Human Generated Data

Title

"I've had enough of the cradle, it's impossible to sleep there."

Date

1866

People

Artist: Honoré-Victorin Daumier, French 1808-1879

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, The Program for Harvard College, M13799

Human Generated Data

Title

"I've had enough of the cradle, it's impossible to sleep there."

People

Artist: Honoré-Victorin Daumier, French 1808-1879

Date

1866

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, The Program for Harvard College, M13799

Machine Generated Data

Tags

Amazon
created on 2019-11-07

Art 89.2
Text 84.3
Human 81.2
Painting 79.4
Soil 62.8
Leisure Activities 57.8
Drawing 55.3

Clarifai
created on 2019-11-07

print 100
illustration 100
engraving 100
people 100
art 99.9
antique 99.5
etching 99.2
vintage 99.2
man 99
old 98.7
painting 98.3
visuals 97.5
paper 97.3
woodcut 97.1
lithograph 97
portrait 96.9
reproduction 96.7
group 95.9
leader 95.4
retro 94.9

Imagga
created on 2019-11-07

newspaper 33.8
money 33.2
book jacket 32.6
vintage 32.3
paper 32.2
stamp 31.7
product 29.9
cash 29.3
daily 28.9
mail 28.7
currency 27.8
postmark 27.6
old 26.5
letter 25.7
jacket 25.4
creation 25.2
sketch 24.4
bank 24.2
dollar 24.1
retro 23.8
postage 23.6
postal 23.6
finance 22
drawing 21.7
envelope 21.5
wealth 20.7
dollars 20.3
banking 20.2
wrapping 19.3
financial 18.7
one 18.7
exchange 18.2
business 17.6
ancient 17.3
comic book 17.2
post 17.2
philately 16.8
rich 16.8
printed 16.7
close 16.6
savings 15.9
circa 15.8
bill 15.2
shows 14.8
note 14.7
banknote 14.6
us 14.5
covering 14.3
economy 13.9
aged 13.6
states 13.5
representation 13.4
history 13.4
antique 13.1
symbol 12.8
global 12.8
bills 12.6
art 12.4
closeup 12.1
stamps 11.8
banknotes 11.7
pay 11.5
capital 11.4
card 11.2
grunge 11.1
loan 10.6
united 10.5
culture 10.3
black 10.2
funds 9.8
hundred 9.7
finances 9.6
communications 9.6
investment 9.2
message 9.1
post mail 8.9
zigzag 8.9
delivery 8.8
museum 8.7
cutting 8.7
payment 8.7
notes 8.6
profit 8.6
treasury 8.6
book 8.6
unique 8.5
commerce 8.4
collection 8.1
office 8
paintings 7.8
value 7.8
texture 7.6
fine 7.6
icon 7.1
market 7.1

Google
created on 2019-11-07

Microsoft
created on 2019-11-07

text 100
drawing 99.7
sketch 99.7
book 99.7
cartoon 97.1
illustration 95
person 77.2
engraving 74.3
painting 66.8

Color Analysis

Feature analysis

Amazon

Person

Clarifai

Person
Picture frame
Clothing
Human face
Human arm

AWS Rekognition

Person 70.8%

AWS Rekognition

Person 69.3%

Clarifai

Person 73.3%

Clarifai

Picture frame 66.5%

Clarifai

Clothing 58.5%

Clarifai

Human face 47.8%

Clarifai

Human face 40%

Clarifai

Human face 35.8%

Clarifai

Human arm 34.3%

Categories

Imagga
created on 2019-11-07

paintings art 100%

Captions

Microsoft
created by unknown on 2019-11-07

a close up of a book 58.9%
close up of a book 53.4%
a close up of a book cover 53.3%

Clarifai

Created by general-english-image-caption-clip on 2025-07-13

illustration toa week of kindness.

Salesforce

Created by general-english-image-caption-blip on 2025-05-18

a photograph of a drawing of a woman in a dress and a man in a hat

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-03

This monochromatic illustration appears to be a satirical political cartoon. It depicts a woman, drawn in a stylized, exaggerated manner, dressed in an elaborate gown sitting beside a cradle. The word "DIPLOMATIE" (French for diplomacy) is written prominently on her dress.

