Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon

AWS Rekognition
Age | 35-52 |
Gender | Male, 51.5% |
Sad | 46% |
Confused | 46.5% |
Surprised | 46.8% |
Calm | 45.3% |
Disgusted | 46.1% |
Happy | 48.3% |
Angry | 46% |
Feature analysis
Amazon
Clarifai

Clarifai
Clothing | 79% | |
Categories
Imagga
created on 2019-03-22
paintings art | 100% | |
Captions
Microsoft
created by unknown on 2019-03-22
a close up of a book | 48.6% | |
close up of a book | 43.2% | |
a hand holding a book | 43.1% | |
Clarifai
Created by general-english-image-caption-clip on 2025-07-13
illustration toa week of kindness.
Salesforce
Created by general-english-image-caption-blip on 2025-05-21
a photograph of a man in a suit and a hat is holding a bow
OpenAI GPT
Created by gpt-4 on 2025-02-03
The image shows a lithographic print with a caption in French, "Les Bons Bourgeois," which translates to "The Good Bourgeois." Below that, there is a secondary title, "Le départ pour le bal. Pêche et l'amour," translating to "The departure for the ball. Peach and love." It's numbered as "Nº 59."
The illustration itself features a somewhat comical scene in which a rotund man with wings, possibly intended to represent Cupid or a similar figure, is dressed in what appears to be ballet attire, including a tutu, and is poised as if about to dance or take flight. The individual is carrying a bow, typical of traditional depictions of Cupid as the god of desire, erotic love, attraction, and affection. He seems to be attempting an elegant pose, with one arm outstretched.
In the background, the shadowy figure of a man stands behind a curtain, the lower half of his body visible, wearing a long coat and boots that are characteristic of the period, which the style of the print suggests might be the 19th century. The boots have spurs, suggesting that this may be a gentleman about to depart for an event, possibly a ball as indicated in the caption.
The style of drawing and the humor indicated by the contrast between the rotund Cupid-like figure and the straight, almost stiff posture of the gentleman, along with the detailed hatching and cross-hatching for shading, indicate this is likely a satirical piece, characteristic of some 19th-century French art that poked fun at societal norms and figures.
The print is also signed with a monogram that looks like "h.D," and there is a date marked as "992" which might reference to the year in the artist's individual cataloging system or the print number in a series. There is the text "Chez Aubert Palais-Royal" which indicates the publisher or distribution location and an "Imp. d'Aubert & Cie" marking, likely indicating the printer.
Created by gpt-4o-2024-05-13 on 2025-02-03
This is a black and white lithograph titled "LE DÉPART POUR LE BAL" from the series "LES BONS BOURGEOIS" by Honoré Daumier. The image is number 59 in the series and it depicts a humorous scene.
The central figure is a rotund man dressed as Cupid (l'Amour), complete with a floral headdress, small wings, and carrying a bow and arrow. He stands in a comical pose, with one leg lifted and one arm raised, appearing to be about to dance or prance. The expression on his face indicates effort or concentration, accentuating the humorous aspect of a middle-aged man costume dressed in a youthful, mythical character's attire.
Next to him stands another figure, whose body and legs are visible, but the upper part is obscured by a curtain or a piece of cloth. This part of the image tends to depict Psyche (la Pysché), further adding to the scene's humorous interpretation.
The overall atmosphere of the lithograph is light-hearted and satirical, poking fun at the bourgeoisie of the time, and the image relies on contrast and caricature to deliver its humorous message. The artwork is a fine example of caricature from the 19th century, highlighting Daumier's critical yet playful style.
Anthropic Claude
Created by claude-3-5-sonnet-20241022 on 2025-02-03
This is a satirical lithograph titled "Les Bons Bourgeois" (The Good Bourgeois) with a subtitle "Le départ pour le bal" (Departure for the ball). It's a caricature-style drawing showing a figure dressed as Cupid or a cherub, with small wings and minimal clothing, striking an exaggerated dancing pose while holding what appears to be an arrow. The figure is drawn in a comical, ungraceful manner, which contrasts with the classical image of Cupid. In the background, there appears to be a standing mirror or screen. The artwork is rendered in black and white, using hatching and shading techniques typical of 19th-century lithographs. The style suggests this is likely a social satire, possibly mocking the bourgeois class's attempts to appear refined or romantic.
