
Age | 20-38 |
Gender | Female, 51.9% |
Confused | 45.5% |
Surprised | 45.7% |
Disgusted | 47.1% |
Sad | 46.7% |
Happy | 46.4% |
Angry | 45.7% |
Calm | 47.8% |

AWS Rekognition
Age | 29-45 |
Gender | Male, 54.5% |
Happy | 45% |
Calm | 51.8% |
Angry | 45.5% |
Disgusted | 45.6% |
Sad | 46.1% |
Surprised | 45.2% |
Confused | 45.7% |

AWS Rekognition
Age | 60-90 |
Gender | Male, 54.6% |
Happy | 45.1% |
Angry | 45.2% |
Calm | 51.5% |
Confused | 45.2% |
Disgusted | 45% |
Sad | 47.8% |
Surprised | 45.1% |

AWS Rekognition
Age | 20-38 |
Gender | Male, 53.8% |
Surprised | 45.3% |
Angry | 45.4% |
Disgusted | 45.1% |
Confused | 45.2% |
Happy | 45.1% |
Calm | 52.7% |
Sad | 46.2% |

AWS Rekognition
Age | 23-38 |
Gender | Female, 53% |
Confused | 45.5% |
Calm | 50.7% |
Happy | 45.2% |
Disgusted | 45.3% |
Angry | 45.7% |
Sad | 47.2% |
Surprised | 45.5% |

AWS Rekognition
Age | 27-44 |
Gender | Female, 51.5% |
Sad | 54.5% |
Happy | 45% |
Angry | 45.1% |
Calm | 45.2% |
Surprised | 45% |
Confused | 45.1% |
Disgusted | 45.1% |

AWS Rekognition
Age | 26-43 |
Gender | Male, 54% |
Happy | 45.1% |
Disgusted | 45.1% |
Angry | 45.2% |
Confused | 45.2% |
Calm | 53% |
Surprised | 45.5% |
Sad | 45.9% |

AWS Rekognition
Age | 48-68 |
Gender | Male, 51.7% |
Angry | 45.3% |
Happy | 45.6% |
Disgusted | 45.3% |
Confused | 45.4% |
Sad | 48.4% |
Calm | 49.6% |
Surprised | 45.5% |

AWS Rekognition
Age | 20-38 |
Gender | Female, 50.5% |
Happy | 46% |
Sad | 49% |
Calm | 48% |
Confused | 45.4% |
Disgusted | 45.4% |
Angry | 45.9% |
Surprised | 45.4% |

AWS Rekognition
Age | 45-63 |
Gender | Male, 54.6% |
Confused | 45.2% |
Calm | 50.5% |
Surprised | 45.2% |
Sad | 48.4% |
Happy | 45.2% |
Disgusted | 45.1% |
Angry | 45.3% |

AWS Rekognition
Age | 16-27 |
Gender | Male, 54.4% |
Disgusted | 45.4% |
Sad | 46.8% |
Happy | 45.3% |
Surprised | 45.4% |
Calm | 50.9% |
Angry | 45.5% |
Confused | 45.8% |

AWS Rekognition
Age | 38-57 |
Gender | Male, 54.6% |
Surprised | 45.2% |
Calm | 45.7% |
Sad | 52.5% |
Confused | 45.5% |
Angry | 45.8% |
Happy | 45.2% |
Disgusted | 45.3% |

AWS Rekognition
Age | 38-59 |
Gender | Male, 54.5% |
Happy | 45.1% |
Angry | 47.3% |
Disgusted | 45.1% |
Sad | 47.9% |
Surprised | 45.3% |
Calm | 49% |
Confused | 45.4% |

AWS Rekognition
Age | 38-59 |
Gender | Male, 54.9% |
Confused | 45.2% |
Sad | 45.3% |
Disgusted | 45% |
Happy | 45.1% |
Angry | 45.1% |
Surprised | 45.1% |
Calm | 54.2% |

AWS Rekognition
Age | 35-52 |
Gender | Male, 54.1% |
Sad | 52.3% |
Calm | 45.6% |
Disgusted | 45.1% |
Surprised | 45.2% |
Angry | 46.2% |
Happy | 45.1% |
Confused | 45.5% |

AWS Rekognition
Age | 38-59 |
Gender | Male, 54.5% |
Confused | 45.2% |
Surprised | 45.3% |
Disgusted | 45.1% |
Sad | 45.8% |
Happy | 50.1% |
Angry | 45.4% |
Calm | 48% |

AWS Rekognition
Age | 57-77 |
Gender | Male, 54.6% |
Calm | 47.5% |
Angry | 45.7% |
Surprised | 45.5% |
Sad | 49.4% |
Disgusted | 45.3% |
Happy | 46% |
Confused | 45.6% |