Inside the cradle, instead of a baby, there is a skeletal figure with a sword, donning what looks like a plumed helmet. The skeletal figure is leaning on the edge of the cradle and seems animated. The woman looks weary or distressed, as her head rests heavily in her hand.

Above the image, the word "ACTUALITÉS" (translated to current events or news in English) indicates that this is part of a series or a section of a publication.

Below the image, there is a caption in French: "J'ai eu beau le bercer; impossible de l'endormir" which translates to "I tried to rock him; impossible to get him to sleep." This likely conveys a sense of frustration or futility within the realm of diplomacy, as symbolized by the active, troublesome skeleton in the cradle.

The drawing style, crosshatching, and exaggerated features suggest it is a caricature, designed to evoke humor or criticism. This artwork is signed "P. D." which could stand for a well-known caricaturist.

Created by gpt-4 on 2025-02-03

This is a black and white illustration showing a caricature-style drawing. There is text at the top indicating "ACTUALITÉS", and a number "105" to the right. The scene depicts a figure resembling a woman, sitting in a chair next to a cradle, looking distressed with an open mouth, as if shouting or expressing anguish. The figure is wearing a dress with "DIPLOMATIE" written across it, suggesting that the character represents diplomacy.

In the cradle, there is a skeletal figure wearing a very large, feathered headdress and a small piece of cloth around its waist, dancing or flailing with one arm raised and the other holding onto the cradle. The skeleton appears to be quite active and not resting, which contradicts the typical purpose of a cradle. There is also text beneath the image, which appears to be in French. It reads, "—J'ai eu beau le bercer; impossible de l'endormir," which translates to "—I tried my best to rock it; it's impossible to put it to sleep".

This caption implies that the figure labeled as "Diplomatie" is unable to calm or control the other figure in the cradle, which might symbolize a political or social issue that cannot be soothed or resolved by diplomatic means. The signature "h.D." followed by "25." is likely the artist's signature and could represent the date.

The image appears to be a satirical political cartoon, suggesting commentary on contemporary (for the time it was created) diplomatic events or efforts. The style indicates it could be from the 19th or early 20th century, though without further context, it's difficult to determine the specific historical or political situation being addressed. The artwork could be part of a series or publication, given the heading "ACTUALITÉS" and the number present, suggesting it is one entry in a larger collection.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-28

This appears to be a historical sketch or lithograph, titled "ACTUALITES" (meaning "Current Events" in French). The image shows a dramatic scene with what looks like figures in flowing garments or robes in dynamic, swirling motion. The artwork is rendered in black and white with strong contrasts and expressive linework typical of 19th-century illustration techniques. At the bottom of the image, there's a French caption that reads "J'ai eu beau le bercer, impossible de l'endormir" which translates to "No matter how much I rocked him, impossible to put him to sleep." The composition has a strong diagonal movement from lower right to upper left, creating a sense of energy and movement in the scene. The drawing style appears loose and gestural, with dramatic shading creating a moody atmosphere.

Created by claude-3-5-sonnet-20241022 on 2025-02-03

This is a historical cartoon or satirical illustration titled "ACTUALITES" (current events/news). The sketch shows a dramatic scene with a figure sitting by what appears to be a cradle or small boat, labeled "DIPLOM." in the drawing. Above or near the cradle, there's a ghostly or menacing figure rising up. The art style is characteristic of 19th-century political caricature, done in black and white with expressive, loose line work.

The caption in French reads "J'ai eu beau le bercer; impossible de l'endormir" which translates to "Try as I might to rock it, impossible to put it to sleep."

This appears to be a political commentary, likely about diplomatic relations or issues of the time. The style and execution suggest it might be from a French publication or newspaper of the period. The dramatic shading and energetic lines create a sense of tension and unease in the scene.

Created by claude-3-opus-20240229 on 2025-02-03

The black and white sketch depicts an elaborately dressed woman lounging on a bed or sofa. She appears to be asleep or resting, with her head tilted back and eyes closed. Behind her stands another female figure, likely meant to represent a maid or attendant, who seems to be fanning or tending to the reclining woman. The sketch has French text below it that translates to "I fell asleep, impossible to fall asleep", suggesting the image portrays a moment of restless slumber or insomnia. The shading and linework give the scene an atmospheric, dream-like quality.