Created by claude-3-opus-20240229 on 2025-02-03
The image is an old black and white illustration or lithograph titled "Les Bons Bourgeois" (The Good Bourgeois). It depicts an overweight, satirical caricature of a bourgeois man dancing or leaping in an exaggerated pose. He is wearing a tight-fitting outfit and has one hand raised while the other holds up his coattails. A curtain is pulled back dramatically on one side. The bottom of the image says "Le Départ pour le Bal." (Departure for the Ball) and "Pensée et l'amour" (Thought and love). The sketch has an absurd, mocking tone poking fun at the bourgeois class.
Created by claude-3-haiku-20240307 on 2025-02-03
The image depicts a person, dressed in a costume and surrounded by decorative elements, seemingly preparing to depart for a ball or similar event. The individual is shown in a pose that suggests movement, with arms raised and a floral wreath on their head. In the background, there appears to be a curtain or drapery. The overall atmosphere conveys a sense of festivity and anticipation.
Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-24
This is a satirical French lithograph titled "Les Bons Bourgeois" (The Good Bourgeois), with a subtitle "Le départ pour le bal" (Departure for the ball). The artwork shows a figure dressed as Cupid in a comical pose, with small wings, holding what appears to be an arrow, and wearing minimal clothing that includes short pants or undergarments. The figure is captured in an exaggerated dancing or leaping position near what looks like a standing mirror or screen. The drawing style is characteristic of 19th-century French caricature art, with expressive linework and shading. The overall composition appears to be making fun of bourgeois pretensions or social customs of the time. The image has a humorous quality, poking fun at someone attempting to dress up as the classical god of love.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15
The image is a cartoon by French artist Honoré Daumier, titled "The Departure for the Ball" (Les Bons Bourgeois), created in 1839. The cartoon depicts a man, representing the bourgeoisie, in a state of panic and disarray as he prepares to attend a ball. He is shown holding a cane and wearing a hat, with his clothes in disarray, and his face contorted in a comical expression of anxiety and embarrassment. The background of the image is dark and shadowy, with the man standing out against the stark contrast.
Daumier's work often critiqued the social and political issues of his time, and this cartoon is no exception. It satirizes the excesses and superficiality of the upper class, as well as the societal pressures that come with attending high-society events. The image is a commentary on the absurdity and pretentiousness of the bourgeoisie, and the ways in which they present themselves to the world.
Overall, "The Departure for the Ball" is a humorous and insightful commentary on the social norms and expectations of the time, and it continues to be a relevant and thought-provoking work of art today.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15
This image is a caricature of a man in a ballet costume, with the title "LES BONS BOURGEOIS" at the top. The man is depicted in a dynamic pose, with his right arm raised and his left leg extended behind him. He wears a tutu, a top hat adorned with flowers, and a sash around his waist. In his right hand, he holds a bow and arrow, while his left hand grasps the edge of a curtain.
The background of the image features a dark wall, with a floor that appears to be made of stone or brick. The overall atmosphere of the image suggests that it is a satirical commentary on the bourgeoisie, with the man's exaggerated pose and costume implying a sense of absurdity or ridicule.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-02-03
The image is a black-and-white drawing of a figure that appears to be a caricature. The figure is in a dynamic pose, with one leg lifted and the other bent, suggesting movement or action. The figure is wearing a winged helmet, which could be indicative of a mythological or historical character. The figure is holding an arrow in one hand and appears to be reaching upwards with the other hand. There is a large, draped garment to the right of the figure, which could be a curtain or a piece of clothing. The drawing has a whimsical and exaggerated style, with the figure's proportions and features being distorted for comedic effect. The drawing is titled "LES BONS BOURGEOIS," which translates to "The Good Bourgeois" in English. The drawing is likely a satirical or humorous depiction of a bourgeois figure, possibly mocking their perceived pretentiousness or self-importance.