AWS Rekognition
Age | 26-43 |
Gender | Male, 54.5% |
Disgusted | 45% |
Confused | 45.1% |
Happy | 45.1% |
Angry | 45.1% |
Calm | 54.3% |
Surprised | 45.1% |
Sad | 45.3% |

AWS Rekognition
Age | 48-68 |
Gender | Male, 54.3% |
Surprised | 45.4% |
Happy | 45.5% |
Disgusted | 45.2% |
Angry | 45.4% |
Confused | 45.3% |
Calm | 46.1% |
Sad | 52.1% |

AWS Rekognition
Age | 10-15 |
Gender | Female, 50% |
Angry | 49.6% |
Happy | 49.7% |
Disgusted | 49.5% |
Calm | 49.5% |
Sad | 50% |
Surprised | 49.6% |
Confused | 49.5% |

AWS Rekognition
Age | 49-69 |
Gender | Male, 54.8% |
Surprised | 46.3% |
Angry | 45.5% |
Happy | 45.2% |
Sad | 45.4% |
Disgusted | 45.1% |
Confused | 46.5% |
Calm | 50.9% |

AWS Rekognition
Age | 20-38 |
Gender | Male, 51.9% |
Disgusted | 48.9% |
Sad | 47.5% |
Surprised | 45.4% |
Angry | 45.8% |
Happy | 45.9% |
Calm | 45.8% |
Confused | 45.7% |

AWS Rekognition
Age | 48-68 |
Gender | Male, 54.1% |
Happy | 48.9% |
Sad | 46.4% |
Calm | 47.2% |
Confused | 45.4% |
Disgusted | 45.3% |
Surprised | 46% |
Angry | 45.7% |

AWS Rekognition
Age | 49-69 |
Gender | Female, 51.5% |
Sad | 51.9% |
Angry | 46.5% |
Disgusted | 45.2% |
Happy | 45.5% |
Calm | 45.5% |
Confused | 45.2% |
Surprised | 45.2% |

AWS Rekognition
Age | 26-43 |
Gender | Female, 53.7% |
Surprised | 45.1% |
Angry | 45.2% |
Disgusted | 45.1% |
Confused | 45.2% |
Happy | 45.6% |
Calm | 45.1% |
Sad | 53.7% |

AWS Rekognition
Age | 35-52 |
Gender | Male, 51.9% |
Confused | 45.5% |
Sad | 47.6% |
Surprised | 45.7% |
Angry | 45.8% |
Calm | 48.3% |
Happy | 46.2% |
Disgusted | 46% |

AWS Rekognition
Age | 26-43 |
Gender | Male, 50.2% |
Calm | 50.2% |
Surprised | 49.5% |
Sad | 49.6% |
Angry | 49.5% |
Disgusted | 49.5% |
Confused | 49.5% |
Happy | 49.5% |

AWS Rekognition
Age | 35-53 |
Gender | Female, 50.2% |
Confused | 45.2% |
Sad | 49.7% |
Surprised | 45.5% |
Angry | 45.3% |
Calm | 48% |
Happy | 45.9% |
Disgusted | 45.2% |

AWS Rekognition
Age | 26-43 |
Gender | Female, 50.2% |
Happy | 49.5% |
Angry | 49.5% |
Disgusted | 49.8% |
Sad | 49.7% |
Surprised | 49.6% |
Confused | 49.6% |
Calm | 49.8% |

AWS Rekognition
Age | 26-43 |
Gender | Female, 54.7% |
Surprised | 45.2% |
Calm | 45.2% |
Sad | 46% |
Confused | 45.1% |
Angry | 45.4% |
Happy | 51.8% |
Disgusted | 46.4% |

AWS Rekognition
Age | 26-43 |
Gender | Male, 53.2% |
Happy | 45% |
Sad | 45.2% |
Surprised | 45.1% |
Confused | 45% |
Calm | 54.4% |
Angry | 45.1% |
Disgusted | 45.1% |