Created by claude-3-haiku-20240307 on 2025-02-03

The image shows a chaotic, fantastical scene. In the center is a figure that appears to be a demon or monstrous creature with a distorted, grotesque face. It is depicted as standing over a sleeping or incapacitated person. The background is filled with dark, swirling lines that create a sense of movement and unease. The overall impression is one of a nightmarish, supernatural atmosphere.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-14

The image depicts a political cartoon from the 19th century, featuring two women in a domestic setting. The woman on the left is seated, while the woman on the right stands over a large bowl, holding a stick. The cartoon is titled "J'ai eu beau le berce, impossible de l'endormir" and is attributed to the artist Honoré Daumier. The image is likely a commentary on the challenges of diplomacy and the difficulties of achieving peace.

In the foreground, the two women are the main focus of the image. The woman on the left appears to be trying to soothe or calm the woman on the right, who is standing over the bowl. The woman on the right is holding a stick, which may be used to stir the contents of the bowl or to gesture emphatically. The bowl itself is large and appears to be filled with some kind of liquid or substance.

In the background, there is a curtain or drapery that adds depth and texture to the image. The overall atmosphere of the cartoon is one of tension and drama, as the two women seem to be engaged in a heated conversation or argument.

The image also includes several other elements that add to its meaning and symbolism. For example, the title of the cartoon suggests that the woman on the right is impossible to soothe or calm, implying that she is stubborn or uncooperative. The use of a bowl and a stick also adds to the sense of drama and tension, as these objects are often associated with cooking and domesticity.

Overall, the image is a powerful commentary on the challenges of diplomacy and the difficulties of achieving peace. It suggests that even in the most intimate and domestic settings, conflicts and tensions can arise, and that finding solutions to these conflicts can be difficult and challenging.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-14

The image depicts a black-and-white drawing of two women, one seated and the other standing, with the seated woman holding a large sack labeled "DIPLOMATIE" (Diplomacy). The standing woman appears to be pulling the sack away from the seated woman.

Key Elements:

  • Seated Woman: The seated woman is dressed in a long gown and has her hair styled in an updo. She grasps the sack with both hands, indicating a sense of possession or control.
  • Standing Woman: The standing woman wears a shorter dress and has her hair tied back. She is depicted pulling the sack away from the seated woman, suggesting a struggle for power or influence.
  • Sack: The sack is prominently labeled "DIPLOMATIE," implying that it represents diplomatic efforts or negotiations.
  • Background: The background of the drawing is dark and indistinct, which may symbolize uncertainty or chaos.

Interpretation:

The image can be interpreted as a commentary on the challenges and complexities of diplomacy. The struggle between the two women may represent the difficulties of navigating international relations, where different parties may have competing interests and agendas. The sack labeled "DIPLOMATIE" serves as a visual representation of the diplomatic process, highlighting the importance of effective communication and cooperation in achieving successful outcomes.

Overall, the image presents a thought-provoking commentary on the intricacies of diplomacy and the need for careful negotiation and collaboration in achieving mutually beneficial goals.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-03

The image is a black-and-white drawing of an old woman sitting on a chair with her legs crossed. She is looking at a small figure of a man standing on a basket, holding a stick, and wearing a hat. The old woman is wearing a dress with the word "PLOMATI" written on it. The drawing has a watermark on the bottom right corner with the text "D. D. 25." and a date "21/7 66 3212".

Created by amazon.nova-lite-v1:0 on 2025-02-03

The image is a black-and-white drawing that depicts a scene with two figures. The drawing is titled "Actualités" and is numbered 105. The main figure is a woman who is seated on a bed. She is wearing a long dress and has her hair tied up in a bun. She is looking up at a small figure that is standing on a round object, possibly a table or a bed, and holding a sword. The small figure is wearing a helmet and a dress and is looking down at the woman. The drawing has a watermark in the bottom left corner that reads "A de Verse e-Avirol, 55." The image also has a caption that reads "J'ai eu beau le bercer, impossible de l'endormir" and a date of "21/7 66 3212."