Created by amazon.nova-lite-v1:0 on 2025-02-03
The image is a black-and-white illustration from a book or magazine. It depicts a man with wings and a bow, dressed in a short skirt and holding a bow in his right hand. He is jumping in the air, with his left hand raised. The man is standing on a cobblestone floor, with a large curtain behind him. The curtain has a number "59" on it. The image has a watermark on the top left corner that reads "Les Bons Bourgeois." The illustration is titled "Le Depart Pour Le Bal" and is dated "1832."
Google Gemini
Created by gemini-2.0-flash on 2025-05-26
Here's a description of the image:
This is a caricature print titled "Le Départ pour le Bal" (Departure for the Ball), part of the series "Les Bons Bourgeois" (The Good Bourgeois). The text below the title further specifies "Psiché et l'amour" (Psyche and Love).
The central figure is a heavyset man dressed as Psyche/Cupid. He has a garland of flowers on his head and small, butterfly-like wings attached to his back. He holds an arrow in one hand, and his other hand is raised dramatically. He wears ballet shoes and a short tunic, emphasizing his rather ungainly figure in this theatrical costume.
Next to him are a pair of trousers on a valet stand, suggesting he is getting ready for a costume ball. The style is satirical, poking fun at the bourgeois trying to take on the appearance of classical figures. The illustration style features heavy hatching and cross-hatching to create shading and texture.
Created by gemini-2.0-flash-lite on 2025-05-26
Here is a description of the image:
The image is a black and white lithograph, a type of printmaking technique. It appears to be a satirical cartoon or caricature.
Overall Composition:
- Subject: The central figure is a plump, somewhat grotesque depiction of Cupid (Eros), a figure of mythology often associated with love and desire. He is depicted with a large belly, wearing a simple toga-like garment and short pants, wings, and a garland of flowers.
- Action: Cupid is in motion, seemingly dancing or prancing. He has one arm raised, and he is holding a bow and arrow.
- Setting: The background is a somewhat undefined space, with a few dark lines suggestive of some vertical structure, possibly a column or a piece of furniture.
- Style: The drawing style is expressive, with a focus on exaggerating features for comic effect. The use of hatching creates shadows and depth.
Textual elements:
- Title: The top title, "LES BONS BOURGEOIS" ("The Good Bourgeois") suggests the subject is aimed at social commentary and satire.
- Number: There is a number "N: 59." on the right.
- Caption: The text at the bottom reads, "LE DÉPART POUR LE BAL. Psiché et l'amour," which translates to "The Departure for the Ball. Psyche and Love." This further indicates a parody of the classical myth, or a burlesque of romantic or high-society themes.
- Other: There is also a small signature and a publisher's mark in the bottom left.
Interpretation:
The image could be interpreted as a critique of the "bourgeois" class, perhaps suggesting they are frivolous and somewhat ridiculous, or satirizing their aspirations to romance and high society. The image may also be seen as a representation of the contrast between idealized concepts of love and the sometimes-clumsy realities of social interactions, perhaps in a satirical way.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-09
The image is a black and white lithograph titled "Le Départ pour le Bal" ("The Departure for the Ball") by Honoré Daumier, a renowned French caricaturist and painter. It is part of his series "Les Bons Bourgeois" ("The Good Bourgeois"), which satirizes the middle class of 19th-century France.
In the image, a man is depicted in a hurried and somewhat clumsy manner, preparing to leave for a ball. He is dressed in what appears to be a nightshirt or undergarment, and he is in the process of putting on his trousers. The man is holding a walking stick in his right hand and appears to be rushing, as indicated by his dynamic posture. The background shows a draped curtain, suggesting an indoor setting, possibly his bedroom. The floor is littered with scattered clothing items, emphasizing the chaotic and hurried nature of his preparation.
The caption at the bottom reads "Priché et l'amour," which translates to "Pride and Love," adding a humorous and ironic touch to the scene. The image is numbered 992, indicating its place in Daumier's extensive body of work. The lithograph captures the essence of Daumier's style, which often combines social commentary with humor and exaggeration.
Qwen
No captions written