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Human Generated Data

Title

And so I covered him with my body, to deflect the blows aimed at him.

Date

18th century

People

Artist: Jean Louis Delignon, French 1755 - 1804

Artist after: Jean-Michel Moreau, called Moreau le jeune, French 1741 - 1814

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of W. G. Russell Allen and Paul J. Sachs, M8989

Human Generated Data

Title

And so I covered him with my body, to deflect the blows aimed at him.

People

Artist: Jean Louis Delignon, French 1755 - 1804

Artist after: Jean-Michel Moreau, called Moreau le jeune, French 1741 - 1814

Date

18th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of W. G. Russell Allen and Paul J. Sachs, M8989

Machine Generated Data

Tags

Amazon
created on 2019-11-09

Human 99.6
Person 99.6
Person 97.8
Art 94.1
Painting 85.3
Person 79.6
Poster 71
Advertisement 71
Person 67.7

Clarifai
created on 2019-11-09

people 99.9
print 99.4
adult 99.1
art 97.4
one 97
illustration 96.3
man 96.1
group 95
wear 92.4
leader 92.4
portrait 92
painting 90.8
engraving 89.7
administration 87
woman 86.7
music 86.6
two 84.5
text 82.8
lithograph 82.5
vintage 79.6

Imagga
created on 2019-11-09

sculpture 42.1
art 34.4
book jacket 34.1
statue 29.3
architecture 27
jacket 26.5
old 26.5
ancient 24.2
history 23.3
carving 22.3
culture 22.2
mosaic 21.6
stone 21.4
building 21
famous 20.5
wrapping 20.2
monument 19.6
temple 19.3
tile 19.3
landmark 18.1
detail 17.7
historic 17.4
antique 17.4
vintage 17.4
religion 17
covering 16.7
travel 16.2
historical 16
city 14.1
symbol 14.1
tourism 14
binding 14
decoration 13.9
fountain 13.9
column 13
church 13
facade 12.9
marble 12.9
god 12.4
ornate 11.9
structure 11.7
transducer 11.7
wall 11.3
religious 11.3
museum 10.9
letter 10.1
traditional 10
statues 9.9
device 9.8
palace 9.8
figure 9.7
tourist 9.1
design 9
postmark 8.9
postage 8.8
postal 8.8
carved 8.8
paper 8.8
electrical device 8.7
stamp 8.7
holy 8.7
architectural 8.7
spirituality 8.6
mail 8.6
post 8.6
face 8.5
grunge 8.5
arch 8.1
support 8
sculptures 7.9
baroque 7.8
heritage 7.7
detailed 7.7
texture 7.6
unique 7.6
details 7.6
retro 7.4
black 7.2
creation 7.1

Google
created on 2019-11-09

Microsoft
created on 2019-11-09

text 99.9
building 99.5
person 95.6
drawing 95
cartoon 94.5
clothing 93.7
black 78.8
old 77.6
sketch 77.1
poster 71.8
book 61.7
painting 50.7

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 36-52
Gender Female, 50.1%
Calm 49.6%
Fear 49.5%
Happy 50.3%
Angry 49.5%
Surprised 49.5%
Disgusted 49.5%
Sad 49.6%
Confused 49.5%

Feature analysis

Amazon

Person
Painting
Poster
Person 99.6%

Categories

Captions

Microsoft
created on 2019-11-09

a vintage photo of a person 85.9%
a vintage photo of a person 85.8%
a vintage photo of a girl 74.3%

OpenAI GPT

Created by gpt-4 on 2025-02-06

This is a black and white image of an etching or engraving, presented vertically. It appears to depict a scene from a historical period, characterized by the clothing and interior design, likely the 18th or early 19th century. In the scene, we see two individuals. To the left, a man stands with a surprised or alarmed expression, his body turned slightly away, and his left hand outstretched behind him as though reacting to something happening out of view. He is well-dressed in a style typical of the upper class of the time, with a coat featuring elaborate detailing, knee breeches, stockings, and buckled shoes. His hair is styled in a manner that suggests a wig, also aligning with the fashion of that era. To the right, another figure who seems to be a man is bent forward in a protective posture, his arms covering his head. It appears they might be under some kind of threat or attack, as suggested by the defensive stance. The room has a high ceiling and is furnished with a table set with papers and inkstands, a chair that has been knocked slightly askew, and ornate pendulum clocks in the background. A hat rests on the floor near the feet of the second man, indicating a sense of a hurried or unexpected altercation. French text is included at the bottom of the image, suggesting narrative context or dialogue, which implies that this illustration may be part of a story, possibly from a book or series of illustrations telling a tale. The text reads: "Je le couvris ainsi de mon corps, recevant les coups qui lui étaient portés; Confession." This translates roughly to: "Thus, I covered him with my body, receiving the blows that were directed at him; Confession." The artist credit is given as "J. Moreau delt." and "J.J. Leveau [sculpsit]" indicating the names of the illustrator (draftsman) and the engraver respectively. The artwork was created by Jean Michel Moreau, also known as Moreau le Jeune, a French artist.