Google Gemini

Created by gemini-2.0-flash on 2025-06-05

Here's a description of the image:

The image is a black and white caricature-style print. It features two main figures: an older woman and a skeletal, demonic-looking creature. The older woman is seated on a padded chair, facing slightly to the left. She has an aged face with exaggerated features and her hair is styled in an updo. She's wearing an elaborate gown with "DIPLOMATIE" written largely across the front of the skirt.

Standing precariously in a large, round, baby-like cot that the woman is holding, is the skeletal creature. It has a grotesque face, a headdress, and smoke emanating from its head. It is brandishing a thin object, possibly a sword, and appears to be causing distress or agitation.

The background is filled with dense cross-hatching, suggesting a wall or some sort of dimly lit room. There are printed marks and text along the edges of the image, including "ACTUALITES," and a page number of "105" at the top, as well as "A de Vresse, Rival 55." and "_J'ai eu beau le bercer, impossible de l'endormir" at the bottom.

Created by gemini-2.0-flash-lite on 2025-06-05

Here's a description of the image:

Overall Impression: The image is a political cartoon, likely from a periodical. It uses satire and exaggeration to convey a message. It has a dark, sketchy style indicative of caricatures.

Key Elements and Composition:

  • Main Figure: A woman, likely representing a figure of power or authority, is sitting in a large, ornate armchair. Her expression is one of distress or frustration. Her dress is large, and the word "DIPLOMATIE" is emblazoned across her dress. This implies she is diplomacy or a figure of diplomacy.
  • Symbolic Figure: A small, skeletal figure is standing on a woven bowl-shaped object in a bed, holding a small sword. This figure could represent war, conflict, or perhaps a specific political adversary.
  • Setting: The setting appears to be an interior space. The details are simple, conveying the focus on the main figures.
  • Text: There is text at the bottom: "J'ai eu beau le bercer, impossible de l'endormir" ("I tried to rock him, impossible to put him to sleep").

Interpretation (Possible):

  • The cartoon satirizes the difficulty the woman (diplomacy) has controlling or calming the skeletal figure (war, conflict). The skeletal figure seems to symbolize constant threat or conflict in the bed, representing a political situation. The phrase "impossible to put him to sleep" suggests the speaker's inability to resolve a conflict or to maintain peace.

Style and Technique:

  • The drawing style is characterized by loose, sketchy lines. This contributes to the cartoon's informal and satirical tone.
  • The use of shadow and light creates a sense of depth and emphasizes the figures.

Overall, the cartoon seems to be a commentary on political difficulties relating to diplomacy and conflict.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-09

The image is a black-and-white lithograph by Honoré Daumier, a renowned French artist known for his satirical and political commentary. The artwork is titled "J'ai eu beau le bercer, impossible de l'endormir," which translates to "I tried to rock him to sleep, but it was impossible to put him to sleep."

The scene depicts an elderly woman, likely a nurse or caretaker, attempting to rock a child to sleep in a cradle. The child appears to be crying or fussing, with arms raised in distress. The woman's facial expression shows frustration and exhaustion. The child is holding a large, oversized diploma, which is the central focus of the satire. The diploma is prominently displayed, suggesting that it is the cause of the child's restlessness.

The artwork is part of Daumier's series "Actualités," which often commented on contemporary social and political issues. The lithograph is signed "H.D." and dated "25," likely indicating the date of creation or publication. The overall tone of the image is humorous and critical, using exaggeration and caricature to convey its message.

Qwen

No captions written

Text analysis

Amazon

beau
105
impossible
eu
le
endormir
ACTUALITES,
de
25.
bercer:
_J'ai eu beau le bercer: impossible de endormir 2in 3212
_J'ai
3212
b.. 25.
b..
RLOMAlY
2in

Google

105 ACTUALITES D. 25. A de VrenecNl5 se .J'ai eu beau le bercer impossible de l'endormir 312
105
ACTUALITES
D.
25.
A
de
VrenecNl5
se
.J'ai
eu
beau
le
bercer
impossible
l'endormir
312