Human Generated Data

Title

Afficianados' Row: View Taken at the Opera

Date

1852

People

Artist: Honoré-Victorin Daumier, French 1808-1879

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of W. G. Russell Allen and Paul J. Sachs, M8813

Human Generated Data

Title

Afficianados' Row: View Taken at the Opera

People

Artist: Honoré-Victorin Daumier, French 1808-1879

Date

1852

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of W. G. Russell Allen and Paul J. Sachs, M8813

Machine Generated Data

Tags

Amazon
created on 2022-05-21

Person 96
Human 96
Art 95
Drawing 85
Painting 83
Text 67.4
Sketch 64.5
Poster 57.4
Advertisement 57.4

Clarifai
created on 2023-10-29

people 100
print 99.8
engraving 99.7
illustration 99.2
adult 98.8
art 98.5
group 98.3
man 98.2
etching 97
portrait 97
two 96.2
administration 93.2
leader 91.9
veil 91.6
pictorial 91.3
woodcut 90.6
wear 90
vintage 89.8
writer 88.8
one 87.6

Imagga
created on 2022-05-21

sketch 100
drawing 80.9
representation 67.4
money 33.2
currency 29.6
cash 25.7
dollar 23.2
finance 22.8
art 22.8
financial 22.3
stamp 21.8
vintage 21.5
paper 21.2
banking 21.2
dollars 20.3
bank 19.9
wealth 19.8
close 18.3
mail 18.2
postmark 17.8
us 17.4
one 17.2
bill 17.1
business 17
letter 16.5
retro 15.6
envelope 15.5
savings 14.9
economy 14.9
exchange 14.3
postage 13.8
postal 13.8
rich 13
printed 12.8
banknotes 12.7
finances 12.5
loan 12.5
post 12.4
ancient 12.1
shows 11.8
book jacket 11.8
bills 11.7
pattern 11.6
profit 11.5
closeup 11.5
symbol 11.5
man 11.4
black 11.4
treasury 11.3
old 11.2
investment 11
global 10.9
hundred 10.7
capital 10.5
culture 10.3
masterpiece 9.9
stamps 9.9
franklin 9.8
funds 9.8
market 9.8
banknote 9.7
states 9.7
pay 9.6
artistic 9.6
grunge 9.4
decoration 9.2
jacket 9.2
design 9.1
philately 8.9
united 8.6
church 8.3
painting 8.1
religion 8.1
detail 8.1
icon 7.9
circa 7.9
known 7.9
museum 7.9
twenty 7.9
face 7.8
delivery 7.8
economic 7.8
invest 7.7
debt 7.7
notes 7.7
depository 7.7
painted 7.6
fine 7.6
creation 7.6
sign 7.5
decorative 7.5
comic book 7.5
note 7.4
painter 7.3
people 7.3
aged 7.2
portrait 7.1

Google
created on 2022-05-21

Microsoft
created on 2022-05-21

text 100
book 99.9
sketch 99.9
drawing 99.8
illustration 98.7
cartoon 94.2
art 91.9
human face 76
ink 75.1
person 55.7

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 50-58
Gender Female, 82.2%
Happy 49.1%
Calm 21.5%
Surprised 19.3%
Angry 8.4%
Fear 6.7%
Sad 2.5%
Disgusted 2.2%
Confused 0.9%

Feature analysis

Amazon

Person 96%
Poster 57.4%

Categories

Imagga

paintings art 100%

Captions

Microsoft
created on 2022-05-21

a close up of a book 64.1%
close up of a book 58.6%
a close up of text on a book 55.1%

Azure OpenAI

Created by gpt-4 on 2024-12-05

This image is a black and white illustration of several individuals seated in a row, appearing to be at an opera house or theatre, given the focus on observing a spectacle. At the forefront, two gentlemen are prominently featured; the one on the left is looking through a pair of opera glasses (binoculars). He has a mustache and is donning a formal suit, typical of 19th-century fashion. The man on the right is sitting with a relaxed posture, hands crossed over his stomach, and is also dressed in formal attire. All the individuals have exaggerated facial expressions suggesting humor or amusement. The illustration includes text at the top that reads "LES PARISIENS EN 1852," indicating the scene represents Parisians in the year 1852. Below the image, further text says "Le banc des amateurs.—Vue prise à l'opéra," which translates to "The row of amateurs.—View taken at the opera." The text at the bottom indicates the place of publication and the printer's information, referencing Paris. The style of the illustration, particularly the caricature-like exaggeration of the figures and faces, suggests it may be the work of an artist who focuses on social commentary or satire. The overall impression is lively and playful, capturing a cultural moment from the mid-19th century.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-05

The image depicts a humorous scene of several caricature-like figures attending the opera. The central figure appears to be a man in formal attire holding a telescope or opera glasses, surrounded by exaggerated facial expressions and poses of other individuals. The image is titled "Les Parisiens en 1852" and the caption below suggests it is a "view of amateurs in the opera."

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-05

The image depicts a scene from the opera, specifically focusing on the audience. The title "LES PARISIENS EN 1852" is displayed at the top, indicating the year and location of the event. Below this, a sketch of a man sitting in the audience is shown, with his hand raised to his mouth as if he is about to cough or clear his throat. He is dressed in formal attire, suggesting that he is part of the upper class or aristocracy. In the background, other audience members are visible, but they are not as clearly defined as the central figure. The overall atmosphere of the image appears to be one of elegance and refinement, with the focus on the individual's reaction to the performance. The image is signed "D. AUBER" in the bottom-left corner, indicating the artist's name. The text below the image reads "Le banc des amateurs. - Vue prise à l'opera," which translates to "The bench of amateurs. - View taken at the opera." This suggests that the image is a commentary on the social class of the audience members, with the "amateurs" being those who are not professional performers but rather spectators. Overall, the image provides a glimpse into the social dynamics of the opera-going experience in 1852 Paris, highlighting the contrast between the refined atmosphere of the opera house and the more informal behavior of the audience members.

Text analysis

Amazon

LES
banc
prise
EN
LES PARISIENS EN 1852
PARISIENS
des
1852
Le
à
Imp
Le banc des amateurs. Vue prise à l'opéra.
Chez
357
Paris
Vue
amateurs.
3
Miracles
l'opéra.
rue
cruissant
is
du
Cour
,16
Imp Ch Trinocq, Cour des Miracles 9. Paris.
Ch
Chez Pannier & (de rue du cruissant ,16 Paris
52
Trinocq,
Pannier
9. Paris.
is jam 52
&
2120
jam
(de
Dauman
Km

Google

4/6 LES PARISIENS EN 1852 tuma Chez Pannier & Crue du croissant, 16. Paris. >))) 357 Le banc des amateurs.-Vue prise à l'opéra. Imp. Ch Trinocg, Cour des Miracles, 9. Paris.
4/6
LES
PARISIENS
EN
1852
tuma
Chez
Pannier
&
Crue
du
croissant
,
16.
Paris
.
>
)
357
Le
banc
des
amateurs
-
Vue
prise
à
l'opéra
Imp
Ch
Trinocg
Cour
Miracles
9.