Created by gpt-4o-2024-05-13 on 2025-02-06

This image is an engraving or old illustration by J.L. Delignon after a work by J.M. Moreau, titled "Confessions." The scene depicted shows an older man, perhaps a noble or a well-dressed gentleman in period clothing, intervening in a physical altercation. He is shown with an outstretched arm, seemingly protecting or shielding a young boy who is seated and cowering. The boy appears to be frightened or distressed, possibly being attacked or threatened by another figure, whom the older man is holding back or pushing away. The setting appears to be an interior space, with period-appropriate furniture and decorative elements, including a desk, chair, and several large, ornate clocks and timepieces mounted on the walls. There is a sense of urgency or distress captured in the scene, which is reinforced by the protective posture of the man. The text at the bottom of the image is in French and reads, "Je le couvris ainsi de mon corps, recevant les coups qui lui étaient portés," which translates to, "I covered him with my body, receiving the blows that were aimed at him." This reinforces the idea that the older man is selflessly protecting the boy.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-06

This is a historical engraving or print that appears to show a dramatic scene in an interior setting. The artwork depicts several figures in 18th-century dress engaged in what appears to be a protective or defensive action. The main figure wears elegant period clothing including a long coat and is positioned in a dramatic pose with arms outstretched. The scene takes place in what looks like a study or office, with decorative clocks or ornaments visible on the walls and furniture. There's text in French at the bottom of the image that reads "Je le couvris ainsi de mon corps, recevant les coups qui lui étaient portés" which translates to "I thus covered him with my body, receiving the blows that were meant for him." The engraving shows fine detail and shading typical of 18th-century printmaking techniques. The piece appears to be illustration number 2 in a series, as indicated by the number at the top of the page.

Created by claude-3-opus-20240229 on 2025-02-06

The image depicts an elderly man sitting at a desk or workbench, examining or working on what appears to be a large bird, possibly a parrot or other tropical bird. Two young children are seated on the floor nearby, one of them holding or touching the bird. The scene takes place in an interior space with various objects visible such as clocks on the wall behind the figures. The image has an antique or vintage style and is printed in black and white with French text below it that translates to "I cover the body of my body, receiving the blows that were carried to it." This seems to be an allegorical or metaphorical scene conveying some moral message or lesson.

Created by claude-3-haiku-20240307 on 2025-02-06

The image appears to depict a scene from a historical or literary context. It shows an elegantly dressed gentleman, likely from an aristocratic background, who is gesturing dramatically with one hand. Two young children, one appearing to be a boy and the other a girl, are gathered around him, observing his actions intently. The scene seems to take place in an elaborately decorated interior, with ornate furnishings and decorations visible in the background. Without being able to identify any individuals, the image suggests a narrative or dramatic interaction between the central figure and the children.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15

The image depicts a scene from the 18th-century French novel "Les Confessions" by Jean-Jacques Rousseau. The illustration shows Rousseau, dressed in 18th-century attire, standing in a room with his arm outstretched and his hand open, as if in a gesture of protest or warning. He is positioned in front of a desk, where a man is seated, and another man is kneeling on the floor, seemingly trying to restrain the seated individual. The scene is set against a backdrop of a room with ornate furnishings, including a large mirror and a clock on the wall. The atmosphere of the image suggests a moment of tension or conflict, with Rousseau's outstretched arm and the kneeling man's attempt to restrain the seated individual creating a sense of drama and urgency. The text at the bottom of the image reads "Je le couvris ainsi de mon corps, recevant les coups qui lui étoient portés" which translates to "I covered him thus with my body, receiving the blows that were being struck at him." This quote is likely from the novel and adds context to the scene, suggesting that Rousseau is intervening to protect the seated individual from harm. Overall, the image captures a pivotal moment from Rousseau's novel, showcasing his character's actions and emotions in a dramatic and intense scene.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15

The image is a sepia-toned illustration of an older man and a young boy in a room. The older man, dressed in 18th-century attire, is standing with his right arm raised and his left arm extended towards the boy. He has long white hair and is wearing a long coat, waistcoat, breeches, and stockings. The boy, kneeling on the floor, is holding onto the older man's arm and appears to be crying. In the background, there are various objects such as clocks, a table, and a chair. The overall atmosphere of the image suggests a dramatic or emotional scene, possibly from a story or play. The text at the bottom of the image is in French and reads: "Je le couvris ainsi de mon corps, recevant les coups qui lui étaient portés; Confortations." This translates to "I covered him like this with my body, receiving the blows that were being dealt to him; Comforts."

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-06

The image is an antique black-and-white illustration, possibly from a book or a magazine. It features a scene of two children in distress, with a man in the middle, seemingly trying to help them. The man is dressed in a long coat with a wig, and he is stretching his arms out towards the children. The children are sitting on the floor, and one of them is holding the other's hand. Behind them, there is a desk with a clock and other objects on top. The image has a vintage look, with a slightly faded appearance, and it is framed by a decorative border.

Created by amazon.nova-lite-v1:0 on 2025-02-06

The image appears to be a vintage illustration or engraving depicting a scene from a book or publication. The illustration is in black and white and shows a man in a coat standing and gesturing with his arms while another man kneels in front of him. The kneeling man appears to be receiving some kind of punishment or discipline from the standing man. The scene is set in a room with various objects like a clock, a desk, and a chair in the background. The image has a vintage, old-fashioned look and feel, suggesting it may be from a historical publication or book.

Text analysis

Amazon

de
coups
qui
mon
les
Je
etoient
Moreau
Je le COUVris ain si de mon les
le
coups qui lui etoient portes;
corps
corps ,recevant
ain si
,recevant
portes;
beligow
M
Confossrions.
lui
COUVris
M Moreau bet beligow
bet

Google

de
mon
corps,
recevant
les
d
qui
Confessions
MMoreau beli Je le couvris ain si de mon corps, recevant les beliguon d coups qui lui étoient portés; Confessions
MMoreau
beli
Je
le
couvris
ain
si
beliguon
coups
lui
étoient
portés;