Imagga
Traits | no traits identified |

Imagga
Traits | no traits identified |
Feature analysis
Categories
Imagga
streetview architecture | 65.3% | |
paintings art | 29.3% | |
interior objects | 2.9% | |
pets animals | 0.7% | |
text visuals | 0.7% | |
beaches seaside | 0.4% | |
nature landscape | 0.4% | |
people portraits | 0.2% | |
cars vehicles | 0.1% | |
Captions
Microsoft
created by unknown on 2018-02-10
a vintage photo of a group of people posing for the camera | 92.5% | |
a vintage photo of a group of people posing for a picture | 92.4% | |
a group of people posing for a photo | 92% | |
Clarifai
created by general-english-image-caption-blip on 2025-05-03
a photograph of a group of people standing around a table | -100% | |
OpenAI GPT
Created by gpt-4o-2024-05-13 on 2024-12-30
The image depicts a detailed, historical scene set in an architectural interior with large columns and elaborate arches. Various figures dressed in long robes are arranged in groups, with some standing and others seated. The central figure, elevated on a platform and sitting under a canopy, appears to be delivering a significant decree or approval, indicated by the gestures and attentive postures of the surrounding figures. The scene has a formal, ceremonial atmosphere, enhanced by the structured composition and attentive engagement of all participants. The inscription below provides a context, indicating this as the moment when Pope Honorius III approved the Rule of the Franciscan Order presented by St. Francis.
Created by gpt-4 on 2024-11-28
The image is a black and white engraving depicting a historical scene in an interior setting, resembling a hall with arches that lead to an exterior courtyard visible in the background. The focus of the scene is a group of men in ceremonial clothing suggestive of religious or academic robes. They are gathered around and before a seated figure who appears to be an authority or a person of high status, due to the elevated position and distinctive garb, which suggests clerical or perhaps episcopal rank.
The individuals in the engraving are engaged in what seems to be a formal process or event, as indicated by their attentive postures and the respectful gestures of those who are standing before the seated figure. Architectural elements like columns and arches, along with the highly structured composition, convey a sense of order and solemnity.
There is writing in two different languages at the bottom, providing context or perhaps narrative to the depicted scene. The writing implies a significant event, possibly related to the approval or endorsement of religious or institutional rules. Due to the period clothing and style of engraving, the scene likely represents a historical or significant religious event.
Anthropic Claude
Created by claude-3-5-sonnet-20241022 on 2024-12-26
This is a historical engraving depicting Pope Honorius III approving the Rule of the Friars Minor presented by St. Francis. The scene takes place in an architectural setting with classical arches and columns. The composition shows a formal gathering where religious figures are arranged in hierarchical order. In the center, there is a group of seated monks or friars, while others stand on either side. The pope is shown seated on an elevated position to the right, wearing traditional papal regalia. The scene appears to be taking place in a church or papal chapel, with architectural details visible in the background including arched walkways and buildings. The artwork is executed in a detailed engraving style typical of historical documentation, with careful attention to the architectural elements and the flowing robes of the figures. The title of the work appears in both Italian and French at the bottom of the print.
Created by claude-3-haiku-20240307 on 2024-11-27
The image depicts a religious scene set in an ornately decorated interior space, likely a church or cathedral. There are numerous figures dressed in religious attire, including what appear to be clerics, monks, and nuns, gathered around a central figure who appears to be presiding over the ceremony. The inclusion of architectural elements and religious iconography suggests this is a formal religious event or ritual. The overall scene conveys a sense of solemnity and reverence.
Meta Llama
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-24
The image is a black and white illustration of a group of people gathered in a large room. The room has a high ceiling with arches, and there are several columns and pillars throughout the space. In the center of the room, there is a raised platform or dais, where a group of people are seated. They appear to be dressed in formal attire, with some wearing robes or cloaks.
In front of the platform, there is a railing or barrier that separates the seated individuals from the rest of the crowd. The crowd is made up of people of various ages and genders, all dressed in different styles of clothing. Some are standing, while others are seated on benches or chairs.
The overall atmosphere of the image suggests a formal gathering or ceremony, possibly a religious or political event. The presence of the raised platform and the formal attire of the individuals seated on it imply a sense of importance and authority. The crowd's attention is focused on the platform, suggesting that they are waiting for something to happen or someone to speak.
The illustration style is reminiscent of 18th-century engravings, with intricate details and shading that give the image a sense of depth and texture. The use of black and white creates a sense of timelessness and universality, making the image feel both historical and contemporary at the same time.
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-11-26
The image depicts a scene from the 16th century, featuring a group of people gathered in a large room. The room is filled with columns and arches, and there are several individuals standing on a raised platform at the front of the room. One person is seated on the platform, while another is standing and addressing the crowd.
In the foreground, there are several people standing and looking towards the platform. Some of them appear to be listening intently to the speaker, while others seem to be engaged in conversation with one another.
The background of the image shows a city street with buildings and people walking by. The overall atmosphere of the image suggests a sense of community and gathering, with people coming together to hear a message or share ideas.
The image appears to be a historical illustration or engraving, possibly from a book or document from the 16th century. The level of detail and realism in the image suggests that it may have been created by a skilled artist or engraver of the time.
Overall, the image provides a glimpse into the social and cultural practices of the 16th century, highlighting the importance of community and gathering in the lives of people during that time period.
Amazon Nova
Created by amazon.nova-lite-v1:0 on 2025-02-25
The image depicts a historical scene in a church setting, featuring a group of people dressed in traditional ecclesiastical attire. The central figure is a man in a bishop's robe, standing on a raised platform, likely delivering a speech or sermon. He is surrounded by several other men, also in clerical garb, who are attentively listening to him. The image has a monochromatic, sepia-toned aesthetic, giving it an old-world feel. The background includes architectural details of the church, such as columns and arches, suggesting a grand and solemn atmosphere. There are also some people in the background, possibly congregants or other clergy members. The image captures a moment of religious or ceremonial significance within a historical context.
Created by amazon.nova-pro-v1:0 on 2025-02-25
The image is a black-and-white illustration of a historical event. It depicts a group of people standing on a balcony and stairs. Some of them are wearing long robes and hats, while others are wearing simple clothing. There is a person standing on the balcony, possibly a priest, and another person standing on the stairs. The scene is set in a large hall with pillars and a high ceiling.
Google Gemini
Created by gemini-2.0-flash on 2025-04-27
Here is a description of the image:
The image is a detailed black and white print depicting a historical or religious scene. In the foreground, there is a tiered seating area filled with people dressed in religious garb, likely monks or clergy. The people are seated, and their faces are expressive, suggesting they are observing a significant event.
To the right of the seating area, a pope or high-ranking religious figure is seated on a raised platform, covered by a canopy. He is surrounded by several robed figures, possibly cardinals or advisors. A monk approaches the pope, presenting him with a document or book.
In the background, there is a grand architectural setting with arches, columns, and glimpses of what appears to be a city beyond. The architecture is classical and ornate, providing a sense of grandeur and historical importance to the scene.
Below the image, there is text in Italian, possibly describing the event depicted. Based on the title, it is about Pope Onorius III approving the Regola dei Frati Minori (Rule of the Lesser Brothers).
Overall, the image portrays a formal event in a historical religious setting, focusing on the interaction between the pope and a monk presenting a rule or document. The architectural details and the expressions of the people contribute to the sense of solemnity and historical significance.
Created by gemini-2.0-flash-lite on 2025-04-27
Here is a description of the image:
The image is an engraving depicting a historical scene, likely related to the establishment of a religious order. Here's a breakdown of what's visible:
Overall Composition:
- The scene is set within an architectural space, possibly a basilica or a grand hall, with classical elements such as columns, arches, and buildings in the background.
- There is a clear sense of hierarchy and order, with the central figures in a privileged position.
- The image is in grayscale, characteristic of engravings.
Main Figures and Action:
- The Pope: A man wearing the papal tiara and robes is seated on a throne-like structure on a platform. He appears to be in the act of giving a blessing, listening, or delivering a decree.
- Friars/Monks: A group of men, probably members of a religious order, are gathered. They wear robes and appear to be presenting or receiving something from the Pope.
- Other Dignitaries: There are other men, likely high-ranking members of the clergy or perhaps nobility, present, observing the main interaction.
Architectural Details:
- The setting includes columns and arches in the background, suggesting a grand, formal architectural setting.
- The architecture lends a sense of scale, with figures appearing small in comparison.
Text:
- Italian text is printed below the picture.
Inferred Meaning:
- Based on the visual clues, the engraving likely depicts a significant event related to the approval or establishment of a religious order or its rules. The Pope is the central figure in this act.
In summary, the engraving appears to be a formal representation of a religious historical event, possibly the approval of a rule by the Pope, with the layout and figures emphasizing the importance of the occasion.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-04-27
The image depicts a historical scene where Pope Urban III (also known as Urbano III) is approving the rule of the Third Order of St. Francis, presented by St. Francis himself. The illustration is an engraving and includes a detailed depiction of the event.
In the image:
- Setting: The scene is set inside a church or a large hall with architectural features such as arches and columns visible in the background.
- Central Figures:
- Pope Urban III: He is seated on a raised platform, wearing papal vestments, including a mitre. He appears to be in the act of approving or blessing something.
- St. Francis: He is standing in front of the Pope, presenting a document, likely the rule of the Third Order.
- Surrounding Figures:
- Clergy and Friars: Several individuals, possibly clergy members and friars, are gathered around the Pope and St. Francis. Some are seated on benches, while others stand.
- Onlookers: Additional figures are present, observing the event. They are dressed in robes and appear to be part of the religious community.
- Details:
- The image includes an inscription in Italian at the bottom, which translates to: "Pope Urban III approves the Rule of the Third Order presented by St. Francis."
- The engraving is detailed, capturing the expressions and postures of the figures, as well as the architectural elements of the setting.
Overall, the image captures a significant moment in the history of the Franciscan Order, highlighting the approval of the rule for the Third Order by Pope Urban III.